Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like A Dastardly Plot

anchored on:steampunkour worldnorth america19th centurymiddle gradehistorical fiction+3 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Montague Siblings
                  Montague Siblings

                  series · 4 books · 2017

                  similar by19th centuryhistorical fiction+4 more

                • Cover of Alias Grace
                  Alias Grace

                  Margaret Atwood · standalone novel · 1996

                  similar by19th centuryhistorical fictionnorth america+1 more

                  Alias Grace is a historical fiction novel by Canadian writer Margaret Atwood. First published in 1996 by McClelland & Stewart, it won the Giller Prize and was shortlisted for the Booker Prize.

                • Cover of Newt's Emerald
                  Newt's Emerald

                  Garth Nix · standalone novel · 2013

                  similar bygender and societyadventurous19th centurybig city

                  After Lady Truthful's magical Newington Emerald is stolen from her she devises a simple plan: go to London to recover the missing jewel. She quickly learns, however, that a woman cannot wander the city streets alone without damaging her reputation, and she disguises herself as a mustache-wearing man. During Truthful's dangerous journey she discovers a crook, an unsuspecting ally, and an evil sorceress but will she find the Emerald?

                • Cover of The Outlaws of Sherwood
                  The Outlaws of Sherwood

                  Robin McKinley · standalone novel · 1988

                  similar bygender and societyadventurousadventure

                  The Outlaws of Sherwood is a retelling of the legend of Robin Hood by Robin McKinley. In McKinley's afterword, she says, "The retellings through the centuries have echoed concurrent preoccupations." The story includes both the traditional Robin Hood characters — Little John, Much, Friar Tuck, Marian and Alan-a-dale — and characters of McKinley's own invention. Notably, three of the most important characters are women, all of whom escape marriage to prospective spouses chosen by their fathers.

                • Cover of Dodger
                  Dodger

                  Terry Pratchett · standalone novel · 2012

                  similar byadventurous19th centuryhistorical fictionadventureour worldbig city

                  Dodger is a novel written by Terry Pratchett, set in early Victorian London, and inspired by Charles Dickens's character the Artful Dodger. The book was released on 13 September 2012 in the UK.

                • Cover of The Smoke Hunter
                  The Smoke Hunter

                  Jacquelyn Benson · standalone novel · 2016

                  similar byadventurous19th centuryhistorical fictionadventure+1 more

                  Frustrated suffragette and would-be archaeologist Ellie Mallory stumbles across a map to a city that shouldn't exist, a jungle metropolis alive and flourishing centuries after the Mayan civilization mysteriously collapsed. Discovering it would make her career, but Ellie isn't the only one after the prize. A disgraced professor and his ruthless handler are hot on her heels, willing to go any extreme to acquire the map for themselves. To race them through the uncharted jungle, Ellie needs a guide. The only one with the expertise is maverick surveyor Adam Bates. But with his determination to nose his way into Ellie's many secrets, Bates is a dangerous partner. As Ellie gets closer to her goal, she realizes it's not just her ambitions at stake. A powerful secret lies hidden in the heart of the city - and if it falls into the wrong hands, it could shake the very fate of the world.

                • Cover of The Ghost in the Noonday Sun
                  The Ghost in the Noonday Sun

                  Sid Fleischman · standalone novel · 1965

                  similar byadventurous19th centuryfunnymiddle gradeadventurenorth america

                  "Because Captain Scratch thinks Oliver Finch can see ghosts, he shanghais the boy abroad a pirate ship bound from Nantucket in search of buried treasure. Devious methods enable Oliver to outwit Scratch." --summary, Worldcat library record {{OCLC|429575904}} "firmly rooted in fantasy and exaggeration" --Mark Taylor LA Times 1965-12-26 m25 "this rollicking tale has more than enough humor and suspense" --Robert Berkvist NY Times 1965-10-24 pBR34

                • Cover of Stranger in a Strange Land
                  Stranger in a Strange Land

                  Robert A. Heinlein · standalone novel · 1961

                  similar bynorth americaour worldscience fiction+1 more

                  Stranger in a Strange Land is a 1961 science fiction novel by the American author Robert A. Heinlein. It tells the story of Valentine Michael Smith, a human who comes to Earth in early adulthood after being born on the planet Mars and raised by Martians, and explores his interaction with and eventual transformation of Terran culture.

                • Cover of Nell Gwynne's
                  Nell Gwynne's

                  series · 4 books · 2009

                  completed

                  part of Company

                  similar by19th centuryhistorical fiction+3 more

                • Cover of Flatland
                  Flatland

                  series · 2 books · 1884

                  similar byscience fiction+2 more

                  Edwin A. Abbott's 1884 novella Flatland: A Romance of Many Dimensions imagines a two-dimensional world of geometric beings, using its narrator's brush with higher dimensions as both a mathematical thought experiment and a satire of Victorian social rank. Ian Stewart's 2001 Flatterland follows a descendant of that narrator on a tour of stranger geometries, from curved and multidimensional space to relativity, as a knowing homage to Abbott's original. Together they pair a Victorian mathematical classic with its modern sequel.

                • Cover of Our Landlady
                  Our Landlady

                  series · 49 books · 1890

                  completed

                  similar by19th centuryfunnyhistorical fictionnorth america+1 more

                • Cover of The Clockwork Three
                  The Clockwork Three

                  Matthew J. Kirby · standalone novel · 2010

                  similar byadventurous19th centurymiddle gradehistorical fictionadventurenorth americabig city

                  The Clockwork Three is a 2010 novel by American author Matthew J. Kirby. Set in a fictional coastal city in the late nineteenth century, it follows three children: Giuseppe, Hannah, and Frederick who work to solve each other's problems.

                • Cover of Angel Island
                  Angel Island

                  Inez Haynes Gillmore · standalone novel · 1914

                  similar bygender and societyadventurousour world+1 more

                  Angel Island is a science fiction/fantasy novel by American feminist author, journalist and suffragette Inez Haynes Irwin, writing under the name Inez Haynes Gillmore. It was originally published by Henry Holt in January 1914. The novel is about a group of men shipwrecked on an island occupied by winged-women.

                • Cover of Warrior Woman
                  Warrior Woman

                  Marion Zimmer Bradley · standalone novel · 1985

                  similar bygender and societyadventurousadventure

                  This is not a typical Marion Zimmer Bradley novel. This book is the result of a bet between Marion and Don Wollheim, her editor for the Darkover novels at DAW Books. In addition, it's her response to the Gor novels - where men were men and women were slaves - that were also being published by DAW Books. Yes, this book does start out with a heroine who has been captured and is being sold as a slave, who has amnesia and remembers nothing of her life before the trip across the desert with the slavers - and, due to a head injury, remembers mercifully little of that. But she does know that she would rather fight in the arena than be a harlot for the men who do, and that choice changes the rest of the book. In a Gor-style novel the woman would become less her own person, eventually learning to be a contented and obedient slave. In this book, even while the heroine, called Zadieyek of Gyre, remains a slave, she is something quite different from the typical 'slave girl' - she grows and develops, always searching for her memory and her past, convinced that this is not how her life is supposed to be. And, of course, she's right.

                • Cover of Song of the Lioness
                  Song of the Lioness

                  series · 5 books · 1983

                  part of Tortall

                  similar bygender and societyadventurous

                  The Song of the Lioness is a young adult series of fantasy novels published in the 1980s by Tamora Pierce. The series consists of four books: Alanna: The First Adventure (1983), In the Hand of the Goddess (1984), The Woman Who Rides Like a Man (1986) and Lioness Rampant (1988).

                • Cover of Airman
                  Airman

                  Eoin Colfer · standalone novel · 2008

                  similar byadventurous19th centuryhistorical fictionadventureour world

                  Airman, by Eoin Colfer, is a best-selling historical adventure novel set in the 19th century. It was released in the UK, Ireland and US in January 2008. The novel was shortlisted for the 2009 Carnegie Medal.

                • Cover of Allan Quatermain
                  Allan Quatermain

                  series · 25 books · 1885

                  similar byadventurous19th centuryadventure+1 more

                  Allan Quatermain is the protagonist of H. Rider Haggard's 1885 novel King Solomon's Mines, its one sequel Allan Quatermain (1887), twelve prequel novels and four prequel short stories, totalling eighteen works. An English professional big game hunter and adventurer, in film and television he has been portrayed by Richard Chamberlain, Sean Connery, Cedric Hardwicke, Patrick Swayze and Stewart Granger among others.

                • Cover of Flesh
                  Flesh

                  Philip José Farmer · standalone novel · 1960

                  similar bygender and societyadventurousscience fiction

                  Flesh is an American science fiction novel written by Philip José Farmer. Originally released in 1960, it was Farmer's second novel-length publication, after The Green Odyssey. Flesh features many sexual themes, as is typical of Farmer's earliest work.

                • Cover of The Future of Another Timeline
                  The Future of Another Timeline

                  Annalee Newitz · standalone novel · 2019

                  similar bygender and societyadventurousnorth americascience fiction

                  The Future of Another Timeline is a 2019 science fiction novel by Annalee Newitz. The feminist time-travel adventure follows Tess, a professional time traveler, geoscientist, and secretly a member of the Daughters of Harriet (Tubman), who are working to make the future better for women.

                • Cover of Wolves Chronicles
                  Wolves Chronicles

                  series · 12 books · 1962

                  completed

                  similar byadventurous19th centuryadventure+1 more

                  The Wolves Chronicles is Joan Aiken's long-running alternate-history series for young readers, set in a nineteenth-century England ruled by the Stuart dynasty and beset by wolves that have migrated across a Channel land-bridge. It opens with The Wolves of Willoughby Chase, in which two girls outwit a scheming governess sent to ruin them, and expands over twelve books into a sprawling saga of orphans, conspiracies, and journeys through a Britain quite unlike the real one. Aiken kept adding to the same timeline across more than four decades, including later prequels set before the first book.

                • Cover of The Handmaid's Tale
                  The Handmaid's Tale

                  series · 3 books · 1985

                  similar bygender and societynorth americascience fiction+1 more

                  The Handmaid's Tale is Margaret Atwood's 1985 novel set in Gilead, a totalitarian theocracy that has overthrown the United States and forces fertile women into reproductive servitude as Handmaids; it is narrated by one such woman, Offred. Atwood returned to the world in her 2019 sequel The Testaments, set fifteen years later and narrated by three women, including the regime's Aunt Lydia. Together the two novels move from Gilead's grip on power toward the first cracks in it.

                • Cover of For Us, the Living: A Comedy of Customs
                  For Us, the Living: A Comedy of Customs

                  Robert A. Heinlein · standalone novel · 2004

                  similar byfunnynorth americascience fiction+1 more

                  For Us, the Living: A Comedy of Customs is a science fiction novel by American writer Robert A. Heinlein. It was written in 1938 and published for the first time in 2003. Heinlein admirer and science fiction author Spider Robinson titled his introductory essay "RAH DNA", as he believes this first, unpublished novel formed the DNA of Heinlein's later works.

                • Cover of Gor
                  Gor

                  series · 41 books · 1966

                  similar bygender and society+1 more

                  Gor is the fictional setting for a series of sword and planet novels written by philosophy professor John Lange, writing as John Norman. The setting was first described in the 1966 novel Tarnsman of Gor. The series is inspired by science fantasy pulp fiction works by Edgar Rice Burroughs, such as the Barsoom series. It also includes erotica and philosophical content. The Gor series repeatedly depicts men abducting and physically and sexually brutalizing women, who grow to enjoy their submissive state. According to The Encyclopedia of Science Fiction, Norman's "sexual philosophy" is "widely detested", but the books have inspired a Gorean subculture.

                • Cover of The Secret Order
                  The Secret Order

                  series · 3 books · 2013

                  similar by19th centuryadventuroussteampunk+3 more