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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Almost There

anchored on:fairy tale retellingdeal with the devilnorth americaearly 20th centuryhistorical fantasyclass conflict+4 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of This Ravenous Fate
                  This Ravenous Fate

                  series · 2 books · 2024

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                • Cover of Siren Queen
                  Siren Queen

                  Nghi Vo · standalone novel · 2022

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                  Siren Queen (2022) is a historical fantasy novel by Nghi Vo set in a magical 1930s Los Angeles. The story follows an aspiring actor known as Luli Wei, who hopes to achieve immortality through stardom. Hollywood provides obstacles in the form of racism, sexism, queerphobia, and dark magic. Luli rejects stereotypical roles on-screen and off, instead embracing the power of playing movie monsters. The book was Vo's first novel to be written, but the second to be published, preceded by The Chosen and the Beautiful (2021) in a similar magical universe. It received positive reviews in speculative fiction venues, and was a 2023 finalist for the World Fantasy Award, the Locus Award, and the Ignyte Award.

                • Cover of The Diviners
                  The Diviners

                  series · 4 books · 2012

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                • Cover of The Reformatory
                  The Reformatory

                  Tananarive Due · standalone novel · 2023

                  similar byemotionalearly 20th centuryrace and racismnorth americadark

                  The Reformatory is a 2023 novel by Tananarive Due which combines elements of horror, historical fiction, and literary fiction. It is loosely based on the Dozier School for Boys and the atrocities committed there. The novel received critical acclaim, including a win for the 2024 Bram Stoker Award for Best Novel and 2024 World Fantasy Award for Best Novel.

                • Cover of Redwood and Wildfire
                  Redwood and Wildfire

                  Andrea Hairston · standalone novel · 2011

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                  Redwood and Wildfire is Andrea Hairston's second novel. It centers on the main characters Redwood and Aidan and their travel from Georgia to Chicago at the turn of the 20th century. It was published in 2011 by Aqueduct Press.

                • Cover of Thirteen Doorways, Wolves Behind Them All
                  Thirteen Doorways, Wolves Behind Them All

                  Laura Ruby · standalone novel · 2019

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                  Thirteen Doorways, Wolves Behind Them All is a young adult novel by Laura Ruby, published October 1, 2019, by Balzer + Bray.

                • Cover of The Thousandth Floor
                  The Thousandth Floor

                  series · 3 books · 2016

                  similar byclass conflictnorth americayoung adultmultiple povbig city+2 more

                  Katharine McGee's trilogy imagines Manhattan in 2118 as a single thousand-story tower housing every stratum of society, following five teenagers whose ambitions collide as they climb toward, or fall from, its highest floors. Across The Thousandth Floor, The Dazzling Heights, and The Towering Sky, addiction, surveillance, genetic privilege, and family betrayal play out as soap-opera drama in a meticulously built near-future setting.

                • Cover of Magic City
                  Magic City

                  Jewell Parker Rhodes · standalone novel · 1997

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                  Based on true events, Magic City is the powerful story of two people who unwittingly lit the match that burned the community of Greenwood to the ground and erased it from the history books. Jewell Parker Rhodes imagines this tragedy through the eyes of Joe Samuels and Mary Keane, two people fundamentally divided by race but forever joined by fate. When Joe, a young man entranced by Houdini, is falsely accused of rape, he must perform his greatest escape by eluding a bloodthirsty lynch mob. Haunted by the mystery of his brother's death and the dark truth behind his father's success, Joe soon learns that he has been running all his life and that this may actually be the moment to turn and fight. Mary, the motherless daughter of a poor farmer who tries to marry her off to the farmhand who viciously raped her, is barely able to imagine what life could be like outside the prison of her own home. Now, however, she must unlock the courage to help exonerate the man she has accused with her panicked cry. Magic City, a mythic tale of violent revenge, is a portrait of an era, climaxing in the heroic but doomed stand that ultimately pitted the National Guard against a small band of black men determined to defend the town they had built into the "Negro Wall Street." Depicted against a backdrop of jail escapes, ghosts, family betrayal, and lost loves, it is a tale at once harrowing and redemptive.

                • Cover of Ragtime
                  Ragtime

                  E. L. Doctorow · standalone novel · 1975

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                  Ragtime is a 1975 historiographic metafiction novel by American author E. L. Doctorow. The novel mixes historical figures and fictional characters together in a sweeping narrative set in the New York City area from 1902 to 1915. With its layered storyline, Ragtime explores themes of racial injustice, class division, and the American Dream in American society.

                • Cover of Tigana
                  Tigana

                  Guy Gavriel Kay · standalone novel · 1990

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                  Tigana is a 1990 fantasy novel by Canadian writer Guy Gavriel Kay. The novel is set in a region called the Peninsula of the Palm, which somewhat resembles Renaissance Italy as well as the Peloponnese in shape.

                • Cover of Trouble the Saints
                  Trouble the Saints

                  Alaya Dawn Johnson · standalone novel · 2020

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                  Trouble the Saints is a 2020 historical fantasy novel by Alaya Dawn Johnson. It was first published by Tor Books/Macmillan Publishers.

                • Cover of Chime
                  Chime

                  Franny Billingsley · standalone novel · 2011

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                  In the early twentieth century in Swampsea, seventeen-year-old Briony, who can see the spirits that haunt the marshes around their town, feels responsible for her twin sister's horrible injury until a young man enters their lives and exposes secrets that even Briony does not know about.

                • Cover of Heartless
                  Heartless

                  Marissa Meyer · standalone novel · 2016

                  similar byemotionalfairy tale retellingyoung adultfantasy+1 more

                  Long before she was the terror of Wonderland—the infamous Queen of Hearts—she was just a girl who wanted to fall in love. Long before she was the terror of Wonderland, she was just a girl who wanted to fall in love. Catherine may be one of the most desired girls in Wonderland, and a favorite of the unmarried King of Hearts, but her interests lie elsewhere. A talented baker, all she wants is to open a shop with her best friend. But according to her mother, such a goal is unthinkable for the young woman who could be the next queen. Then Cath meets Jest, the handsome and mysterious court joker. For the first time, she feels the pull of true attraction. At the risk of offending the king and infuriating her parents, she and Jest enter into an intense, secret courtship. Cath is determined to define her own destiny and fall in love on her terms. But in a land thriving with magic, madness, and monsters, fate has other plans. In her first stand-alone teen novel, the New York Times-bestselling author dazzles us with a prequel to Alice's Adventures in Wonderland.

                • Cover of Telegraph Avenue
                  Telegraph Avenue

                  Michael Chabon · standalone novel · 2012

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                  Telegraph Avenue is a novel by Michael Chabon, published on September 11, 2012. An enhanced e-book edition was released online on July 25, 2012. The novel's setting is North Oakland and Berkeley, California. The title refers to Telegraph Avenue, which runs through both cities.

                • TV
                  These Violet Delights Universe

                  series · 7 books · 2020

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                • Cover of Anger Is a Gift
                  Anger Is a Gift

                  Mark Oshiro · standalone novel · 2018

                  similar byemotionalclass conflictrace and racismnorth americadarkyoung adultbig city

                  MOSS JEFFRIES is many things--considerate student, devoted son, loyal friend and affectionate boyfriend, enthusiastic nerd. But sometimes Moss still wishes he could be someone else--someone without panic attacks, someone whose father was still alive, someone who hadn't become a rallying point for a community because of one horrible night. And most of all, he wishes he didn't feel so stuck. Moss can't even escape at school--he and his friends are subject to the lack of funds and crumbling infrastructure at West Oakland High, as well as constant intimidation by the resource officer stationed in their halls. It feels sometimes that the students are treated more like criminals. Something needs to change--but who will listen to a group of teens? When tensions hit a fever pitch and tragedy strikes again, Moss must face a difficult choice: give in to fear and hate or realize that anger can actually be a gift. This description comes from the publisher.

                • Cover of Bitter Greens
                  Bitter Greens

                  Kate Forsyth · standalone novel · 2012

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                  "After Margherita's father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition. Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does"--Amazon.com.

                • Cover of The Feast of All Saints
                  The Feast of All Saints

                  Anne Rice · standalone novel · 1980

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                  WorldCat: Rice explores a unique but little-known society, the "gens de couleur libre," free people of color, who flourished in New Orleans in the years prior to the Civil War.

                • Cover of Joe Golem and the Drowning City
                  Joe Golem and the Drowning City

                  Christopher Golden & Mike Mignola · standalone novel · 2012

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                  "An illustrated novel from the acclaimed creator of Hellboy--with over 100 illustrations. In 1925, earthquakes and a rising sea level left Lower Manhattan submerged under more than thirty feet of water, so that its residents began to call it The Drowning City. Those unwilling to abandon their homes created a new life on streets turned to canals and in buildings whose first three stories are underwater. Fifty years have passed since then, and The Drowning City is full of scavengers and water rats, poor people trying to eke out an existence, and those too proud or stubborn to be defeated by circumstance. Among them are fourteen year old Molly McHugh and her friend and employer, Felix Orlov. Once upon a time Orlov the Conjuror was a celebrated stage magician, but now he is an old man, a psychic medium, contacting the spirits of the departed for the grieving loved ones left behind. When a seance goes horribly wrong, Felix Orlov is abducted by strange men wearing gas masks and rubber suits. Molly finds herself on the run. Her flight leads her into the company of Simon Hodge, a Victorian detective who's kept himself alive with magic and steampunk mechanics, and the stalwart sidekick, Joe Golem, whose own past and true identity is a mystery to him, but who walks his own dreams as a man of stone and clay, brought to life for the sole purpose of hunting witches"--Provided by publisher. "In 1925, earthquakes and a rising sea level left Lower Manhattan submerged under more than thirty feet of water, so that its residents began to call it The Drowning City. Those unwilling to abandon their homes created a new life on streets turned to canals and in buildings whose first three stories are underwater. Fifty years have passed since then, and The Drowning City is full of scavengers and water rats, poor people trying to eke out an existence, and those too proud or stubborn to be defeated by circumstance. Among them are fourteen year old Molly McHugh and her friend and employer, Felix Orlov. Once upon a time Orlov the Conjuror was a celebrated stage magician, but now he is an old man, a psychic medium, contacting the spirits of the departed for the grieving loved ones left behind. When a seance goes horribly wrong, Felix Orlov is abducted by strange men wearing gas masks and rubber suits. Molly finds herself on the run. Her flight leads her into the company of Simon Hodge, a Victorian detective who's kept himself alive with magic and steampunk mechanics, and the stalwart sidekick, Joe Golem, whose own past and true identity is a mystery to him, but who walks his own dreams as a man of stone and clay, brought to life for the sole purpose of hunting witches"--Provided by publisher.

                • Cover of The Dark Artifices
                  The Dark Artifices

                  series · 4 books · 2016

                  part of The Mortal Instruments

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                  The Dark Artifices is a trilogy written by Cassandra Clare. The series is chronologically the fourth series in The Shadowhunter Chronicles and a sequel to The Mortal Instruments. It is set in Los Angeles. The series consists of three books: Lady Midnight, Lord of Shadows and Queen of Air and Darkness, in that particular order. Centered around the protagonist, Emma Carstairs, the series follows her journey as a Shadowhunter at the Los Angeles Institute, and her life with her best-friend and parabatai, Julian Blackthorn, and his family. The series is about a sacred bond of "parabatai", two bonded Shadowhunters, and it is more valuable than any bond in this world. This bond makes the two more powerful and strong, but there is only one drawback - it is forbidden to fall in love with your parabatai. It so happens that Emma and Julian, two parabatai, have fallen in love. The Dark Artifices is a trilogy about their struggle against their enemies and how the two protagonists deal with their forbidden love and the resulting consequences. The series is told from the point-of-view of the various different characters in the story.

                • Cover of The Master Key: An Electrical Fairy Tale
                  The Master Key: An Electrical Fairy Tale

                  L. Frank Baum · standalone novel · 1901

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                  Rob Joslyn is an amateur electrical tinkerer, wiring up batteries and motors with more enthusiasm than skill, when one bungled experiment does something no wiring diagram predicted: it summons the Demon of Electricity. Impressed rather than angry, the Demon offers Rob an extraordinary deal -- three gifts a week for three weeks, devices harnessing electrical power beyond anything on Earth -- and leaves the boy to decide what to do with power most adults could never be trusted with. What follows tests Rob's judgment as much as his ingenuity, gift by increasingly dangerous gift. L. Frank Baum's venture into science fiction, published between Oz books.

                • Cover of Black No More
                  Black No More

                  George S. Schuyler · standalone novel · 1931

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                  Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, A.D. 1933-1940 is a 1931 Harlem Renaissance satire on American race relations by George S. Schuyler. In the novel, Schuyler targets both the Ku Klux Klan and NAACP in condemning the ways in which race functions as both an obsession and a commodity in early twentieth-century America. The central premise of the novel is that an African American scientist invents a process that can transform Black people into white people. Those who have internalized white racism, those who are tired of inferior opportunities socially and economically, and those who simply want to expand their sexual horizons, undergo the procedure. As the country "whitens", the economic importance of racial segregation in the South as a means of maintaining elite white economic and social status becomes increasingly apparent, as the South relies on Black labor through sharecropping.

                • Cover of Chasing Midnight
                  Chasing Midnight

                  series · 3 books · 2007

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                • Cover of Pan's Labyrinth: The Labyrinth of the Faun
                  Pan's Labyrinth: The Labyrinth of the Faun

                  Cornelia Funke & Guillermo Del Toro · standalone novel · 2019

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                  Inspired by the film of the same name.