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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Armadale

anchored on:literary & generalbritish isles19th centurymystery & detectiveidentityfamily secrets+2 more

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mental unraveling — descent into madness, delusion, and minds at war with themselves.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Prestige
                  The Prestige

                  Christopher Priest · standalone novel · 1995

                  similar by19th centuryidentityfamily secretsliterary & generalmysteriousbritish isles

                  A magician called Borden (at least in private) writes his own version of his life as a magician. There's a lot of focus on a trick, where he seems to move across any width of stage in an instant, and on a feud with another magician, Angier. The account includes passages, where he can't decide what exactly to write, arguing with himself. 3 generations later a Borden (at least biologically) learns about his ancestor. He's also convinced, he somehow has a twin brother, who's happy about this development.

                • Cover of Pictures in the Dark
                  Pictures in the Dark

                  Gillian Cross · standalone novel · 1996

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                  A chance photograph taken for the school Camera Club draws Charlie into the emotionally troubled lives of his classmate Jennifer's family, especially that of her younger brother who harbors an astounding secret.

                • Cover of Castle Barebane
                  Castle Barebane

                  Joan Aiken · standalone novel · 1976

                  similar bybritish isles19th centuryfamily secretsmysterioustensemystery & detective

                  Near the top of a three-hundred-foot crag perched a roofless ruin with crumbling battlements and shattered buttresses....Apart from the ruined castle there seemed to be no other sign of human life, unless you counted a couple of fishing boats well out to sea.... Val Montgomery, young, warm-hearted, and confident -- but no lady, according to the grande dames of New York in the 1880's -- had abandoned a promising job on a newspaper and a claustrophobic engagement to a society lawyer and sailed to England to help her spendthrift half-brother, Nils, whose Scottish heiress wife, Kirstie, had fallen ill. Arrived in a London terrorized by a series of lurid murders, Val can find no trace of Nils or Kirstie. Horrified, she discovers that her small nephew and niece seem to have been callously abandoned in a London slum. Seeking a safe domicile for the children, Val travels to Edinburgh, intending to leave them with their mother's old nurse at Ardnacarrig, the family home on the Scottish coast -- but she soon begins to doubt that old Elspie is the loving guardian she had hoped for. In the quest for her brother, Val encounters four men destined to change her life forever: Lord Clanreydon, slated as England's next prime minister -- a man of mysterious origins and enigmatic habits; Sir Marcus Cusack, an editor who befriends her; Davie, a brilliant young Scottish doctor; and Mungo, an old sailor. Soon the apparent peach of Ardnacarrig (known as Castle Barebane by the locals) is threatened by dark emanations from London's underworld, and Val begins to apprehend that it might be better for all if Nils were never seen again. But her realization comes too late. Guilty and innocent alike are whirled in a wild eruption of violence as events more quickly to a terrifying climax in a savage confrontation between the forces of good and evil on the cliffs of Ardnacarrig. In this, her most compelling and suspenseful novel to date, Joan Aiken has created a variety of memorable characters: from the deserted children and their hostile great-aunt, the Marchioness of Stroma, to cab drivers and sailors, London clubmen and music-hall singers.

                • Cover of The Thirteenth Tale
                  The Thirteenth Tale

                  Diane Setterfield · standalone novel · 2006

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                  The Thirteenth Tale (2006) by Diane Setterfield is a gothic suspense novel; it was the author's debut book.

                • Cover of Sebastian St. Cyr
                  Sebastian St. Cyr

                  series · 1 book · 2012

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                • Cover of Fire, Burn!
                  Fire, Burn!

                  John Dickson Carr · standalone novel · 1957

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                  Fire, Burn! is a 1957 historical mystery novel by John Dickson Carr. Carr considered this one of his best impossible crime novels.

                • Cover of The Mystery of the Sea
                  The Mystery of the Sea

                  Bram Stoker · standalone novel · 1902

                  similar bybritish isles19th centurymysterioustensemystery & detective

                  "When Archibald Hunter comes to Cruden Bay, Aberdeenshire, for his annual holiday, he looks forward to a tranquil few days by the sea. But as he sits by the bridge he is disturbed by a strange vision of a couple he had seen earlier, the man now carrying a small black coffin. Shortly afterwards he discovers their child has drowned. The following day, speaking to a fisherman, he is again confronted by a portent of doom. As he sets out to sea, the other men speak his name - Lauchlane Macleod: the very same whose death Gormala had foretold. But how can this gaunt old woman know such things? Where are these terrible visions, whose force he seems unable to counter, taking him? What is the significance of the pages of cipher which once belonged to Don de Escoban? Can he solve the Mystery of the Sea?" --quoted from this book's product page at Amazon UK as of 2017-08-29 --found 2019-05-10 as "From the Back Cover" at {{ASIN|B079558GC5}}, 2018 Jovian Press ebook --Google Books 2019-05-10 quotes the same description for its display of the 1902 Doubleday, Page edition (as W. Heinemann, 1902) "What is the significance of the pages of cipher which once belonged to Don de Escoban? The cipher used is a Bacon biliteral cipher. Appendices to the novel contain an explanation of the Bacon biliteral cipher and of the solution process used. The main purpose of the novel seems to be not the plot, but the exposition of the cipher system and the solution of the cipher messages." --Original Crypto Fiction #120 (faculty.knox.edu/jdooley/Crypto/Crypto1.htm)

                • Cover of The Dead Secret
                  The Dead Secret

                  Wilkie Collins · standalone novel · 1857

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                  The late Mrs. Treverton and her maid Sarah Leeson had a secret between them. When young Rosamond Treverton marries, the secret will trouble her marriage, and Sarah Leeson (who carries a ghost with her everywhere she goes) will not find rest until matters are resolved.

                • Cover of The Private Memoirs and Confessions of a Justified Sinner
                  The Private Memoirs and Confessions of a Justified Sinner

                  James Hogg · standalone novel · 1824

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                  The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor is a novel by the Scottish author James Hogg, published anonymously in 1824.

                • Cover of The Luminaries
                  The Luminaries

                  Eleanor Catton · standalone novel · 2013

                  similar by19th centurymysterioustensemystery & detectiveliterary & general+1 more

                  The Luminaries is a 2013 novel by Eleanor Catton. Set in New Zealand's South Island in 1866, the novel follows Walter Moody, a prospector who travels to the West Coast settlement of Hokitika to make his fortune on the goldfields. Instead, he stumbles into a tense meeting between twelve local men, and is drawn into a complex mystery involving a series of unsolved crimes. The novel's complex structure is based on the system of Western astrology, with each of the twelve local men representing one of the twelve signs of the zodiac, and with another set of characters representing planets in the Solar System.

                • Cover of Once Upon a River
                  Once Upon a River

                  Diane Setterfield · standalone novel · 2018

                  similar bybritish isles19th centuryfamily secretsliterary & generalmysteriousmystery & detective

                  On a dark midwinter's night in an ancient inn on the river Thames, an extraordinary event takes place. The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his arms is the lifeless body of a small child. Hours later, the girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can science provide an explanation? These questions have many answers, some of them quite dark indeed.

                • Cover of Sally Lockhart
                  Sally Lockhart

                  series · 4 books · 1985

                  similar by19th centurybritish islesmystery & detective+3 more

                  Philip Pullman's Sally Lockhart quartet follows a resourceful, unconventional heroine navigating Victorian London - a sharpshooting, mathematically gifted young orphan who builds an improbable career as a financial consultant against the era's expectations for women. The Ruby in the Smoke opens with Sally investigating her father's death and a mysterious jewel; the following novels widen out into fraud, opium-trade crime, and international intrigue, tracking Sally's evolving relationships, including with the journalist Daniel Goldberg, across four Victorian-set mysteries.

                • Cover of Houses of Stone
                  Houses of Stone

                  Barbara Michaels · standalone novel · 1993

                  similar byfamily secretsmysterioustensebritish isles19th centurymystery & detective

                  It is a find of inestimable value for Karen Holloway. The battered manuscript she holds in her hand—written in the nineteenth century and bearing the mysterious attribution "Ismene"—could prove a boon to the eager young English professor's career. But Karen's search for the author's true identity is carrying her into the gray shadows of the past, to places fraught with danger and terror. For the deeper she delves into Ismene's strange tale of gothic horror, the more she is haunted by the suspicion that the long-dead author was writing the truth . . . and that even now she is guiding Karen's investigation, leading her to terrible secrets hidden behind the cold walls of houses of stone.

                • Cover of Pastworld
                  Pastworld

                  Ian Beck · standalone novel · 2009

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                  What if all of London were really an amusement park—a whole city returned to Victorian times to entertain visitors from the twenty-first century? That's the wildly original premise of Ian Beck's Pastworld, a high-stakes mystery set in a simulated past. Eve is a lifelong resident of Pastworld who doesn’t know she’s living in a theme park until a mysterious threat forces her to leave home. Caleb is a visiting tourist who finds the lawlessness of the past thrilling—until he suddenly becomes a fugitive from an antiquated justice system. And in the midst of it all, in the thick London fog a dark and deadly figure prowls, claiming victim after victim. He’s the Fantom, a creature both of the past and of the present, in whose dark purpose Caleb and Eve will find their destinies combined. Page-turning, complex, and haunting, Pastworld masterfully exposes the human experience of the past, of violence, of technology, and of entertainment.

                • Cover of The Mystery of Cloomber
                  The Mystery of Cloomber

                  Arthur Conan Doyle · standalone novel · 1889

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                  "What dark deed from the past put a lifelong curse on Major Heatherstone of Cloomber Hall? The master of detective fiction and creator of the Sherlock Holmes mysteries reveals his deep fascination with spiritualism and the paranormal in this gripping tale of mystery and the supernatural, set on the remote Scottish coast." — quoted from the product description that is found on the Dover edition's product page on Amazon.com.

                • Cover of An American Story
                  An American Story

                  Christopher Priest · standalone novel · 2018

                  similar byidentityliterary & generalmysterioustensemystery & detective+1 more

                  Ben Matson lost someone he loved in the 9/11 attacks. Or thinks he did - no body has been recovered, and she shouldn't have been on that particular plane on that day. But he knows she was. The world has moved on from that terrible day. Nearly 20 years later, it has faded into a dull memory for most people. But a chance encounter rekindles Ben's interest in the event, and the inconsistencies that always bugged him. Then the announcement of the recovery of an unidentified plane crash sets off a chain of events that will lead Ben to question everything he thought he knew.

                • Cover of Red Shift
                  Red Shift

                  Alan Garner · standalone novel · 1973

                  similar bybritish islesidentityliterary & generalmysterious

                  Quoting that 1978 review article by Brian Lee: Red Shift [after The Owl Service] was again about the relationship between two adolescents, but interwoven in their love story were two other strands: one about a group of Roman legionaires 'going tribal' among warring factions of the British (the parallel and the brutal language are obviously those of the Americans among the Viet Cong and the Viet Minh); the other strand is about the massacre of a village on the Welsh border during the Civil War.{{BREAK}} Undoubtedly, Red Shift is a brilliantly written and gripping book. The difficulty about it is that Garner makes no concessions to his readers (and on the book jacket he makes it clear that it is for children). It is told almost entirely in cryptic conversation with minimal clues to the identity of the speakers. He switches from strand to strand of the story without warning. The book cannot be understood and appreciated at one hasty reading. It is worth serious study, but will children persevere? In her introduction to the 1973 edition of Children's Books of the Year, critic and reviewer Elaine Moss says: Spurred on by the publication of Alan Garner's literary crossword puzzle Red Shift ... many of us asked ourselves where children's publishing should end and adult begin? For Children's Books of the Year I have drawn the line below Red Shift and excluded it ... Alan Garner, in deliberately choosing an avant-garde form, is also choosing an advanced, sophisticated audience for his book. Alan Garner himself seems to have come around to this view. This year a television adaptation of Red Shift was screened at peak viewing time with no mention of the fact that it was originally published as a children's novel. [end quotation from the review article; ellipses by Lee]

                • Cover of The Time of the Ghost
                  The Time of the Ghost

                  Diana Wynne Jones · standalone novel · 1981

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                  The Time of the Ghost is a supernatural English-language children's novel by Diana Wynne Jones, published by Macmillan in 1981. Set in the English countryside, it features a teenage ghost who is one of four sisters, and observes the family, unable to remember which one she is. She is from seven years in the future, in the aftermath of her "accident", so it is a kind of a time slip story, but she has no memories of those seven years.

                • Cover of Necropolis
                  Necropolis

                  Basil Copper · standalone novel · 1980

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                  Amazon: Set in an alternate Victorian London, where Sherlock Holmes and Dr. Watson are not just fictional characters, Basil Copper's Necropolis (1980) is a tale of mystery and intrigue worthy of Arthur Conan Doyle or Wilkie Collins. Private detective Clyde Beatty, a rival of the great Holmes, has been hired by the lovely Angela Meredith to inquire into her father's suspicious death. As Beatty's investigation unfolds, the danger intensifies: more murders ensue, and attempts are made on his life. It is clear there is more to Mr. Meredith's death than meets the eye, and it may have something to do with the brazen robbery of a fortune in gold bullion. The clues lead Beatty to the eerie Brookwood Cemetery, where fatal secrets lie hidden in the catacombs beneath a city of the dead....

                • Cover of The History of Mr. Polly
                  The History of Mr. Polly

                  H. G. Wells · standalone novel · 1910

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                  The History of Mr. Polly is a 1910 comic novel by H. G. Wells.

                • Cover of The Lying Game
                  The Lying Game

                  series · 6 books · 2010

                  similar byidentityfamily secretsmysterioustensemystery & detective

                  The Lying Game is a series of young adult novels by Sara Shepard published by HarperTeen. The first novel in the series, The Lying Game, was released in hardcover on December 7, 2010. The series follows a teenager, Emma Paxton, who assumes the identity of her long-lost twin, Sutton Mercer, to uncover her sister’s killer.

                • Cover of Before I Go to Sleep
                  Before I Go to Sleep

                  S. J. Watson · standalone novel · 2011

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                  Before I Go to Sleep is the first novel by S. J. Watson, published in the spring of 2011. It became both a Sunday Times and The New York Times bestseller and has been translated into over 40 languages. It has become a bestseller in France, Canada, Bulgaria and the Netherlands. It reached number 7 on the U.S. bestseller list, the highest position for a debut novel by a British author since J. K. Rowling. The New York Times described the author as an "out-of-nowhere literary sensation". He wrote the novel between shifts whilst working as a National Health Service (NHS) audiologist.

                • Cover of The Seven Deaths of Evelyn Hardcastle
                  The Seven Deaths of Evelyn Hardcastle

                  Stuart Turton · standalone novel · 2018

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                  The Seven Deaths of Evelyn Hardcastle is a novel by Stuart Turton which won the Best First Novel prize in the 2018 Costa Book Awards and reached number one on The Saturday Times Bestseller list.

                • Cover of Lost
                  Lost

                  Gregory Maguire · standalone novel · 2001

                  similar byidentityfamily secretsliterary & generalbritish isles

                  Lost is a 2001 novel by American author Gregory Maguire. Unlike many of Maguire's other adult novels, Lost is set in the real world. The novel's concept is that the protagonist is a distant relative of the man who inspired Charles Dickens' character of Ebenezer Scrooge.