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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Ashes

anchored on:contemporary

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of House of Night
                  House of Night

                  series · 20 books · 2007

                  similar bycontemporarynorth americayoung adult+3 more

                  House of Night is a series of young adult vampire-themed fantasy novels by American author P. C. Cast and her daughter Kristin Cast. It follows the adventures of Zoey Redbird, a 16-year-old girl who is "marked", becomes a fledgling vampyre and is required to attend the House of Night boarding school in Tulsa, Oklahoma. Books in the series have been on the New York Times Best Seller list for 63 weeks and have sold over seven million copies in North America, and more than ten million books worldwide, in 39 countries.

                • Cover of Hush, Hush
                  Hush, Hush

                  series · 5 books · 2009

                  similar bycontemporarynorth americayoung adultemotional+3 more

                  The Hush, Hush quartet is a series of four novels by Becca Fitzpatrick that follow teenager Nora Grey as she falls in love with the fallen angel Patch and discovers her own angelic heritage. The first book in the series, Hush, Hush, was released on October 13, 2009 through Simon & Schuster, with the final novel in the series, Finale, releasing on October 23, 2012. The series was initially promoted as a trilogy, with later announcements stating that the series would comprise four books.

                • Cover of Coraline
                  Coraline

                  series · 2 books · 2002

                  similar bycoming of agetensecontemporarynorth america+1 more

                • Cover of Carrie
                  Carrie

                  Stephen King · standalone novel · 1974

                  similar bycoming of agetensecontemporarynorth america

                  In one way or another, everybody abused Carrie. This sixteen-year-old misfit was forbidden everything that was young and fun by her fanatical mother. She was teased and taunted by her classmates, misunderstood by her teachers, and given up as hopeless by almost everyone. But Carrie had a secret: She possessed terrifying telekinetic powers that could make inanimate objects move, a lighted candle fall, or a door lock. Carrie could make all kinds of startling bizarre, and malevolent things happen. (WorldCat)

                • K
                  Kairos

                  series · 11 books · 1962

                  completed

                  similar byyoung adult+4 more

                  The Time Quintet is a science fantasy series of five young adult novels written by American author Madeleine L'Engle and made up of A Wrinkle in Time (1962), A Wind in the Door (1973), A Swiftly Tilting Planet (1978), Many Waters (1986), and An Acceptable Time (1989).

                • Cover of The Body Finder
                  The Body Finder

                  series · 5 books · 2010

                  similar bycoming of agetensecontemporarynorth americayoung adult+1 more

                • Cover of Alfred Kropp
                  Alfred Kropp

                  series · 3 books · 2005

                  similar bycoming of agecontemporaryour worldyoung adult+2 more

                  Rick Yancey's Alfred Kropp trilogy follows the teenage title character through three young-adult fantasy-adventure novels. The debut, The Extraordinary Adventures of Alfred Kropp, was a Publishers Weekly Best Children's Book and a Carnegie Medal finalist, and the story continues in The Seal of Solomon and The Thirteenth Skull.

                • Cover of The Secret Circle
                  The Secret Circle

                  series · 8 books · 1992

                  similar bycoming of agetensecontemporarynorth americayoung adult+2 more

                  The Secret Circle is a supernatural, young-adult series of books created by L. J. Smith. The narrative follows the character of Cassie Blake as she is initiated into a "Circle" of eleven other teenage witches and the danger that ensues when they accidentally unleash a dark force upon their town. Matters are further complicated when Cassie finds herself in a love triangle that threatens to tear the Circle apart.

                • Cover of The Morganville Vampires
                  The Morganville Vampires

                  series · 40 books · 2006

                  completed

                  similar bytensecontemporarynorth americayoung adult+1 more

                  The Morganville Vampires is a series of young adult urban fantasy/vampire novels written by Rachel Caine. The novels feature Claire Danvers, a student at Texas Prairie University, and her housemates in the vampire-controlled city of Morganville, Texas. While the mayor of Morganville is human, the population co-exist with a group of vampires. Morganville is also home to an unusually large number of second-hand thrift stores.

                • Cover of Becca King
                  Becca King

                  series · 4 books · 2012

                  similar bycontemporarynorth americayoung adult+3 more

                • Cover of Sweep / Wicca (UK)
                  Sweep / Wicca (UK)

                  series · 15 books · 2001

                  similar bycontemporaryour worldyoung adult+4 more

                • Cover of The Vampire Diaries
                  The Vampire Diaries

                  series · 13 books · 1991

                  part of The Vampire Diaries Universe

                  similar bycontemporarynorth americayoung adultemotional+3 more

                  The Vampire Diaries is a young adult vampire fiction series of novels created by American author L. J. Smith. The story centers on Elena Gilbert, a young human, and her life.

                • Cover of Evernight Universe
                  Evernight Universe

                  series · 7 books · 2008

                  similar bytensecontemporaryour worldyoung adult+3 more

                • Cover of Otherworld (Kelley Armstrong)
                  Otherworld (Kelley Armstrong)

                  series · 100 books · 1996

                  similar bycontemporaryour worldnorth america+2 more

                  Women of the Otherworld is Kelley Armstrong's long-running urban fantasy series about werewolves, witches, sorcerers, and other supernatural beings trying to pass as ordinary people in the contemporary world, told across thirteen novels plus assorted novellas published between 2001 and 2012. Each book tends to follow a different member of this hidden community while slowly building a shared, continuing world.

                • Cover of Midnighters
                  Midnighters

                  series · 3 books · 2004

                  similar bycoming of agetensecontemporaryour worldyoung adult+1 more

                  The Midnighters Trilogy is a science-fiction fantasy series written by Scott Westerfeld. It was published by Eos in 2004. It comprises three books: The Secret Hour, Touching Darkness. and Blue Noon. Over the course of the trilogy, Jessica encounters other Midnighters with whom she allies herself. The protagonists in the trilogy are the eponymous Midnighters Desdemona, Rex, Jonathan, and Melissa. The antagonists of the series are Darklings and Slithers, dangerous and powerful beings that created and live in the Blue Hour.

                • Cover of Need
                  Need

                  series · 4 books · 2009

                  similar bytensecontemporarynorth americayoung adult+3 more

                  Need is a series of young adult urban fantasy novels by American author Carrie Jones, beginning with the inaugural entry of the same name. The focus of the story is a teenage girl named Zara, who joins a struggle against a society of malicious pixies. As the books progress, Zara encounters a series of personal challenges, and bonds with new friends and romantic interests.

                • Cover of Soul Screamers
                  Soul Screamers

                  series · 14 books · 2008

                  similar bycontemporaryour worldyoung adult+4 more

                • Cover of Elemental (Brigid Kemmerer)
                  Elemental (Brigid Kemmerer)

                  series · 8 books · 2012

                  similar bycontemporaryour worldyoung adult+4 more

                • Cover of Gone
                  Gone

                  series · 9 books · 2008

                  similar bytensecontemporaryyoung adult+2 more

                  Michael Grant's Gone series begins when everyone aged fifteen and older vanishes without warning from a swath of the California coast, trapping the town of Perdido Beach inside an impenetrable barrier the survivors call the FAYZ. As children develop strange powers and food and order break down, Sam Temple and his rival, his twin brother Caine, become central to the fight for survival against human threats and the monstrous Gaiaphage. Six books (Gone through Light) close the original story; a follow-up Monster trilogy, set years later, follows a new outbreak of mutation-causing powers and a new generation of characters.

                • Cover of The Girl Who Loved Tom Gordon
                  The Girl Who Loved Tom Gordon

                  Stephen King · standalone novel · 1999

                  similar bycoming of agetensecontemporarynorth americaemotional

                  A nine year old girl becomes lost in the Maine forest while on a day hike with her family, and finds the strength to survive in her idolizing of the Red Sox closing pitcher.

                • Cover of The Dragon Diaries
                  The Dragon Diaries

                  series · 3 books · 2011

                  part of Dragonfire

                  similar bycoming of agecontemporaryour worldyoung adult+3 more

                • Cover of Ready Player One
                  Ready Player One

                  series · 3 books · 2011

                  similar by+5 more

                  Ernest Cline's Ready Player One (2011) is set in a near-future dystopia where much of humanity escapes into the OASIS, a vast virtual-reality universe, and follows teenager Wade Watts as he chases an Easter egg hidden by the OASIS's late creator in a puzzle-based hunt worth a fortune. The 2020 sequel, Ready Player Two, picks up after Wade has gained control of the OASIS and follows him and his friends into a new quest built around a brain-computer interface the creator left behind.

                • Cover of Star Shards
                  Star Shards

                  series · 3 books · 1995

                  similar bytensecontemporaryour worldyoung adult+1 more

                • Cover of The Dark Elite
                  The Dark Elite

                  series · 3 books · 2009

                  similar bycoming of agetensecontemporaryour worldnorth americayoung adult