Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Barely Magic

anchored on:urban fantasyour worldcontemporarycozy mysterymonster huntinglighthearted+1 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Butcher Bird
                  Butcher Bird

                  Richard Kadrey · standalone novel · 2007

                  similar bymonster huntingcontemporaryurban fantasyour worldbig city

                  Spyder Lee owns a tattoo shop in San Francisco, has a favorite drinking buddy, Lulu Garou, and other friends all over town. One night a pissed-off demon tries to bite his head off and he's saved by a small blind woman with a sword. After that, Spyder's life is turned upside down. The demon infected Spyder and he can suddenly see the world as it really is: full of angels and demons and monsters and monster-hunters; a world full of black magic and mysteries. These are the Dominions, parallel worlds full of wonder, beatuy and horror. The Dominions never touch, or at least they're not supposed to. The Black Clerks, powerful beings whos job it is to keep the Dominions in balance, seem to have a new agenda. Sypder finds himself dropped into the middle of a conflict he doesn't fully understand. With the blind swordswoman who saved him, Spyder searches for a magic book.

                • Cover of Monster
                  Monster

                  A. Lee Martinez · standalone novel · 2009

                  similar bymonster huntingcontemporaryurban fantasyour worldbig cityfantasy

                  Meet Monster. Meet Judy. Two humans who don't like each other much, but together must fight dragons, fire-breathing felines, trolls, Inuit walrus dogs, and a crazy cat lady - for the future of the universe.Monster runs a pest control agency. He's overworked and has domestic troubles - like having the girlfriend from hell.Judy works the night shift at the local Food Plus Mart. Not the most glamorous life, but Judy is happy. No one bothers her and if she has to spell things out for the night-manager every now and again, so be it.But when Judy finds a Yeti in the freezer aisle eating all the Rocky Road, her life collides with Monster's in a rather alarming fashion. Because Monster doesn't catch raccoons; he catches the things that go bump in the night. Things like ogres, trolls, and dragons.Oh, and his girlfriend from Hell? She actually is from Hell.

                • Cover of Meena Harper
                  Meena Harper

                  series · 2 books · 2010

                  similar bymonster huntingcontemporaryurban fantasybig city+1 more

                • Cover of Max Helsing: Monster Hunter
                  Max Helsing: Monster Hunter

                  series · 2 books · 2015

                  similar bymonster huntingcontemporaryour worldfantasy+2 more

                • Cover of Eli Mothersbaugh
                  Eli Mothersbaugh

                  series · 13 books · 1998

                  similar bymonster huntingcontemporarymysteriousour worldfantasy

                • Cover of Black Dragon
                  Black Dragon

                  series · 2 books · 1983

                  similar bycontemporarymysteriousour worldurban fantasybig cityfantasy

                  R. A. MacAvoy's Tea with the Black Dragon pairs Martha Macnamara, a folk musician searching for her missing daughter, with Mayland Long, a courtly stranger who reveals himself to be a dragon living in human form, as they investigate a computer-fraud scheme in 1980s San Francisco. Its low-key blend of contemporary mystery and gentle fantasy proved popular enough to spawn a sequel, Twisting the Rope, following the same pair into a new case years later.

                • Cover of Monster Exchange Program (MXP)
                  Monster Exchange Program (MXP)

                  Mark Albany · standalone novel · 2019

                  similar bymonster huntingcontemporaryurban fantasymysteriousbig city

                  "Nate Ellison's just an ordinary, average college student trying to make the grade in Southern California. Well, definitely not ordinary...and totally not average. You see, Nate's a Troman—a nearly seven-foot-tall guy who's half war troll, half human—and he's working undercover as part of a secret government project, the Monster Exchange Program, to investigate crimes that involve the occult. Once on campus, Nate tries to lay low, struggling to navigate college life while also unraveling a mystery involving the disappearance of several beautiful co-eds. If he misses a clue, it could threaten the entire planet." ― quoted from this book's product page on Amazon.com as of 2020-03-20.

                • Cover of Medusa Girls
                  Medusa Girls

                  series · 10 books · 2011

                  similar bycontemporaryurban fantasyour world+3 more

                • Cover of Darkmouth
                  Darkmouth

                  series · 4 books · 2015

                  similar bymonster huntingcontemporaryour worldfantasy+1 more

                • Cover of Lockwood & Co.
                  Lockwood & Co.

                  series · 6 books · 2013

                  similar bymonster huntingcontemporarybig cityfantasy

                  Lockwood & Co. is a young adult supernatural thriller series by Jonathan Stroud. It follows three young operatives of a psychic detection agency as they fight ghosts in London, England.

                • Cover of InCryptid
                  InCryptid

                  series · 53 books · 2012

                  similar bycontemporaryurban fantasyour world+2 more

                  InCryptid is a series of urban fantasy novels by American author Seanan McGuire, published by DAW Books. They follow multiple generations of a family of cryptozoologists who protect supernatural beings from discovery by humankind.

                • Cover of Buffy the Vampire Slayer
                  Buffy the Vampire Slayer

                  series · 155 books · 1992

                  part of Buffyverse

                  similar bymonster huntingcontemporaryurban fantasy+3 more

                  Buffy the Vampire Slayer is an American supernatural horror drama television series created by Joss Whedon. The show's concept is based on the 1992 film written by Whedon, although they are separate and distinct productions. Whedon served as executive producer and showrunner of the series under his production company Mutant Enemy Productions. It aired on The WB from March 10, 1997, to May 22, 2001, and later on UPN from October 2, 2001, to May 20, 2003.

                • Cover of Heirs of Grace
                  Heirs of Grace

                  Tim Pratt · standalone novel · 2014

                  similar bymonster huntingcontemporaryurban fantasyfantasy+1 more

                  When an unknown relative dies, Bekah inherits a small fortune and a large house filled with junk. Trey Howard, the young lawyer handling the estate is a bonus. But then she discovers some of the junk is magical, and the house is filled with monsters.

                • Cover of Knights of the Borrowed Dark
                  Knights of the Borrowed Dark

                  series · 3 books · 2016

                  similar bymonster huntingcontemporaryfantasy+3 more

                • Cover of Jill Kismet
                  Jill Kismet

                  series · 8 books · 2008

                  similar bymonster huntingcontemporaryurban fantasybig city+1 more

                • Cover of Vampire Huntress Legend
                  Vampire Huntress Legend

                  series · 15 books · 2003

                  completed

                  similar bycontemporaryurban fantasy+3 more

                  L. A. Banks's Vampire Huntress Legend opens with Minion, introducing Damali Richards, a spoken-word artist and martial artist who moonlights as a vampire hunter. The urban fantasy series follows Damali across thirteen novels as she confronts escalating supernatural threats.

                • Cover of Billy Clikk
                  Billy Clikk

                  series · 2 books · 2004

                  similar bymonster huntingcontemporaryour worldfantasy

                • Cover of Companions of the Night
                  Companions of the Night

                  Vivian Vande Velde · standalone novel · 1995

                  similar bymonster huntingcontemporaryour world+1 more

                  When sixteen-year-old Kerry Nowicki helps a young man escape from a group of men who claim he is a vampire, she finds herself faced with some bizarre and dangerous choices. When Kerry's little brother forgets his stuffed bear at the laundry, Kerry ventures out at 11th p.m. to retrieve it for him. The laundry is deserted and kind of spooky, and while she's there three men burst in, dragging a bound and bloodied young man they insist is a vampire. Kerry helps him escape, only to be caught up in a desperate game between vampire hunters and their prey.

                • Cover of Witchcraft Mysteries
                  Witchcraft Mysteries

                  series · 11 books · 2009

                  similar bycontemporarymysteriousurban fantasycozy mysterybig city+1 more

                • Cover of Hunter Kiss
                  Hunter Kiss

                  series · 8 books · 2007

                  similar bymonster huntingcontemporaryurban fantasyour world

                • Cover of Deacon Chalk: Occult Bounty-Hunter
                  Deacon Chalk: Occult Bounty-Hunter

                  series · 7 books · 2011

                  similar bycontemporaryurban fantasyour world+1 more

                • Cover of Rivers of London
                  Rivers of London

                  series · 32 books · 2011

                  similar bycontemporaryurban fantasymysteriousbig city+2 more

                  The Rivers of London series is a series of urban fantasy novels by English author Ben Aaronovitch, and comics/graphic novels by Aaronovitch and Andrew Cartmel, illustrated by Lee Sullivan.

                • Cover of Buffy the Vampire Slayer and Angel
                  Buffy the Vampire Slayer and Angel

                  series · 3 books · 2003

                  part of Buffyverse

                  similar bymonster huntingcontemporaryurban fantasy+2 more

                • Cover of Trollhunters
                  Trollhunters

                  Guillermo Del Toro & Daniel Kraus · standalone novel · 2015

                  similar bymonster huntingcontemporaryurban fantasyfantasy

                  Everything changes for San Bernardino teenage suburbanite Jim Sturges when a 45-year old mystery resurfaces, threatening the lives of everyone in his seemingly sleepy town. Soon Jim has to team up with a band of unlikely (and some un-human) heroes to battle the monsters he never knew existed.