Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Biting Nixie

anchored on:paranormal romancevampiresnorth americacontemporaryurban fantasyenemies to lovers+3 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories centered on vampires — blood-drinking undead — whether as predators, love interests, or protagonists.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mental unraveling — descent into madness, delusion, and minds at war with themselves.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Jane Jameson
                  Jane Jameson

                  series · 4 books · 2009

                  part of Half Moon Hollow

                  similar byfunnycontemporaryvampiresparanormal romancenorth americasmall town+1 more

                • Cover of Love Story
                  Love Story

                  series · 3 books · 1995

                  similar byfunnycontemporaryvampiresnorth america+2 more

                  Christopher Moore's Love Story trilogy opens with Bloodsucking Fiends, a comic horror-romance about a young San Francisco woman turned into a vampire. You Suck and Bite Me continue the story across the following two novels, keeping Moore's irreverent, comedic take on vampire fiction.

                • Cover of Nice Girl Spin-Offs
                  Nice Girl Spin-Offs

                  series · 3 books · 2012

                  part of Half Moon Hollow

                  similar byfunnycontemporaryparanormal romancevampiressmall town+3 more

                • Cover of Angel with Attitude
                  Angel with Attitude

                  Michelle Rowen · standalone novel · 2006

                  similar byfunnycontemporaryparanormal romanceurban fantasyenemies to loversnorth america

                  Valerie Grace isn't quite sure how she went from heavenly angel to plunging into the killer whale tank at Niagara Falls' MarineLand, but that's what's happened. All she knows is that earth can be a tough place for a fallen angel, what with all the demon Tempters lurking around every corner, anxious to recruit her to the "other team" - the evil team. All she can do is keep an eye out for the elusive Key to Heaven, try to help people, and hope that somebody up there notices what an angel she is, even if she's not literally one anymore. And try to avoid that really cute tempter, the one with the pale gray eyes and hypnotic smile, the one that makes her forget her own name and the fact that she's supposed to be a good girl.

                • Cover of Betsy the Vampire Queen / Wyndham Werewolf Universe
                  Betsy the Vampire Queen / Wyndham Werewolf Universe

                  series · 40 books · 2000

                  similar byfunnycontemporaryparanormal romancevampires+1 more

                • Cover of God Bless You, Mr. Rosewater or Pearls Before Swine
                  God Bless You, Mr. Rosewater or Pearls Before Swine

                  Kurt Vonnegut & Jr. · standalone novel · 1965

                  similar byfunnycontemporarynorth americasmall town

                  The Rosewater Foundation was built to shield the family fortune from taxes, but its current steward, war veteran and committed alcoholic Eliot Rosewater, has other ideas: he moves the foundation's offices to rural Rosewater County, Indiana, and starts handing out 'unlimited amounts of love and limited sums of money' to anyone who asks. His disgusted father, Senator Lister Rosewater, watches the family name become a punchline. Meanwhile a distant, downtrodden cousin, Fred Rosewater, is approached by an ambitious young lawyer with a scheme to have Eliot declared insane and the fortune redirected. A satire of American philanthropy, class and sanity from Kurt Vonnegut.

                • Cover of Libby Stratton
                  Libby Stratton

                  series · 1 book · 2015

                  part of Half Moon Hollow

                  similar byfunnycontemporaryparanormal romancevampiresnorth americasmall town

                • Cover of Drink, Slay, Love
                  Drink, Slay, Love

                  Sarah Beth Durst · standalone novel · 2011

                  similar byfunnycontemporaryvampiresparanormal romance+2 more

                  Pearl is a sixteen-year-old vampire...fond of blood, allergic to sunlight, and mostly evil. That is until one night she encounters a unicorn and he stabs her through the heart with his horn. Oops. Her family doesn't believe her (because obviously unicorns don't exist), but when Pearl reveals she can now withstand the sun, they are thrilled. She can be enrolled in high school, make friends and then lure these tasty snacks to her family! But Pearl's change is deeper than her family realise. She has started to experience a number of alarming symptoms including feeling sympathy for her meals - the humans. While struggling with balancing high school, her family and her new conscience, Pearl learns that the Vampire King has a seriously evil plot in store for the local humans - and that her good-looking new friend Evan is the were-unicorn that stabbed her through the heart. Pearl is now the lynchpin between the vampires and their hunters, but which side of her will win? The bloodsucker or her conscience?

                • Cover of Naked Werewolf
                  Naked Werewolf

                  series · 3 books · 2011

                  similar byfunnycontemporaryparanormal romanceenemies to loversnorth america+1 more

                • Cover of Dead End Dating
                  Dead End Dating

                  series · 6 books · 2006

                  similar byfunnycontemporaryparanormal romancevampiresnorth america+1 more

                • Cover of Meena Harper
                  Meena Harper

                  series · 2 books · 2010

                  similar bycontemporaryvampiresparanormal romanceurban fantasynorth america

                • Cover of Highfire
                  Highfire

                  Eoin Colfer · standalone novel · 2020

                  similar byfunnycontemporaryurban fantasynorth america

                  Wyvern, Lord Highfire of the Highfire Eyrie, is the last dragon on Earth and is hiding out in a Louisiana swamp. He strikes a deal with Cajun swamp rat Squib: Squib will keep him company and fetch supplies for him and Vern will protect Squib from the dirty cop that is chasing him. However, there will be soon be a firery reckoning, in which dragons wither finally become extinct or Ver's glory days are back.

                • Cover of Pine Cove
                  Pine Cove

                  series · 3 books · 1992

                  similar byfunnycontemporarynorth americasmall town+1 more

                  Pine Cove gathers three loosely connected comic novels — Practical Demonkeeping, The Lust Lizard of Melancholy Cove, The Stupidest Angel — that Christopher Moore set in the same fictional small town on the California coast, recycling some of the same eccentric residents even as each book follows its own standalone plot (the first centers on a drifter's demon and the reluctant wizard trying to control it). It's part of the larger shared world Moore uses across most of his comic novels, rather than a continuing story arc.

                • Cover of Aisling Grey, Guardian
                  Aisling Grey, Guardian

                  series · 5 books · 2004

                  similar byfunnycontemporaryparanormal romanceurban fantasy+1 more

                • Cover of Double Dating with the Dead
                  Double Dating with the Dead

                  Karen Kelley · standalone novel · 2007

                  similar byfunnycontemporaryparanormal romanceenemies to loversnorth america

                  HANDS OFF MY ASTRAL PLANE!Psychic Selena James is having the kind of week that makes her happy to talk to the dead. First, famously skeptical (and sinfully sexy) writer, Trent Sanders, called her delusional on TV. Next, her outraged mother publicly challenged him to spend two weeks with Selena at the haunted Garvey Hotel. Now, if Selena can’t prove ghosts exist, she’ll answer to Trent’s private wager: one night in his bed. It doesn’t take any psychic abilities to know Trent could satisfy a woman’s every fantasy. And she may find out very soon, if the two sex-starved ghosts in residence have their way…Trent Sanders doesn’t believe in anything he can’t see, taste, or touch, and what he sees right now he would definitely enjoying tasting and touching. Selena James might be a bit kooky, but she’s also blessed with a body that could certainly raise the dead, if not talk to them. She’s even got a wicked sense of humor, like when she pinched his butt and insisted it wasn’t her, but one of the “ghosts.” Riiiiiight. But as things move from “haunted” to extremely hot, Trent’s starting to believe the paranormal is a one-way—make that four-way—ticket to paradise…

                • Cover of The Vampire's Seduction
                  The Vampire's Seduction

                  Cynthia Cooke · standalone novel · 2011

                  similar bycontemporaryparanormal romancevampiresurban fantasyenemies to loversnorth america

                  Finding out she was a witch had upended Mari Saguna's staid life, but being thrown into a war between dark, otherworldly creatures in New York City surpassed the surreal. Her coven battled a clan of vampires...and caught in the middle were Mari and one vampire hell-bent on rescuing his kidnapped brethren. No spells could protect her from Nicholai, the potent, mysterious seducer. No potions could assuage the longing he'd awakened in her. In his lair, Mari wasn't sure she wanted protection...until she discovered Nicholai's dark intention. Could she believe the enemy she'd come to love meant to destroy her? And would it matter when Nicholai discovered she -- and her blood -- were her coven's secret weapon?

                • PP
                  Pack / Pride Universe

                  series · 20 books · 2006

                  similar bycontemporaryparanormal romance+3 more

                  Shelly Laurenston's Pride novels, beginning with The Mane Event, are paranormal romances set among shapeshifter clans — lions, hyenas, wolves, and more — who mix pack politics with broad comedy and romantic pairings across a sprawling ensemble cast. The connected Pack books extend the same shared world with a different cluster of characters.

                • Cover of The Rest of Us Just Live Here
                  The Rest of Us Just Live Here

                  Patrick Ness · standalone novel · 2015

                  similar byfunnycontemporaryurban fantasynorth americasmall town

                  What if you aren't the Chosen One? The one who's supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death? What if you're like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again. Because sometimes there are problems bigger than this week's end of the world, and sometimes you just have to find the extraordinary in your ordinary life. Even if your best friend is worshipped by mountain lions.

                • Cover of Gil's All Fright Diner
                  Gil's All Fright Diner

                  A. Lee Martinez · standalone novel · 2005

                  similar byfunnycontemporaryurban fantasyvampiresnorth america

                  Gil's All Fright Diner is an urban fantasy novel by A. Lee Martinez first published in 2005.

                • Cover of L.A.M.P.S.
                  L.A.M.P.S.

                  series · 3 books · 2016

                  similar byfunnycontemporaryurban fantasynorth america+3 more

                • Cover of The Circus of Dr. Lao
                  The Circus of Dr. Lao

                  Charles G. Finney · standalone novel · 1935

                  similar byfunnycontemporarynorth americasmall town

                  The Circus of Dr. Lao (1935) is a novel written by the American newspaperman and writer Charles G. Finney. It won one of the inaugural National Book Awards: The Most Original Book of 1935. Although the first edition was illustrated by Boris Artzybasheff, many later editions omit the illustrations.

                • Cover of Charlie Asher
                  Charlie Asher

                  series · 2 books · 2006

                  similar byfunnycontemporaryurban fantasynorth america

                • Cover of Real Vampires Universe
                  Real Vampires Universe

                  series · 17 books · 2007

                  similar byfunnycontemporaryparanormal romancevampires+2 more

                • Cover of Masters of Death
                  Masters of Death

                  Olivie Blake · standalone novel · 2023

                  similar byfunnycontemporaryurban fantasyvampires

                  Viola Marek is a struggling real estate agent, and a vampire. But her biggest problem currently is that the house she needs to sell is haunted. The ghost haunting the house has been murdered, and until he can solve the mystery of how he died, he refuses to move on. Fox D’Mora is a medium, and though is also most-definitely a shameless fraud, he isn’t entirely without his uses—seeing as he’s actually the godson of Death. When Viola seeks out Fox to help her with her ghost-infested mansion, he becomes inextricably involved in a quest that neither he nor Vi expects (or wants). But with the help of an unruly poltergeist, a demonic personal trainer, a sharp-voiced angel, a love-stricken reaper, and a few high-functioning creatures, Vi and Fox soon discover the difference between a mysterious lost love and an annoying dead body isn’t nearly as distinct as they thought.