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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Conquistadors!

anchored on:alternate history

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories about minds with paranormal abilities — telepathy, telekinesis, precognition, empathy — and how societies handle those who have them.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories about rising against rulers — uprisings, resistance movements, and revolutions and their aftermaths.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Temeraire
                  Temeraire

                  series · 48 books · 2006

                  similar bywaralternate history

                  Temeraire is a series of nine alternate history fantasy novels written by American author Naomi Novik. The novels follow the adventures of Captain William Laurence and his dragon, the eponymous Temeraire, and reimagine events of the Napoleonic Wars with "an air force of dragons, manned by crews of aviators". His Majesty's Dragon, the first entry in the series, won the Compton Crook Award in 2007 and was nominated for the Hugo Award for Best Novel the same year. Temeraire: In the Service of the King, an omnibus volume collecting the first three novels, won the Locus Award for Best First Novel in 2007. Temeraire was nominated for the Hugo Award for Best Series in 2017.

                • Cover of Eden (Harry Harrison)
                  Eden (Harry Harrison)

                  series · 5 books · 1984

                  completed

                  similar bywaralternate historyscience fiction+2 more

                  Harry Harrison's Eden trilogy imagines an Earth where the dinosaurs never died out, evolving instead into the Yilane, a technologically advanced reptilian civilization that shares the planet uneasily with early humans. West of Eden (1984) introduces the clash between the two species; Winter in Eden and Return to Eden carry it forward as a shifting climate forces both sides to adapt or die. It's an alternate-evolution saga more than a conventional dinosaur adventure.

                • Cover of Ring of Fire (1632)
                  Ring of Fire (1632)

                  universe · 687 books · 2000

                  Start here1632 · Start here

                  similar byalternate history+3 more

                  Somewhere in the spring of 1631, the sky over a stretch of Thuringian farmland cracks open, and when it closes a piece of the year 2000 is sitting in the middle of the Thirty Years' War. Grantville — a played-out coal town lifted whole out of West Virginia, high-school gym and pizza parlor and all — has landed three miles of the twentieth century three and a half centuries upstream, in the bloodiest war Europe would ever fight. The town does the only thing it knows how to do: it holds a meeting, elects a government, and gets to work. What Eric Flint began with 1632 he almost at once threw open to everyone else, and this is a shared world built the way Grantville rebuilds — by committee, by many hands, in public. The spine runs 1632, then 1633 and 1634: The Baltic War (written with David Weber), after which the timeline forks across a continent: the war in the north, the Roman intrigues of the Galileo Affair, Bavaria, the Ottomans, Russia, each carried in its own novel and its own numbered year. Feeding it is the Grantville Gazette, a running magazine of fan-then-professional fiction, and the Ring of Fire anthologies, where authors like Virginia DeMarce, Gorg Huff and Kerryn Offord supply the machinists, printers and lawyers one narrator never could. The same cosmic accident — the Assiti Shards — maroons other towns in other centuries in Time Spike and The Alexander Inheritance. There are no chosen ones here and no magic, only the terrifying leverage of already knowing how the next four hundred years turn out. The pleasure is procedural and democratic: union halls and lathes outfighting kings, down-timers and up-timers arguing their way toward a republic. Sprawling, uneven, warm-blooded, it rewards browsing over marching. Begin with 1632, read 1633 next, then follow whichever thread — sea, siege, or senate — pulls you in.

                • Cover of Crosstime Traffic
                  Crosstime Traffic

                  series · 6 books · 2003

                  similar byalternate historyscience fiction+2 more

                  Harry Turtledove's Crosstime Traffic novels are set on an Earth that has discovered travel to alternate timelines where history unfolded differently, exploited commercially by the monopoly company that gives the series its name. Aimed at young-adult readers, the loosely connected books -- including Gunpowder Empire, Curious Notions, and The Disunited States of America -- each send a young protagonist into a different divergent world.

                • WU
                  Worldwar Universe

                  series · 8 books · 1994

                  similar bytensewaralternate historyscience fiction+1 more

                • Cover of Without Warning
                  Without Warning

                  series · 3 books · 2008

                  similar bytensewaralternate historyscience fiction

                • Cover of SS-GB
                  SS-GB

                  Len Deighton · standalone novel · 1978

                  similar bytensealternate historyscience fiction+1 more

                  It's November 1941 in a Britain that lost the war: Operation Sea Lion succeeded, Churchill was executed, and the King is a prisoner in his own Tower of London. Detective Superintendent Douglas Archer, still working homicide for the Metropolitan Police under German occupation, catches what looks like a routine case, a well-dressed man murdered above an antiques shop, until the body's oddities point toward something far more dangerous than burglary gone wrong. Archer's investigation collides with occupation politics, the British resistance, and rival factions of the SS and the German Army, each wanting the case to go a different way. Len Deighton's alternate-history spy thriller.

                • Cover of The Kraken Wakes
                  The Kraken Wakes

                  John Wyndham · standalone novel · 1953

                  similar bytensewarscience fiction+1 more

                  " Behind a spectacular meteor shower actually hides the beginning of an invasion by a mysterious and powerful alien race. Earth's life is disrupted by the attacks of extraterrestrials whose war machines, emerging from the depths of the oceans, seem indestructible. The coalitioned forces of the whole world are worthless, powerless in the face of the indecipherable and deadly plans of a superior intelligence, capable of bringing the entire planet to the brink of catastrophe" Goodreads May 20, 2022

                • Cover of How Few Remain Universe
                  How Few Remain Universe

                  series · 11 books · 1997

                  similar bytensewaralternate history

                  How Few Remain opens Harry Turtledove's Southern Victory timeline, imagining a North America where the Confederacy won the Civil War. Set mostly in 1881-1882, it follows political and military figures on both sides of a divided continent as old grievances resurface into a new war. It's a single novel here, but the starting point for a much longer alternate-history sequence Turtledove extended across both twentieth-century world wars.

                • Cover of The Leviathan Trilogy
                  The Leviathan Trilogy

                  series · 3 books · 2009

                  similar bywaralternate historyscience fiction+1 more

                  Set in an alternate First World War, Leviathan splits the belligerents into Clankers, who fight with mechanical walkers, and Darwinists, who fight with fabricated living creatures built from spliced DNA. Scott Westerfeld follows a British girl disguised as a boy to serve on a living airship and the exiled heir to the Austro-Hungarian throne as their paths collide, continuing across Behemoth and Goliath. Keith Thompson's illustrations are integral to all three books, alternating text chapters with illustrated sequences.

                • Cover of The Alchemy Wars
                  The Alchemy Wars

                  series · 4 books · 2015

                  similar byalternate history+4 more

                • Cover of The Change / The Event
                  The Change / The Event

                  series · 41 books · 1998

                  similar byscience fiction+3 more

                  The Change: Tales of Downfall and Rebirth is a shared-world anthology of stories set in the years right after a mysterious global event instantly disables gunpowder, electricity, and combustion engines, the founding premise of S. M. Stirling's Emberverse. Sixteen different authors, coordinated by Stirling, each contribute stories set in various corners of the suddenly de-industrialized world as survivors scramble to rebuild. It's a companion volume to the Change/Emberverse novels rather than a novel itself.

                • Cover of Draka (S. M. Stirling)
                  Draka (S. M. Stirling)

                  series · 6 books · 1988

                  similar bywaralternate historyscience fiction+2 more

                  The Domination of the Draka is a dystopian science fiction alternate history series by American author S. M. Stirling.

                • Cover of H. G. Wells' War of the Worlds
                  H. G. Wells' War of the Worlds

                  universe · 65 books · 1898

                  Start hereThe War of the Worlds · Start here

                  similar byscience fiction+2 more

                  No one would have believed, in the closing years of the nineteenth century, that human affairs were being watched keenly and closely from the timeless worlds of space. And then the cylinders fell. H. G. Wells' War of the Worlds opens in the quiet of the Surrey commons, where a falling star proves to be the first Martian craft — and from the pit rise the towering tripods, the Heat-Ray, the choking Black Smoke and the creeping red weed, wielded by minds that regard mankind much as we regard the creatures we boil for supper. This is invasion rendered as natural disaster: cold, methodical, and vast beyond argument. Wells' 1898 novel is the seed; everything else grows from that Martian soil. The catalogue gathers direct sequels and continuations alongside a wide field of other hands. In War of the Worlds: Global Dispatches the invasion is retold across the whole planet through the eyes of Twain, Verne, Tolstoy, Lowell and Kipling; in the Manly Wade and Wade Wellman crossover, Sherlock Holmes, Watson and Professor Challenger take the field against the machines; and Scott Washburn's Great Martian War stretches the fighting into a decades-long alternate history of steam, artillery and grinding attrition. It is a loose shared world — no single decreed sequence, many voices answering one calamity. What sets this world apart is its refusal of heroics: the invaders fall not to generals but to the smallest things of Earth, humbling and indifferent. Begin, always, with Wells' original novel — it is short, and it is the ground every later book stands upon. From there follow your appetite: Global Dispatches for the panorama, the Holmes campaign for adventure, Washburn for the long war.

                • Cover of Days of Infamy
                  Days of Infamy

                  series · 2 books · 2004

                  similar bytensewaralternate historycolonialism

                  Harry Turtledove's Days of Infamy duology reimagines the Pacific theater of World War II with an alternate outcome at Pearl Harbor: a Japanese invasion and occupation of Hawaii rather than a single carrier strike. Days of Infamy covers the invasion itself, while End of the Beginning follows the ensuing occupation and eventual counter-invasion. As in his other alternate-history work, Turtledove follows the changed war through a wide, rotating cast of civilian and military viewpoints.

                • Cover of The Proteus Operation
                  The Proteus Operation

                  James P. Hogan · standalone novel · 1985

                  similar bytensewaralternate historyscience fiction

                  The Proteus Operation is a science fiction alternate history novel written by James P. Hogan. The plot focuses on an Anglo-American team of soldiers and civilians sent back in time from the Nazi-dominated world of 1975 to prevent an Axis victory in World War II that was engineered by more advanced time travelers from the 21st century.

                • Cover of Axis of Time
                  Axis of Time

                  series · 7 books · 2004

                  similar bytensewaralternate historyscience fiction

                  The Axis of Time trilogy is an alternative history series of novels written by Australian journalist and author John Birmingham, from Macmillan Publishing.

                • Cover of Paratime Police
                  Paratime Police

                  series · 33 books · 1948

                  similar byalternate historyscience fiction+1 more

                  The Paratime series written by H. Beam Piper and subsequently by John F. Carr consists of several short stories, one novella, and one novel, all but one of which were originally published in Astounding Science Fiction under the editorship of John W. Campbell. The series deals with an advanced civilization that is able to travel between parallel universes with alternate histories, and uses that ability to trade for goods and services that its own, exhausted Earth cannot provide. The protagonists of the stories are the Paratime Police, the organization that protects the secret of paratime travel.

                • Cover of Burton Cole
                  Burton Cole

                  series · 2 books · 2011

                  similar bytensewaralternate historycolonialism

                • Cover of Clash of Eagles / The Hesperian Trilogy
                  Clash of Eagles / The Hesperian Trilogy

                  series · 4 books · 2010

                  similar bytensewaralternate historycolonialism

                • Cover of Rule Britannia
                  Rule Britannia

                  Daphne du Maurier · standalone novel · 1972

                  similar bytensewaralternate historycolonialismscience fiction

                  In the late 1970s, the US invades Britain.

                • Cover of The Guns of the South
                  The Guns of the South

                  Harry Turtledove · standalone novel · 1992

                  similar bytensewaralternate historyscience fiction

                  The Guns of the South is an alternate history science fiction novel set during the American Civil War by Harry Turtledove. It was released in the United States on September 22, 1992.

                • Cover of Time's Tapestry
                  Time's Tapestry

                  series · 4 books · 2006

                  similar byalternate historyscience fiction+2 more

                  Stephen Baxter's Time's Tapestry sequence imagines a version of history repeatedly altered by messages sent back through time by a sect trying to change Rome's fate, with each novel following the ripple effects across a different era of British and world history. Emperor opens the sequence in Roman-era Britain, and the alternate timeline compounds across the following three novels before a concluding volume gathers the whole arc. It was published across the mid-to-late 2000s as one continuous four-book story.

                • Cover of Resistance
                  Resistance

                  Owen Sheers · standalone novel · 2007

                  similar bytensewaralternate history

                  Resistance is a 2007 alternative history novel by Welsh poet and author Owen Sheers. The plot centers on the inhabitants of a valley near Abergavenny in Wales in 1944–45, shortly after the failure of Operation Overlord and a successful German counterinvasion of Great Britain. A group of German Wehrmacht soldiers stay there after men leave to serve in the covert British Resistance. The novel follows abandoned farmer's wife Sarah Lewis and German commanding officer Albrecht Wolfram, as they form an unlikely relationship in spite of their backgrounds and political standings.