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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Dragonseed

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories about rising against rulers — uprisings, resistance movements, and revolutions and their aftermaths.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of A Song of Ice and Fire
                  A Song of Ice and Fire

                  series · 14 books · 1996

                  part of World of Ice and Fire

                  similar byfantasydarksecondary worldwar+1 more

                  A Song of Ice and Fire is a series of high fantasy novels by the American author George R. R. Martin. Martin began writing the first volume, A Game of Thrones, in 1991, and published it in 1996. Martin, who originally envisioned the series as a trilogy, has released five out of seven planned volumes. The most recent entry in the series, A Dance with Dragons, was published in 2011. Since then, Martin has been working on the sixth novel, titled The Winds of Winter. A seventh novel, A Dream of Spring, is planned to follow.

                • Cover of Tigana
                  Tigana

                  Guy Gavriel Kay · standalone novel · 1990

                  similar byfantasydarkrebellion and revolutionsecondary world

                  Tigana is a 1990 fantasy novel by Canadian writer Guy Gavriel Kay. The novel is set in a region called the Peninsula of the Palm, which somewhat resembles Renaissance Italy as well as the Peloponnese in shape.

                • Cover of Red Queen
                  Red Queen

                  series · 14 books · 2015

                  similar byfantasydarkrebellion and revolutionsecondary world+1 more

                  Red Queen is set in a world split between Reds, an oppressed servant class, and Silvers, a ruling class with superhuman abilities, where a Red girl discovers she has Silver-like powers of her own and is forced into the royal court to hide what she is. Victoria Aveyard's debut novel opens a four-book main sequence - Red Queen, Glass Sword, King's Cage, War Storm - plus the interstitial novella Cruel Crown and the epilogue novella Broken Throne. It's YA dystopian fantasy built around a class-based magic system and a slow-burn political rebellion.

                • Cover of Malazan
                  Malazan

                  universe · 36 books · 1999

                  Start hereMalazan Book of the Fallen · Start here

                  similar bydarksecondary worldwar+1 more

                  Pity the historian who tries to map this world; pity more the god who thinks he rules it. The Malazan Empire marches across continents on the boots of its common soldiers, and above them move Ascendants — mortals grown into something like gods, and gods worn thin as old coin. Magic is drawn from Warrens, roads of power threaded through reality; the dead keep their grudges; and every empire, however vast, is a wager against time. This is epic fantasy told from the mud, where a sapper cracking a joke weighs as much as an immortal settling a feud older than the human race. The world began as a tabletop campaign two friends built in the 1980s, and it still moves by two hands. Steven Erikson's ten-volume Malazan Book of the Fallen is the spine — Gardens of the Moon, Deadhouse Gates, Memories of Ice, on through The Crippled God — each book a near-standalone campaign that only later reveals how it locks together. Ian C. Esslemont walks the same years from a different vantage in his Novels of the Malazan Empire (Night of Knives, Return of the Crimson Guard onward). Around them stand the prequels: Erikson's Kharkanas Trilogy, archaic and elegiac, chronicling a doomed elder people, and Esslemont's brisker Path to Ascendancy, following two adventurers before they became legends. Erikson's Witness sequence carries the tale forward, and novellas of the genial necromancers Bauchelain and Korbal Broach supply the gallows comedy. Nothing is explained to you; comprehension is earned, and that is the pleasure. The themes run deep — compassion set against cruelty, the toll empires charge, civilizations that fall and are mourned. Begin where the saga does, with Erikson's Gardens of the Moon, and read the ten in publication order; the prequels are for the already-initiated. Trust that confusion is the price of entry.

                • Cover of The Powder Mage
                  The Powder Mage

                  universe · 19 books · 2013

                  Start hereThe Powder Mage Trilogy · Start here

                  similar byfantasysecondary worldwar+1 more

                  Load your powder, and pray your sorcery outruns their cannon. Here the age of kings is ending at musket-point: a world where black powder is not merely fired but eaten, and the men and women called powder mages snort a pinch of it to burn a trance across the battlefield — igniting an enemy's cartridges from a mile off, bending a bullet mid-flight, reading a room by the taste of the air. Against them stand the Privileged, glove-fingered sorcerers of the old order who summon fire and frost, and above both, gods who have not finished walking the earth. Brian McClellan builds this flintlock world across two linked trilogies. The Powder Mage Trilogy — Promise of Blood, The Crimson Campaign, The Autumn Republic — opens with a field marshal's coup against a rotten monarchy and the invasion, revolution, and divine reckoning that follow. Gods of Blood and Powder — Sins of Empire, Wrath of Empire, Blood of Empire — crosses the ocean a decade on to the colonial frontier of Fatrasta, where old soldiers, spies, and a heretic goddess collide. A run of novellas and short stories fills the corners between. Expect grapeshot and gunsmoke, siege lines and back-alley intrigue, generals and con men given equal weight. Begin at Promise of Blood and read in publication order — the trilogies run in sequence, and the short work is seasoning, not prerequisite.

                • Cover of Malazan Book of the Fallen
                  Malazan Book of the Fallen

                  series · 20 books · 1999

                  part of Malazan

                  similar byfantasydarksecondary worldwar+1 more

                  The Malazan Book of the Fallen is a series of epic fantasy novels written by the Canadian author Steven Erikson. The series, published by Bantam Books in the U.K. and Tor Books in the U.S., consists of ten volumes, beginning with Gardens of the Moon (1999) and concluding with The Crippled God (2011). Erikson's series presents the narratives of a large cast of characters spanning thousands of years across multiple continents.

                • Cover of An Ember in the Ashes
                  An Ember in the Ashes

                  series · 4 books · 2015

                  similar byfantasyrebellion and revolutionsecondary world+2 more

                  An Ember in the Ashes, set in a fantasy world modeled on ancient Rome, alternates between Laia, who spies on a brutal military academy for rebels in exchange for help freeing her imprisoned brother, and Elias, one of that academy's most skilled soldiers trying to break free of the empire he's been raised to serve. Sabaa Tahir's quartet, continuing through A Torch Against the Night, A Reaper at the Gates, and A Sky Beyond the Storm, follows the two toward a reckoning with the empire that trained one of them to enforce it.

                • H
                  Hawkmoon

                  series · 7 books · 1967

                  part of Moorcock's Multiverse

                  similar bysecondary world+4 more

                  The History of the Runestaff is an omnibus collection of four fantasy novels by British writer Michael Moorcock, consisting of The Jewel in the Skull, The Mad God's Amulet, The Sword of the Dawn, and The Runestaff. Charting the adventures of Dorian Hawkmoon, a version of the Eternal Champion, it takes place in a far-future version of Europe in which the insane rulers of the Dark Empire of Granbretan are engaged in conquering the continent. Written between 1967 and 1969, it is considered a classic of the genre, and has proven highly influential in shaping subsequent authors' works.

                • Cover of The Powder Mage Trilogy
                  The Powder Mage Trilogy

                  series · 15 books · 2013

                  part of The Powder Mage

                  similar bysecondary worldwar+3 more

                  The Powder Mage trilogy is a series of epic fantasy novels written by American author Brian McClellan. It consists of the novels Promise of Blood (2013), The Crimson Campaign (2014) and The Autumn Republic (2015). In 2014, Promise of Blood received the Morningstar Award for Best Fantasy Newcomer. Several short stories and novellas set in the world of The Powder Mage trilogy have been published, as well as an additional trilogy called Gods of Blood and Powder.

                • Cover of New Crobuzon
                  New Crobuzon

                  series · 4 books · 2000

                  similar byfantasydarksecondary world+1 more

                  The New Crobuzon books are three standalone novels by China Miéville set in and around New Crobuzon, a vast, corrupt industrial city in his invented world of Bas-Lag where magic, biopunk technology, and several sentient species coexist. Perdido Street Station follows a renegade scientist and his lover after an experiment unleashes something monstrous on the city, while The Scar and Iron Council return to the same setting with different casts and only loose continuity between books.

                • Cover of Throne of Glass
                  Throne of Glass

                  series · 15 books · 2012

                  similar bysecondary world+3 more

                  Throne of Glass is a epic fantasy novel series by American author Sarah J. Maas, beginning with the entry of the same name, released on August 2, 2012. The story follows the journey of Celaena Sardothien, a teenage assassin in a corrupt kingdom with a tyrannical ruler, the King of Adarlan. As the story progresses, Celaena forms unexpected bonds and uncovers a conspiracy amidst her adventures. The series concluded with the eighth book in October 2018.

                • Cover of The Prison Healer
                  The Prison Healer

                  series · 3 books · 2021

                  similar byfantasysecondary world+3 more

                  Lynette Noni's YA trilogy follows Kiva Meridan, a teenage healer imprisoned in the brutal death camp of Zalindov, who is forced to stand trial by combat in another prisoner's place when a mysterious rebel movement upends the prison's order. The Prison Healer, The Gilded Cage, and The Blood Traitor follow Kiva out of the prison and into a wider conflict over the kingdom's throne, testing where her loyalties actually lie. It sits in the current wave of grim, trial-driven YA fantasy.

                • Cover of Shannara
                  Shannara

                  universe · 50 books · 1977

                  Start hereWord and the Void · The very beginning of the timeline

                  similar byfantasysecondary world

                  Long after the world we know has burned itself to slag in the Great Wars, the Four Lands rise green over the bones of the old age. Science is a forbidden memory; magic has come back into the world, and with it the old divisions — Men, Elves, Dwarves, Trolls, and Gnomes, each Race a splinter of what humanity became. This is the far-future Earth of Shannara, where the ruins buried beneath the soil are ours, and the only keepers of the vanished knowledge are the Druids of Paranor, who wake once a generation to meet the darkness rising again. Terry Brooks opened the Four Lands in 1977 with The Sword of Shannara and has charted its history for four decades since — a legendarium ordered not by throne but by a single bloodline, the Ohmsfords, each generation inheriting an Elfstone, a blade, or a wishsong when the age demands a hero. The original trilogy gives way to the Heritage of Shannara, the Voyage of the Jerle Shannara, the High Druid, Dark Legacy, Defenders, and the concluding Fall of Shannara; the Genesis of Shannara books reach back to the apocalypse itself, and the Word and the Void trilogy back further still, into a demon-haunted version of our own present that is the root of everything after. In 2025 Brooks passed the histories to Delilah S. Dawson to carry forward. What sets these books apart is their long memory: a world where every triumph is provisional, where the same evil returns wearing a fresh shape each age, and magic always exacts its price. The reading is warm and headlong — questing companies, old talismans, journeys across a mapped and named wilderness — shadowed by the knowledge that all of it stands on the wreckage of a former world. Enter as readers first did: with The Sword of Shannara, then onward in publication order. The chronological path, beginning with Word and the Void, rewards a second journey, once the Four Lands already feel like home.

                • Cover of Legacy of Orisha
                  Legacy of Orisha

                  series · 3 books · 2018

                  similar byfantasyrebellion and revolutionsecondary world+2 more

                  Tomi Adeyemi's Legacy of Orïsha trilogy opens with Children of Blood and Bone, following Zélie, a girl from a persecuted caste of former magic-users, on a quest to restore magic to a kingdom that outlawed and hunted her people. Children of Virtue and Vengeance and Children of Anguish and Anarchy continue the fallout of that restoration as new factions fight over who gets to wield the returned power. The series draws on West African mythology and languages for its magic system and setting.

                • Cover of The Lotus War
                  The Lotus War

                  series · 4 books · 2012

                  similar byfantasydarkrebellion and revolutionsecondary world+1 more

                  The Lotus War is Jay Kristoff's steampunk fantasy trilogy set in a pollution-choked, Japanese-inspired empire: Stormdancer (2012), Kinslayer and Endsinger, with the novella The Last Stormdancer as a coda. It follows a young woman who tames a griffin-like beast thought extinct, drawing her into a rebellion against the empire's oppressive Shogunate. It is a complete trilogy plus novella.

                • Cover of Path to Ascendancy
                  Path to Ascendancy

                  series · 4 books · 2016

                  part of Malazan

                  similar bysecondary world+4 more

                  Dancer's Lament opens Ian C. Esslemont's Path to Ascendancy quartet, a prequel to the Malazan Book of the Fallen novels showing how the assassin Dancer and the mage Kellanved first rose to power and began building the empire that dominates the later Malazan books. It fills in backstory referenced only obliquely elsewhere in the shared Malazan universe co-created with Steven Erikson. The four novels were published between 2016 and 2023.

                • Cover of Rigante
                  Rigante

                  series · 4 books · 1998

                  completed

                  similar byfantasydarksecondary worldwar+1 more

                  Sword in the Storm opens David Gemmell's Rigante sequence, following Connavar, a young tribesman of the Rigante people whose homeland faces both internal clan conflict and the looming threat of a technologically superior empire modeled on Rome. The series spans generations of the Rigante across four novels, mixing Gemmell's trademark heroic-fantasy action with Celtic-flavored history. It was published between 1998 and 2002.

                • Cover of Gormenghast
                  Gormenghast

                  series · 6 books · 1946

                  completed

                  similar byfantasydarksecondary world

                  Gormenghast is a fantasy series by British author Mervyn Peake, about the inhabitants of Castle Gormenghast, a sprawling, decaying, Gothic structure. Originally conceived as a single on-going novel, the series was ended by Peake's death and comprises three novels: Titus Groan (1946), Gormenghast (1950) and Titus Alone (1959); and a novella, Boy in Darkness (1956). Peake was writing a fourth novel, Titus Awakes, at the time of his death in 1968. The book was completed by Peake's widow Maeve Gilmore in the 1970s, but was not published until 2011 after it was discovered by their family.

                • Cover of The Poppy War
                  The Poppy War

                  series · 4 books · 2018

                  similar byfantasydarksecondary worldwar+1 more

                  The Poppy War follows Rin, a war orphan who tests into an elite military academy and discovers a talent for shamanic power tied to a pantheon of vengeful gods. R. F. Kuang's trilogy reworks the Second Sino-Japanese War and its atrocities into an epic fantasy that grows darker and more morally compromised as it goes. It's told across The Poppy War, The Dragon Republic, and The Burning God.

                • Cover of The Circle of the World
                  The Circle of the World

                  universe · 29 books · 2006

                  Start hereThe Blade Itself · Start here

                  similar byfantasysecondary world+2 more

                  You want heroes? Best look elsewhere. The Circle of the World has kings and wizards and famous barbarians enough, but scratch any of them and you'll find a coward, a schemer, or a killer who's simply better at it than the rest. This is Joe Abercrombie's fantasy world: a grimy, blood-soaked continent where the fat and corrupt Union squats between the savage North and the scheming South, and where every noble cause turns out to have a knife hidden behind it. It opens with the First Law trilogy — The Blade Itself, Before They Are Hanged, Last Argument of Kings — following a crippled torturer with a razor wit, a weary Northman who would dearly like to stop fighting and can't, and a bald old wizard whose plans run older and colder than anyone guesses. Three self-contained standalones share the same ground and a familiar face or two: Best Served Cold takes its revenge across sunlit, murderous Styria; The Heroes crushes a whole war into three days over one worthless hill; Red Country rides the frontier. Short pieces (Sharp Ends) fill the gaps, and a generation on, the Age of Madness trilogy drags the old survivors into an age of factories, mobs, and revolution. What sets it apart is the honesty of its cynicism — close, sardonic points of view, gallows humour, and a flat refusal to let anyone stay clean. Violence carries a cost here; victory rarely settles anything; the wheel just turns and grinds someone new under it. Abercrombie recommends reading in publication order, and it's the right call: begin with The Blade Itself and let the world curdle around you. You have to be realistic about these things.

                • Cover of The Acacia Trilogy
                  The Acacia Trilogy

                  series · 3 books · 2007

                  similar byfantasydarksecondary worldwar+1 more

                  Acacia: The War with the Mein begins with an empire's ruling Akaran children fleeing after assassins from an exiled people kill their father, scattering the heirs into a wider world whose comfortable myths — and the drug trade and slavery underwriting the empire's peace — turn out to be far uglier than they were raised to believe. David Anthony Durham's trilogy, continuing through The Other Lands and The Sacred Band, follows the siblings as each confronts a different piece of the empire's hidden machinery.

                • Cover of The Song of Shattered Sands
                  The Song of Shattered Sands

                  series · 14 books · 2015

                  similar bysecondary world+3 more

                  The Song of the Shattered Sands is a series of epic fantasy novels written by American author Bradley P. Beaulieu. Starting in 2015 with Twelve Kings in Sharakhai, the series was concluded in 2021 with A Desert Torn Asunder.

                • Cover of Iron Elves
                  Iron Elves

                  series · 3 books · 2008

                  similar bydarksecondary worldwar+2 more

                • TC
                  Thomas Covenant the Unbeliever

                  series · 11 books · 1977

                  similar byfantasydarksecondary world

                  The Chronicles of Thomas Covenant is a series of ten high fantasy novels written by American author Stephen R. Donaldson. The series began as a trilogy, The Chronicles of Thomas Covenant the Unbeliever. This was followed by another trilogy, The Second Chronicles of Thomas Covenant, and finally a tetralogy, The Last Chronicles of Thomas Covenant.