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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

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  • Cover of Blade Runner Universe
    Blade Runner UniverseSeries

    series · 6 books · 1968

    Dark in tone, about robots.

    “Together the two trace the story's path from prose original to screen and comic-page adaptation.”

    from the catalogue
    Start with Do Androids Dream of Electric Sheep? →

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  • Cover of Islands in the Net
    Islands in the NetNovel

    Bruce Sterling · standalone novel · 1988

    About political intrigue, set in africa.

    “The protagonist, swept up in events beyond her control, finds herself in places that are off the net, from a datahaven in Grenada, to a Singapore under terrorist attack, to the poorest and most disaster-struck parts of Africa.”

    from the catalogue

    similar bynear futurescience fictiontensesurveillancecyberpunkclass conflictour world

  • Cover of Sprawl Trilogy
    Sprawl TrilogySeries

    series · 10 books · 1981

    Dark in tone, about artificial intelligence and virtual reality.

    “Johnny Mnemonic, an early short story set in the same fictional milieu, predates the novels and introduces the courier Molly Millions before her role in the trilogy.”

    from the catalogue
    Start with Neuromancer →

    similar bynear futurescience fictiontensecyberpunkbig city

  • Cover of Slow River
    Slow RiverNovel

    Nicola Griffith · standalone novel · 1995

    Dark in tone, about genetic engineering.

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  • Cover of The Shockwave Rider
    The Shockwave RiderNovel

    John Brunner · standalone novel · 1975

    Dystopia, dark in tone, about totalitarianism, set in north america.

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  • Cover of Childhood's End
    Childhood's EndNovel

    Arthur C. Clarke · standalone novel · 1953

    First contact, bittersweet in tone, about aliens and technological singularity.

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