Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Elephantasm

anchored on:british isles19th centurydark fantasygothicfamily secretscolonialism+2 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories driven by a curse laid on a person, family, or place, and the struggle to live under it or break it.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mental unraveling — descent into madness, delusion, and minds at war with themselves.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Rawblood
                  Rawblood

                  Catriona Ward · standalone novel · 2015

                  similar by19th centurydarkeeriebritish islesgothicfamily secretscursesmadness+2 more

                  Rawblood is the 2015 debut horror novel by Catriona Ward. The book was first published in the United Kingdom on September 24, 2015 through Weidenfeld & Nicolson. The novel was later published in the USA on March 1, 2017 by Sourcebooks as The Girl from Rawblood.

                • Cover of The Night Gardener
                  The Night Gardener

                  Jonathan Auxier · standalone novel · 2014

                  similar by19th centuryeeriebritish islesgothicfamily secretscurseshorror+1 more

                  From copyright page: Irish orphans Molly, fourteen, and Kip, ten, travel to England to work as servants in a crumbling manor house where nothing is quite what it seems to be, and soon the siblings are confronted by a mysterious stranger and secrets of the cursed house.

                • Cover of The House of the Seven Gables
                  The House of the Seven Gables

                  Nathaniel Hawthorne · standalone novel · 1851

                  similar by19th centurydarkeeriegothicfamily secretscurses

                  The House of the Seven Gables: A Romance is a Gothic novel written beginning in mid-1850 by American author Nathaniel Hawthorne and published in April 1851 by Ticknor and Fields of Boston. The novel follows a New England family and their ancestral home. In the book, Hawthorne explores themes of guilt, retribution, and atonement, and colors the tale with suggestions of the supernatural and witchcraft. The setting for the book was inspired by the Turner-Ingersoll Mansion, a gabled house in Salem, Massachusetts, belonging to Hawthorne's cousin Susanna Ingersoll, as well as ancestors of Hawthorne who had played a part in the Salem Witch Trials of 1692. The book was well received upon publication and has been adapted several times to film and television.

                • Cover of The Lost Stradivarius
                  The Lost Stradivarius

                  J. Meade Falkner · standalone novel · 1895

                  similar by19th centurydarkeeriegothicbritish islescurseshorror

                  The Lost Stradivarius (1895), by J. Meade Falkner, is a short horror novel about ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. It has been described as "one of Falkner's three celebrated novels" and as a "psychic romance".

                • Cover of Julia
                  Julia

                  Peter Straub · standalone novel · 1975

                  similar bydarkeeriegothicfamily secretsbritish isleshorror+1 more

                  Julia is a 1975 novel by American writer Peter Straub. The work is Straub's first novel to deal with the supernatural and was published through Coward, McCann & Geoghegan. Julia was later adapted into the 1977 film Full Circle, starring Mia Farrow.

                • Cover of My Brother's Keeper
                  My Brother's Keeper

                  Tim Powers · standalone novel · 2023

                  similar by19th centurydarkeeriebritish islescountryside & villagehorror+2 more

                  This is a ghost story. It is a story about werewolves, and things that go bump in the night. It is a story of an ill-fated land, the pathless moors of Northern England so well chronicled in Wuthering Heights. And it is the story of a real family whose destiny it is to deal with this darkly glamorous and dangerous world. When young Emily Brontë helps a wounded man she finds at the foot of an ancient pagan shrine in the remote Yorkshire moors, her life becomes contentiously entwined with his. He is Alcuin Curzon, embittered member of a sect working to eradicate the resurgent plague of lycanthropy in Europe and northern England. But Emily’s father, curate of the Haworth village church, is responsible for having unwittingly brought a demonic werewolf god to Yorkshire forty years ago—and it is taking possession of Emily’s beloved but foolish and dissolute brother. Curzon must regard Emily’s family as a dire threat. In spite of being at deadly odds, Emily and Curzon find themselves thrown together in fighting werewolves, confronting pagan gods, even saving each other from the lures of moorland demons. And in a final battle that sweeps from the haunted village of Haworth to a monstrous shrine far out on the moors, the two of them must be reluctant allies against an ancient power that seems likely to take their souls as well as their lives.

                • Cover of Little Eve
                  Little Eve

                  Catriona Ward · standalone novel · 2018

                  similar bydarkeeriebritish islesgothicfamily secretsmadnesshorror

                  Little Eve is a 2018 gothic horror novel by Catriona Ward, published by Weidenfeld & Nicolson.

                • Cover of The Private Memoirs and Confessions of a Justified Sinner
                  The Private Memoirs and Confessions of a Justified Sinner

                  James Hogg · standalone novel · 1824

                  similar by19th centurydarkbritish islesgothicmadness+1 more

                  The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor is a novel by the Scottish author James Hogg, published anonymously in 1824.

                • Cover of Hungerstone
                  Hungerstone

                  Kat Dunn · standalone novel · 2025

                  similar by19th centuryeeriebritish islesgothic+3 more

                  An orphaned, emotionally isolated heiress with no money marries a cunning steel tycoon for a chance to build back her life. As their relationship progresses, she grows increasingly disturbed by her own desires, which are brought to the forefront by the mysterious woman they rescue upon their arrival to their new, decrepit, countryside estate. Set during the English industrial revolution, inspired by Sheridan Le Fanu's Carmilla (1872).

                • Cover of The Turn of the Screw
                  The Turn of the Screw

                  series · 3 books · 1898

                  similar by19th centurygothicbritish isles+4 more

                  Henry James's 1898 novella The Turn of the Screw follows a governess at an isolated English country house who becomes convinced that the two children in her care are being stalked by malevolent ghosts, narrated entirely through her own increasingly uncertain account. Its ambiguity over whether the haunting is real has made it one of the most discussed ghost stories in English literature and prompted later works built around it, including Michael Hastings's The Nightcomers, a 1971 prequel imagining events at the house before the governess's arrival. A stage adaptation of James's original text also exists.

                • Cover of The Other
                  The Other

                  Thomas Tryon · standalone novel · 1971

                  similar bydarkeeriegothicfamily secretsmadnesscountryside & villagehorror

                  On a rural New England farm in 1935, thirteen-year-old identical twins Niles and Holland Perry share an unnervingly close bond, finishing each other's thoughts the way twins in family lore are supposed to. But the boys are not alike underneath: one is gentle and well-liked, the other carries something cold and cruel that the adults around them keep failing to notice. As a string of unsettling accidents and small cruelties start happening around the family's property, the people who love the twins begin, too slowly, to wonder whether both of them are really still there to blame. Thomas Tryon's debut novel, a work of quiet, Gothic-inflected horror.

                • Cover of A Strange Story
                  A Strange Story

                  Edward Bulwer-Lytton · standalone novel · 1861

                  similar by19th centurydarkeeriebritish islesgothicmadness

                  A Strange Story is an 1862 Gothic novel by the British writer Edward Bulwer-Lytton. It was originally serialised in the magazine All the Year Round edited by Charles Dickens. It was then published in two volumes by the London publishing house Sampson Low. The American release was handled by Harper and Brothers of New York. The novel reflects Bulwer-Lytton's interest in themes of the occult and mesmerism.

                • Cover of The Mayfair Witches Saga
                  The Mayfair Witches Saga

                  series · 3 books · 1990

                  completed

                  similar bydarkeeriegothicfamily secretsdark fantasyhorror

                  Lives of the Mayfair Witches is a trilogy of Gothic supernatural horror fantasy novels by American author Anne Rice. It centers on a family of witches whose fortunes have been guided for generations by a spirit named Lasher. The series began in 1990 with The Witching Hour, which was followed by the sequels Lasher (1993) and Taltos (1994). All three novels debuted at No. 2 on The New York Times Best Seller list.

                • Cover of An English Ghost Story
                  An English Ghost Story

                  Kim Newman · standalone novel · 2014

                  similar bydarkeeriebritish islesgothicfamily secretscountryside & villagehorror+1 more

                  A dysfunctional British nuclear family seek a new life away from the big city in the sleepy Somerset countryside. At first their new home, The Hollow, seems to embrace them, creating a rare peace and harmony within the family. But when the house turns on them, it seems to know just how to hurt them the most, threatening to destroy them from the inside out--Page 4 of cover.

                • Cover of The Haunting of Alaizabel Cray
                  The Haunting of Alaizabel Cray

                  Chris Wooding · standalone novel · 2001

                  similar by19th centurydarkeeriegothicbritish isleshorror

                  The Haunting Of Alaizabel Cray (2004) is a Gothic steampunk horror/alternate history novel by Chris Wooding about a young man and an amnesiac girl fighting a cult in an alternate Victorian era London.

                • Cover of Mary Reilly
                  Mary Reilly

                  Valerie Martin · standalone novel · 1990

                  similar by19th centurydarkeeriebritish islesgothic

                  Mary Reilly is a 1990 parallel novel by American writer Valerie Martin. It is inspired by Robert Louis Stevenson's classic 1886 novella Strange Case of Dr. Jekyll and Mr. Hyde. It was nominated for the Nebula Award for Best Novel in 1990 and the World Fantasy Award for Best Novel in 1991. Martin's novel was the basis for the 1996 film of the same name starring Julia Roberts in the title role.

                • Cover of This House Is Haunted
                  This House Is Haunted

                  John Boyne · standalone novel · 2013

                  similar by19th centuryeeriebritish islesgothicfamily secretshorror

                  This House Is Haunted is a novel written by Irish novelist John Boyne. It was first published in 2013 by Doubleday.

                • Cover of Sleep, Pale Sister
                  Sleep, Pale Sister

                  Joanne Harris · standalone novel · 1994

                  similar by19th centurydarkeeriebritish islesgothicmadnesshorror

                  Before the sweet delight of Chocolat, before the heady concoction that is Blackberry Wine, and before the tart pleasures of Five Quarters of the Orange, bestselling author Joanne Harris wrote Sleep, Pale Sister -- a gothic tourde-force that recalls the powerfully dark sensibility of her novel Holy Fools.Originally published in 1994 -- and never before available in the United States -- Sleep, Pale Sister is a hypnotically atmospheric story set in nineteenth century London. When puritanical artist Henry Chester sees delicate child beauty Effie, he makes her his favorite model and, before long, his bride. But Henry, volatile and repressed, is in love with an ideal. Passive, docile, and asexual, the woman he projects onto Effie is far from the woman she really is. And when Effie begins to discover the murderous depths of Henry's hypocrisy, her latent passion will rise to the surface.Sleep, Pale Sister combines the ethereal beauty of a Pre-Raphaelite painting with a chilling high gothic tale and is a testament to Harris's brimming cornucopia of talents.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

                • Cover of The Lost
                  The Lost

                  Jonathan Aycliffe · standalone novel · 1996

                  similar bydarkeeriedark fantasygothicfamily secretshorror+1 more

                  From the dust jacket flaps of the US HarperPrism first edition: "It all started when the gypsy fortune-teller looked him in the eye - and ran away screaming. Michael was a teacher at a prep school in Cambridge. Barely thirty, he felt immensely old. He was tired of his life, tired of his job, tired of dreary England. An though he didn't know it yet - tired of Sophie and her safe undemanding love. So Michael took a sabbatical and went to Romania, hoping to claim the property his grandparents had abandoned after World War II. He found he was a titled lord, and more - the owner of an ancient stronghold in the Transylvanian Alps, Castel Vlaicu. Thus, Michael Feraru became Count Mihai Vlahuta. It was all a lark; or at most, an adventure. Until the gypsy recognized him - or something about him - in the streets of Bucharest. Until he picked up the doll. And of course, the girl - the unexpected, unexplainable, irresistible dark-eyed girl. At Castel Vlaicu, Michael was to learn of an evil older than time, an evil that reached back to the very origins of his shattered family - and into his own dark future. He was to learn the secret of the strigoï. The undead. Not vampires. Something far, far worse. And far more seductive... The Lost is a novel of dark discoveries, of a man who loses his soul, and more, in the search for his secret destiny. It is a story of passion and horror, and of the doomed love that links the two."

                • Cover of Mexican Gothic
                  Mexican Gothic

                  Silvia Moreno-Garcia · standalone novel · 2020

                  similar bydarkeeriegothicfamily secretscountryside & villagehorror+1 more

                  It centers on a young woman investigating her cousin's claims that her husband is trying to murder her. (en.wikipedia)

                • Cover of The Seance
                  The Seance

                  John Harwood · standalone novel · 2008

                  similar by19th centuryeeriebritish islesgothicfamily secretshorror

                  The Seance is a 2008 horror novel by John Harwood. Set in late 19th century London, it follows the story of Constance Langton who in an attempt to make her mother healthy again takes her to a séance only to result in tragic consequences. The Seance won the 2008 Aurealis Award for best horror novel.

                • Cover of Drood
                  Drood

                  Dan Simmons · standalone novel · 2009

                  similar by19th centurydarkbritish islesgothicmadnesshorror

                  Drood is a novel written by Dan Simmons. The book was initially published on February 1, 2009 by Little, Brown and Company. It is a fictionalized account of the last five years of Charles Dickens' life.

                • Cover of The Hidden People
                  The Hidden People

                  Alison Littlewood · standalone novel · 2016

                  similar by19th centurydarkeeriebritish islesmadnesshorror+1 more

                  The Hidden People is a historical fantasy and horror novel by English writer Alison Littlewood, first published in October 2016 in the United Kingdom by Jo Fletcher Books. It is based on the 1895 incident in County Tipperary, Ireland, where Bridget Cleary was burnt alive by her husband, who believed she was a fairy changeling.

                • Cover of The Grotesque
                  The Grotesque

                  Patrick McGrath · standalone novel · 1989

                  similar bydarkeeriebritish islesgothicfamily secretsmadnesshorror

                  The Grotesque is a 1989 gothic fiction novel by British author Patrick McGrath. It was adapted into a 1995 film starring Alan Bates, Lena Headey, Theresa Russell and Sting.