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Reading orders for SF/F series and shared universes — with your place kept in every one.

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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Anubis Gates
                  The Anubis Gates

                  series · 3 books · 1983

                  similar bymysterious19th centuryhistorical fantasybritish isles+1 more

                  The Anubis Gates is a single time-travel fantasy novel by Tim Powers, following a present-day academic who takes part in a time-travel experiment and ends up stranded in early nineteenth-century London. It won the Philip K. Dick Award in 1983 and the Science Fiction Chronicle Award the following year.

                • Cover of The Prestige
                  The Prestige

                  Christopher Priest · standalone novel · 1995

                  similar bymysterious19th centuryour worldbritish isles+1 more

                  A magician called Borden (at least in private) writes his own version of his life as a magician. There's a lot of focus on a trick, where he seems to move across any width of stage in an instant, and on a feud with another magician, Angier. The account includes passages, where he can't decide what exactly to write, arguing with himself. 3 generations later a Borden (at least biologically) learns about his ancestor. He's also convinced, he somehow has a twin brother, who's happy about this development.

                • Cover of The Artifact Hunters
                  The Artifact Hunters

                  series · 8 books · 2013

                  similar by19th centuryhistorical fantasybritish isles+3 more

                • Cover of The Night Circus
                  The Night Circus

                  Erin Morgenstern · standalone novel · 2011

                  similar bymysterioushistorical fantasyour world+1 more

                  The Night Circus is a 2011 speculative fiction novel by Erin Morgenstern. It was originally written for the annual writing competition National Novel Writing Month (NaNoWriMo) over the span of three competitions. The novel has a nonlinear narrative written from multiple viewpoints.

                • Cover of The Watchmaker of Filigree Street
                  The Watchmaker of Filigree Street

                  series · 5 books · 2011

                  similar bymysterious19th centuryhistorical fantasy+2 more

                  The Watchmaker of Filigree Street follows Thaniel Steepleton, a telegraph clerk in Victorian London who receives a mysterious pocket watch that later saves his life, leading him to the reclusive watchmaker who made it and a mystery involving clairvoyance and a bombing plot. Natasha Pulley's series continues with The Bedlam Stacks and The Lost Future of Pepperharrow, following related characters through further historical-fantasy settings.

                • Cover of List of 7
                  List of 7

                  series · 2 books · 1993

                  similar bymysterious19th centurybritish isles+2 more

                • Cover of Stoker & Holmes
                  Stoker & Holmes

                  series · 5 books · 2013

                  similar by19th centurybritish isles+2 more

                • Cover of Burton & Swinburne
                  Burton & Swinburne

                  series · 35 books · 2010

                  similar by19th centurysteampunkbritish isles+1 more

                • Cover of The Secret Order
                  The Secret Order

                  series · 3 books · 2013

                  similar bymysterious19th centurysteampunkbritish isles+2 more

                • Cover of Jackaby
                  Jackaby

                  series · 5 books · 2014

                  similar bymysterious19th century+2 more

                • Cover of Gemma Doyle
                  Gemma Doyle

                  series · 4 books · 2003

                  similar by19th centuryhistorical fantasybritish isles+1 more

                  The Gemma Doyle Trilogy is a trilogy of fantasy novels by American writer Libba Bray. They are told from the perspective of Gemma Doyle, a girl in the late nineteenth century. The Gemma Doyle Trilogy consists of three books: A Great and Terrible Beauty, Rebel Angels, and The Sweet Far Thing.

                • Cover of Magic & Machinery
                  Magic & Machinery

                  series · 5 books · 2015

                  similar by19th century+2 more

                • Cover of Nagspeake Universe
                  Nagspeake Universe

                  series · 9 books · 2010

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                • Cover of Chronicles of Light and Shadow
                  Chronicles of Light and Shadow

                  series · 3 books · 2013

                  similar by19th centurysteampunk+2 more

                • Cover of Newbury & Hobbes Investigations
                  Newbury & Hobbes Investigations

                  series · 23 books · 2008

                  similar by19th centurysteampunkbritish isles

                  George Mann's steampunk series follows Sir Maurice Newbury, an occult investigator working for the crown in an alternate, more mechanized Victorian Britain, and his assistant Veronica Hobbes, as they take on cases blending supernatural threats with the era's mechanical marvels. The Affinity Bridge, the opening novel, entangles them with a crashed automaton airship and a spreading plague of the reanimated; later books deepen Newbury's struggle with addiction and Veronica's search for her institutionalized sister. It combines detective procedural with alternate-history steampunk London.

                • Cover of Violet Willoughby
                  Violet Willoughby

                  series · 2 books · 2011

                  similar by19th centurybritish isles+3 more

                • Cover of Lord Darcy
                  Lord Darcy

                  series · 15 books · 1964

                  similar byhistorical fantasy+1 more

                  Lord Darcy centers on Randall Garrett's investigator of the same name, a detective working an alternate history where functional magic stands in for our world's technology. Working alongside his forensic-sorcerer partner, Darcy solves closed-room mysteries and political crimes across a run of short stories and novels. After Garrett's death, Michael Kurland continued the character with further Lord Darcy novels.

                • GE
                  Gas-Lit Empire Universe

                  series · 6 books · 2014

                  similar by19th centurysteampunk+2 more

                • Cover of Diamond Thief
                  Diamond Thief

                  series · 3 books · 2014

                  similar by19th centurybritish isles+4 more

                • Cover of The Eterna Files
                  The Eterna Files

                  series · 4 books · 2015

                  similar by19th centuryhistorical fantasy+2 more

                • Cover of Timekeeper
                  Timekeeper

                  series · 3 books · 2016

                  similar by19th centuryhistorical fantasy+3 more

                • Cover of All Souls
                  All Souls

                  series · 5 books · 2011

                  similar byhistorical fantasy+3 more

                  A Discovery of Witches is a 2011 historical-fantasy novel and the debut novel by American scholar Deborah Harkness. It follows Diana Bishop, a history of science professor at Yale University, as she embraces her magical blood after finding a long-thought-lost manuscript and engages in a forbidden romance with a charming vampire, Matthew Clairmont.

                • Cover of The Last Binding
                  The Last Binding

                  series · 3 books · 2021

                  similar by19th centuryhistorical fantasybritish isles+1 more

                • TB
                  The Bookman Universe

                  series · 6 books · 2010

                  similar bymysterious19th centurysteampunkbritish isles