Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Facets

anchored on:our worldpost-apocalyptic

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Triffids
                  The Triffids

                  series · 3 books · 1951

                  similar bysurvivalpost-apocalypticour worlddarkscience fiction+1 more

                  John Wyndham's The Day of the Triffids (1951) opens with a meteor-shower-like event that leaves most of Britain's population blind, throwing civilization into collapse just as triffids, an aggressive and mobile species of poisonous plant, become free to hunt the helpless survivors. Simon Clark's authorized sequel The Night of the Triffids (2001) picks up a generation later, narrated by the original protagonist's son as he confronts a new triffid-dominated world, and John Whitbourn's The Age of the Triffids extends the shared setting further still. Together the three novels form a loose post-apocalyptic trilogy built on Wyndham's original premise rather than a tightly plotted single story.

                • Cover of I Am Legend
                  I Am Legend

                  Richard Matheson · standalone novel · 1954

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  The last human survivor of the vampire epidemic has to maintain his defences against their onslaught, while attempting to research the cause and possibly solution to the plague. Robert Neville is the last living man on Earth... but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilization. By night, he barricades himself in his home and prays for the dawn. How long can a man survive like this?

                • Cover of The Kraken Wakes
                  The Kraken Wakes

                  John Wyndham · standalone novel · 1953

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  " Behind a spectacular meteor shower actually hides the beginning of an invasion by a mysterious and powerful alien race. Earth's life is disrupted by the attacks of extraterrestrials whose war machines, emerging from the depths of the oceans, seem indestructible. The coalitioned forces of the whole world are worthless, powerless in the face of the indecipherable and deadly plans of a superior intelligence, capable of bringing the entire planet to the brink of catastrophe" Goodreads May 20, 2022

                • Cover of Tripods
                  Tripods

                  series · 4 books · 1967

                  completed

                  similar bypost-apocalyptictenseour worldscience fiction+1 more

                  The Tripods is a series of young adult science fiction novels by John Christopher. The series takes place in a post-apocalyptic world where humanity is enslaved by "Tripods"—gigantic three-legged walking machines piloted by an alien race later identified as the "Masters". The first two books were the basis of a science fiction TV series, produced in the United Kingdom in the 1980s.

                • Cover of Cell
                  Cell

                  Stephen King · standalone novel · 2006

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  In Cell, King taps into readers fears of technological warfare and terrorism. Mobile phones deliver the apocalypse to millions of unsuspecting humans by wiping their brains of any humanity, leaving only aggressive and destructive impulses behind. Those without cell phones, like illustrator Clayton Riddell and his small band of "normies," must fight for survival, and their journey to find Clayton's estranged wife and young son rockets the book toward resolution.

                • Cover of City at World's End
                  City at World's End

                  Edmond Hamilton · standalone novel · 1951

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  An experimental atomic weapons test in small-town America goes catastrophically wrong, hurling the entire town of Middletown, buildings, streets and all, untold ages into Earth's future, to a time when the sun is dying and humanity's last city struggles on beneath a darkening sky. Cut off from everything and everyone they knew, the townspeople have to find a way to survive in a world that has nothing left to spare for latecomers. Edmond Hamilton's novel strands a slice of mid-century America at the literal end of the world.

                • Cover of The Death of Grass
                  The Death of Grass

                  John Christopher · standalone novel · 1956

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  The Death of Grass is a 1956 post-apocalyptic science fiction novel written by the English author Sam Youd under the pen name John Christopher. The plot concerns a virus that kills off grass species, including rice and wheat. The Death of Grass was the first of several post-apocalyptic novels written by Youd. The novel was written in a matter of weeks and liberated him from his day job.

                • Cover of The Fireman
                  The Fireman

                  Joe Hill · standalone novel · 2016

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  The Fireman is a novel set in a post-apocalyptic time by American author Joe Hill. The novel, Hill's fourth, tells the tale of a deadly spore that has infected most of the world's population. Hill first spoke of the novel in 2013 in promotional interviews for his then-new novel NOS4A2. The novel was released on May 17, 2016.

                • Cover of Z for Zachariah
                  Z for Zachariah

                  Robert C. O'Brien · standalone novel · 1975

                  similar bysurvivalpost-apocalyptictenseour worldscience fiction

                  Sixteen-year-old Ann Burden, on an Amish family farm in an isolated valley, believes she is the only survivor of nuclear war and nerve gas. One day a man arrives in a "safe-suit" that he and others have recently developed.

                • Cover of Maurai
                  Maurai

                  series · 6 books · 1959

                  completed

                  similar bypost-apocalypticour worldscience fiction+2 more

                  The Maurai series is a series of short stories and a novel by Poul Anderson set in a resource depleted, post-apocalyptic earth several centuries in the future. The series is named after its most frequent protagonists, citizens of the Maurai Federation. The Maurai dominate the Pacific and Indian Oceans. Fearful of the social and ecological implications of a return to large-scale industrial society, they use their considerable might and covert resources to prevent other nations from developing nuclear power.

                • Cover of Mother of Storms
                  Mother of Storms

                  John Barnes · standalone novel · 1994

                  similar bysurvivalpost-apocalyptictenseour worldscience fiction+1 more

                  From the flaps of the Tor first edition: "It is 2028. A strike to destroy an illegal Arctic weapons cache has a catastrophic side effect. Massive amounts of energy are liberated from the polar ice, suddenly warming the Earth's climate. In the middle of the Pacific, a gigantic hurricane thousands of miles across is forming, larger than any in human history. A storm with winds of supersonic speed. A storm that changes direction at whim. A storm that refuses to die. A storm so vast it spawns dozens more in its wake... Blinded by intrigue, expedience, and greed, the world's politicians and power brokers have ignored the killer storms threat until it is too late. Already the death toll is in the tens of millions, as it savages the Pacific coast, while its devil's brood of smaller storms are wreaking havoc across the face of the planet. While the survivors scramble for advantage, a handful of courageous men and women undertake a daring, desperate plan to save humanity from total destruction - a plan so visionary it may alter forever the future of the human race."

                • Cover of World War Z
                  World War Z

                  series · 3 books · 2006

                  similar bysurvivaltensepost-apocalypticour worlddark+1 more

                • Cover of Maze Runner
                  Maze Runner

                  series · 11 books · 2009

                  similar bysurvivalpost-apocalyptictensescience fiction+2 more

                  The Maze Runner is a series of young adult dystopian science fiction novels written by American author James Dashner. The series consists of the trilogy The Maze Runner (2009), The Scorch Trials (2010) and The Death Cure (2011), as well as two prequel novels, The Kill Order (2012) and The Fever Code (2016). A novella titled Crank Palace (2020) and a companion book titled The Maze Runner Files (2013) have also been released. A sequel trilogy in the series titled The Maze Cutter takes place 73 years following the events of The Death Cure and consists of the novels The Maze Cutter (2022), The Godhead Complex (2023), and The Infinite Glade (2025).

                • Cover of Alternate Purpose
                  Alternate Purpose

                  Christopher Coates · standalone novel · 2019

                  similar bysurvivalpost-apocalyptictenseour worldscience fiction

                  • "A global pandemic has devastated the world. Facing a rebuilding time of generations, two scientists come up with a solution: send someone back in time to prevent the horrible accident that released the deadly pathogen on the world. The problem with their discovery? The time travel process is fatal to anyone trying it." ― quoted from this book's product page on Amazon.com as of 2020-05-28.

                • Cover of Farnham's Freehold
                  Farnham's Freehold

                  Robert A. Heinlein · standalone novel · 1964

                  similar bysurvivalpost-apocalyptictensescience fiction+1 more

                  Farnham's Freehold is a science fiction novel by American writer Robert A. Heinlein. A serialized version, edited by Frederik Pohl, appeared in Worlds of If magazine. The complete version was published in novel form by G. P. Putnam later in 1964.

                • Cover of The Hunger Games
                  The Hunger Games

                  series · 3 books · 2008

                  part of The Hunger Games Universe

                  similar bysurvivalpost-apocalyptictensedarkscience fiction

                  The Hunger Games is a series of young adult dystopian novels written by American author Suzanne Collins. The series consists of a trilogy that follows teenage protagonist Katniss Everdeen, as well as two prequels. The Hunger Games universe is a dystopia set in Panem, a post-apocalyptic North American country consisting of the wealthy Capitol and 12 districts in varying states of poverty. As punishment for rebellion, the Capitol hosts an annual battle royale competition called The Hunger Games. Each of the 12 districts must send two children between the ages of 12 and 18 to participate, and the last surviving child is dubbed the victor.

                • Cover of Sea Siege
                  Sea Siege

                  Andre Norton · standalone novel · 1957

                  similar bysurvivalpost-apocalyptictenseour worldscience fiction+1 more

                  On a bleak little island in the West Indies, Griff Gunston faces many questions. Why were so many small island cruisers adrift and abandoned? Why was the sea disease that Griff's scientist father was investigating radioactive. Why were the colonies of octopi growing larger and becoming so strangely organized and daring? Before the answers can be found, civilization blanks out. An atom bomb war has left the little group isolated. A danger from the ocean floor, a new type of intelligence is prepared to seize the world for itself. (adapted from the blurb accompanying the first edition)

                • Cover of Down to a Sunless Sea
                  Down to a Sunless Sea

                  David Graham · standalone novel · 1979

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  David Graham's Down to a Sunless Sea (1979) is a post-apocalyptic novel about a planeload of people during and after a short nuclear war, set in a near-future world where the USA is critically short of oil. The title of the book is taken from a line of the poem Kubla Khan by Samuel Taylor Coleridge.

                • Cover of Lucifer's Hammer
                  Lucifer's Hammer

                  Larry Niven & Jerry Pournelle · standalone novel · 1977

                  similar bysurvivalpost-apocalyptictensedarkscience fiction

                  Lucifer's Hammer is a science fiction post-apocalypse-survival novel by American writers Larry Niven and Jerry Pournelle that was first published in 1977. It was nominated for the Hugo Award for Best Novel in 1978.

                • Cover of Final Blackout
                  Final Blackout

                  L. Ron Hubbard · standalone novel · 1948

                  similar bypost-apocalyptictenseour worlddarkscience fiction+1 more

                  Final Blackout is a dystopic science fiction novel by American writer L. Ron Hubbard. The novel is set in the future and follows a man known as "the Lieutenant" as he restores order to England after a world war. First published in serialized format in 1940 in the science fiction magazine Astounding Science Fiction, Final Blackout was published in book form in 1948 by The Hadley Publishing Co. Author Services Inc. published a hardcover edition of the book in 1988, and in 1989 the Church of Scientology-affiliated organization Bridge Publications said that a film director named Christopher Cain had signed a contract to write and direct a movie version based on the book.

                • Cover of The Twilight of Briareus
                  The Twilight of Briareus

                  Richard Cowper · standalone novel · 1974

                  similar bysurvivalpost-apocalyptictenseour worlddarkscience fiction

                  It took the light of the supernova Briareus Delta one hundred and thirty-two years to cross space to the Solar System. But the night it exploded in our sky was a night that would never be forgotten in the history of the world. For in that bath of cosmic particles, all things changed. Not only the weather and the flora and fauna, but humanity itself received what seemed to be its death sentence. Sterility signalled the end of man, until the strange children known as the Zeta-mutants began to appear. Richard Cowper, author of Clone and other sf novels, has produced in this new novel a gripping story of how one man coped with the terrible dilemma of his world - how he attempted to solve the problem of the girls with the amber eyes and what he did when he found out what he himself had become during The Twilight of Briarseus. (from the back cover of the DAW Books first printing)

                • Cover of The Obernewtyn Chronicles
                  The Obernewtyn Chronicles

                  series · 9 books · 1987

                  similar bypost-apocalypticscience fiction+4 more

                  The Obernewtyn Chronicles is a series of science fiction and fantasy novels by Australian author Isobelle Carmody. The series has a post apocalyptic setting and depicts a world long after its destruction by a global nuclear holocaust.

                • Cover of Time Storm
                  Time Storm

                  Gordon R. Dickson · standalone novel · 1977

                  similar bysurvivalpost-apocalyptictenseour worldscience fiction

                  A time storm has devastated the Earth, and only a small fraction of humankind remains. From the rubble, three survivors form an unlikely alliance: a young man, a young woman, and a leopard. "A masterful science fiction story told by a masterful science fiction writer". -- Milwaukee Journal. A time storm strikes the Earth. The Earth remains, but different parts of the Earth are in different eras. Travel between the different zones is thought to be impossible. The main character, Marc Despard, resolves to fight the time storm. After some struggles, he assembles a small band of people, including one alien, to help him try to understand what has happened and to stop the time storm. He has 2 extraordinary relationships with a older teenaged girl who is speechless for the first part of the book (she was "struck dumb" by the time storm) and with, believe it or not, a leopard. Dickson's writing makes the extraordinary seem quite normal. Ultimately, after being harried by a Mad Max-like group of survivors, he uses a machine found in a different era of time to bring his small band of followers into the future so that he can find those who are trying to fight the time storm. He convinces those future beings that he is capable of fighting the time storm, and ultimately stops it, and gets the girl in the end.

                • Cover of Our Children's Children
                  Our Children's Children

                  Clifford D. Simak · standalone novel · 1974

                  similar bysurvivalpost-apocalyptictenseour worldscience fiction

                  From the back cover of the first DAW printing: "They were our children's children, and they came one day from nowhere - walking through holes in the air into our world. By means of one-way time tunnels, they fled the ravening beasts with teeth, claws and tentacles, that reproduced like bacteria and were intelligent. They fled to escape the uncontrolled horror of their own far future, and we, their distant ancestors, housed and fed and comforted them, content in their assurance that the tunnel was securely guarded from the beasts, whatever or whoever they were. But then somebody up there slipped and the beasts were abroad..."