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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Flight Risk

anchored on:contemporary

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of American Gods
                  American Gods

                  series · 10 books · 1999

                  similar bycontemporaryour worldfantasy+1 more

                  Neil Gaiman's American Gods (2001) follows Shadow Moon, an ex-convict who takes a job as bodyguard to a mysterious drifter who is secretly the Norse god Odin, and is drawn into a brewing conflict between the old immigrant gods of myth and the new gods of media, technology, and modern American life. Gaiman's 2005 novel Anansi Boys is set in the same mythological world and shares the trickster god Mr. Nancy, but follows a different protagonist and story, making it a loose companion rather than a direct sequel.

                • Cover of Otherworld (Kelley Armstrong)
                  Otherworld (Kelley Armstrong)

                  series · 100 books · 1996

                  similar byurban fantasyour worldcontemporary+1 more

                  Women of the Otherworld is Kelley Armstrong's long-running urban fantasy series about werewolves, witches, sorcerers, and other supernatural beings trying to pass as ordinary people in the contemporary world, told across thirteen novels plus assorted novellas published between 2001 and 2012. Each book tends to follow a different member of this hidden community while slowly building a shared, continuing world.

                • Cover of Supernatural Investigations
                  Supernatural Investigations

                  series · 4 books · 2021

                  similar byurban fantasycontemporaryour worldfantasy+1 more

                • Cover of The World of Skulduggery Pleasant
                  The World of Skulduggery Pleasant

                  series · 38 books · 2007

                  similar byurban fantasyour worldcontemporary+2 more

                  These are standalone companion stories set in Derek Landy's Skulduggery Pleasant world, rather than a numbered sequence of their own. Hell Breaks Loose is a one-off prequel following the skeleton detective Skulduggery on a solo hunt years before the main series begins; The Haunted House on Hollow Hill and A Small Matter of Impending Catastrophe are novellas slotted between the main series' sixteenth and seventeenth books, the former adapted from an audio drama. None require following a separate ongoing plot of their own.

                • Cover of Modern Tale of Faerie
                  Modern Tale of Faerie

                  series · 4 books · 2002

                  similar bycoming of ageurban fantasycontemporaryour worldfantasy

                  Tithe opens Holly Black's Modern Faerie Tales with Kaye Fierch, a teenage drifter who discovers she's a changeling with real faerie blood after returning to her childhood home on the Jersey Shore, and gets pulled into the political violence of the local faerie courts. The trilogy, continuing through Valiant and Ironside, keeps its "suburban fantasy" grounded in ordinary New Jersey settings rather than a storybook otherworld.

                • VA
                  Vampire Academy Universe

                  series · 19 books · 2007

                  similar bycontemporaryfantasy+2 more

                • Cover of Heir Chronicles
                  Heir Chronicles

                  series · 5 books · 2006

                  similar byurban fantasycontemporaryfantasy+2 more

                  Cinda Williams Chima's Heir Chronicles begins with The Warrior Heir, in which sixteen-year-old Jack learns he has hidden magical, warrior ancestry and is drawn into training to fight enemy wizards he didn't know existed. The following books widen the cast to other magical bloodlines — wizards, dragons, enchanters, sorcerers — each heir navigating the same hidden system of guilds and rival houses operating alongside the ordinary world. It's a contemporary-set YA fantasy about inherited power and the factions that police it.

                • Cover of The Curse Workers
                  The Curse Workers

                  series · 3 books · 2010

                  similar byurban fantasycontemporaryour worldfantasy

                  Holly Black's Curse Workers trilogy is set in an alternate America where 'curse work' — magic that harms or transforms through touch — is illegal, enforced through gloves and Prohibition-era-style crime families. It follows Cassel Sharpe, the only non-worker in a family of con artists and workers, as he tries to stay out of his family's schemes despite his own hidden connection to their world. The series runs from White Cat through two further novels.

                • Cover of Dark-Hunter
                  Dark-Hunter

                  series · 65 books · 2000

                  similar byour worldcontemporary+2 more

                  Dark-Hunter is a term from a paranormal romance and fantasy series by Sherrilyn Kenyon. Kenyon began writing the series in 1986 in horror, fantasy and science fiction magazines.

                • Cover of The Best-Kept Secret
                  The Best-Kept Secret

                  Emily Rodda · standalone novel · 1988

                  similar bycoming of agecontemporaryour worldfantasy+1 more

                  Eleven-year-old Jo takes a magical carousel ride seven years into the future, where she and her fellow travelers face a decision involving a possible change in the nature of reality.

                • Cover of Fionavar Universe
                  Fionavar Universe

                  series · 5 books · 1984

                  similar bycontemporaryfantasy+2 more

                  Ysabel is a 2007 standalone contemporary fantasy novel by Guy Gavriel Kay, following teenager Ned Marriner as he stumbles into a centuries-old rivalry playing out around the cathedral of Aix-en-Provence. It marked Kay's turn toward urban fantasy and briefly brings back two adult characters from his earlier Fionavar Tapestry trilogy, though it is not itself part of that trilogy and can be read on its own.

                • Cover of Young Wizards
                  Young Wizards

                  series · 24 books · 1983

                  similar bycoming of ageour worldcontemporaryfantasy

                  Diane Duane's Young Wizards series begins with thirteen-year-old Nita, bullied and friendless, who borrows a library book on wizardry and discovers it's the real thing: an apprenticeship into a covert order that fights entropy, alongside a classmate named Kit. Across fifteen books published between 1983 and 2019, the two age forward in something close to real time as their missions escalate from New York streets to alien worlds and beyond. The series centers on the wizard's Oath and the idea that magic is a responsibility taken on to slow the universe's decay, not a power to be enjoyed for its own sake.

                • Cover of The Dark Is Rising
                  The Dark Is Rising

                  series · 5 books · 1965

                  similar bycontemporaryfantasy+2 more

                  The Dark Is Rising Sequence is a series of five contemporary fantasy novels for older children and young adults that were written by the British author Susan Cooper and published from 1965 to 1977. The first book in the series, Over Sea, Under Stone, was originally conceived as a stand-alone novel, and the sequence gets its name from the second novel in the series, The Dark Is Rising. The Dark Is Rising Sequence is used as an overarching title in several omnibus, boxed-set, and coordinated editions; but the title of The Dark Is Rising is also used for the whole series.

                • Cover of Charlie (Roald Dahl)
                  Charlie (Roald Dahl)

                  series · 6 books · 1964

                  completed

                  similar bycoming of agecontemporaryour worldfantasy

                • Cover of The Legendborn Cycle
                  The Legendborn Cycle

                  series · 3 books · 2020

                  similar byurban fantasycontemporary+3 more

                  Tracy Deonn's Legendborn Cycle follows Bree Matthews, a Black teenager who enrolls in an early-college program and stumbles into a secret society descended from Arthurian legend operating alongside her North Carolina campus. The society's magic turns out to be entangled with her own family's hidden history and her mother's recent death. Over the trilogy Bree has to decide how much of that inherited legacy, and its exclusions, she wants to claim.

                • Cover of Harbinger (Jennifer L. Armentrout)
                  Harbinger (Jennifer L. Armentrout)

                  series · 3 books · 2019

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                  Harbinger is Jennifer L. Armentrout's three-book spin-off of her Dark Elements series, sending a new heroine into the long war between the gargoyle-descended Wardens and the demons that prey on humans in that world. Storm and Fury, Rage and Ruin, and Grace and Glory ran from 2019 to 2021, closing out threads the original trilogy left open.

                • Cover of Infinity Cycle
                  Infinity Cycle

                  series · 3 books · 2020

                  similar bycontemporaryour worldfantasy+1 more

                  Adam Silvera's Infinity Cycle is a young-adult fantasy trilogy blending paranormal and supernatural elements with themes of family, siblinghood, and LGBTQ+ identity. It opens with Infinity Son and continues across Infinity Reaper and Infinity Kings.

                • Cover of Midnighters
                  Midnighters

                  series · 3 books · 2004

                  similar bycoming of ageurban fantasycontemporaryour worldfantasy

                  The Midnighters Trilogy is a science-fiction fantasy series written by Scott Westerfeld. It was published by Eos in 2004. It comprises three books: The Secret Hour, Touching Darkness. and Blue Noon. Over the course of the trilogy, Jessica encounters other Midnighters with whom she allies herself. The protagonists in the trilogy are the eponymous Midnighters Desdemona, Rex, Jonathan, and Melissa. The antagonists of the series are Darklings and Slithers, dangerous and powerful beings that created and live in the Blue Hour.

                • Cover of Artemis Fowl
                  Artemis Fowl

                  series · 15 books · 2001

                  similar bycontemporaryour worldfantasy+1 more

                  Artemis Fowl is a series of eleven fantasy novels by Irish author Eoin Colfer, revolving around various members of the Fowl family. The first cycle, the Artemis Fowl series, consists of eight books, and the second cycle, The Fowl Twins series, is a trilogy. Both releases have received commercial success and positive critical reception in the children's literature genre, and also originated graphic novel adaptations. As of 2013, the novels have sold more than 21 million copies in 44 languages, and are one of the best-selling series of all time. In 2010, Artemis Fowl was voted by readers as their favorite Puffin Books title of all time.

                • Cover of Songs of Earth and Power
                  Songs of Earth and Power

                  series · 2 books · 1984

                  completed

                  similar bycontemporaryfantasy+3 more

                  Greg Bear's two-book Songs of Earth and Power series opens with The Infinity Concerto, in which teenage Michael Perrin is drawn into the realm of the Sidhe — beings once said to have inspired Coleridge's 'Kubla Khan' — while searching for a mythic Song of Power. The sequel, The Serpent Mage, continues Michael's story in that world.

                • Cover of Healer
                  Healer

                  Peter Dickinson · standalone novel · 1983

                  similar bycoming of agecontemporaryour worldfantasy+1 more

                  Although grudgingly aware that ten-year-old Pinki has extraordinary powers to heal, sixteen-year-old Barry becomes increasingly convinced that she is an unwilling participant at the healing sessions run by her enterprising stepfather.

                • Cover of Covenant
                  Covenant

                  series · 7 books · 2011

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                • Cover of Buffy the Vampire Slayer
                  Buffy the Vampire Slayer

                  series · 155 books · 1992

                  part of Buffyverse

                  similar byurban fantasycontemporary+2 more

                  Buffy the Vampire Slayer is an American supernatural horror drama television series created by Joss Whedon. The show's concept is based on the 1992 film written by Whedon, although they are separate and distinct productions. Whedon served as executive producer and showrunner of the series under his production company Mutant Enemy Productions. It aired on The WB from March 10, 1997, to May 22, 2001, and later on UPN from October 2, 2001, to May 20, 2003.

                • Cover of Worldweavers
                  Worldweavers

                  series · 4 books · 2007

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