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Reading orders for SF/F series and shared universes — with your place kept in every one.

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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Foretelling

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories centered on witches and the practice of witchcraft — covens, hedge magic, familiars, and the witch's place in her community.
  • Stories in which gods and deities act as characters — walking the world, meddling in mortal lives, or dying.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Fionavar Universe
                  Fionavar Universe

                  series · 5 books · 1984

                  similar byemotionalfantasysecondary world

                  Ysabel is a 2007 standalone contemporary fantasy novel by Guy Gavriel Kay, following teenager Ned Marriner as he stumbles into a centuries-old rivalry playing out around the cathedral of Aix-en-Provence. It marked Kay's turn toward urban fantasy and briefly brings back two adult characters from his earlier Fionavar Tapestry trilogy, though it is not itself part of that trilogy and can be read on its own.

                • Cover of Narnia
                  Narnia

                  series · 26 books · 1950

                  part of Narnia Universe

                  similar byfantasysecondary world

                  The Chronicles of Narnia is a series of seven portal fantasy novels by British author C. S. Lewis. Illustrated by Pauline Baynes and originally published between 1950 and 1956, the series is set in the fictional realm of Narnia, a fantasy world of magic, mythical beasts, and talking animals. It narrates the adventures of various children who play central roles in the unfolding history of the Narnian world. Except in The Horse and His Boy, the protagonists are all children from the real world who are magically transported to Narnia, where they are sometimes called upon by the lion Aslan to protect Narnia from evil. The books span the entire history of Narnia, from its creation in The Magician's Nephew to its eventual destruction in The Last Battle.

                • Cover of This Woven Kingdom
                  This Woven Kingdom

                  series · 4 books · 2022

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                  Tahereh Mafi's This Woven Kingdom follows Alizeh, a servant girl who is secretly the long-lost heir to an ancient Jinn kingdom, and Kamran, the human crown prince drawn to her despite prophecies foretelling his own king's downfall. The series continues across These Infinite Threads, All This Twisted Glory, and Every Spiral of Fate.

                • Cover of Saga of the Unfated
                  Saga of the Unfated

                  series · 2 books · 2024

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                  Danielle L. Jensen's Saga of the Unfated opens with A Fate Inked in Blood, in which a woman from a Nordic-flavored fishing village discovers she carries the blood and magic of a legendary shieldmaiden and is drawn into a war between rival warlords who both want her power. The story continues in A Curse Carved in Bone.

                • Cover of The Malediction Trilogy
                  The Malediction Trilogy

                  series · 5 books · 2014

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                  Stolen Songbird opens Danielle L. Jensen's Malediction trilogy with Cecile, a human girl abducted and forced to marry the cursed troll prince of an underground city, in a bargain meant to break the curse trapping his people below the earth. The series follows the uneasy, then complicated, relationship between Cecile and Tristan as political plots inside and outside the troll court threaten both their people. A fourth book, a companion novel, extends the story beyond the original trilogy.

                • Cover of Simon Snow
                  Simon Snow

                  series · 3 books · 2015

                  similar byfantasy+2 more

                  Rainbow Rowell's Carry On follows Simon Snow through his final year at a magical school, where he is the 'Chosen One' expected to defeat a destructive force called the Humdrum threatening the World of Mages. Multiple viewpoints carry the story, including Simon's own, his roommate-turned-ally-or-adversary Baz, his friend Penelope, and his former girlfriend Agatha. Wayward Son and Any Way the Wind Blows continue Simon's story beyond graduation.

                • BA
                  Blood and Ash Universe

                  series · 10 books · 2020

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                • Cover of Entwined Realms
                  Entwined Realms

                  series · 7 books · 2013

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                • Cover of Kingmaker Chronicles
                  Kingmaker Chronicles

                  series · 5 books · 2016

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                • Cover of The Sacred Stones
                  The Sacred Stones

                  series · 3 books · 2023

                  similar byprophecysecondary world+1 more

                • Cover of The World of Hetar
                  The World of Hetar

                  series · 6 books · 2005

                  completed

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                • Cover of Tiger's Curse
                  Tiger's Curse

                  series · 8 books · 2009

                  similar byfantasy+1 more

                • Cover of The Other Side of the Sky (Kaufman & Spooner)
                  The Other Side of the Sky (Kaufman & Spooner)

                  series · 2 books · 2020

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                • Cover of Black Jewels
                  Black Jewels

                  series · 23 books · 1998

                  similar bysecondary world+2 more

                  Anne Bishop's Black Jewels series is set in a matriarchal fantasy world ruled by hierarchies of magical 'Jewels,' beginning with the trilogy Daughter of the Blood, Heir to the Shadows, and Queen of the Darkness, for which Bishop won the 2000 Crawford Award. She continued expanding the world across more than a dozen further novels and story collections, including The Invisible Ring, Dreams Made Flesh, and The Shadow Queen.

                • Cover of Violet Made of Thorns
                  Violet Made of Thorns

                  Gina Chen · standalone novel · 2022

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                • Cover of Lightlark
                  Lightlark

                  series · 6 books · 2022

                  similar bysecondary world+2 more

                  Alex Aster's Lightlark saga is set on an island where six realms, each bound by an old curse, converge only once a century for a deadly game that could break their curses for good. It centers on Isla Crowe, ruler of a realm cursed with a monstrous secret, as she navigates rival rulers and a dangerous bond with the Wildling ruler Grim. The main sequence continues across further novels alongside companion novellas set in the same world.

                • Cover of The Red Winter Trilogy
                  The Red Winter Trilogy

                  series · 3 books · 2016

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                • Cover of Chronicles of the Cheysuli
                  Chronicles of the Cheysuli

                  series · 10 books · 1984

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                  The Cheysuli are a clan of warriors who can shift into animal form at will, once trusted allies of the kings of Homana until a princess's elopement with a Cheysuli liege man triggers a war that leaves her people hunted exiles in their own land. Jennifer Roberson's Chronicles of the Cheysuli opens a generation later with Alix, daughter of that forbidden union, as she comes to terms with the shapechanging magic in her own blood and an ancient prophecy she can't escape. The series spans multiple generations of the same bloodline across its eight books.

                • Cover of Celta
                  Celta

                  series · 29 books · 2001

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                • Cover of Ever
                  Ever

                  Gail Carson Levine · standalone novel · 2008

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                  Fourteen-year-old Kezi and Olus, Akkan god of the winds, fall in love and together try to change her fate--to be sacrificed to a Hyte god because of a rash promise her father made--through a series of quests that might make her immortal.

                • Cover of Cup of the World
                  Cup of the World

                  series · 3 books · 2004

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                • Cover of Watership Down
                  Watership Down

                  series · 21 books · 1972

                  completed

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                  Watership Down is Richard Adams's 1972 novel following a group of rabbits who flee the destruction of their warren and cross the English countryside of Hampshire in search of a new home, developing over the journey a full rabbit culture of language, proverbs, and mythology. Adams returned to the same world in 1996 with Tales from Watership Down, a collection of nineteen short stories mixing rabbit folklore with further adventures of characters from the novel.

                • Cover of The Age of the Seventh Sun
                  The Age of the Seventh Sun

                  series · 3 books · 2020

                  completed

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                • TC
                  The Chosen Universe

                  series · 11 books · 2017

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