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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Fox Magic

anchored on:science fiction

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories about rising against rulers — uprisings, resistance movements, and revolutions and their aftermaths.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Cloud Atlas
                  Cloud Atlas

                  David Mitchell · standalone novel · 2004

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                  Cloud Atlas, published in 2004, is the third novel by British author David Mitchell. The book combines metafiction, historical fiction, contemporary fiction and science fiction, with interconnected nested stories in different writing styles that take the reader from the remote South Pacific in the 19th century to the island of Hawaii in a distant post-apocalyptic future. Its title references a piece of music by Toshi Ichiyanagi.

                • Cover of The Years of Rice and Salt
                  The Years of Rice and Salt

                  Kim Stanley Robinson · standalone novel · 2002

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                  What if the Black Death had killed nearly everyone in Europe instead of a third of it? Kim Stanley Robinson opens on that premise with a Mongol scout named Bold, who finds a Hungarian city emptied by plague and only narrowly escapes execution meant to contain the contagion; sold into slavery, he ends up serving aboard a Chinese treasure fleet alongside a young African companion. From there the novel follows a recurring cast of souls, reincarnated across centuries and identifiable book to book by the first letter of their names, through an alternate history in which Islamic and Chinese civilizations, not a devastated Europe, shape the world's future.

                • Cover of Bridge Trilogy
                  Bridge Trilogy

                  series · 4 books · 1990

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                  The Bridge trilogy is a series of novels by William Gibson, his second after the successful Sprawl trilogy. The trilogy comprises the novels Virtual Light (1993), Idoru (1996) and All Tomorrow's Parties (1999). A short story, "Skinner's Room", was originally composed for Visionary San Francisco, a 1990 museum exhibition exploring the future of San Francisco.

                • Cover of The Ministry for the Future
                  The Ministry for the Future

                  Kim Stanley Robinson · standalone novel · 2020

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                  The Ministry for the Future is a climate fiction novel by American science fiction writer Kim Stanley Robinson, published in 2020. Set in the near future, the novel follows a subsidiary body, established under the Paris Agreement, whose mission is to act as an advocate for the world's future generations of citizens as if their rights were as valid as the present generation's. While the ministry pursues various ambitious projects, the effects of climate change are determined to be the most consequential. The plot primarily follows Mary Murphy, the head of the titular Ministry for the Future, and Frank May, an American aid worker traumatized by experiencing a deadly heat wave in India. Many chapters are devoted to other characters' accounts of future events, as well as their ideas about ecology, economics, and other subjects.

                • Cover of Sprawl Trilogy
                  Sprawl Trilogy

                  series · 10 books · 1981

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                  The Sprawl Trilogy is William Gibson's foundational cyberpunk sequence: Neuromancer (1984), in which hacker Case is drawn into a high-stakes heist alongside an artificial intelligence and a damaged ex-soldier, followed by Count Zero (1986) and Mona Lisa Overdrive (1988), which widen the same near-future world of corporate power and networked cyberspace to new characters. Johnny Mnemonic, an early short story set in the same fictional milieu, predates the novels and introduces the courier Molly Millions before her role in the trilogy. Together these works established much of cyberpunk's visual and thematic vocabulary.

                • Cover of Richard Forthrast
                  Richard Forthrast

                  series · 2 books · 2011

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                  Neal Stephenson's Richard 'Dodge' Forthrast novels open with Reamde, a globe-spanning thriller that starts when ransomware inside an MMORPG economy pulls Richard's extended family into a real-world hostage crisis involving hackers, jihadists and Russian mobsters. The sequel Fall; or, Dodge in Hell shifts registers entirely, following Richard's digitally preserved mind after death into an afterlife simulation built from his scanned brain. The two books share a protagonist and family but differ sharply in genre and scale.

                • Cover of Termination Shock
                  Termination Shock

                  Neal Stephenson · standalone novel · 2021

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                  Termination Shock is a science fiction novel by American writer Neal Stephenson, published in 2021. The book is set in a near-future when climate change has significantly altered human society and follows the attempts of a solar geoengineering scheme. The novel focuses on the geopolitical and social consequences of the rogue fix for climate change, themes common in the growing climate fiction genre.

                • Cover of Red Moon
                  Red Moon

                  Kim Stanley Robinson · standalone novel · 2018

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                • Cover of Black Star Rising
                  Black Star Rising

                  Frederik Pohl · standalone novel · 1985

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                  Black Star Rising, published in 1986, is a dystopian science fiction novel by American author Frederik Pohl. It is about a post-nuclear war future in which a conquered United States becomes a Chinese farming colony. The main character is an American who the Chinese send to meet a race of warlike aliens who come to Earth.

                • Cover of The Great Zoo of China
                  The Great Zoo of China

                  Matthew Reilly · standalone novel · 2014

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                • Cover of The Man Who Japed
                  The Man Who Japed

                  Philip K. Dick · standalone novel · 1956

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                  The Man Who Japed is a science fiction novel by American writer Philip K. Dick, first published in 1956. Although one of Dick's lesser-known novels, it features several of the ideas and themes that recur throughout his later works. The "jape[s]" or practical jokes of the novel begin with a statue's unconventional decapitation.

                • Cover of Richter 10
                  Richter 10

                  Arthur C. Clarke & Mike McQuay · standalone novel · 1996

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                  Richter 10 is a 1996 science fiction novel by Arthur C. Clarke and Mike McQuay. The protagonist, Lewis Crane, develops a hatred of earthquakes after his parents are killed and his home destroyed by one when he is seven years old. He devises a way of predicting earthquakes months or years in advance, and eventually banishing them forever by stopping all tectonic activity. The book's title is a reference to the Richter scale, on which 10 was considered to be the most power an earthquake was likely to ever have.

                • Cover of The Jonah Kit
                  The Jonah Kit

                  Ian Watson · standalone novel · 1975

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                  The Jonah Kit is a 1975 science fiction novel by English writer Ian Watson. In 1977, The Jonah Kit won the BSFA Award for Best Novel.

                • Cover of Ghostwritten
                  Ghostwritten

                  David Mitchell · standalone novel · 1999

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                  Various individuals around the globe cross paths, while the complexities of modern societies lead to human civilization's inevitable end.

                • CK
                  Chung Kuo Universe

                  series · 20 books · 1989

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                • Cover of Barsoom
                  Barsoom

                  series · 53 books · 1917

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                  Barsoom is a fictional representation of the planet Mars created by American pulp fiction author Edgar Rice Burroughs. The first Barsoom tale was serialized as Under the Moons of Mars in pulp magazine The All-Story from February to July 1912 and published compiled as a novel as A Princess of Mars in 1917. It features John Carter, a late-19th-century American Confederate veteran who is mysteriously transported from Earth to the dying world of Mars where he meets and romances the beautiful Martian princess Dejah Thoris. Ten sequels followed over the next three decades, further extending his vision of Barsoom and adding other characters.

                • Cover of Luminous
                  Luminous

                  Silvia Park · standalone novel · 2025

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                  Luminous is a 2025 science fiction novel by Silvia Park. It follows three siblings, two human and one robotic, in a near-future reunified Korea. The novel received critical praise for its exploration of the nature of humanity with relationship to robots.

                • Cover of These Memories Do Not Belong to Us
                  These Memories Do Not Belong to Us

                  Yiming Ma · standalone novel · 2025

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                  These Memories Do Not Belong To Us is a 2025 science fiction novel by Chinese Canadian author Yiming Ma, set in a world where memories can be transferred between minds, and a reimagined China known as the Qin Empire has become the sole global superpower. 

                • K
                  Kairos

                  series · 11 books · 1962

                  completed

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                  The Time Quintet is a science fantasy series of five young adult novels written by American author Madeleine L'Engle and made up of A Wrinkle in Time (1962), A Wind in the Door (1973), A Swiftly Tilting Planet (1978), Many Waters (1986), and An Acceptable Time (1989).

                • Cover of End of the World Blues
                  End of the World Blues

                  Jon Courtenay Grimwood · standalone novel · 2006

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                  "Kit Nouveau didn't escape himself when he fled to Japan. Now running a biker bar in the Roppongi district of Tokyo, he's also sleeping with the wife of a High Yakusa ganglord. All things considered, being held up at gunpoint isn't a complete shock. The pale girl in the red cloak appearing from nowhere and punching an ivory spike into his attacker's head on the other hand." "Nijie has stolen fifteen million dollars, she's on the run, she's just killed a man and she has a cat who knows more than it should. It's a lot to deal with when you haven't even left school." "But Nijie is also Lady Neku, and in a sentient castle at the end of the world Lady Neku otherwise known as Baroness Nawa-no-ukiyo. Countess High Strange and chatelaine of Schlass Omga realizes that Kit has stolen some of her memories. What happens to a man who finally realises he can't outrun himself? Kit Nouveau is about to find out."--BOOK JACKET. "Kit Nouveau figured he'd already come to the end of the world. An Iraqi war veteran, expatriate, and part owner of Pirate Mary's, the best Irish bar in Tokyo, Kit had settled down to await the inevitable with barely a whimper. It wasn't exactly how Kit thought he'd end up, and he was right." "It's going to end up a lot worse." "A teenage runaway with fifteen million dollars in stolen cash and a taste for cosplay is about to save Kit's life in a lethal swirl of scarlet and bridal lace. Lady Neku, a.k.a. Countess of High Strange, has her own dangerous destiny to fulfill and it's mysteriously connected to Kit's ravaged past. Now Kit's only hope for redemption is to save an ex-girlfriend he tragically failed once before. But everyone says it's already too late. And she's left behind only one ominous clue: her suicide note."--BOOK JACKET.

                • Cover of Warcross
                  Warcross

                  series · 2 books · 2017

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                • Cover of Galaxias
                  Galaxias

                  Stephen Baxter · standalone novel · 2021

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                • Cover of United States of Japan
                  United States of Japan

                  series · 3 books · 2016

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                • Cover of Seoul Survivors
                  Seoul Survivors

                  Naomi Foyle · standalone novel · 2013

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