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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Geniuses

anchored on:science fictionpsychic powersour worldcontemporarythriller & suspenseidentity+2 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Cas Russell / Russell's Attic
                  Cas Russell / Russell's Attic

                  series · 5 books · 2014

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                • Cover of Dark Matter
                  Dark Matter

                  Blake Crouch · standalone novel · 2016

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                  Jason Dessen, college physics professor, husband and father, is kidnapped and taken to a parallel universe where his counterpart had dedicated his life to inventing a method of traveling between an infinity of parallel universes.

                • Cover of Legion / Stephen Leeds
                  Legion / Stephen Leeds

                  series · 5 books · 2012

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                  Legion, or the Stephen Leeds series, is a series of science fiction novellas created by American author Brandon Sanderson. Sanderson authored the first three stories : Legion, first published on August 31, 2012, Legion: Skin Deep in November 2014, and Legion: Lies of the Beholder in September 2018. Death and Faxes, co-authored by Max Epstein, David Pace, and Michael Harkins, was released in June 2022. The books have received favorable reviews.

                • Cover of Nobody
                  Nobody

                  Jennifer Lynn Barnes · standalone novel · 2013

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                  Fifteen-year-old Claire Ryan has always felt invisible, always lived beyond people's notice, which causes trouble when she instantly connects with seventeen-year-old Nix, who really can become invisible and has been sent to assassinate her.

                • Cover of Jumper
                  Jumper

                  series · 6 books · 1992

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                  Jumper follows David Rice, a teenager who discovers he can teleport anywhere he's been and uses the power to escape an abusive home, only to find that ability alone doesn't solve the harder problems of finding his absent mother, building an honest relationship, or staying off the radar of people who'd exploit him. Steven Gould's series continues across Reflex, Impulse, and Exo, later following his and his wife's daughter as a second-generation jumper. A 2008 film loosely adapted the first novel.

                • Cover of The Hypnotists
                  The Hypnotists

                  series · 3 books · 2013

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                • Cover of Saucer
                  Saucer

                  series · 3 books · 2002

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                  Saucer is Stephen Coonts's techno-thriller trilogy beginning with Saucer (2002), continued in Saucer: The Conquest and Saucer: Savage Planet. It follows the discovery of a functioning craft buried for millennia in the Sahara desert and the test pilots and adventurers who end up flying, and fighting over, it, escalating from a buried desert secret toward wider stakes involving hostile outside interests.

                • Cover of Coils
                  Coils

                  Roger Zelazny & Fred Saberhagen · standalone novel · 1982

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                  A man discovers that his memories of childhood are false, and when he begins to investigate his psychiatrist is murdered and his girlfriend is kidnapped. As his actual past begins to return to his memory, he realizes that he has the ability to mentally connect to computer circuitry, an ability he used to use for illegal advantage for the corporation which employed him, along with a small group of others with paranormal powers. He concludes that the corporation is behind all this and sets out to find and rescue his girlfriend while the corporation pursues him.

                • Cover of End of the World Blues
                  End of the World Blues

                  Jon Courtenay Grimwood · standalone novel · 2006

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                  "Kit Nouveau didn't escape himself when he fled to Japan. Now running a biker bar in the Roppongi district of Tokyo, he's also sleeping with the wife of a High Yakusa ganglord. All things considered, being held up at gunpoint isn't a complete shock. The pale girl in the red cloak appearing from nowhere and punching an ivory spike into his attacker's head on the other hand." "Nijie has stolen fifteen million dollars, she's on the run, she's just killed a man and she has a cat who knows more than it should. It's a lot to deal with when you haven't even left school." "But Nijie is also Lady Neku, and in a sentient castle at the end of the world Lady Neku otherwise known as Baroness Nawa-no-ukiyo. Countess High Strange and chatelaine of Schlass Omga realizes that Kit has stolen some of her memories. What happens to a man who finally realises he can't outrun himself? Kit Nouveau is about to find out."--BOOK JACKET. "Kit Nouveau figured he'd already come to the end of the world. An Iraqi war veteran, expatriate, and part owner of Pirate Mary's, the best Irish bar in Tokyo, Kit had settled down to await the inevitable with barely a whimper. It wasn't exactly how Kit thought he'd end up, and he was right." "It's going to end up a lot worse." "A teenage runaway with fifteen million dollars in stolen cash and a taste for cosplay is about to save Kit's life in a lethal swirl of scarlet and bridal lace. Lady Neku, a.k.a. Countess of High Strange, has her own dangerous destiny to fulfill and it's mysteriously connected to Kit's ravaged past. Now Kit's only hope for redemption is to save an ex-girlfriend he tragically failed once before. But everyone says it's already too late. And she's left behind only one ominous clue: her suicide note."--BOOK JACKET.

                • Cover of Feedback
                  Feedback

                  D. L. Richardson · standalone novel · 2012

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                  ● "Three teenagers have one thing in common: they're kidnapped two weeks after receiving life-saving organ transplants. Their abductor is a man who believes the memories of the host are retained in the organs. Extracting these memories is just the beginning. Something else is awakening inside their minds. If they trust this voice they might save the world. But it might also get them killed." ― paraphrased from this book's product page on Amazon.com as of 2024-04-03.

                • Cover of Firestarter
                  Firestarter

                  Stephen King · standalone novel · 1980

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                  WorldCat: Innocence and beauty ignite with evil and terror... First, a man and a woman are subjects of a top-secret government experiment designed to produce extraordinary psychic powers. Then, they are married and have a child. A daughter. Early on the daughter shows signs of a wild and horrifying force growing within her. Desperately, her parents try to train her to keep that force in check, to 'act normal'. Now the government wants its brainchild back for its own insane ends.

                • Cover of Recursion
                  Recursion

                  Blake Crouch · standalone novel · 2019

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                  Recursion is a thriller science fiction novel by American writer Blake Crouch, first published in the United States in June 2019 by the Crown Publishing Group, a subsidiary of Penguin Random House. The novel explores themes of memory, identity, and time.

                • Cover of Lexicon
                  Lexicon

                  Max Barry · standalone novel · 2013

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                  Lexicon is a novel written by Max Barry. Published in 2013, it was Barry's fifth novel, following Machine Man, published two years earlier.

                • Cover of The Oracle Year
                  The Oracle Year

                  Charles Soule · standalone novel · 2018

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                  Awakening from a dream with more than one hundred predictions about the future in his head, an unassuming Manhattan bassist becomes one of the world's most powerful men and hides his identity behind an online persona that is targeted by greedy corporations and dangerous enemies.

                • Cover of Footfall
                  Footfall

                  Larry Niven & Jerry Pournelle · standalone novel · 1985

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                  When aliens travel to Earth from Alpha Centauri, differences between alien and human psychology result in an unprovoked invasion, and the resulting resistance results in the aliens' use of a devastating weapon.

                • Cover of Highways in Hiding
                  Highways in Hiding

                  George O. Smith · standalone novel · 1956

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                  From the back cover of the first Lancer printing: "Quest impossible - Someone had stolen an important part of Steve Cornell's life. It was bad enough when his fiancee vanished. It was infinitely worse when everyone in the world insisted it couldn't have happened the way he knew it had. In a world where ESP and telepathy were normal, it was difficult to keep secrets. But Steve's search for his missing sweetheart brought him to the threshold of one of the greatest secrets of all time. And it was obvious that somebody would stop at nothing to keep him from uncovering it. What were the oddly sinister symbols along the otherwise ordinary roads? What was behind the spreading plague called Mekstrom's Disease? Why were there "blank" spots where telepathy didn't work? Who was the elusive enemy with powers even beyond those ESP had bestowed on mankind? And, most important of all... could Steve find that enemy before they made him vanish too?"

                • Cover of Dissolution
                  Dissolution

                  Nicholas Binge · standalone novel · 2025

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                  Dissolution is a 2025 science fiction novel by Nicholas Binge, published in the UK by Harper Voyager, and in the US by Riverhead Books. It is published or forthcoming in multiple languages, including Spanish, German, Hungarian, and Arabic. The novel tells the story of Margaret (Maggie) Webb, who discovers that her husband Stanley’s Alzheimer’s is a false cover for the fact that his memories are being purposefully erased to keep something he did in his past hidden. The book alternates between Maggie and Stanley’s perspectives as they move through multiple decades of their relationship.

                • Cover of The Earthend Saga
                  The Earthend Saga

                  series · 3 books · 2014

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                  The EarthEnd Saga is a science fiction novel series co-written by actress Gillian Anderson and writer Jeff Rovin.

                • Cover of Vitals
                  Vitals

                  Greg Bear · standalone novel · 2002

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                  From the flaps of the Del Rey first edition: "Hal Cousins is one of a handful of scientists nearing the most sought after discovery in human history: the key to short-circuiting the aging process. Fueled by a wealth of research, an overdose of self-confidence, and the money of influential patrons to whom he makes outrageous promises, Hal experiments with organisms living in the hot thermal plumes in the ocean depths. But as he journeys beneath the sea, his other world is falling apart. Across the country, scientists are being inexplicably murdered - including Hal's identical twin brother, who is also working to unlock the key to immortality. Hal himself barely eludes a cold-blooded attack at sea, and when he returns home to Seattle, he finds himself walking into an eerie realm where voices speak to him from the dead ... where a once-brilliant historian turned crackpot is leading him on a deadly game of hide-and-seek ... and where the beautiful, rich widow of his twin is more than willing to pick up the pieces of Hal's life-and take him places he's never been before. Suddenly Hal is trapped inside an ever-twisting maze of shocking revelations. For he is not the first person to come close to ending aging forever - and those who came before him will stop at nothing to keep the secret to themselves. Now every person on earth is at risk of being made an unsuspecting player in one man's spectacular and horrifying master plan. From the bottom of Russia's Lake Baikal to a billionaire's bionic house built into the cliffs of the Washington seashore, from the darkest days of World War II and the reign of Josef Stalin to the capitalist free-for-all that is the United States, Vitals tells an astounding tale of the most unimaginable scientific secret of all - exposed by the quest for immortality itself..."

                • Cover of Jack of Eagles
                  Jack of Eagles

                  James Blish · standalone novel · 1952

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                  This book is a must read for anyone who believes in the supernormal potential of the human psyche!

                • Cover of The Fury
                  The Fury

                  series · 4 books · 1976

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                  John Farris's The Fury centers on a teenage girl and boy with escalating psychic and telekinetic powers who become targets of a covert government program trying to weaponize them. The 1976 novel, adapted into Brian De Palma's 1978 film, gave rise to a string of later sequels following the same family's psychic bloodline across decades. Farris writes it as paranoid conspiracy thriller as much as horror, with the powers themselves treated as a violent, destabilizing force.

                • Cover of The Family Tree
                  The Family Tree

                  Sheri S. Tepper · standalone novel · 1997

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                  Dora Henry is a policewoman who is investigating the possibly connected murders of local scientists; she is married to Jared, a strange and emotionless neat-freak, who dotes on his immaculately trimmed lawn. Their problems begin when The Weed appears in his sidewalk, and violently resists Jared's attempts to eradicate it. Meanwhile, back in the future some 3,000 years later, Prince Sahir, Prince Izzy, and Nassif the Storyteller begin a quest initiated by prophecy, which will ultimately lead them to join with Dora to battle a common enemy.

                • Cover of Gemini Game
                  Gemini Game

                  Michael Scott · standalone novel · 1993

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                  When players of their virtual reality computer game fall into a coma, Liz and BJ O'Connor, teenage owners of a computer games company, flee from the police in an attempt to locate a copy of their game and correct the programming.

                • Cover of Scott Tyler / Shifter
                  Scott Tyler / Shifter

                  series · 3 books · 2012

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