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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

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  • Cover of Stranger in a Strange Land
    Stranger in a Strange LandNovel

    Robert A. Heinlein · standalone novel · 1961

    About faith and religion and psychic powers, set in north america.

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  • Cover of Childhood's End
    Childhood's EndNovel

    Arthur C. Clarke · standalone novel · 1953

    Bittersweet in tone, about technological singularity and identity, set in our world.

    similar byreflectivescience fictionnear futurealiensfirst contact+1 more

  • Cover of Blindsight / Firefall
    Blindsight / FirefallSeries

    series · 3 books · 2006

    Hard science fiction, tense and dark in tone, set in far future.

    Start with Blindsight →

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  • Cover of Have Space Suit - Will Travel
    Have Space Suit - Will TravelNovel

    Robert A. Heinlein · standalone novel · 1958

    Space opera, adventurous in tone, about survival.

    “One minute Kip Russell was walking about in his own backyard, testing out an old space suit and dreaming about going to the moon - and the next he was out cold and the captive of an insidious space pirate.”

    from the catalogue

    similar byspacenear futurescience fictionaliensspace exploration+1 more

  • Cover of A Meeting with Medusa
    A Meeting with MedusaSeries

    series · 2 books · 1971

    Hard science fiction, about immortality, set in far future and outer planets & moons.

    “Arthur C. Clarke's A Meeting with Medusa follows an astronaut, badly injured in an earlier disaster, on a solo balloon expedition into Jupiter's atmosphere, where he encounters vast floating lifeforms unlike anything previously catalogued.”

    from the catalogue
    Start with A Meeting with Medusa →

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  • Cover of The Listeners
    The ListenersSeries

    series · 7 books · 1968

    completed

    Set in our world.

    “Structured as a linked sequence of episodes and documents rather than one continuous plot, it follows the project's staff more than any single hero.”

    from the catalogue
    Start with The Listeners →

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