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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Labyrinth

anchored on:historical mysteryeuropemysteriousdual timelinemystery & detectivefamily secrets+3 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Languedoc Trilogy
                  Languedoc Trilogy

                  series · 3 books · 2005

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                  Kate Mosse's Languedoc Trilogy opens with Labyrinth, alternating between a present-day archaeologist in southern France and a woman living through the Cathar crusades eight centuries earlier, both entangled with the same hidden, grail-like relic. Sepulchre and Citadel repeat the dual-timeline structure with different centuries and protagonists, all tied to the same Languedoc region. The books share setting and structural device rather than a continuous cast.

                • Cover of Snipers
                  Snipers

                  Kristine Kathryn Rusch · standalone novel · 2013

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                  The Carnival Sniper?as famous as Jack The Ripper. And like Jack The Ripper, never caught, his identity lost to history. In 1913, the Carnival Sniper terrorized Vienna, murdering the famous and not-so-famous alike. Police Detective Johann Runge never caught the Sniper and his failure defined the rest of his life. In 2005, bestselling crime writer Sofie Branstadter receives permission to use modern forensic investigative techniques on the Sniper?s victims. She believes she can figure out the identity of the Sniper, but she needs the help of Runge?s great-grandson, classical pianist Anton Runge. Together the two of them plunge into a world of scientific evidence and fantastic clues, all leading to one unbelievable conclusion.

                • Cover of The Devil in Velvet
                  The Devil in Velvet

                  John Dickson Carr · standalone novel · 1951

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                  The Devil in Velvet, first published in 1951, is a detective story by American writer John Dickson Carr. This novel is both a mystery and a historical novel, with elements of the supernatural.

                • Cover of Robert Langdon
                  Robert Langdon

                  series · 6 books · 2000

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                  The Robert Langdon novel series is named after Robert Langdon, the protagonist of the novels by American author Dan Brown. Langdon is portrayed as a Harvard University professor of religious iconology and symbology, a fictional field related to the study of historic symbols, which is not methodologically connected to the actual discipline of semiotics. Brown's novels that feature the lead character also include historical themes and Christianity as motifs, and as a result have generated controversy. Brown states on his website that his novels are not anti-Christian, and that he is on a "constant spiritual journey" himself.

                • Cover of Marie Antoinette, Serial Killer
                  Marie Antoinette, Serial Killer

                  Katie Alender · standalone novel · 2013

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                  While in Paris, France on a class trip, Colette Iselin enlists the help of her charming French tour guide to help uncover a possible connection between Marie Antoinette, a series of gruesome murders, and perhaps her own family history, and he also gives her insights into herself. While in Paris on a class trip, Colette Iselin enlists the help of her charming French tour guide to help uncover a possible connection between Marie Antoinette, a series of gruesome murders, and perhaps her own family history.

                • Cover of Fire, Burn!
                  Fire, Burn!

                  John Dickson Carr · standalone novel · 1957

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                  Fire, Burn! is a 1957 historical mystery novel by John Dickson Carr. Carr considered this one of his best impossible crime novels.

                • Cover of The Glass Demon
                  The Glass Demon

                  Helen Grant · standalone novel · 2010

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                  When seventeen-year-old Lin and her family move to an ancient German castle for a year while her medievalist father searches for the famed Allerheiligen glass--lost stained glass windows that are said to be haunted by a terrifying demon--she becomes involved in a horrific murder mystery.

                • Cover of Sebastian St. Cyr
                  Sebastian St. Cyr

                  series · 1 book · 2012

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                • Cover of The House Saphir
                  The House Saphir

                  Marissa Meyer · standalone novel · 2025

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                  Mallory Fontaine is a fraud. Though she comes from a long line of witches, the only magic she possesses is the ability to see ghosts, which is rarely as useful as one would think. She and her sister have maintained the family business, eking out a paltry living by selling bogus spells to gullible buyers and conducting tours of the infamous mansion where the first of the Saphir murders took place. Mallory is a self-proclaimed expert on Count Bastien Saphir—otherwise known as Monsieur Le Bleu—who brutally killed three of his wives more than a century ago. But she never expected to meet Bastien's great-great grandson and heir to the Saphir estate. Armand is handsome, wealthy, and convinced that the Fontaine Sisters are as talented as they claim. The perfect mark. When he offers Mallory a large sum of money to rid his ancestral home of Le Bleu's ghost, she can’t resist. A paid vacation at Armand’s country manor? It’s practically a dream come true, never mind the ghosts of murdered wives and the monsters that are as common as household pests. But when murder again comes to the House Saphir, Mallory finds herself at the center of the investigation—and she is almost certain the killer is mortal. If she has any hope of cashing in on the payment she was promised, she’ll have to solve the murder and banish the ghost, all while upholding the illusion of witchcraft. But that all sounds relatively easy compared to her biggest learning to trust her heart. Especially when the person her heart wants the most might be a murderer himself.

                • Cover of The Historian
                  The Historian

                  Elizabeth Kostova · standalone novel · 2005

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                  The Historian is the 2005 debut novel of American author Elizabeth Kostova. The plot blends the history and folklore of Vlad Țepeș and his fictional equivalent Count Dracula. Kostova's father told her stories about Dracula when she was a child, and later in life she was inspired to turn the experience into a novel. She worked on the book for ten years and then sold it within a few months to Little, Brown and Company, which bought it for US$2 million.

                • Cover of The Secret of Anatomy
                  The Secret of Anatomy

                  Mark Morris · standalone novel · 1994

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                  David Fox is in the throes of a mid-life crisis. One day, whilst walking on the beach, he finds a bottle containing a note at the sea's edge. The note, written in 1953, is from a boy named John Marshall who claims his father is trying to kill him.

                • Cover of Don't Tell a Soul
                  Don't Tell a Soul

                  Kirsten Miller · standalone novel · 2021

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                  Summary: "Bram moves to the small town of Louth in order to help her uncle start his new inn, but when she discovers a legacy of silenced women tied to her new home, she sets out to investigate the truth behind the town's 'Dead Girl' myths"--Provided by publisher. [end quotation of CIP data]

                • Cover of The Seduction of Water
                  The Seduction of Water

                  Carol Goodman · standalone novel · 2003

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                  "Iris Greenfeder, ABD (All But Dissertation), has just turned forty, lives in Manhattan, and works three teaching jobs to support herself. Recently she's felt that the "buts" are taking over her life: all but published, all but a professor, all but married (to Jack, her boyfriend of ten years). Yet the sudden impulse to write a story about her mother leads to a shot at literary success. The piece recounts an eerie Irish fairy tale her mother used to tell her at bedtime - and nestled inside it is the sad story of her mother's death...". "More than fifty years ago, Iris's mother, Katherine Morrissey, arrived at the Catskills's grand Hotel Equinox penniless, with almost no belongings. Kay was hired as a maid but refused to speak of her past or her family. One year later, she married Ben Greenfeder, the hotel's manager. During the hotel's off-season, Kay wrote the first two fantasy novels of a planned trilogy. There never was a third book. When Iris was nine, her mother left one day for a writer's conference - and never came back. Kay died that very night in a hotel fire on Coney Island, registered as another man's wife." "Now Hedda Wolfe, Kay's former literary agent, has a proposal: If Iris will return to the Hotel Equinox where she grew up, research her mother's life, and find the third and final manuscript that Hedda is convinced exists, then she can guarantee Iris a huge advance to write her mother's biography.". "Transfixed by the notion of a third book, Iris believes that it will hold clues to the mysteries of Kay's life - and death. But as she begins to peer into the thicket of her mother's hidden world, stinging revelations leave Iris with new questions. When a deadly "accident" befalls the one man who could shed some light on Kay, it becomes clear that Iris is not alone in her deep interest in her mother's past - or in her search for a lost manuscript that might hold more secrets than she ever expected."--BOOK JACKET.

                • Cover of The City & the City
                  The City & the City

                  China Miéville · standalone novel · 2009

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                  Inspector Tyador Borlú must travel to Ul Qoma to search for answers in the murder of a woman found in the city of Besźel. (Source: OCLC record)

                • Cover of The Mysteries
                  The Mysteries

                  Lisa Tuttle · standalone novel · 2005

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                  From award-winning author Lisa Tuttle comes a riveting novel that combines the contemporary story of one man's search for a missing young woman with history's most enduring legends of the disappeared. Gripping and unforgettable, here is a spellbinding mix of the mysteries that inhabit our everyday lives--and a mind-bending exploration of what happens when someone vanishes without a trace.Ever since his father disappeared when he was nine years old, Ian Kennedy has had a penchant for stories about missing people--and a knack for finding them. Now he's a private investigator with an impressive track record. But when a woman enters his London office and asks him to find her lost daughter, Ian faces a case he fears he cannot solve--and one he knows he must.Laura Lensky's stunning twenty-one-year-old daughter, Peri, has been missing for over two years--a lifetime, under the circumstances. But when Ian learns the details of her disappearance, he discovers eerie parallels to an obscure Celtic myth--and to the haunting case that launched his career, an early success he's never fully been able to explain. Though Ian suspects Peri may have chosen to vanish, his curiosity leads him to take on the search. Soon he finds himself drawing not only from the mysteries that have preoccupied his adulthood, but from the fables and folklore that pervaded his youth. What follows is a journey that takes Ian and those who care for Peri into the Highlands of Scotland, as the unknowns of the past and present merge in the case--and in their lives. Rich in pathos and steeped in secrets, The Mysteries opens a thought-provoking door from one world into the heart of another, where some of our most perplexing enigmas--and their answers--are startlingly alive.From the Hardcover edition.

                • Cover of The Colorado Kid
                  The Colorado Kid

                  Stephen King · standalone novel · 2005

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                  The Colorado Kid is a mystery novel by American writer Stephen King, published by the Hard Case Crime imprint in 2005. The book was initially issued in one paperback-only edition by the specialty crime and mystery publishing house. King's next novel for Hard Case Crime was Joyland, which was published in June 2013. Hard Case Crime reissued The Colorado Kid in an illustrated paperback edition in May 2019.

                • Cover of Fata Morgana
                  Fata Morgana

                  William Kotzwinkle · standalone novel · 1977

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                  From the flaps of the Knopf first edition: "In Fata Morgana a celebrated novelist turns conjurer to bring us a supremely theatrical magic show - a rich exotic entertainment of crime, treble-trickery, and legerdermain, with Europe as its stage and the golden leaders of the Uppercrust and the Underworld as its players. The time and place are Paris, 1861 - the extravagant capital of Louis Napoleon and his Empress Eugenie, the gaudy, blatant public arena of Great Whores and fabulous charlatans; the treacherous private labyrinth of Police Inspector Paul Picard and the human prey he stalks. Picard is a hunter of the purest instincts, with an appetite for the ladies, a taste for lemon tarts, and a policeman's nose for hard realities. As the book opens he is on his way to the Opera, for music and murder: among the guests is as elegant a killer as ever sliced his way through Parisian high society, and on his arm is the young woman he means to decapitate tonight. A strange encounter with them precipitates Picard into a new and (apparently) trivial assignment - a case that is fated to disrupt and then transform, irrevocably, his life. At first it seems routine: a man - Ric Lazare - has recently arrived in Paris and in a short time has captured the jaded attention and the favors of the entire city. His aura of opulence, his bewitching wife, Rene, and, above all, his unearthly fortune-telling machine have won him entree to the salons (and the bank vaults) of the most dazzling leaders of society, including, it is whispered, the Emperor himself. But, who - and what - is Lazare? Is he a crook? A master of illusions? A real magician? Or - more terrible - a reincarnation from an Older World? To find the answer, Picard must follow the thread of the man's past. His quest takes him from Paris to Vienna, Nuremberg, Budapest, and on to the dark, menacing valleys and steppes of eastern Hungary, uncovering a trail of deceit and violent death: a fabled toy maker driven to destroy himself and a lifetime's priceless creations... a man ruthlessly killed over a dice game... a beautiful woman purchased at auction, then stolen away... the sudden death of a priest. Beset by intimations of his own mortality, by a sense of inexplicable entrapment in a malign world of mechanical and deadly playthings, by a slowly suffocating conviction that he is undertaking a journey he has made before, Picard, caught up in the quickening pace, returns to Paris - and to a terrifying confrontation with his quarry and his own destiny."

                • Cover of The Bone Garden
                  The Bone Garden

                  Tess Gerritsen · standalone novel · 2007

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                  The Bone Garden is a 2007 novel written by Chinese-American novelist Tess Gerritsen, loosely part of the Jane Rizzoli / Maura Isles series.

                • Cover of The Astrologer's Daughter
                  The Astrologer's Daughter

                  Rebecca Lim · standalone novel · 2014

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                  Avicenna Crowe's mother, Joanne, is an astrologer with uncanny predictive powers and a history of being stalked. Now she is missing. The police are called, but they're not asking the right questions. Like why Joanne lied about her past, and what she saw in her stars that made her so afraid. But Avicenna has inherited her mother's gift. Finding an unlikely ally in the brooding Simon Thorn, she begins to piece together the mystery.

                • Cover of PaperQuake: A Puzzle
                  PaperQuake: A Puzzle

                  Kathryn Reiss · standalone novel · 1998

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                  "Violet's paralyzing fear of the earthquakes that are rocking the San Francisco Bay Area makes it difficult for her to overcome her "baby" image. But things change when her family renovates an old building. While she helps her sisters sweep up, an aftershock dislodges a letter addressed to Baby V from 1906-- and Violet is certain the message in the letter is intended for her. More mysterious writings from the past tumble into her hands with each quake. The girls try to unravel the mystery behind these supernatural communications, but as ever more frequent earthquakes rattle their own lives, they realize their time may be running out . . . " — quoted from the product description on the product page on Amazon.com as of 2012-12-06.

                • Cover of Houses of Stone
                  Houses of Stone

                  Barbara Michaels · standalone novel · 1993

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                  It is a find of inestimable value for Karen Holloway. The battered manuscript she holds in her hand—written in the nineteenth century and bearing the mysterious attribution "Ismene"—could prove a boon to the eager young English professor's career. But Karen's search for the author's true identity is carrying her into the gray shadows of the past, to places fraught with danger and terror. For the deeper she delves into Ismene's strange tale of gothic horror, the more she is haunted by the suspicion that the long-dead author was writing the truth . . . and that even now she is guiding Karen's investigation, leading her to terrible secrets hidden behind the cold walls of houses of stone.

                • Cover of Promise Not To Tell
                  Promise Not To Tell

                  Jennifer McMahon · standalone novel · 2007

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                  Promise Not to Tell is a 2007 mystery novel with supernatural elements written by Vermont author Jennifer McMahon. The book was released in April 2007 in the US by Harper Paperbacks. It was released in Germany by Rowohlt Verlag, under the title Das Mädchen Im Wald, in October 2007. It was released in the United Kingdom by Orion Books in 2008.

                • Cover of The Last Legacy (James Logan)
                  The Last Legacy (James Logan)

                  series · 2 books · 2024

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                • Cover of Shadow Ticket
                  Shadow Ticket

                  Thomas Pynchon · standalone novel · 2025

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                  Shadow Ticket is a novel by the American author Thomas Pynchon. It was announced by Penguin Press in April 2025 and published in October the same year. The novel, which is set in 1932, centers on a Milwaukee private investigator who is set adrift in Hungary while tracking the heiress to a Wisconsin cheese fortune.