Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Metropolis

anchored on:science fictiondystopiaclass conflictbig citynear futurerobots+2 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of A Clockwork Orange
                  A Clockwork Orange

                  series · 4 books · 1962

                  completed

                  similar bydarkdystopiascience fictionbig citytotalitarianismnear futurechallenging

                  Anthony Burgess's 1962 novel is narrated by Alex, a teenage gang leader in a near-future Britain gripped by a youth subculture of extreme violence, recounting his crimes in Nadsat, an invented slang blending English with Russian-derived words. After his crimes catch up with him, Alex is made the subject of a controversial state program meant to forcibly reform his behavior, and the novel uses his ordeal to question whether imposed goodness is worth the loss of free will. It is a standalone novel.

                • Cover of Stand on Zanzibar
                  Stand on Zanzibar

                  John Brunner · standalone novel · 1968

                  similar bydarkscience fictiondystopiabig citynear futurechallenging+2 more

                  Stand on Zanzibar is a dystopian New Wave science fiction novel written by John Brunner and first in part published in New Worlds magazine in 1967 and in book form in 1968. The book won a Hugo Award for Best Novel at the 27th World Science Fiction Convention in 1969, as well as the 1969 BSFA Award and the 1973 Prix Tour-Apollo Award.

                • Cover of The Jagged Orbit
                  The Jagged Orbit

                  John Brunner · standalone novel · 1969

                  similar bydarkscience fictiondystopiabig citynear futuretotalitarianismchallenging+1 more

                  The Jagged Orbit is a science fiction novel by British writer John Brunner. It is similar to his earlier novel Stand on Zanzibar in its narrative style and dystopic outlook. It has exactly 100 titled chapters, which vary from several pages to part of one word. It was first published in 1969 with cover art by Leo and Diane Dillon, in the Ace Science Fiction Specials line issued by Ace Books.

                • Cover of Space Merchants
                  Space Merchants

                  series · 2 books · 1953

                  completed

                  similar bydarkscience fictiondystopianear futureclass conflict+1 more

                  The Space Merchants (1953) is a satirical science fiction novel by Frederik Pohl and C. M. Kornbluth that follows an advertising executive navigating a future where aggressive consumer capitalism has swallowed politics and daily life. The authors reunited three decades later for a direct sequel, The Merchants' War (1984), returning to the same satirical world. Together the two books form a compact bookend pair rather than an ongoing series.

                • Cover of Make Room! Make Room!
                  Make Room! Make Room!

                  Harry Harrison · standalone novel · 1966

                  similar bydarkscience fictiondystopiabig citynear futureclass conflict

                  Make Room! Make Room! is a 1966 science fiction novel written by Harry Harrison exploring the consequences of both unchecked population growth on society and the hoarding of resources by a wealthy minority. It was originally serialized in Impulse magazine.

                • Cover of The Sheep Look Up
                  The Sheep Look Up

                  John Brunner · standalone novel · 1972

                  similar bydarkscience fictiondystopiabig citynear future+1 more

                  The Sheep Look Up is a 1972 dystopian science fiction novel by British author John Brunner, dealing with the deterioration of the environment in the United States. It was nominated for the 1972 Nebula Award for Best Novel.

                • Cover of Brave New World
                  Brave New World

                  series · 8 books · 1932

                  similar byscience fictiondystopiaclass conflict+3 more

                  Aldous Huxley's 1932 novel imagines a future World State where reproduction, social caste, and desire are all engineered before birth, and the population is kept content through conditioning, sleep-hypnosis, and a mood-altering drug called soma. The story follows the disruption this seemingly stable order suffers when an outsider raised beyond its reach is brought into it, exposing what the society traded away for comfort and order. Some editions pair the novel with Huxley's own 1958 nonfiction essay collection, Brave New World Revisited, which reassesses the book's ideas rather than continuing its story.

                • Cover of The Shockwave Rider
                  The Shockwave Rider

                  John Brunner · standalone novel · 1975

                  similar bydarkscience fictionbig citynear futuretotalitarianismdystopia

                  The Shockwave Rider is a science fiction novel by John Brunner, originally published in 1975. It is notable for its hero's use of computer hacking skills to escape pursuit in a dystopian future, and for the coining of the word "worm" to describe a program that propagates itself through a computer network. It also introduces the concept of a Delphi pool, perhaps derived from the RAND Corporation's Delphi method – a prediction market on world events which bears close resemblance to DARPA's controversial and cancelled Policy Analysis Market.

                • Cover of Player Piano
                  Player Piano

                  Kurt Vonnegut & Jr. · standalone novel · 1952

                  similar bydarkclass conflictscience fictiondystopianear future

                  In the near future, when cybernetic automation has effectively separated people into two castes, the "engineers and managers", and the remainder of the population who can find work only in "recycling and reclamation" or the largely useless military, an underground movement arises with the intention of rolling back those changes and giving the masses the dignity of owning their own, productive, work once more.

                • Cover of Resurrection, Inc.
                  Resurrection, Inc.

                  Kevin J. Anderson · standalone novel · 1988

                  similar bydarkscience fictionbig citynear futurerobotsclass conflictdystopia

                  It is the future--and the dead walk the streets, resurrected by technology to become servants to the living. Resurrection, Inc. found a profitable way to do it: a microprocessor brain, a synthetic heart, artificial blood--and anyone with money could buy a Servant with no mind of its own, trained to obey any command. But for every Servant created a living worker was out of a job, and suddenly the profits of Resurrection, Inc. became everyone else's loss. Some take to rioting in the streets, their rampages ruthlessly ended by heavily armed Enforcers, eager for the kill. Others join the ever-growing cult of Neo-Satanism, seeking Heaven in the depths of Hell. Only one man tries to save the world. His name is Danal, and he is the last hope of the living. He is dead, but he remembers everything.

                • Cover of Moxyland
                  Moxyland

                  Lauren Beukes · standalone novel · 2008

                  similar bydarkdystopiabig citynear futuretotalitarianismscience fiction+1 more

                  Moxyland is a cyberpunk dystopian novel written by South African author, Lauren Beukes. The book was published in 2008.

                • Cover of Blade Runner Universe
                  Blade Runner Universe

                  series · 6 books · 1968

                  similar bydarkscience fictionnear futurebig cityrobots

                  Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? follows bounty hunter Rick Deckard as he tracks escaped androids through an irradiated, near-abandoned San Francisco, using the hunt to probe questions of empathy and what separates human from machine. The novel became the basis for Ridley Scott's 1982 film Blade Runner, and Marvel Comics later published an illustrated adaptation of that film. Together the two trace the story's path from prose original to screen and comic-page adaptation.

                • Cover of The Running Man
                  The Running Man

                  Stephen King · standalone novel · 1982

                  similar bydarkscience fictiondystopianear futuretotalitarianism+2 more

                  The Running Man is a dystopian thriller novel by American writer Stephen King, first published under the pseudonym Richard Bachman in 1982 as a paperback original. It was collected in 1985 in the omnibus The Bachman Books. The novel is set in a dystopian United States during the year 2025, in which the nation's economy is in ruins and world violence is rising. The story follows protagonist Ben Richards as he participates in the reality show The Running Man, in which contestants win money by evading a team of hitmen sent to kill them.

                • Cover of The Handmaid's Tale
                  The Handmaid's Tale

                  series · 3 books · 1985

                  similar bydarkdystopiascience fictionnear futuretotalitarianism

                  The Handmaid's Tale is Margaret Atwood's 1985 novel set in Gilead, a totalitarian theocracy that has overthrown the United States and forces fertile women into reproductive servitude as Handmaids; it is narrated by one such woman, Offred. Atwood returned to the world in her 2019 sequel The Testaments, set fifteen years later and narrated by three women, including the regime's Aunt Lydia. Together the two novels move from Gilead's grip on power toward the first cracks in it.

                • Cover of The Wanting Seed
                  The Wanting Seed

                  Anthony Burgess · standalone novel · 1962

                  similar bydarkscience fictiondystopianear futuretotalitarianismchallenging

                  The Wanting Seed is a dystopian novel by the English author Anthony Burgess, written in 1962.

                • Cover of Metropolis
                  Metropolis

                  series · 7 books · 1926

                  similar bybig cityscience fictionnear futureclass conflict+4 more

                • Cover of The Windup Universe
                  The Windup Universe

                  series · 3 books · 2005

                  similar bydarkscience fictiondystopianear future+2 more

                • Cover of On Wings of Song
                  On Wings of Song

                  Thomas M. Disch · standalone novel · 1979

                  similar bydarkscience fictionnear futureclass conflictdystopiachallenging+1 more

                  On Wings of Song is a 1979 science fiction novel by American writer Thomas M. Disch. It was first published as a serial in The Magazine of Fantasy & Science Fiction in three installments in February to April 1979. Like Disch's previous novel 334, it is a bitter satire that depicts a near-future America falling into worsening economic and social crisis. It was critically well received and is often considered Disch's best work. It was, however, a commercial failure.

                • Cover of High-Rise
                  High-Rise

                  J. G. Ballard · standalone novel · 1975

                  similar bydarkbig citynear futureclass conflictdystopiascience fiction

                  High-Rise is a 1975 novel by British writer J. G. Ballard. The story describes the disintegration of a luxury high-rise building as its affluent residents gradually descend into violent chaos. As with Ballard's previous novels Crash (1973) and Concrete Island (1974), High-Rise inquires into the ways in which modern social and technological landscapes could alter the human psyche in provocative and hitherto unexplored ways. It was adapted into a film of the same name, in 2015, by director Ben Wheatley.

                • Cover of The Circle (Eggers)
                  The Circle (Eggers)

                  series · 2 books · 2013

                  similar bydarkdystopianear futuretotalitarianismscience fictionbig city

                  Mae Holland lands a coveted job at the Circle, a Silicon Valley tech company whose relentless, cheerful push toward total transparency -- 'secrets are lies, sharing is caring, privacy is theft' -- gradually reveals itself as something closer to soft totalitarianism. Dave Eggers's The Circle follows Mae's rise inside the company as she buys further and further into its ideology, at increasing cost to her own privacy and the people around her. The 2021 follow-up, The Every, picks up with Mae now running the merged tech giant and a new employee questioning it from the inside.

                • Cover of Fahrenheit 451
                  Fahrenheit 451

                  series · 2 books · 1951

                  completed

                  similar bydystopiascience fictiontotalitarianismnear future+1 more

                  Fahrenheit 451 began life as "The Fireman," a novella Ray Bradbury published in 1951, which he then expanded into the full novel released in 1953 under its now-famous title. Set in a future where books are outlawed and firemen exist to burn them, it follows fireman Guy Montag as doubts about his job push him toward the very literature he's supposed to destroy. The novella and novel are one story's evolution rather than two separate books.

                • Cover of Earthseed
                  Earthseed

                  series · 7 books · 1993

                  similar bydarkscience fictionnear futuredystopia+2 more

                  Octavia E. Butler's Earthseed novels, Parable of the Sower and Parable of the Talents, follow Lauren Olamina as she survives the collapse of a climate-ravaged, near-future United States and founds a belief system built on the idea that "God is Change." The two-book series was left unfinished at Butler's death; a planned third novel, Parable of the Trickster, was never completed. Later graphic-novel adaptations retell the same two stories rather than continuing the narrative.

                • Cover of Brute Orbits
                  Brute Orbits

                  George Zebrowski · standalone novel · 1998

                  similar bydarkscience fictionnear futureclass conflictdystopia+2 more

                  From the flaps of the HarperPrism first edition: "It is the twenty-first century. Suffering from global warming and overpopulation, Earth is opening the solar system to industrialization. One of the largest growth industries - "corrections" - capitalizes on the opportunity, sending convicts to mine asteroids diverted into near-Earth orbits. Like the condemned digging their own graves, the convicts hollow out their own prisons, as the mined-out shells become deep-space cell blocks. Then an administrative genius realizes that the asteroid prisons can be inserted into solar orbits, timed to return to near-Earth space when terms run out. This not only adds further security, it removes the problem of abuse by guards, since they are no longer needed. The orbits grow longer, tending to run out the inmates lives in the vast swing beyond the solar system and back. Ambitious administrators soon discover that small "errors" in boost velocity can rid them of selected groups altogether, whether sentenced to life or not. Political prisoners can be easily included in these planned mistakes, along with the hopelessly violent and mentally defective: the mix of felons - both male and female - makes few distinctions. In time the abyss in every direction from Earth is dotted with receding prisons. Human rejects endure the black vise of interstellar space-time - soft bodies in hard shells, surviving along open orbits, free to live and reproduce as they wish, to seek what law they can amongst themselves, never to return... But as Earths societies recover and prosper, attitudes toward crime and punishment change. The sky's constant reproach spurs a sense of sympathy - and curiosity - about what has happened in these "brute orbits." When an advanced propulsion system makes it possible to overtake the scattered habitats, a courageous team of social scientists sets out to go where no free human has gone before. What they discover about this lost humanity is both provocative and moving. Zebrowski's latest work is an innovative novel about the future of crime and punishment, in which conflicted hearts and minds find new ways to war over the great prize of history called justice."

                • Cover of New York 2140
                  New York 2140

                  Kim Stanley Robinson · standalone novel · 2017

                  similar bybig cityscience fictionnear futureclass conflictdystopia+1 more

                  New York 2140 is a 2017 climate fiction novel by American science fiction author Kim Stanley Robinson. The novel is set in a New York City that has been flooded and altered by rising water.