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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Monster Bash!

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Undead That Saved Christmas
                  The Undead That Saved Christmas

                  series · 3 books · 2010

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                • Cover of Breathers
                  Breathers

                  series · 2 books · 2009

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                • Cover of Barking
                  Barking

                  Tom Holt · standalone novel · 2007

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                  Duncan's boss doesn't think he's cut out to be a lawyer. He isn't a pack animal. He lacks the killer instinct. But when his best friend from school barges his way back into Duncan's life, with a full supporting cast of lawyers, ex-wives, zombies, and snow-white unicorns, it's not long before things become distinctly unsettling. Hairy, even.

                • Cover of Nathan Abercrombie, Accidental Zombie
                  Nathan Abercrombie, Accidental Zombie

                  series · 5 books · 2009

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                • Cover of Black As Blood
                  Black As Blood

                  Rob Chilson · standalone novel · 1998

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                  Tongue-in-cheek horror. It began with Bernie McKay (and hist not-too-reliable wife, Angie). Uncle Albert was laid out in his coffin, dead as a doornail, and things were on a reasonably even keel. But then Uncle Albert sat up and accused Bernie of stealing his gold, and first of all Bernie didn't know what he was talking about, and second it took a considerable tussle to get Uncle Albert to lie down again, get his casket-lid fastened, and the coffin buried. But that wasn't the end of it - far from it. There was "Hat" Stetson, for instance, who dug the coffin up again... sort of. And there was the business of Angie and Paul Gibson, the putative partner in Bernie's firm. And that wasn't the end of it, either. Not by a long shot. (from the back cover of the Baen Books first edition)

                • Cover of Warmth
                  Warmth

                  Sumiko Saulson · standalone novel · 2015

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                  "Sera is ghula—one of the extremely long-lived though not immortal flesh eaters whose lives can end in only one way—in resurrection as a hungry, ambulatory corpse who will spend the short days of its unlife rotting, eating, and infecting as many as possible. Sera compares her life to a dark comedy—trapped with an unwanted pregnancy for the past 600 years, constantly afraid that the fetus will die and go zombie in-utero, always cold and constantly running a fever like every other ghoul on the planet. Luckily, two things in life sustain her: her joy in hunting and destroying the Dead, and the constant seeking of comfort in warmth ... " – quoted from this book's product page on Amazon.com as of 2017-06-30.

                • Cover of Charlie (Roald Dahl)
                  Charlie (Roald Dahl)

                  series · 6 books · 1964

                  completed

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                • Cover of Carrion
                  Carrion

                  Gary Brandner · standalone novel · 1986

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                  Synopsis - He is the nation’s new hero. For he possesses the most awesome sill any man can master – he can reach beyond the grave and reawaken the dear departed. He can bring the dead back to life! But their souls no longer inhabit their resurrected bodies. The creatures that now walk the earth are carrion – dead flesh! They are mindless things that only know he is responsible for their agony… As their bodies decay into hideous travesties of what they once were, they have only one mission left – To destroy their savior.

                • Cover of Undead Pets
                  Undead Pets

                  series · 8 books · 2012

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                • Cover of Blood Lite
                  Blood Lite

                  series · 3 books · 2008

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                • Cover of Make Me a Monster
                  Make Me a Monster

                  Kalynn Bayron · standalone novel · 2025

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                  Meka is used to death. After all, it's the family business. As a newly certified mortician's assistant at her parents' funeral home, her days are not for the faint of heart. Luckily her boyfriend Noah isn't squeamish, and Meka is finally feeling ready to say the three little words that will change everything. But then tragedy strikes, and Meka's world is torn apart. Nothing makes sense, especially the strange things start happening. Ravens are circling her home. Strangers are following her. Someone is leaving mysterious items at her door. And worst of all . . . The dead don't seem to be staying dead. Meka thought she understood death better than anyone. Turns out, the family business is a bit more complicated than it seems. And Meka isn't the only one desperate to unearth their secrets . . . because the truth may be worth dying for.

                • Cover of Jo-Jo and the Fiendish Lot
                  Jo-Jo and the Fiendish Lot

                  Andrew Auseon · standalone novel · 2009

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                  Jo-Jo becomes involved with an undead punk band

                • Cover of The Incredibly Dead Pets of Rex Dexter
                  The Incredibly Dead Pets of Rex Dexter

                  series · 3 books · 2020

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                • Cover of Walkers
                  Walkers

                  Gary Brandner · standalone novel · 1980

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                  WorldCat: Joana was one of the dead. But she was brought back to life! That's when people began trying to kill her ... nice people ... the last people in the world anyone would suspect of being capable of murder?people who were already dead

                • Cover of Undead Worlds Anthologies
                  Undead Worlds Anthologies

                  series · 3 books · 2017

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                • Cover of Grave Robbers
                  Grave Robbers

                  Matt Drabble · standalone novel · 2017

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                  ● "Bayport is a grim town run by a crime lord with half the police in his pocket and no one willing to take a stand. But now something is happening, something that makes no sense. Bank robbers who won't stay down despite being shot multiple times, men returning from the dead to wreak havoc and death on Bayport's streets. Saddled with a new partner Lucas Grant can't trust and forced into an uneasy alliance with the criminal who ruined his town Grant will finally have to make a stand." ― paraphrased from this book's product page on Amazon.com as of 2024-06-04.

                • Cover of Billy
                  Billy

                  series · 15 books · 2005

                  completed

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                • Cover of Flying Dutch
                  Flying Dutch

                  Tom Holt · standalone novel · 1991

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                  Flying Dutch (ISBN 0-356-20111-2) is the third humorous-fantasy novel by popular British author Tom Holt. First published in the UK in 1991 by Orbit Books.

                • Cover of The Ogre Downstairs
                  The Ogre Downstairs

                  Diana Wynne Jones · standalone novel · 1974

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                  When a disagreeable man with two boys marries a widow with three children, family adjustments are complicated by two magic chemistry sets which cause strange things to happen around the house.

                • Cover of Sinister Supernatural Stories
                  Sinister Supernatural Stories

                  series · 1 book · 2022

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                • Cover of Deadrush
                  Deadrush

                  Yvonne Navarro · standalone novel · 1995

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                  Horror novel. After a strange backwoods rite of passage, a teen goes to Chicago to raise the dead.

                • Cover of Support Group
                  Support Group

                  series · 2 books · 2009

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                • Cover of Only Begotten Daughter
                  Only Begotten Daughter

                  James Morrow · standalone novel · 1990

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                  Only Begotten Daughter is a 1990 fantasy novel by American writer James K. Morrow, setting the stage for his later Godhead Trilogy. The book shared the 1991 World Fantasy Award with Ellen Kushner's Thomas the Rhymer. It was also nominated for the Nebula Award for Best Novel in 1990, and both the Locus and John W. Campbell Memorial Awards in 1991.

                • Cover of Artemis Fowl
                  Artemis Fowl

                  series · 15 books · 2001

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                  Artemis Fowl is a series of eleven fantasy novels by Irish author Eoin Colfer, revolving around various members of the Fowl family. The first cycle, the Artemis Fowl series, consists of eight books, and the second cycle, The Fowl Twins series, is a trilogy. Both releases have received commercial success and positive critical reception in the children's literature genre, and also originated graphic novel adaptations. As of 2013, the novels have sold more than 21 million copies in 44 languages, and are one of the best-selling series of all time. In 2010, Artemis Fowl was voted by readers as their favorite Puffin Books title of all time.