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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Outlaw Sword

anchored on:historical fantasytransported to another worldour worldbritish islesage of sail & 18th centuryadventure+3 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of On Stranger Tides
                  On Stranger Tides

                  Tim Powers · standalone novel · 1987

                  similar byadventurousage of sail & 18th centuryhistorical fantasyadventure

                  On Stranger Tides is a 1987 historical fantasy supernatural novel by American writer Tim Powers. It was nominated for the World Fantasy Award for Best Novel, and placed second in the annual Locus poll for best fantasy novel.

                • Cover of Outlander (Diana Gabaldon)
                  Outlander (Diana Gabaldon)

                  series · 26 books · 1991

                  similar byage of sail & 18th centuryhistorical fantasybritish isles+3 more

                  Outlander is a series of historical fantasy novels by American author Diana Gabaldon. Gabaldon began the first volume of the series, Outlander, in the late 1980s; it was published in 1991. She has published nine out of a planned ten volumes. The ninth novel in the series, Go Tell the Bees That I Am Gone, was released on November 23, 2021.

                • Cover of Watership Down
                  Watership Down

                  series · 21 books · 1972

                  completed

                  similar byadventurousour worldsurvival+3 more

                  Watership Down is Richard Adams's 1972 novel following a group of rabbits who flee the destruction of their warren and cross the English countryside of Hampshire in search of a new home, developing over the journey a full rabbit culture of language, proverbs, and mythology. Adams returned to the same world in 1996 with Tales from Watership Down, a collection of nineteen short stories mixing rabbit folklore with further adventures of characters from the novel.

                • Cover of The Stockholm Octavo
                  The Stockholm Octavo

                  Karen Engelmann · standalone novel · 2012

                  similar byadventurousage of sail & 18th centuryhistorical fantasyadventure

                  An adventure novel with hints of magic set in 18th century Sweden.

                • Cover of The Outlaws of Sherwood
                  The Outlaws of Sherwood

                  Robin McKinley · standalone novel · 1988

                  similar byadventuroushistorical fantasyadventurebritish isles

                  The Outlaws of Sherwood is a retelling of the legend of Robin Hood by Robin McKinley. In McKinley's afterword, she says, "The retellings through the centuries have echoed concurrent preoccupations." The story includes both the traditional Robin Hood characters — Little John, Much, Friar Tuck, Marian and Alan-a-dale — and characters of McKinley's own invention. Notably, three of the most important characters are women, all of whom escape marriage to prospective spouses chosen by their fathers.

                • Cover of The Outlaw of Torn
                  The Outlaw of Torn

                  Edgar Rice Burroughs · standalone novel · 1927

                  similar byadventurousadventureour worldbritish isles+1 more

                  Raised from childhood by a vengeful royal fencing master who wants him turned into a weapon against the English crown, Norman of Torn grows up in 13th-century England knowing only combat and contempt for the nobility. By nineteen he leads the kingdom's largest band of outlaws and carries a king's ransom on his head, yet a priest's influence has left him with a streak of chivalry. Amid rebellion against King Henry III, Norman joins Simon de Montfort's rebels, and finds himself drawn to de Montfort's daughter despite a startling resemblance to the crown prince. An early adventure novel from Edgar Rice Burroughs.

                • Cover of Cleopatra
                  Cleopatra

                  H. Rider Haggard · standalone novel · 1889

                  similar byadventuroushistorical fantasyadventure+1 more

                  Cleopatra: Being an Account of the Fall and Vengeance of Harmachis is an adventure novel written by English author H. Rider Haggard and first printed in 1889 by Longmans. Cleopatra mixes historical action with supernatural events, and could be described as a historical fantasy novel.

                • Cover of Airman
                  Airman

                  Eoin Colfer · standalone novel · 2008

                  similar byadventurousadventureour worldbritish islessurvival

                  Airman, by Eoin Colfer, is a best-selling historical adventure novel set in the 19th century. It was released in the UK, Ireland and US in January 2008. The novel was shortlisted for the 2009 Carnegie Medal.

                • Cover of Son of the Sword
                  Son of the Sword

                  series · 4 books · 2001

                  similar byage of sail & 18th centurybritish isles+5 more

                • Cover of Zulu Nation
                  Zulu Nation

                  series · 1 book · 1892

                  similar byadventurousadventureemotionalforbidden love

                  H. Rider Haggard's Nada the Lily is set during the rise of the Zulu king Shaka, following Umslopogaas, Shaka's unacknowledged son, and his love for the celebrated beauty Nada. Haggard weaves real Zulu history and figures together with invented characters and supernatural elements, building a tragic story of forbidden love against a backdrop of war and court intrigue. It's a standalone 1892 novel rather than a series.

                • Cover of The Red Necklace
                  The Red Necklace

                  series · 2 books · 2007

                  similar byadventuroushistorical fantasy+3 more

                • Cover of Temeraire
                  Temeraire

                  series · 48 books · 2006

                  similar byadventuroushistorical fantasy+2 more

                  Temeraire is a series of nine alternate history fantasy novels written by American author Naomi Novik. The novels follow the adventures of Captain William Laurence and his dragon, the eponymous Temeraire, and reimagine events of the Napoleonic Wars with "an air force of dragons, manned by crews of aviators". His Majesty's Dragon, the first entry in the series, won the Compton Crook Award in 2007 and was nominated for the Hugo Award for Best Novel the same year. Temeraire: In the Service of the King, an omnibus volume collecting the first three novels, won the Locus Award for Best First Novel in 2007. Temeraire was nominated for the Hugo Award for Best Series in 2017.

                • Cover of Dodger
                  Dodger

                  Terry Pratchett · standalone novel · 2012

                  similar byadventurousadventureour worldbritish isles

                  Dodger is a novel written by Terry Pratchett, set in early Victorian London, and inspired by Charles Dickens's character the Artful Dodger. The book was released on 13 September 2012 in the UK.

                • Cover of Tarzan
                  Tarzan

                  series · 50 books · 1912

                  part of Tarzan Universe

                  similar byadventurousadventure+1 more

                  Tarzan is a series of 24 adventure novels written by Edgar Rice Burroughs (1875–1950) and published between 1912 and 1966, followed by several novels either co-written by Burroughs, or officially authorized by his estate. There are also two works written by Burroughs especially for children that are not related to the main series.

                • Cover of The Girl from Everywhere
                  The Girl from Everywhere

                  series · 2 books · 2016

                  similar byadventurousforbidden loveour world+2 more

                • Cover of Gateway
                  Gateway

                  Sharon Shinn · standalone novel · 2009

                  similar byadventuroustransported to another worldhistorical fantasyforbidden love+1 more

                  As a Chinese adoptee in St. Louis, teenage Daiyu often feels out of place. When an elderly Asian jewelry seller at a street fair shows her a black jade ring—and tells her that "black jade" translates to "Daiyu"—she buys it as a talisman of her heritage. But it's more than that; it's magic. It takes Daiyu through a gateway into a version of St. Louis much like 19th century China. Almost immediately she is recruited as a spy, which means hours of training in manners and niceties and sleight of hand. It also means stealing time to be with handsome Kalen, who is in on the plan. There's only one problem. Once her task is done, she must go back to St. Louis and leave him behind forever. . . .

                • Cover of The Horse Goddess
                  The Horse Goddess

                  Morgan Llywelyn · standalone novel · 1982

                  similar byhistorical fantasyemotionalforbidden loveour world+1 more

                  Epona, a golden Celtic beauty, commanded wind, fire, all the bests of the earth. But she could not resist Kazhak, the sensual Nomad Prince whose stallion swept her away to the farthest reaches of the strange Black Sea. Even as their passion forged a white-hot bond mightier than Celtic bronze, the Druid Priest of Epona's tribe pursued them. No mortal man, no earthly love, had yet withstood his awesome force. Published: Nov. 1983 469 pages Inside book jacket: With her national best-selling novel, Lion of Ireland: The Legend of Brian Boru, Morgan Llywelyn was hailed for her combination of brilliance and authenticity in bringing Celtic history to life. ... And now with The Horse Goddess she brings us a stormy love story that sweeps across the ancient world of the 8th century before Christ. Its heroine is Epona, whose legends finally made her a goddess; its hero, Kazhak, a Scythian warrior, a prince of the wild horsemen of the eastern plains. A woman of the west meets a man of the east in a world still swirling with elemental spirits. As their story opens, Troy is a crumbling ruin and Athens is rising far to the south. Mortal men and women are being turned into gods as tales are told and retold of their extraordinary adventures, and above all looms the awesome figure of Kernunnos, the Druid priest - the Shapechanger - who will become the prototype of the first werewolf as he pursues Epona and Kazhak from the Alps to the Ukraine. If this is not actual history, it has the ring of truth. Based on Morgan Llywelyn's painstaking research, it leads readers to say, "Yes, this is how it must have been." Epona and her people are destined to become part of the permanent landscape of memory.

                • Cover of Wolves Chronicles
                  Wolves Chronicles

                  series · 12 books · 1962

                  completed

                  similar byadventurousadventurebritish isles+1 more

                  The Wolves Chronicles is Joan Aiken's long-running alternate-history series for young readers, set in a nineteenth-century England ruled by the Stuart dynasty and beset by wolves that have migrated across a Channel land-bridge. It opens with The Wolves of Willoughby Chase, in which two girls outwit a scheming governess sent to ruin them, and expands over twelve books into a sprawling saga of orphans, conspiracies, and journeys through a Britain quite unlike the real one. Aiken kept adding to the same timeline across more than four decades, including later prequels set before the first book.

                • Cover of The Cave Girl
                  The Cave Girl

                  Edgar Rice Burroughs · standalone novel · 1925

                  similar byadventurousadventureour worldsurvival

                  The Cave Girl is a lost world novel by American writer Edgar Rice Burroughs. Originally published in two separate stories, The Cave Girl begun in February 1913 and published by "All-Story" in July, August, and September 1913; and The Cave Man begun in 1914 and published by "All-Story Weekly" throughout March and April 1917. The book version was first published by A. C. McClurg on 1925-03-21. In August 1949, Dell Paperback published a version with a map captioned "Wild Island Home of Nadara the Cave Girl Where Violence and Bloodshed Rule."

                • Cover of Passenger
                  Passenger

                  series · 2 books · 2016

                  similar byadventurousforbidden loveour world+2 more

                • Cover of Wings of the Storm
                  Wings of the Storm

                  Susan Sizemore · standalone novel · 1992

                  similar byadventuroushistorical fantasyforbidden lovebritish isles+1 more

                  Wings of the Storm (Time Search #1) by Susan Sizemore (Goodreads Author) 3.63 · Rating details · 320 Ratings · 37 Reviews What was a woman to do? When an experiment gone wrong landed Dr. Jane Florian in the Middle Ages, she vowed to make the best of things. And if that meant posing as Lady Jehane from the Holy Land, cleaning the castle from tower to dungeon, ousting the hounds from the banquet hall, and giving the mistress of the hall a makeover, then she would... Unfortunately, she hadn't counted on her reaction to her new neighbor - the magnetic Sir Daffy. The Middle Ages might lack modern conveniences, but Jane had no complaints about the men. Sir Daffy's arrogant masculine sensuality fired her senses as no man from her own time had ever done....And yet, Jane's secrets weren't the only ones, for Sir Daffy was a man of mystery himself...

                • Cover of The Princess Bride
                  The Princess Bride

                  William Goldman · standalone novel · 1973

                  similar byadventurousadventureforbidden love

                  The Princess Bride: S. Morgenstern's Classic Tale of True Love and High Adventure, The "Good Parts" Version is a 1973 fantasy romance novel by American writer William Goldman. The book combines elements of comedy, adventure, fantasy, drama, romance, and fairy tale. It is metafictionally presented as an abridgment of a longer work by the fictional S. Morgenstern, and Goldman's commentary asides are constant throughout. It was originally published in the United States by Harcourt Brace, then later by Random House, while in the United Kingdom it was later published by Bloomsbury.

                • Cover of Allan Quatermain
                  Allan Quatermain

                  series · 25 books · 1885

                  similar byadventurousadventure+1 more

                  Allan Quatermain is the protagonist of H. Rider Haggard's 1885 novel King Solomon's Mines, its one sequel Allan Quatermain (1887), twelve prequel novels and four prequel short stories, totalling eighteen works. An English professional big game hunter and adventurer, in film and television he has been portrayed by Richard Chamberlain, Sean Connery, Cedric Hardwicke, Patrick Swayze and Stewart Granger among others.

                • Cover of The Lad and the Lion
                  The Lad and the Lion

                  Edgar Rice Burroughs · standalone novel · 1938

                  similar byadventurousadventureour worldsurvival

                  The Lad and the Lion is an adventure novel by American writer Edgar Rice Burroughs, written in February 1914. His working title for the piece was "Men and Beasts." It was first published as a three-part serial in All-Story Weekly in the issues for June 30, July 7, and July 14, 1917. The story was the first by Burroughs adapted to film, the movie appearing about the same time as the print serial. Despite this distinction, the story did not appear in book form for over twenty years; only after a remake of the film appeared was the first book edition published, by Burroughs's own publishing firm, Edgar Rice Burroughs, Inc., in February 1938. The text was apparently expanded for book publication, as certain incidentals of the story reflect the political situation of Europe in the late 1930s rather than the mid-1910s. The book was reprinted by Grosset & Dunlap in 1939 and Canaveral Press in 1964. The first paperback edition was issued by Ballantine Books in September 1964, with a second appearing from Ace Books in May 1974, reprinted in June 1982.