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Reading orders for SF/F series and shared universes — with your place kept in every one.

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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Roja

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories centered on witches and the practice of witchcraft — covens, hedge magic, familiars, and the witch's place in her community.
  • Stories in which gods and deities act as characters — walking the world, meddling in mortal lives, or dying.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Five Children Universe
                  Five Children Universe

                  series · 27 books · 1902

                  completed

                  similar byfantasy+1 more

                  Two separate modern continuations of E. Nesbit's Psammead stories were written decades apart by different authors: Helen Cresswell's The Return of the Psammead (1992) brings the wish-granting sand fairy back for a new set of children, while Kate Saunders's Five Children on the Western Front (2014) follows the now-grown Lamb and his siblings as the First World War arrives, in a more somber sequel to Nesbit's original trilogy. Neither book is by Nesbit herself, and the two have no direct connection to each other beyond both drawing on her creation. Later writers have kept returning to Nesbit's premise long after her own trilogy ended.

                • Cover of Gemma Doyle
                  Gemma Doyle

                  series · 4 books · 2003

                  similar byfantasyhistorical fantasyyoung adult

                  The Gemma Doyle Trilogy is a trilogy of fantasy novels by American writer Libba Bray. They are told from the perspective of Gemma Doyle, a girl in the late nineteenth century. The Gemma Doyle Trilogy consists of three books: A Great and Terrible Beauty, Rebel Angels, and The Sweet Far Thing.

                • Cover of The Infernal Devices
                  The Infernal Devices

                  series · 5 books · 2010

                  part of The Mortal Instruments

                  similar byfantasyhistorical fantasyyoung adult

                  The Infernal Devices is a trilogy by author Cassandra Clare, centring on a race called the Shadowhunters introduced in her The Mortal Instruments series. The trilogy is a prequel series to The Mortal Instruments series. Cassandra Clare has stated that the two series are able to be read in any order, but it is best to read them in publication order.

                • Cover of Fabian Time Fantasies
                  Fabian Time Fantasies

                  series · 2 books · 1908

                  completed

                  similar byfantasy+2 more

                  E. Nesbit's Edwardian time-travel duology follows two children who use a magic device to slip between their own era and the past. The House of Arden sends young Edred and his sister into English history in search of a family treasure, while its sequel, Harding's Luck, follows a poor orphan boy who travels back to the reign of James I and briefly lives another child's privileged life, before choosing to return and help the man who raised him, in a story pointedly concerned with poverty and welfare.

                • Cover of The Kendra Chronicles
                  The Kendra Chronicles

                  series · 5 books · 2007

                  similar byyoung adult+2 more

                  Alex Flinn's Kendra Chronicles opens with Beastly, a modern retelling of Beauty and the Beast in which a wealthy, shallow New York teenager is transformed into a monster by a witch's curse and has two years to break the spell by earning real love. Later books widen the cast to other characters from that story — Lindy, the witch Kendra herself — while staying inside the same fairy-tale-updated-to-Manhattan premise. It's YA fairy-tale retelling built around one curse and its ripple effects rather than a continuing plot across all volumes.

                • Cover of Bartholomew Kettle
                  Bartholomew Kettle

                  series · 2 books · 2012

                  similar byfantasy+2 more

                • Cover of Wildwood
                  Wildwood

                  series · 2 books · 2006

                  similar byfantasyyoung adult+1 more

                  Juliet Marillier's Wildwood duology opens with Wildwood Dancing: at a remote castle in the Transylvanian woods, five sisters use a hidden portal to slip away each full moon into the fae Other Kingdom, until a scheming cousin's arrival threatens both their home and their access to that magical realm. Marillier builds the story from Romanian folklore and fairy-tale motifs, following Jena as she tries to protect her family and the world beyond the portal. A second book, Cybele's Secret, continues the sisters' story.

                • Cover of Here Lies Arthur
                  Here Lies Arthur

                  Philip Reeve · standalone novel · 2007

                  similar byhistorical fantasyyoung adult+1 more

                  Here Lies Arthur is a young-adult novel by Philip Reeve, published by Scholastic in 2007. Set in fifth or sixth century Britain and the Anglo-Saxon invasion, it features a girl who participates in the deliberate construction of legendary King Arthur during the man's lifetime, orchestrated by a bard. Reeve calls it a back-creation: not a genuine historical novel as it is not based on actual specific events; rather it is "back-created" from the legends, giving them a "realistic" origin.

                • Cover of Belladonna
                  Belladonna

                  series · 4 books · 2022

                  similar byfantasyyoung adult+1 more

                  Belladonna is Adalyn Grace's gothic YA fantasy series opening with Belladonna (2022), followed by Foxglove and Wisteria, plus the companion novella Holly. Set in a haunted, death-adjacent version of the era, it follows an orphaned heiress entangled with Death itself as she investigates the murders and mysteries surrounding her inherited estate. It blends romance, ghost story and whodunit within one continuing story.

                • DU
                  Dragonkeeper Universe

                  series · 7 books · 2003

                  similar byfantasy+2 more

                • Cover of Stravaganza
                  Stravaganza

                  series · 6 books · 2002

                  similar byfantasyhistorical fantasy+1 more

                  Stravaganza is a series of novels written by children's author Mary Hoffman. The books are set alternatively between Islington, an area of London, England, and various cities in Talia, an alternate version of Renaissance Italy.

                • Cover of The Last Hours
                  The Last Hours

                  series · 4 books · 2019

                  part of The Mortal Instruments

                  similar byyoung adult+2 more

                  Cassandra Clare's The Last Hours opens with Chain of Gold, set in 1903 London among the Shadowhunters of the London Institute, part of the wider Shadowhunter Chronicles that includes The Mortal Instruments. Continuing the saga's tradition of chapter epigraphs drawn from Victorian and Edwardian poetry, the trilogy concludes across Chain of Iron and Chain of Thorns.

                • Cover of The Gilded Wolves
                  The Gilded Wolves

                  series · 3 books · 2019

                  similar byfantasyhistorical fantasyyoung adult

                • Cover of Kingdom (Cynthia Voigt)
                  Kingdom (Cynthia Voigt)

                  series · 4 books · 1985

                  similar byfantasyyoung adult+1 more

                • Cover of Swordhand
                  Swordhand

                  series · 2 books · 2006

                  completed

                  similar by+3 more

                • Cover of The Cahill Witch Chronicles
                  The Cahill Witch Chronicles

                  series · 3 books · 2012

                  similar byfantasyhistorical fantasyyoung adult

                • Cover of The Dispossessed
                  The Dispossessed

                  series · 3 books · 2013

                  similar byyoung adult+2 more

                • Cover of The Diviners
                  The Diviners

                  series · 4 books · 2012

                  similar byfantasyhistorical fantasyyoung adult

                • Cover of The Last Magician
                  The Last Magician

                  series · 4 books · 2017

                  similar byfantasyyoung adult+1 more

                • Cover of Chime
                  Chime

                  Franny Billingsley · standalone novel · 2011

                  similar byfantasyhistorical fantasyyoung adult

                  In the early twentieth century in Swampsea, seventeen-year-old Briony, who can see the spirits that haunt the marshes around their town, feels responsible for her twin sister's horrible injury until a young man enters their lives and exposes secrets that even Briony does not know about.

                • Cover of Sword of the Rightful King
                  Sword of the Rightful King

                  Jane Yolen · standalone novel · 2003

                  similar byfantasyhistorical fantasyyoung adult

                  "The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married..."

                • Cover of The Falconer / Aileana Kameron
                  The Falconer / Aileana Kameron

                  series · 5 books · 2013

                  similar byfantasyhistorical fantasyyoung adult

                • Cover of The Apothecary
                  The Apothecary

                  series · 3 books · 2011

                  similar byfantasyhistorical fantasy+1 more

                • Cover of The Way Back
                  The Way Back

                  Gavriel Savit · standalone novel · 2020

                  similar byfantasyhistorical fantasyyoung adult

                  The Way Back is a young adult historical fantasy novel by Gavriel Savit, published November 17, 2020 by Knopf Books for Young Readers.