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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Salamis

anchored on:historical fictionmediterraneanancient worldadventureat sea

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories that turn on objects of power — enchanted weapons, rings, and relics sought, wielded, or destroyed.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories about rising against rulers — uprisings, resistance movements, and revolutions and their aftermaths.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Tros of Samothrace
                  Tros of Samothrace

                  series · 21 books · 1925

                  completed

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                • Cover of Menedemos and Sostratos
                  Menedemos and Sostratos

                  series · 5 books · 2001

                  similar byadventurousancient worldhistorical fictionadventuremediterraneanat sea

                • Cover of Theseus
                  Theseus

                  series · 2 books · 1958

                  completed

                  similar byadventurousancient worldhistorical fictionmediterranean

                • Cover of Marcus
                  Marcus

                  series · 4 books · 1954

                  completed

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                  Rosemary Sutcliff's linked Roman Britain novels follow several generations of one family across centuries of the Roman occupation and its aftermath, opening with The Eagle of the Ninth, in which the young centurion Marcus Aquila sets out to recover his lost father's legion standard. Later books, including The Silver Branch and The Lantern Bearers, follow his descendants through Britain's slow slide out of the Empire.

                • Cover of Ancient Egyptian
                  Ancient Egyptian

                  series · 9 books · 1993

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                  Wilbur Smith's Ancient Egypt novels open with River God (1993), narrated by the loyal eunuch slave Taita as he guides the royal family's flight from the Hyksos invasion and their eventual return to power. The series, later continued by Smith with co-author Mark Chadbourn, follows Taita and Egypt's rulers across further installments including The Seventh Scroll, Warlock, and Desert God, spanning three decades of publication.

                • Cover of Adventures of Odysseus
                  Adventures of Odysseus

                  series · 6 books · 2008

                  similar byancient worldhistorical fictionmediterranean+2 more

                • Cover of Ben-Hur: A Tale of the Christ
                  Ben-Hur: A Tale of the Christ

                  Lew Wallace · standalone novel · 1880

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                  Ben-Hur: A Tale of the Christ is a novel by Lew Wallace, published by Harper and Brothers on November 12, 1880, and considered "the most influential Christian book of the nineteenth century". It became a best-selling American novel, surpassing Harriet Beecher Stowe's Uncle Tom's Cabin (1852) in sales. The book also inspired other novels with biblical settings and was adapted for the stage and motion picture productions.

                • Cover of Cleopatra
                  Cleopatra

                  H. Rider Haggard · standalone novel · 1889

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                  Cleopatra: Being an Account of the Fall and Vengeance of Harmachis is an adventure novel written by English author H. Rider Haggard and first printed in 1889 by Longmans. Cleopatra mixes historical action with supernatural events, and could be described as a historical fantasy novel.

                • Cover of The Golden Wind
                  The Golden Wind

                  L. Sprague de Camp · standalone novel · 1969

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                  The Golden Wind is a historical novel by American writer L. Sprague de Camp, first published in 1969, and telling the story of the Egyptian Greek seafarers Eudoxus of Cyzicus and Hippalus, who were the first in the Graeco-Roman world to travel by sea from Egypt to India in around 118 BCE.

                • Cover of The Bronze God of Rhodes
                  The Bronze God of Rhodes

                  L. Sprague de Camp · standalone novel · 1960

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                  The Bronze God of Rhodes is a historical novel by American writer L. Sprague de Camp. It was first published in hardcover by Doubleday in 1960, and in paperback by Bantam Books in 1963. A trade paperback edition was projected by The Donning Company for 1983, but never published. The book was reissued with a new introduction by Harry Turtledove as a trade paperback and ebook by Phoenix Pick in June 2013. It is the second of de Camp's historical novels in order of writing, and fourth in internal chronology.

                • Cover of An Elephant for Aristotle
                  An Elephant for Aristotle

                  L. Sprague de Camp · standalone novel · 1958

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                  An Elephant for Aristotle is a 1958 historical novel by American writer L. Sprague de Camp. It was first published in hardback by Doubleday, and in paperback by Curtis in 1971. The first British edition was published by Dobson in 1966. The book was reissued with a new introduction by Harry Turtledove as a trade paperback and e-book by Phoenix Pick in March 2013. It is the first of de Camp's historical novels in order of writing, and the third chronologically. It has been translated into German.

                • Cover of The Arrows of Hercules
                  The Arrows of Hercules

                  L. Sprague de Camp · standalone novel · 1965

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                  The Arrows of Hercules is an historical novel by American writer L. Sprague de Camp, first published in hardback by Doubleday in 1965 and in paperback by Curtis Books in 1970. The book was reissued with a new introduction by Harry Turtledove as a trade paperback and ebook by Phoenix Pick in April 2014. It is the fourth of de Camp's historical novels in order of writing, and second chronologically, set in the time of Dionysios I of Syracuse at the end of the 5th and beginning of the 4th centuries BC.

                • Cover of Black Horses for the King
                  Black Horses for the King

                  Anne McCaffrey · standalone novel · 1996

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                  Galwyn, son of a Roman Celt, escapes from his tyrannical uncle and joins Lord Artos, later know as King Arthur, using his talent with languages and way with horses to help secure and care for the Libyan horses that Artos hopes to use in battle against the Saxons.

                • Cover of The Lion of Cairo
                  The Lion of Cairo

                  Scott Oden · standalone novel · 2010

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                  Scott Oden is an American writer best known for his historical novels set in Ancient Egypt and Ancient Greece. His work imitates the styles and themes of the 1930s pulps, most notably the historical fiction and fantasy of Texan author Robert E. Howard.

                • Cover of The Outlaw of Torn
                  The Outlaw of Torn

                  Edgar Rice Burroughs · standalone novel · 1927

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                  Raised from childhood by a vengeful royal fencing master who wants him turned into a weapon against the English crown, Norman of Torn grows up in 13th-century England knowing only combat and contempt for the nobility. By nineteen he leads the kingdom's largest band of outlaws and carries a king's ransom on his head, yet a priest's influence has left him with a streak of chivalry. Amid rebellion against King Henry III, Norman joins Simon de Montfort's rebels, and finds himself drawn to de Montfort's daughter despite a startling resemblance to the crown prince. An early adventure novel from Edgar Rice Burroughs.

                • Cover of Troy
                  Troy

                  series · 3 books · 2005

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                  David Gemmell's retelling of the Trojan War, completed by his wife Stella Gemmell after his death, follows a traumatized young prince, an independent priestess, and a vengeance-driven warrior as their lives converge on a city consumed by betrayal, ambition, and the armies gathering beyond its walls. Lord of the Silver Bow, Shield of Thunder, and Fall of Kings strip away Homer's gods in favor of a grounded, character-driven war story.

                • Cover of Shadow Hawk
                  Shadow Hawk

                  Andre Norton · standalone novel · 1960

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                  When his position at court is usurped by his half brother, a young Egyptian nobleman seeks to regain his standing through military victories against the enemy.

                • Cover of Last Days of Pompeii
                  Last Days of Pompeii

                  Edward Bulwer-Lytton · standalone novel · 1834

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                  The Last Days of Pompeii is a novel written by Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.

                • Cover of Pirate Latitudes
                  Pirate Latitudes

                  Michael Crichton · standalone novel · 2009

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                  Pirate Latitudes is an action-adventure novel by Michael Crichton, the sixteenth novel to be published under his own name and first to be published after his death, concerning 17th-century piracy in the Caribbean. HarperCollins published the book posthumously on November 26, 2009. The story stars the fictional privateer Captain Charles Hunter who, hired by Jamaica's governor Sir James Almont, plots to raid a Spanish galleon for its treasure.

                • Cover of The Sword Is Forged
                  The Sword Is Forged

                  Evangeline Walton · standalone novel · 1983

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                  The Sword Is Forged is a 1983 historical fiction novel by Evangeline Walton. It is based on the story of Theseus and the Amazon queen Antiope from Greek mythology.

                • Cover of Dodger
                  Dodger

                  Terry Pratchett · standalone novel · 2012

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                  Dodger is a novel written by Terry Pratchett, set in early Victorian London, and inspired by Charles Dickens's character the Artful Dodger. The book was released on 13 September 2012 in the UK.

                • Cover of The Horse Goddess
                  The Horse Goddess

                  Morgan Llywelyn · standalone novel · 1982

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                  Epona, a golden Celtic beauty, commanded wind, fire, all the bests of the earth. But she could not resist Kazhak, the sensual Nomad Prince whose stallion swept her away to the farthest reaches of the strange Black Sea. Even as their passion forged a white-hot bond mightier than Celtic bronze, the Druid Priest of Epona's tribe pursued them. No mortal man, no earthly love, had yet withstood his awesome force. Published: Nov. 1983 469 pages Inside book jacket: With her national best-selling novel, Lion of Ireland: The Legend of Brian Boru, Morgan Llywelyn was hailed for her combination of brilliance and authenticity in bringing Celtic history to life. ... And now with The Horse Goddess she brings us a stormy love story that sweeps across the ancient world of the 8th century before Christ. Its heroine is Epona, whose legends finally made her a goddess; its hero, Kazhak, a Scythian warrior, a prince of the wild horsemen of the eastern plains. A woman of the west meets a man of the east in a world still swirling with elemental spirits. As their story opens, Troy is a crumbling ruin and Athens is rising far to the south. Mortal men and women are being turned into gods as tales are told and retold of their extraordinary adventures, and above all looms the awesome figure of Kernunnos, the Druid priest - the Shapechanger - who will become the prototype of the first werewolf as he pursues Epona and Kazhak from the Alps to the Ukraine. If this is not actual history, it has the ring of truth. Based on Morgan Llywelyn's painstaking research, it leads readers to say, "Yes, this is how it must have been." Epona and her people are destined to become part of the permanent landscape of memory.

                • Cover of On Stranger Tides
                  On Stranger Tides

                  Tim Powers · standalone novel · 1987

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                  On Stranger Tides is a 1987 historical fantasy supernatural novel by American writer Tim Powers. It was nominated for the World Fantasy Award for Best Novel, and placed second in the annual Locus poll for best fantasy novel.

                • Cover of Boudica
                  Boudica

                  series · 4 books · 2003

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                  Manda Scott's Boudica novels reimagine the Iceni queen's life and rebellion against Roman occupation, opening with Dreaming the Eagle's account of her childhood and rise among rival British tribes before following her through the war that made her legend across three further novels.