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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Scimitar

anchored on:fantasyour worldcontemporary

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Secrets of the Immortal Nicholas Flamel
                  The Secrets of the Immortal Nicholas Flamel

                  series · 15 books · 2007

                  similar byimmortalityadventurousfantasyour worldcontemporary+1 more

                  The Secrets of the Immortal Nicholas Flamel is a series of six fantasy novels written by Irish author Michael Scott, completed in 2012. The first book in the series, The Alchemyst, was released in 2007, and the sequels were released at the rate of one per year, concluding with The Enchantress in 2012. The cover artist for the series is Michael Wagner.

                • Cover of Incarnations of Immortality
                  Incarnations of Immortality

                  series · 8 books · 1983

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                  Incarnations of Immortality is an eight-book fantasy series by Piers Anthony. The books each focus on one of eight supernatural "offices" in a fictional reality and history parallel to ours, with the exception that society has advanced both magic and modern technology. The series covers the adventures and struggles of a group of humans called "Incarnations", who hold these supernatural positions for a certain time.

                • Cover of Earthsea Cycle
                  Earthsea Cycle

                  series · 18 books · 1964

                  completed

                  part of Earthsea

                  similar byfantasy

                  The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

                • Cover of The Goddess War
                  The Goddess War

                  series · 5 books · 2013

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                • Cover of Guardians Trilogy (Nora Roberts)
                  Guardians Trilogy (Nora Roberts)

                  series · 3 books · 2015

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                • Cover of Richard Forthrast
                  Richard Forthrast

                  series · 2 books · 2011

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                  Neal Stephenson's Richard 'Dodge' Forthrast novels open with Reamde, a globe-spanning thriller that starts when ransomware inside an MMORPG economy pulls Richard's extended family into a real-world hostage crisis involving hackers, jihadists and Russian mobsters. The sequel Fall; or, Dodge in Hell shifts registers entirely, following Richard's digitally preserved mind after death into an afterlife simulation built from his scanned brain. The two books share a protagonist and family but differ sharply in genre and scale.

                • Cover of Tut
                  Tut

                  series · 2 books · 2014

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                • Cover of James and the Giant Peach
                  James and the Giant Peach

                  Roald Dahl · standalone novel · 1961

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                  James and the Giant Peach is a children's novel written in 1961 by British author Roald Dahl. The first edition, published by Alfred Knopf, featured illustrations by Nancy Ekholm Burkert. There have been re-illustrated versions of it over the years, drawn by Michael Simeon, Emma Chichester Clark, Lane Smith and Quentin Blake. It was adapted into a film of the same name in 1996 which was directed by Henry Selick, and a musical in 2010.

                • Cover of Saucer
                  Saucer

                  series · 3 books · 2002

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                  Saucer is Stephen Coonts's techno-thriller trilogy beginning with Saucer (2002), continued in Saucer: The Conquest and Saucer: Savage Planet. It follows the discovery of a functioning craft buried for millennia in the Sahara desert and the test pilots and adventurers who end up flying, and fighting over, it, escalating from a buried desert secret toward wider stakes involving hostile outside interests.

                • Cover of The Forever King
                  The Forever King

                  series · 3 books · 1992

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                  The Forever King, by Molly Cochran and Warren Murphy, reimagines the Arthurian legend with a contemporary setting, bringing King Arthur's story back into the present day. It's the first of a trilogy continued in The Broken Sword and The Third Magic, following the same modern-day Arthur premise through further installments. The series takes the familiar Arthurian cast and mythology and resets them against the present rather than retelling the medieval original.

                • Cover of Pandava
                  Pandava

                  series · 5 books · 2018

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                  Pandava Quintet is a five-part book series written by Roshani Chokshi. It is part of the "Rick Riordan Presents" publishing imprint. The first book of the series and the imprint was published on March 23, 2018, under the name Aru Shah and the End of Time. The next books are Aru Shah and the Song of Death, Aru Shah and the Tree of Wishes, Aru Shah and the City of Gold, and Aru Shah and the Nectar of Immortality. The main character of the series is the young Aru Shah, who is disliked by her classmates, but fits in with the other Pandava sisters, like Mini and Brynne, once she meets an enchanted talking pigeon who she nicknames "Boo" after touching a cursed ancient artifact. The rest of the series has gotten praise for being similar to Rick Riordan's Percy Jackson and the Olympians series.

                • Cover of Ayesha
                  Ayesha

                  series · 8 books · 1886

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                  The Ayesha books follow H. Rider Haggard's immortal sorceress-queen Ayesha, introduced in his 1887 novel She as the ruler of a hidden civilization who has waited millennia for her lost love to be reborn. Haggard continued her story in later novels, including the 1905 sequel Ayesha: The Return of She, which reunites her with characters from the first book, and further installments tracing her earlier history. Later reissues and retellings continue to build on the same character.

                • Cover of Thieves Like Us
                  Thieves Like Us

                  series · 3 books · 2006

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                • Cover of Castaways of the Flying Dutchman
                  Castaways of the Flying Dutchman

                  series · 3 books · 2001

                  completed

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                  Brian Jacques's Castaways of the Flying Dutchman follows Neb and his dog Denmark, the sole survivors of the cursed ghost ship's crew, condemned to eternal youth and wandering the world to help people in trouble wherever they land. The trilogy continues through The Angel's Command and Voyage of Slaves.

                • Cover of Artemis Fowl
                  Artemis Fowl

                  series · 15 books · 2001

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                  Artemis Fowl is a series of eleven fantasy novels by Irish author Eoin Colfer, revolving around various members of the Fowl family. The first cycle, the Artemis Fowl series, consists of eight books, and the second cycle, The Fowl Twins series, is a trilogy. Both releases have received commercial success and positive critical reception in the children's literature genre, and also originated graphic novel adaptations. As of 2013, the novels have sold more than 21 million copies in 44 languages, and are one of the best-selling series of all time. In 2010, Artemis Fowl was voted by readers as their favorite Puffin Books title of all time.

                • Cover of The Bone Clocks
                  The Bone Clocks

                  David Mitchell · standalone novel · 2014

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                • Cover of This Immortal
                  This Immortal

                  series · 2 books · 1966

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                  This Immortal is a single science fiction novel by Roger Zelazny, expanded from his 1965 serial ...And Call Me Conrad. In a depopulated future Earth largely toured by an alien race, its long-lived, secretive protagonist Conrad Nomikos is assigned to guide and protect a visiting alien across the ruins of Greece and Egypt, uncovering old grudges and assassination plots along the way. The novel shared the 1966 Hugo Award for Best Novel with Frank Herbert's Dune.

                • C
                  Corum

                  series · 6 books · 1971

                  part of Moorcock's Multiverse

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                • Cover of Gondwane Epic
                  Gondwane Epic

                  series · 6 books · 1969

                  completed

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                • Cover of Kane
                  Kane

                  series · 25 books · 1970

                  completed

                  similar byfantasysword and sorcery+2 more

                  Kane is a fictional character created by American author Karl Edward Wagner, who is the protagonist of a three novels and about 20 short stories published between 1970 and 1985. Most Kane tales are sword and sorcery with strong elements of gothic horror and set in a grim, pre-medieval world which is nonetheless ancient and rich in history. In some of Wagner's later stories, Kane appears in the present day—for example, as a drug dealer in "Lacunae" and as a somewhat suspect publishing magnate in "At First Just Ghostly".

                • Cover of Immortal Guardians
                  Immortal Guardians

                  series · 15 books · 2011

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                • Cover of United States of Asgard
                  United States of Asgard

                  series · 7 books · 2013

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                • Cover of 43 Light Street
                  43 Light Street

                  series · 3 books · 1995

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                • Cover of Dark-Hunter
                  Dark-Hunter

                  series · 65 books · 2000

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                  Dark-Hunter is a term from a paranormal romance and fantasy series by Sherrilyn Kenyon. Kenyon began writing the series in 1986 in horror, fantasy and science fiction magazines.