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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Scoundrel

anchored on:19th centuryromance

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Allan Quatermain
                  Allan Quatermain

                  series · 25 books · 1885

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                  Allan Quatermain is the protagonist of H. Rider Haggard's 1885 novel King Solomon's Mines, its one sequel Allan Quatermain (1887), twelve prequel novels and four prequel short stories, totalling eighteen works. An English professional big game hunter and adventurer, in film and television he has been portrayed by Richard Chamberlain, Sean Connery, Cedric Hardwicke, Patrick Swayze and Stewart Granger among others.

                • Cover of Benita: An African Romance
                  Benita: An African Romance

                  H. Rider Haggard · standalone novel · 1906

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                  Benita: An African Romance is a novel by H. Rider Haggard.

                • Cover of Voyages extraordinaires
                  Voyages extraordinaires

                  series · 59 books · 1863

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                  The Voyages extraordinaires is a collection or sequence of novels and short stories by the French writer Jules Verne. The cycle features some of Verne's best known titles, such as Journey to the Center of the Earth, From the Earth to the Moon, Twenty Thousand Leagues Under the Seas, Around the World in Eighty Days and The Mysterious Island.

                • Cover of The People of the Mist
                  The People of the Mist

                  H. Rider Haggard · standalone novel · 1894

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                  The People of the Mist is a classic lost world fantasy novel written by H. Rider Haggard. It was first published serially in the weekly magazine Tit-Bits, between December 1893 and August 1894; the first edition in book form was published in London by Longman in October, 1894. It was reprinted in December, 1973 by Ballantine Books as the sixty-third paperback volume of the Ballantine Adult Fantasy series.

                • Cover of Pym
                  Pym

                  series · 5 books · 1838

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                  Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket (1838), his only complete novel, sends a young stowaway through shipwreck, mutiny, and cannibalism toward an increasingly strange voyage to the South Pole that breaks off on a mysterious, unexplained image. Jules Verne wrote an unauthorized 1897 sequel, An Antarctic Mystery, resolving Poe's cliffhanger in more rationalist terms, while Mat Johnson's 2011 novel Pym uses Poe's original as the springboard for a satirical modern story about race.

                • Cover of Ayesha
                  Ayesha

                  series · 8 books · 1886

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                  The Ayesha books follow H. Rider Haggard's immortal sorceress-queen Ayesha, introduced in his 1887 novel She as the ruler of a hidden civilization who has waited millennia for her lost love to be reborn. Haggard continued her story in later novels, including the 1905 sequel Ayesha: The Return of She, which reunites her with characters from the first book, and further installments tracing her earlier history. Later reissues and retellings continue to build on the same character.

                • Cover of Temeraire
                  Temeraire

                  series · 48 books · 2006

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                  Temeraire is a series of nine alternate history fantasy novels written by American author Naomi Novik. The novels follow the adventures of Captain William Laurence and his dragon, the eponymous Temeraire, and reimagine events of the Napoleonic Wars with "an air force of dragons, manned by crews of aviators". His Majesty's Dragon, the first entry in the series, won the Compton Crook Award in 2007 and was nominated for the Hugo Award for Best Novel the same year. Temeraire: In the Service of the King, an omnibus volume collecting the first three novels, won the Locus Award for Best First Novel in 2007. Temeraire was nominated for the Hugo Award for Best Series in 2017.

                • Cover of Queen Sheba's Ring
                  Queen Sheba's Ring

                  H. Rider Haggard · standalone novel · 1910

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                  Queen Sheba's Ring is a 1910 adventure novel by H. Rider Haggard set in central Africa. It resembles the author's earlier works King Solomon's Mines and She, featuring plotting priests, beautiful women, and daring British adventurers.

                • Cover of A Strange Manuscript Found in a Copper Cylinder
                  A Strange Manuscript Found in a Copper Cylinder

                  James De Mille · standalone novel · 1888

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                  A fantasy novel about the discovery of a civilization hidden near Antarctica.

                • Cover of Captain Grant and Captain Nemo Universe
                  Captain Grant and Captain Nemo Universe

                  series · 29 books · 1868

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                • Cover of Monella
                  Monella

                  series · 3 books · 1896

                  completed

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                  Frank Aubrey's Monella novels are Victorian-era lost-world adventures built around a recurring, sorceress-like figure named Monella, encountered by different explorers in hidden regions of South America and a submerged Atlantis. Beginning with The Devil-Tree of El Dorado, the loosely linked books send new casts of characters into fresh perils rather than continuing one plot across volumes. Later editions have repackaged the novels together in combined omnibus volumes.

                • Cover of The Lady Rogue
                  The Lady Rogue

                  Jenn Bennett · standalone novel · 2019

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                  Theodora Fox is a lot of things, but a proper lady is not one of them. She has gone through tutor after tutor, and would rather be doing a crossword or a cifer than be a housewife. Not that there are men asking for her hand. When her father goes looking for Vlad the impaler -better known as Dracula- he leaves Theo at a hotel. After her tutor quits and takes the money, she finds that there is an intruder in her room. Her ex-best friend who she dated for several weeks, Huck Gallagher, sent by Theo's father to keep her safe. Theo and Huck set out to find Theo's father, and they discover why, on Theo's 16th birthday, Huck went to Ireland.

                • Cover of Fantastic Fiction of H. Rider Haggard
                  Fantastic Fiction of H. Rider Haggard

                  series · 8 books · 1895

                  completed

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                • Cover of Duke de Richleau
                  Duke de Richleau

                  series · 4 books · 1933

                  completed

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                  The Duke de Richleau novels follow Dennis Wheatley's aristocratic adventurer and occultist across four decades of twentieth-century intrigue, moving from a 1930s rescue thriller in The Forbidden Territory into Satanist set-pieces such as The Devil Rides Out and Strange Conflict, then a later case in Gateway to Hell. Wheatley wrote the books out of order over nearly forty years, but their internal chronology matches the order they were published in.

                • Cover of Etidorhpa
                  Etidorhpa

                  John Uri Lloyd · standalone novel · 1895

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                  Etidorhpa, or, the end of the earth: the strange history of a mysterious being and the account of a remarkable journey is the title of a scientific allegory or science fiction novel by John Uri Lloyd, a pharmacognocist and pharmaceutical manufacturer of Cincinnati, Ohio. Etidorhpa was published in 1895.

                • Cover of The Cave Girl
                  The Cave Girl

                  Edgar Rice Burroughs · standalone novel · 1925

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                  The Cave Girl is a lost world novel by American writer Edgar Rice Burroughs. Originally published in two separate stories, The Cave Girl begun in February 1913 and published by "All-Story" in July, August, and September 1913; and The Cave Man begun in 1914 and published by "All-Story Weekly" throughout March and April 1917. The book version was first published by A. C. McClurg on 1925-03-21. In August 1949, Dell Paperback published a version with a map captioned "Wild Island Home of Nadara the Cave Girl Where Violence and Bloodshed Rule."

                • Cover of Wolves Chronicles
                  Wolves Chronicles

                  series · 12 books · 1962

                  completed

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                  The Wolves Chronicles is Joan Aiken's long-running alternate-history series for young readers, set in a nineteenth-century England ruled by the Stuart dynasty and beset by wolves that have migrated across a Channel land-bridge. It opens with The Wolves of Willoughby Chase, in which two girls outwit a scheming governess sent to ruin them, and expands over twelve books into a sprawling saga of orphans, conspiracies, and journeys through a Britain quite unlike the real one. Aiken kept adding to the same timeline across more than four decades, including later prequels set before the first book.

                • Cover of Lady Athlyne
                  Lady Athlyne

                  Bram Stoker · standalone novel · 1908

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                  "Joy Ogilvie, the beautiful young daughter of a Kentucky colonel, plays a joke with her friends, pretending to be "Lady Athlyne", after hearing a story about the dashing Irish nobleman Lord Athlyne. Little does she know that half a world away, the real Lord Athlyne is a prisoner of war in a South African camp, where word reaches him that a woman in America is impersonating his wife. Upon his release, he decides to investigate the situation and travels to New York, where a near-fatal accident introduces him to Joy and her father. Athlyne and Joy fall instantly in love-but a series of misadventures and dangerous obstacles threatens to prevent their marriage. And when Colonel Ogilvie learns of their affair and challenges Athlyne to a duel to the death, their love just may end in tragedy!" --quoting the Amazon product page for the 2007 Valancourt Books edition as of 2017-08-29

                • Cover of The Chronicles of the Black Tulip
                  The Chronicles of the Black Tulip

                  series · 3 books · 2015

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                • Cover of A Strange Discovery
                  A Strange Discovery

                  Charles Romyn Dake · standalone novel · 1899

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                  A "completion" of Edgar Allan Poe's Narrative of Arthur Gordon Pym (1838). Pym and his companion Dirk Peters are swept into a strange uncharted region in the Antarctic Sea where they find an island utopia inhabited by descendants of fourth-century Romans. The story "combines the further adventures of. Pym with a love story in the manner of Rider Haggard."- Anatomy of Wonder (1981) 1-54. "After Pym and Peters penetrate the veil, they find the city of Hili-li, inhabited by citizens of the Roman empire who fled the barbarian invasions of the fourth century. One ship reached the Antarctic. They represent the height of Greco-Roman culture; though mentally advanced, they have made no practical application of their knowledge. Pym falls in love with Lilama; so great is their devotion that 'the episode of Romeo and Juliet sinks into insignificance' when compared to it. After parental objection, kidnapping by a rival suitor, Ahpilus, and an attack by barbarians, they marry. Within months occurs 'the strange thermal phenomenon' which occasionally devastates the city: the winds shift so that a combination of a hurricane and a blizzard strikes Hili-li. The city is unprepared. Pym goes in search of food and fuel, while Lilama is among those who freeze to death. After her death the Hili-lites permit Pym, highly depressed, and Peters, a troublemaker in Utopia, to depart in a small boat; they are picked up by a ship which takes them to Montevideo, where they separate and never see one another again.

                • Cover of Jack Howard
                  Jack Howard

                  series · 8 books · 2005

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                • Cover of Hareton Ironcastle
                  Hareton Ironcastle

                  series · 2 books · 1922

                  completed

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                • NS
                  Narbondo / St. Ives Universe

                  series · 18 books · 1978

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                • Cover of The NUMA Files
                  The NUMA Files

                  series · 6 books · 2004

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                  Clive Cussler's NUMA Files novels follow Kurt Austin, leader of the National Underwater and Marine Agency's Special Assignments Team, and his colleague Joe Zavala, through globe-spanning adventure-thrillers mixing action, exotic locations and speculative science. Lost City finds them investigating a life-extending enzyme discovered deep in the North Atlantic, and the string of deaths and disappearances surrounding its discovery. Zero Hour, Nighthawk and the following novels continue Austin's missions, later written with Graham Brown after original co-author Paul Kemprecos.