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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Senseless Slaughter

anchored on:contemporary

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Dresden Files
                  The Dresden Files

                  series · 56 books · 2000

                  similar bycontemporarybig city+2 more

                  The Dresden Files is an urban fantasy series written by American author Jim Butcher. The novels are narrated from the first-person perspective of Harry Dresden, a private detective and wizard, as he investigates supernatural disturbances in contemporary Chicago. The first entry, Storm Front, was published in 2000 by Roc Books.

                • Cover of Anita Blake
                  Anita Blake

                  series · 42 books · 1993

                  similar bytensecontemporary+2 more

                  Anita Blake: Vampire Hunter is a series of urban fantasy novels, short stories, and comic books by Laurell K. Hamilton. The books have sold more than six million copies; many have made The New York Times Best Seller list.

                • Cover of Rivers of London
                  Rivers of London

                  series · 32 books · 2011

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                  The Rivers of London series is a series of urban fantasy novels by English author Ben Aaronovitch, and comics/graphic novels by Aaronovitch and Andrew Cartmel, illustrated by Lee Sullivan.

                • Cover of Cell
                  Cell

                  Stephen King · standalone novel · 2006

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                  In Cell, King taps into readers fears of technological warfare and terrorism. Mobile phones deliver the apocalypse to millions of unsuspecting humans by wiping their brains of any humanity, leaving only aggressive and destructive impulses behind. Those without cell phones, like illustrator Clayton Riddell and his small band of "normies," must fight for survival, and their journey to find Clayton's estranged wife and young son rockets the book toward resolution.

                • Cover of Robert Langdon
                  Robert Langdon

                  series · 6 books · 2000

                  similar bytensecontemporary+1 more

                  The Robert Langdon novel series is named after Robert Langdon, the protagonist of the novels by American author Dan Brown. Langdon is portrayed as a Harvard University professor of religious iconology and symbology, a fictional field related to the study of historic symbols, which is not methodologically connected to the actual discipline of semiotics. Brown's novels that feature the lead character also include historical themes and Christianity as motifs, and as a result have generated controversy. Brown states on his website that his novels are not anti-Christian, and that he is on a "constant spiritual journey" himself.

                • Cover of Rats
                  Rats

                  series · 4 books · 1974

                  completed

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                  The Rats, James Herbert's 1974 debut novel, imagines a plague of giant mutant rats overrunning London, told through a rotating cast of victims and survivors in the tradition of British disaster horror. It was followed by two sequels, Lair and Domain, which widen the outbreak first to the countryside and then to a besieged, apocalyptic city, completing a three-book trilogy.

                • Cover of The Hollows
                  The Hollows

                  series · 39 books · 2004

                  similar bycontemporary+3 more

                  The Hollows is a series of urban fantasy novels by Kim Harrison, originally published by HarperCollins Publishers and by Ace Books since 2020. The series includes 18 novels, numerous novellas and short stories, two graphic novels, and one compendium resource; a 19th novel, Absolute Demon, is forthcoming in 2027.

                • Cover of Meredith Gentry
                  Meredith Gentry

                  series · 10 books · 2000

                  similar bycontemporaryour world+1 more

                  The Merry Gentry series is a series of urban fantasy novels by New York Times bestselling author Laurell K. Hamilton. The series is told through the lens of the titular character Meredith "Merry" Gentry, a faerie princess turned private investigator in a world where faeries exist and are known to the general public. The first book in the series, A Kiss of Shadows, was released by Del Rey on October 3, 2000. There are currently nine books in the series.

                • Cover of The Blue Ant Trilogy
                  The Blue Ant Trilogy

                  series · 3 books · 2003

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                  Hubertus Bigend is a fictional character appearing in the third trilogy of novels of science fiction and literary author William Gibson. Bigend is the antihero of Gibson's Pattern Recognition (2003), Spook Country (2007) and Zero History (2010). In an interview Gibson says "I've always had a sense of Bigend as someone who presents himself as though he knows what's going on, but who in fact doesn't. It's just my sense of the subtext of the character: he's bullshitting himself, at the same time as he's bullshitting all of us."

                • Cover of Jerusalem's Lot
                  Jerusalem's Lot

                  series · 3 books · 1975

                  similar bytensecontemporaryour world

                  Stephen King's 1975 novel 'Salem's Lot follows writer Ben Mears as he returns to his childhood town of Jerusalem's Lot, Maine, only to discover that its residents are being turned into vampires by a newly arrived stranger. It transplants Gothic vampire horror into a small New England community, tracking that community's collapse under a supernatural siege. It is a single, self-contained novel.

                • Cover of October Daye
                  October Daye

                  series · 42 books · 2009

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                  October Daye is a New York Times Best Selling series of urban fantasy novels by American author Seanan McGuire. They follow October "Toby" Daye, a half-fae changeling and reluctant hero of the realm.

                • Cover of The Andromeda Strain
                  The Andromeda Strain

                  series · 2 books · 1969

                  similar bytensecontemporary+1 more

                  Michael Crichton's 1969 novel The Andromeda Strain follows a team of scientists racing to contain a lethal extraterrestrial microorganism that crash-lands in Arizona, told in the clinical, document-driven style that helped establish the techno-thriller genre. Daniel H. Wilson's authorized 2019 sequel The Andromeda Evolution revisits the same threat five decades later. Together the two books form a two-part outbreak story separated by a fifty-year gap in publication.

                • Cover of Alex Stern
                  Alex Stern

                  series · 4 books · 2019

                  similar bycontemporarybig city+2 more

                  Leigh Bardugo's Alex Stern series follows Galaxy 'Alex' Stern, a survivor and college dropout offered a scholarship to Yale in exchange for policing the eight secret societies that practice occult magic on campus, as a member of the shadowy organization Lethe. The opening novel, Ninth House, establishes her as an outsider gifted with the ability to see ghosts; the sequels continue her investigation into the societies' abuses and the murder that first drew her into Lethe's world. It is a dark fantasy series blending campus intrigue with horror.

                • Cover of Southern Reach Trilogy
                  Southern Reach Trilogy

                  series · 4 books · 2014

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                  The Southern Reach Series is a series of novels by the American author Jeff VanderMeer first published in 2014—Annihilation, Authority, Acceptance, and Absolution. The series takes its name from the secret agency that is central to the plot. In 2013, Paramount Pictures bought the movie rights for the series, and a film adaptation of Annihilation was made with Alex Garland as writer-director. The film was released in 2018. The most recent book in the series, Absolution, was released on 22 October 2024.

                • CV
                  Chicagoland Vampires Universe

                  series · 25 books · 2009

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                • Cover of Kitty Norville
                  Kitty Norville

                  series · 62 books · 2001

                  similar bycontemporary+3 more

                  Kitty Norville is the main character of a series of novels by Carrie Vaughn. She is a werewolf who hosts a popular syndicated radio phone-in show based in Denver called "The Midnight Hour". The program focuses on supernatural issues, beings and creatures she encounters.

                • OG
                  Otherworld (Yasmine Galenorn)

                  series · 50 books · 2006

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                • Cover of Laundry Files
                  Laundry Files

                  series · 22 books · 2004

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                  The Laundry Files is a series of novels by British writer Charles Stross. They mix the genres of Lovecraftian horror, spy thriller, science fiction, and workplace humour. Their main character for the first five novels is "Bob Howard", a one-time I.T. consultant turned occult field agent. Howard is recruited to work for the Q-Division of SOE, otherwise known as "the Laundry", the British government agency which deals with occult threats. "Magic" is described as being a branch of applied computation (mathematics), therefore computers and equations are just as useful as, and perhaps more potent than, classical spellbooks, pentagrams, and sigils for the purpose of influencing ancient powers and opening gates to other dimensions. These occult struggles happen largely out of view of the public, as the Laundry seeks to keep the methods for contacting such powers under wraps. There are also elements of dry humour and satirisation of bureaucracy.

                • AB
                  Allie Beckstrom Universe

                  series · 14 books · 2008

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                • Cover of The Great Cities
                  The Great Cities

                  series · 3 books · 2016

                  similar bycontemporarybig city+2 more

                  N. K. Jemisin's Great Cities duology imagines that great cities can awaken as living, sentient avatars defending themselves against extradimensional threats. It began as her short story 'The City Born Great' before expanding into The City We Became (2020) — her first novel after completing the Broken Earth trilogy — and its sequel, The World We Make.

                • Cover of Effective Engineering Solutions
                  Effective Engineering Solutions

                  series · 37 books · 1995

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                  The Ice Limit follows a team hired by an eccentric billionaire to recover what looks like the largest meteorite ever found, off a remote island near Cape Horn, only to discover, as they flee across the Antarctic seas aboard a retrofitted tanker, that they've actually excavated something alive. Douglas Preston and Lincoln Child wrote it as a standalone techno-thriller in 2000; it later fed into their separate Gideon Crew series rather than getting a direct sequel of its own.

                • Cover of Dorina Basarab, Dhampir
                  Dorina Basarab, Dhampir

                  series · 12 books · 2007

                  part of Cassandra Palmer

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                  Karen Chance's Dorina Basarab novellas spin off her Cassandra Palmer urban-fantasy universe to follow Dory, a dhampir - half-vampire, half-human - who hunts rogue vampires and other supernatural threats through a modern world of vampire senates and old-world power politics. Starting with Midnight's Daughter, the stories lean on Dory's short temper and violent competence, and her fraught relationship with her vampire father, rather than the longer per-book plots of the parent series. Several entries were released as shorter novellas and ebook-first stories rather than full novels.

                • Cover of The Shining
                  The Shining

                  series · 5 books · 1977

                  similar bytensecontemporary

                  Stephen King's 1977 novel The Shining follows the Torrance family as winter caretakers of the isolated, malevolent Overlook Hotel, where father Jack is gradually consumed by the hotel's influence while his young son Danny's psychic "shining" draws its attention. Doctor Sleep (2013) picks up the story decades later, following Danny as an adult still marked by that childhood ordeal. Together the two form a horror duology spanning nearly forty years of real-world publication.

                • Cover of Alex Verus
                  Alex Verus

                  series · 14 books · 2012

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                  Benedict Jacka's urban fantasy series follows Alex Verus, a diviner - a mage who can see probable futures - running a small magic shop in London while trying to stay independent of the Light and Dark mage councils that both distrust him for his past as apprentice to a dark mage. Starting with Fated, the series escalates from small jobs and favors into open conflict with the Council structure and Alex's own former master, as his precognitive gift proves more dangerous to wield than it first appears. It is a long-running, tightly serialized series rather than standalone urban-fantasy cases.