Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Setting His Cap

anchored on:contemporarynorth america

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Donovan Legacy
                  The Donovan Legacy

                  series · 4 books · 1992

                  similar bycontemporaryromancenorth america+3 more

                • Cover of Wild About You
                  Wild About You

                  series · 6 books · 2011

                  similar bylightheartedcontemporarynorth america+2 more

                • Cover of Call of Crows
                  Call of Crows

                  series · 3 books · 2015

                  similar bycontemporaryshapeshiftersour world+4 more

                  Shelly Laurenston's Call of Crows trilogy — The Unleashing, The Undoing, The Unyielding — is a paranormal romance series that draws on Norse mythology and unfolds partly in Los Angeles. It follows a cast of supernatural protagonists thrown together as Viking-flavored forces resurface in the present day.

                • PP
                  Pack / Pride Universe

                  series · 20 books · 2006

                  similar bycontemporaryshapeshifters+3 more

                  Shelly Laurenston's Pride novels, beginning with The Mane Event, are paranormal romances set among shapeshifter clans — lions, hyenas, wolves, and more — who mix pack politics with broad comedy and romantic pairings across a sprawling ensemble cast. The connected Pack books extend the same shared world with a different cluster of characters.

                • Cover of Love at Stake
                  Love at Stake

                  series · 16 books · 2005

                  similar bycontemporaryour world+3 more

                • Cover of Georgina Kincaid
                  Georgina Kincaid

                  series · 7 books · 2007

                  similar byforbidden lovecontemporaryurban fantasynorth americabig city+2 more

                  The Georgina Kincaid series is a collection of eight urban fantasy novels written by Richelle Mead. The series is written in a first-person perspective following the main character, Georgina Kincaid, who is a succubus with a heart, who is working at a local book store called Emerald City Books & Cafe.

                • Cover of Hell on Earth (Jackie Kessler)
                  Hell on Earth (Jackie Kessler)

                  series · 7 books · 2007

                  similar byforbidden lovecontemporaryurban fantasynorth americaour world+1 more

                  Jackie Kessler, also known as Jackie Morse Kessler, is an American author of young adult, superhero, paranormal romance, and urban fantasy fiction, including novels, novellas, short stories, and comic books.

                • Cover of Love Story
                  Love Story

                  series · 3 books · 1995

                  similar bylightheartedcontemporarynorth americabig city+3 more

                  Christopher Moore's Love Story trilogy opens with Bloodsucking Fiends, a comic horror-romance about a young San Francisco woman turned into a vampire. You Suck and Bite Me continue the story across the following two novels, keeping Moore's irreverent, comedic take on vampire fiction.

                • Cover of Alpha and Omega
                  Alpha and Omega

                  series · 15 books · 2007

                  part of Mercy Thompson

                  similar bycontemporarynorth america+1 more

                  Alpha and Omega follows Anna Latham, a rare and instinctively calming "Omega" werewolf rescued from an abusive pack, and Charles Cornick, the enforcer who polices North America's werewolves on his father's behalf, as their partnership becomes both a working relationship and a slow-building romance. Patricia Briggs runs the series alongside her Mercy Thompson books in the same shared world — the opening novella overlaps the events of Mercy's first book, Moon Called — before Cry Wolf and its sequels branch into their own cases.

                • FT
                  Fixed / The Others

                  series · 23 books · 2003

                  similar bycontemporaryour world+2 more

                • Cover of Vegas Vampires
                  Vegas Vampires

                  series · 7 books · 2006

                  similar bycontemporarynorth americabig city+2 more

                • Cover of How to Succeed in Witchcraft
                  How to Succeed in Witchcraft

                  Aislinn Brophy · standalone novel · 2022

                  similar bycontemporaryurban fantasynorth america+2 more

                  How to Succeed in Witchcraft is an LGBT fantasy young adult novel written by Aislinn Brophy and published by G.P. Putnam's Sons Books for Young Readers in August 2023. The book follows Shay Johnson, a junior at T.K. Anderson Magician Magnet School, in South Florida.

                • Cover of Montgomery / Taggert
                  Montgomery / Taggert

                  series · 10 books · 1988

                  similar byromancecontemporary+3 more

                  These Jude Deveraux romances are linked less by one continuing plot than by recurring family surnames — Montgomery and Taggert — that Deveraux threads through much of her historical and contemporary romance writing. A Knight in Shining Armor, her best-known novel, is a standalone time-travel romance whose heroine, Dougless Montgomery, falls for a sixteenth-century English lord pulled forward into her present; The Maiden instead belongs to her more tightly connected medieval Montgomery-brothers sequence. Readers should expect a loose family of stories connected by name and world rather than one continuous saga.

                • Cover of The Time Traveler's Wife
                  The Time Traveler's Wife

                  Audrey Niffenegger · standalone novel · 2003

                  similar byforbidden lovecontemporaryromancenorth americaour world

                  The Time Traveler's Wife is the debut novel by American author Audrey Niffenegger, published in 2003. It is a love story about Henry, a man with a genetic disorder that causes him to time travel unpredictably, and about Clare, his wife, an artist who has to cope with his frequent absences. Niffenegger, who was frustrated with love when she began the novel, wrote the story as a metaphor for her failed relationships. The tale's central relationship came to Niffenegger suddenly and subsequently supplied the novel's title. The novel has been classified as both science fiction and romance.

                • Cover of Black Dagger Brotherhood
                  Black Dagger Brotherhood

                  series · 40 books · 2005

                  part of Black Dagger

                  similar bycontemporary+3 more

                  The Black Dagger Brotherhood is an ongoing series of paranormal romance books by author J. R. Ward. The series focuses on a society of vampire warriors who live together and defend their race against de-souled humans called lessers. The first book in the series was published in 2005.

                • Cover of All Souls
                  All Souls

                  series · 5 books · 2011

                  similar byforbidden lovecontemporary+2 more

                  A Discovery of Witches is a 2011 historical-fantasy novel and the debut novel by American scholar Deborah Harkness. It follows Diana Bishop, a history of science professor at Yale University, as she embraces her magical blood after finding a long-thought-lost manuscript and engages in a forbidden romance with a charming vampire, Matthew Clairmont.

                • Cover of Washington Witches / Jane Madison
                  Washington Witches / Jane Madison

                  series · 6 books · 2006

                  part of Magical Washington

                  similar bycontemporaryurban fantasynorth america+3 more

                • Cover of Broken Heart Universe
                  Broken Heart Universe

                  series · 34 books · 2006

                  similar bycontemporary+3 more

                • Cover of Angel with Attitude
                  Angel with Attitude

                  Michelle Rowen · standalone novel · 2006

                  similar bycontemporaryurban fantasynorth america+2 more

                  Valerie Grace isn't quite sure how she went from heavenly angel to plunging into the killer whale tank at Niagara Falls' MarineLand, but that's what's happened. All she knows is that earth can be a tough place for a fallen angel, what with all the demon Tempters lurking around every corner, anxious to recruit her to the "other team" - the evil team. All she can do is keep an eye out for the elusive Key to Heaven, try to help people, and hope that somebody up there notices what an angel she is, even if she's not literally one anymore. And try to avoid that really cute tempter, the one with the pale gray eyes and hypnotic smile, the one that makes her forget her own name and the fact that she's supposed to be a good girl.

                • SP
                  Stephanie Plum Universe

                  series · 4 books · 2002

                  similar bycontemporarynorth america+2 more

                • Cover of Boston Dragons
                  Boston Dragons

                  series · 3 books · 2016

                  similar bycontemporaryromanceshapeshiftersour world+4 more

                • Cover of Life's a Witch
                  Life's a Witch

                  series · 3 books · 2011

                  similar bycontemporaryurban fantasynorth americaour world+2 more

                • Cover of Vampire Kisses
                  Vampire Kisses

                  series · 9 books · 2003

                  similar byforbidden lovecontemporary+3 more

                  Vampire Kisses is a series of books written by Ellen Schreiber.

                • Cover of Magical Romantic Comedy
                  Magical Romantic Comedy

                  series · 20 books · 2017

                  similar bycontemporaryour world+1 more