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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Shadow Game

anchored on:paranormal romancepsychic powersour worldcontemporaryparanormalenemies to lovers+2 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Carrie
                  Carrie

                  Stephen King · standalone novel · 1974

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                  In one way or another, everybody abused Carrie. This sixteen-year-old misfit was forbidden everything that was young and fun by her fanatical mother. She was teased and taunted by her classmates, misunderstood by her teachers, and given up as hopeless by almost everyone. But Carrie had a secret: She possessed terrifying telekinetic powers that could make inanimate objects move, a lighted candle fall, or a door lock. Carrie could make all kinds of startling bizarre, and malevolent things happen. (WorldCat)

                • Cover of The Shining
                  The Shining

                  series · 5 books · 1977

                  similar bytensecontemporarypsychic powersnorth america+1 more

                  Stephen King's 1977 novel The Shining follows the Torrance family as winter caretakers of the isolated, malevolent Overlook Hotel, where father Jack is gradually consumed by the hotel's influence while his young son Danny's psychic "shining" draws its attention. Doctor Sleep (2013) picks up the story decades later, following Danny as an adult still marked by that childhood ordeal. Together the two form a horror duology spanning nearly forty years of real-world publication.

                • Cover of Back to Life
                  Back to Life

                  Linda O. Johnston · standalone novel · 2009

                  similar bytensecontemporaryparanormal romancepsychic powersparanormalour worldnorth america

                  From the second she reaches for his hand, Skye Rydell feels compelled to save the SWAT officer from the brink of death. Skye senses Trevor has something more to accomplish in life. Something disquieting. Important. Something involving her. Skye makes a split-second decision and, with her choice to use her Valkyrie powers to bring Trevor back to life, everything changes. For her act causes her to accidentally impart her deadly powers to Trevor.... And now, with a murderer hot on their heels, Trevor must grapple with his new gift, his fierce desire for Skye-and a monumental decision that will put all that he holds most dear on the line!

                • Cover of GhostWalkers
                  GhostWalkers

                  series · 20 books · 2003

                  similar bytensecontemporarypsychic powersparanormal romanceour world+2 more

                  Christine Feehan's GhostWalkers novels follow soldiers subjected to a covert military program that enhanced them with psychic and physical abilities, then follow them as they go rogue from the program that made them and pair off in romance-driven, danger-filled storylines. Each book generally centers a different GhostWalker couple while advancing an ongoing conspiracy plot about the program's origins and enemies. The series began with Shadow Game in 2003 and has continued for two decades as one of Feehan's longest-running paranormal romance lines.

                • Cover of Firestarter
                  Firestarter

                  Stephen King · standalone novel · 1980

                  similar bytensepsychic powerscontemporarynorth america

                  WorldCat: Innocence and beauty ignite with evil and terror... First, a man and a woman are subjects of a top-secret government experiment designed to produce extraordinary psychic powers. Then, they are married and have a child. A daughter. Early on the daughter shows signs of a wild and horrifying force growing within her. Desperately, her parents try to train her to keep that force in check, to 'act normal'. Now the government wants its brainchild back for its own insane ends.

                • Cover of Later
                  Later

                  Stephen King · standalone novel · 2021

                  similar bytensepsychic powerscontemporaryour worldnorth america+1 more

                  A young boy, with the power of seeing and talking with the recently deceased, and his single mother try to avoid personal and financial disasters.

                • Cover of The Body Finder
                  The Body Finder

                  series · 5 books · 2010

                  similar bytensepsychic powerscontemporaryparanormalnorth america+1 more

                • Cover of Immortal Danger
                  Immortal Danger

                  Cynthia Eden · standalone novel · 2009

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                  Being Bullet Proof Sucks—LiterallyOnce, Maya Black was a kick-ass cop patrolling the streets of L.A. She still keeps the city safe, but nowadays her bad guys of choice include demons, werewolves, and assorted nocturnal scum. Something Maya knows a thing or two about. She’s a vampire—and not thrilled about it. Payback meet bitch.Adam Brody hopes Maya is as dangerous as they say she is. He needs her to help rescue his niece Cammie from a ruthless band of vamps, and he’s willing to pay—in blood. Trusting her is another matter. Adam has never met a vampire who doesn’t lie. Then again, he’s never met anyone like Maya, who fills him with a desperate need that ignites into explosive, no-holds-barred encounters… “Highly sensual and definitely dangerous.” —Shannon McKenna on Hotter After Midnight

                • Cover of Sleep No More
                  Sleep No More

                  Aprilynne Pike · standalone novel · 2014

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                  "Charlotte is a sixteen-year-old Oracle who is not supposed to interfere with her visions of the future, but when she foresees a classmate's murder, she realizes she must break the rules to stop the killer"-- Charlotte is a 16-yr-old Oracle who is not supposed to interfere with her visions of the future, but when she foresees a classmate's murder, she realizes she must break the rules to stop the killer. The plot contains profanity and graphic violence.

                • Cover of A Stir of Echoes
                  A Stir of Echoes

                  Richard Matheson · standalone novel · 1958

                  similar bytensepsychic powersparanormalour worldnorth america

                  A Stir of Echoes is a supernatural novel by American writer Richard Matheson, published in 1958. It served as the inspiration for the 1999 film Stir of Echoes.

                • Cover of Touch (Laurie Faria Stolarz)
                  Touch (Laurie Faria Stolarz)

                  series · 5 books · 2008

                  similar bytensepsychic powerscontemporaryparanormalnorth america+1 more

                • Cover of Witch
                  Witch

                  Christopher Pike · standalone novel · 1990

                  similar bytensecontemporarypsychic powersparanormalour worldnorth america

                  From Publishers Weekly In this hokey, meandering novel, Julia is a girl gifted with a healing touch and the power to glimpse the future. When she sees a vision of her best friend's boyfriend, Jim, shot and bleeding to death, she does her best to keep him out of danger. But then another friend is shot while witnessing a gas station holdup, and Julia and Jim set out to wreak revenge on the gunman. Meanwhile, Julia's best friend discovers that the gunman just happens to be the deranged former boyfriend of Kary, the recently deceased half-sister Julia never knew. Julia's mother--also a healer--had died in an attempt to save Kary's life. In another part of town, a carload of good witches is hot on Julia's trail, determined to keep her from abusing her powers. Typically, Pike's writing is peppy enough to animate his most tangled plots; here, however, his style becomes choppy and unconvincing--unable to sustain the coincidence-riddled story. In addition, the text is littered with sexist one-liners which, along with a humorless running "joke," are as irritating as they are offensive. Ages 13-up. Copyright 1990 Reed Business Information, Inc.

                • Cover of Between the Devil and the Sea
                  Between the Devil and the Sea

                  Chani Lynn Feener · standalone novel · 2023

                  similar bytensecontemporaryparanormal romancepsychic powersenemies to loversour world

                  What happens when a devil claims a demon? Detective Shadow Yor hates his life. He spends all of his time, day after day, struggling against the demons in his head that tell him he’s a worthless, unlovable person. This doesn’t change when he’s sent on a new assignment with his partner to solve a series of murders. He’s good at his job and will find whoever did it, there’s no doubt there. The only question is whether or not he’ll be able to keep himself together, or if his empathic abilities will finally be the death of him. Apollo Orobas is bored. He’s bored of his secret nighttime proclivities and bored of playing the part of charming neighborhood do-gooder. Apollo isn’t good, never has been, but just when he’s starting to think life holds no interest, Shadow Yor stumbles into his sights. It doesn’t take long for him to figure out the detective is also hiding his true self, and suddenly coaxing Shade’s monster out into the light is all Apollo can think of. As obsession sinks its claws in, he decides it’s time for a new game, one Shade is going to play with him. Whether he likes it or not. Kidnapped and forced to endure whatever twisted plans Apollo has in store, Shade struggles to hold onto his idea of right and wrong, but the more he tries to resist, the more those lines start to blur. What chance does a mere demon have against an actual devil? Especially one who soothes those twisted voices in his head and makes him feel for the first time ever that maybe he isn’t as unlovable as he’s always believed. Trigger Warning: This is a stand-alone dark romance which means there are many themes that some might find disturbing. Some of these include, but are not limited to, dub-con, violence, a seriously obsessed male lead, a male lead who deals with low self-esteem, and explicit sexual content not suitable for all readers. Please be sure to read the Author's Note for a complete list of warnings! HEA guarantee!

                • TP
                  T-FLAC Psi Unit

                  series · 6 books · 2006

                  similar bytensecontemporarypsychic powersparanormal romance+3 more

                • Cover of The Fury
                  The Fury

                  series · 4 books · 1976

                  similar bytensepsychic powerscontemporary+2 more

                  John Farris's The Fury centers on a teenage girl and boy with escalating psychic and telekinetic powers who become targets of a covert government program trying to weaponize them. The 1976 novel, adapted into Brian De Palma's 1978 film, gave rise to a string of later sequels following the same family's psychic bloodline across decades. Farris writes it as paranoid conspiracy thriller as much as horror, with the powers themselves treated as a violent, destabilizing force.

                • Cover of Hideaway
                  Hideaway

                  Dean R. Koontz · standalone novel · 1992

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                  After being resuscitated from clinical death, a man finds himself telepathically linked with a psychopathic serial murderer who has also been resuscitated from clinical death; and the psychopath decides to target the man and his family.

                • Cover of Voracious
                  Voracious

                  Alice Henderson · standalone novel · 2009

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                  Madeline Keye can touch someone and see flashes of the past. This gift has set her apart, and she finds sanctuary in the wilderness. That is, until a back-country hike in Glacier National Park turns into a hunt--with her as the prey.

                • Cover of Lexicon
                  Lexicon

                  Max Barry · standalone novel · 2013

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                  Lexicon is a novel written by Max Barry. Published in 2013, it was Barry's fifth novel, following Machine Man, published two years earlier.

                • Cover of Black Magic
                  Black Magic

                  Cherry Adair · standalone novel · 2010

                  similar bytensecontemporarypsychic powersenemies to loversparanormal romanceour world

                  SHE HATES USING MAGIC . . . Ever since the death of her parents, Sara Temple has rejected her magical gifts. Then, in a moment of extreme danger, she unknowingly sends out a telepathic cry for help—to the one man she is convinced she never wants to see again. HE’S A POWERFUL WIZARD . . . Jackson Slater thought he was done forever with his ex-fiancée, but when he hears her desperate plea, he teleports halfway around the world to aid her in a situation where magic has gone suddenly, brutally wrong. THEY’VE BEEN CHOSEN TO SAVE THE WORLD . . . But while Sara and Jack remain convinced they are completely mismatched, the Wizard Council feels otherwise. A dark force is killing some of the world’s most influential wizards, and the ex-lovers have just proved their abilities are mysteriously amplified when they work together. But with the fate of the world at stake, will the violent emotions still simmering between them drive them farther apart . . . or bring them back into each other’s arms?

                • Cover of Clare Fern
                  Clare Fern

                  series · 2 books · 2011

                  similar bytensepsychic powerscontemporaryparanormal+2 more

                • Cover of Slipt
                  Slipt

                  Alan Dean Foster · standalone novel · 1984

                  similar bytensepsychic powerscontemporaryour worldnorth america

                  Living next to a toxic chemical dump is Jake Pickett, the magic man. He can turn bullets to dust or collapse skyscrapers with his mind. But all he really wants to do with his "magic" is entertain the local kids. Then one day, the giant chemical company decides to eliminate the people who've been affected by their mess...people like Jake.

                • Cover of FreeKs
                  FreeKs

                  series · 3 books · 2010

                  similar bytensepsychic powerscontemporaryparanormalour world+1 more

                • Cover of The Talions
                  The Talions

                  series · 3 books · 2008

                  similar bytensecontemporaryparanormal romanceenemies to loverspsychic powersour world

                • Cover of Sunshine
                  Sunshine

                  Robin McKinley · standalone novel · 2003

                  similar bytensecontemporaryparanormalour worldnorth america

                  From the front flap of the Berkley HB first edition: "There are places in the world where darkness rules, where it's unwise to walk. Sunshine knew that. But there hadn't been any trouble out at the lake for years, and she needed a place to be alone for a while. Unfortunately, she wasn't alone. She never heard them coming. Of course you don't, when they're vampires. They took her clothes and sneakers. They dressed her in a long red gown. And they shackled her to the wall of an abandoned mansion - within easy reach of a figure stirring in the moonlight. She knows that he is a vampire. She knows that she's to be his dinner, and that when he is finished with her, she will be dead. Yet, as dawn breaks, she finds that he has not attempted to harm her. And now it is he who needs her to help him survive the day..."