Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Shadowfever

anchored on:urban fantasyfaecontemporaryparanormal romancemagical artifactsrevenge+3 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • FU
                  Fever Universe

                  series · 11 books · 2006

                  similar bycontemporaryurban fantasydarktensefae+2 more

                • Cover of Meredith Gentry
                  Meredith Gentry

                  series · 10 books · 2000

                  similar bycontemporaryurban fantasyfaeparanormal romance+2 more

                  The Merry Gentry series is a series of urban fantasy novels by New York Times bestselling author Laurell K. Hamilton. The series is told through the lens of the titular character Meredith "Merry" Gentry, a faerie princess turned private investigator in a world where faeries exist and are known to the general public. The first book in the series, A Kiss of Shadows, was released by Del Rey on October 3, 2000. There are currently nine books in the series.

                • Cover of Felix Castor
                  Felix Castor

                  series · 7 books · 2006

                  similar bycontemporarybritish islesurban fantasytensedark

                  Mike Carey's Felix Castor novels follow a freelance exorcist working London's supernatural underside, taking paying jobs to banish ghosts and bind demons in a city where the dead don't always stay quiet. The opener, The Devil You Know, sends Castor into a museum haunting that spirals into a hunt by rival ghosts and demons all keen to be the one that finally kills him. Across six books the series mixes hardboiled detective plotting with occult horror.

                • Cover of The Damnation Game
                  The Damnation Game

                  Clive Barker · standalone novel · 1985

                  similar bycontemporarybritish islesdarktenserevenge

                  Marty Strauss is a compulsive gambler fresh out of prison when he's hired as bodyguard for Joseph Whitehead, a reclusive tycoon whose fortune and continued existence trace back to a bargain struck decades earlier, during World War II, with a man named Mamoulian. That bargain is coming due: Mamoulian, who commands powers reaching well past death, wants what he's owed, and Whitehead's household -- his wife, his daughter Carys, his previous bodyguard -- is caught in the middle of a decades-old debt finally being called in. Marty, out of his depth from the start, finds himself the only one willing to stand against Mamoulian. Clive Barker's first novel.

                • Cover of Cromm
                  Cromm

                  Kenneth C. Flint · standalone novel · 1990

                  similar bycontemporarybritish islesurban fantasydarktensemagical artifacts

                  From the Front Flap of the Doubleday HB: It began with the dreams... visions filled with strange and disturbing specters from a time long ago. Colin McMahon has always been an easygoing artist who never takes his life too seriously - no great ambitions, no long-term relationships, no commitments. But the images that have begun to torment his nights have changed all that forever. In his dreams, he finds himself riding across the rolling hills of a battle-torn land, reliving the memories of a fearless young warrior who shares his name. He loses his heart to the image of a beautiful woman as brave as she is fair. And he helplessly witnesses the brutal rituals of a savage cult that makes blood offerings to a dark and cruel deity called Cromm Cruaich, the Crooked God. At first Colin dismisses the visions as the product of an overactive imagination... until they begin to invade his waking life. A mysterious stranger appears to taunt him with hints of awesome powers. His partner is viciously attacked by an inhuman wraith. And nightmare creatures wreak bloody havoc on the streets of the city. Seeking the truth, Colin sets out on a pilgrimage to Ireland, home of his ancestors. There, in a village untouched by the centuries, he discovers the living woman of his dreams and learns that the ancient cult of the evil god Cromm has arisen again, plotting to place the world under its terrible dominion. Now, in a desperate attempt to ransom humanity from the power of the Crooked God, Colin must call upon the spirit of his warrior ancestor to help unleash the might of a long-buried holy relic. For, in an age without peace, without hope, without faith, what can stand against the forces of violence, cruelty, and fear?

                • Cover of The Witches
                  The Witches

                  Roald Dahl · standalone novel · 1983

                  similar bycontemporarybritish islesdarktense

                  The Witches is a 1983 children's novel by British author Roald Dahl. A dark fantasy, the story is set partly in Norway and partly in England, and features the experiences of a young English boy and his Norwegian grandmother in a world where child-hating societies of witches secretly exist in every country. The witches are ruled by the vicious and powerful Grand High Witch, who arrives in England to organise her plan to turn all of the children there into mice.

                • Cover of Anita Blake
                  Anita Blake

                  series · 42 books · 1993

                  similar bycontemporaryurban fantasydarktense

                  Anita Blake: Vampire Hunter is a series of urban fantasy novels, short stories, and comic books by Laurell K. Hamilton. The books have sold more than six million copies; many have made The New York Times Best Seller list.

                • Cover of The Fog
                  The Fog

                  James Herbert · standalone novel · 1975

                  similar bycontemporarybritish islesdarktense

                  The Fog is a horror novel by English writer James Herbert, published in 1975. It is about a deadly fog that drives its victims insane when they come into contact with it.

                • Cover of The Skyscraper Throne
                  The Skyscraper Throne

                  series · 3 books · 2012

                  similar bycontemporarybritish islesurban fantasydark+1 more

                • Cover of London Below
                  London Below

                  series · 5 books · 1996

                  similar bycontemporarybritish islesurban fantasy+1 more

                  Neil Gaiman's Neverwhere (1996) follows Richard Mayhew, an ordinary Londoner who stops to help an injured girl and is pulled out of everyday London into London Below, a hidden, magical underworld of forgotten places and strange factions existing alongside the city he knew. The novel began life as a BBC television series before Gaiman reworked it into this stand-alone book.

                • Cover of The Devil's Apprentice
                  The Devil's Apprentice

                  Jan Siegel · standalone novel · 2013

                  similar bycontemporarybritish islesdarktenseurban fantasy+1 more

                  "The Devil is retiring - but who's taking over? When teenage Pen inherits the job of caretaker for a London building with no doors and only a secret entrance from the caretaker's lodge which she must never use little does she know it will lead her into unbelievable danger. For Azmordis, also known as Satan, a spirit as old as time and as powerful as the dark, immortality is running out. In the house with no front door, a group of teenagers are trapped in assorted dimensions of myth and history, undergoing the trials that will shape them to step in his cloven footwear or destroy them. Assisted only by an aspiring teen chef called Gavin, and Jinx, a young witch with more face-piercing than fae power, Pen must try to stop the Devil's deadly game plan before it's too late"--Publisher's description.

                • Cover of Faerie Tale
                  Faerie Tale

                  Raymond E. Feist · standalone novel · 1988

                  similar bycontemporaryurban fantasytensefae

                  Faerie Tale is a supernatural thriller, falling within the subgenre of contemporary fantasy, by American writer Raymond E. Feist, first published in 1988.

                • Cover of Carrie
                  Carrie

                  Stephen King · standalone novel · 1974

                  similar bycontemporarytensedarkrevenge

                  In one way or another, everybody abused Carrie. This sixteen-year-old misfit was forbidden everything that was young and fun by her fanatical mother. She was teased and taunted by her classmates, misunderstood by her teachers, and given up as hopeless by almost everyone. But Carrie had a secret: She possessed terrifying telekinetic powers that could make inanimate objects move, a lighted candle fall, or a door lock. Carrie could make all kinds of startling bizarre, and malevolent things happen. (WorldCat)

                • Cover of The Nameless
                  The Nameless

                  Ramsey Campbell · standalone novel · 1981

                  similar bycontemporarybritish islesdarktense

                  A call for help... from a little girl long dead. Barbara Waugh experienced the worst horror a mother can imagine. Her little girl, Angela, was murdered. Horribly. But now, years later, mysterious phone calls bring both hope and fear. Each time, the girl's voice on the other end simply pleads, 'Mummy, help me.' Could Angela still be alive after all? Barbara's desperate search for the truth - and her daughter - will lead her into a living nightmare, an evil world of torture, murder and gruesome rituals, where the initiated have abandoned their names... and are searching for new victims.

                • Cover of Rats
                  Rats

                  series · 4 books · 1974

                  completed

                  similar bycontemporarybritish islesdarktense

                  The Rats, James Herbert's 1974 debut novel, imagines a plague of giant mutant rats overrunning London, told through a rotating cast of victims and survivors in the tradition of British disaster horror. It was followed by two sequels, Lair and Domain, which widen the outbreak first to the countryside and then to a besieged, apocalyptic city, completing a three-book trilogy.

                • Cover of Gallow and Ragged
                  Gallow and Ragged

                  series · 3 books · 2015

                  similar bycontemporaryurban fantasydarktensefae+1 more

                • Cover of The Split Worlds
                  The Split Worlds

                  series · 5 books · 2013

                  similar bycontemporaryurban fantasybritish islesfae+2 more

                • Cover of Lore
                  Lore

                  Alexandra Bracken · standalone novel · 2021

                  similar bycontemporarydarktenseurban fantasyrevenge

                  Every seven years, the Agon begins. As punishment for a past rebellion, nine Greek gods are forced to walk the earth as mortals. They are hunted by the descendants of ancient bloodlines, all eager to kill a god and seize their divine power and immortality. Long ago, Lore Perseous fled that brutal world, turning her back on the hunt’s promises of eternal glory after her family was murdered by a rival line. For years she's pushed away any thought of revenge against the man—now a god—responsible for their deaths. Yet as the next hunt dawns over New York City, two participants seek her out: Castor, a childhood friend Lore believed to be dead, and Athena, one of the last of the original gods, now gravely wounded. The goddess offers an alliance against their mutual enemy and a way to leave the Agon behind forever. But Lore's decision to rejoin the hunt, binding her fate to Athena's, will come at a deadly cost—and it may not be enough to stop the rise of a new god with the power to bring humanity to its knees.

                • Cover of The Changeling
                  The Changeling

                  Victor LaValle · standalone novel · 2017

                  similar bycontemporarydarktenseurban fantasyfae

                  The Changeling is a 2017 fantasy horror novel by Victor LaValle. The novel received critical acclaim, winnings awards including the 2017 Dragon Award for Best Horror Novel, 2018 British Fantasy Award for Best Horror Novel, 2018 Locus Award for Best Horror Novel, and 2018 World Fantasy Award—Novel. The novel was adapted into a television show of the same name which premiered in 2023.

                • Cover of The Survivor
                  The Survivor

                  James Herbert · standalone novel · 1976

                  similar bycontemporarybritish islesdarktense

                  The Survivor is a British horror novel written by James Herbert and published by the New English Library in 1976. It is the third novel by Herbert, and the second not part of a wider series. It was the basis of the 1981 film of the same name, starring Robert Powell and Jenny Agutter. Herbert described the movie as "terrible ... absolute rubbish."

                • Cover of Five Moons Rising
                  Five Moons Rising

                  Lise MacTague · standalone novel · 2017

                  similar bycontemporaryurban fantasydarktenseparanormal romancerevenge

                  Unknown to regular citizens, nightmarish creatures lurk in the dark underbelly of human civilization. The presence of these supranormals (“supras”)—werewolves, vampires, demons—is a closely guarded government secret, as is the existence of a cadre of specially engineered Hunters charged with exterminating them. Code-named Malice, Hunter Mary Alice Nolan was genetically modified and rigorously trained to use her great strength, heightened senses, and killer instincts to track and eliminate supras who prey on the innocent. A loner by choice, her only real link to the human world is her close connection to her mother and sister—until the unthinkable happens… Ruri Samson has been a werewolf for more than a century and is comfortably situated as the Beta of her peaceful pack. Until she is betrayed by the woman she loves and an evil outsider massacres her Alpha and his most loyal followers. Barely escaping with her life, Ruri is forced to tread the perilous path of a lone wolf while vowing vengeance against the usurper and his minions. Although these two powerful women should rightfully despise each other, fate will soon compel them to join forces on a dangerous quest to avenge their loved ones—and will ignite a forbidden passion that neither of them ever imagined.

                • Cover of Nightside
                  Nightside

                  series · 23 books · 2003

                  similar bycontemporaryurban fantasybritish islesdark

                  Nightside follows John Taylor, a down-at-heel private investigator with the dangerous gift of finding anything, who takes cases inside the Nightside - a hidden, perpetually dark district of London where gods, monsters, and magic operate outside the reach of ordinary law. Simon R. Green's noir fantasy series, beginning with Something from the Nightside, follows Taylor deeper into the district's politics and his own mysterious origins across fourteen novels.

                • Cover of The Road of the Dead
                  The Road of the Dead

                  Kevin Brooks · standalone novel · 2006

                  similar bycontemporarybritish islesdarktense

                  Two brothers, one with second sight, investigate their sister's murder.

                • Cover of The Library at Mount Char
                  The Library at Mount Char

                  Scott Hawkins · standalone novel · 2015

                  similar bycontemporarydarktenserevenge+2 more

                  The Library at Mount Char is a contemporary fantasy/horror novel written by Scott Hawkins. It is his first novel.