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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Shadowglass

anchored on:urban fantasyfaeour worldcontemporaryparanormal romancemagical artifacts+3 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Meredith Gentry
                  Meredith Gentry

                  series · 10 books · 2000

                  similar bycontemporaryurban fantasyfaeour worldparanormal romance+2 more

                  The Merry Gentry series is a series of urban fantasy novels by New York Times bestselling author Laurell K. Hamilton. The series is told through the lens of the titular character Meredith "Merry" Gentry, a faerie princess turned private investigator in a world where faeries exist and are known to the general public. The first book in the series, A Kiss of Shadows, was released by Del Rey on October 3, 2000. There are currently nine books in the series.

                • Cover of Jerusalem's Lot
                  Jerusalem's Lot

                  series · 3 books · 1975

                  similar bycontemporaryour worlddarktensevampires+1 more

                  Stephen King's 1975 novel 'Salem's Lot follows writer Ben Mears as he returns to his childhood town of Jerusalem's Lot, Maine, only to discover that its residents are being turned into vampires by a newly arrived stranger. It transplants Gothic vampire horror into a small New England community, tracking that community's collapse under a supernatural siege. It is a single, self-contained novel.

                • Cover of The Fog
                  The Fog

                  James Herbert · standalone novel · 1975

                  similar byour worldcontemporarydarktensemadnesssurvival

                  The Fog is a horror novel by English writer James Herbert, published in 1975. It is about a deadly fog that drives its victims insane when they come into contact with it.

                • Cover of Anita Blake
                  Anita Blake

                  series · 42 books · 1993

                  similar bycontemporaryurban fantasydarktensevampires+1 more

                  Anita Blake: Vampire Hunter is a series of urban fantasy novels, short stories, and comic books by Laurell K. Hamilton. The books have sold more than six million copies; many have made The New York Times Best Seller list.

                • Cover of The Dark
                  The Dark

                  James Herbert · standalone novel · 1980

                  similar byour worldcontemporarydarktensemadnesssurvival

                  WorldCat: It came like a malignant shadow with seductive promises of power. And somewhere in the night, a small girl smiled as her mother burned. Asylum inmates slaughtered their attendants. In slimy tunnels, once-human creatures gathered. Madness raged as the lights began to fade and humanity was attacked by an ancient, unstoppable evil.

                • Cover of Cell
                  Cell

                  Stephen King · standalone novel · 2006

                  similar byour worldcontemporarydarktensesurvival

                  In Cell, King taps into readers fears of technological warfare and terrorism. Mobile phones deliver the apocalypse to millions of unsuspecting humans by wiping their brains of any humanity, leaving only aggressive and destructive impulses behind. Those without cell phones, like illustrator Clayton Riddell and his small band of "normies," must fight for survival, and their journey to find Clayton's estranged wife and young son rockets the book toward resolution.

                • FU
                  Fever Universe

                  series · 11 books · 2006

                  similar bycontemporaryurban fantasydarktensefae

                • Cover of The Courier Trilogy
                  The Courier Trilogy

                  series · 3 books · 2016

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                • Cover of Cromm
                  Cromm

                  Kenneth C. Flint · standalone novel · 1990

                  similar byour worldcontemporaryurban fantasydarktensemagical artifacts

                  From the Front Flap of the Doubleday HB: It began with the dreams... visions filled with strange and disturbing specters from a time long ago. Colin McMahon has always been an easygoing artist who never takes his life too seriously - no great ambitions, no long-term relationships, no commitments. But the images that have begun to torment his nights have changed all that forever. In his dreams, he finds himself riding across the rolling hills of a battle-torn land, reliving the memories of a fearless young warrior who shares his name. He loses his heart to the image of a beautiful woman as brave as she is fair. And he helplessly witnesses the brutal rituals of a savage cult that makes blood offerings to a dark and cruel deity called Cromm Cruaich, the Crooked God. At first Colin dismisses the visions as the product of an overactive imagination... until they begin to invade his waking life. A mysterious stranger appears to taunt him with hints of awesome powers. His partner is viciously attacked by an inhuman wraith. And nightmare creatures wreak bloody havoc on the streets of the city. Seeking the truth, Colin sets out on a pilgrimage to Ireland, home of his ancestors. There, in a village untouched by the centuries, he discovers the living woman of his dreams and learns that the ancient cult of the evil god Cromm has arisen again, plotting to place the world under its terrible dominion. Now, in a desperate attempt to ransom humanity from the power of the Crooked God, Colin must call upon the spirit of his warrior ancestor to help unleash the might of a long-buried holy relic. For, in an age without peace, without hope, without faith, what can stand against the forces of violence, cruelty, and fear?

                • Cover of In the Night Room
                  In the Night Room

                  Peter Straub · standalone novel · 2004

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                  In the Night Room is a 2004 horror-thriller novel by American author Peter Straub, a sequel to his 2003 book Lost Boy, Lost Girl. The work was first published in hardback on October 26, 2004, through Random House and it won the 2004 Bram Stoker Award for Novel. Straub encountered some difficulties while writing In the Night Room and had written several different passages for the work before growing bored with each version before writing it using the same technique he used for its predecessor in which he "reached down inside the book and turned it inside out."

                • Cover of Monster
                  Monster

                  Christopher Pike · standalone novel · 1992

                  similar byour worldcontemporarydarktensemadnesssurvival

                  She said she killed them because they were monsters. Mary Blanc walked into the party with a loaded shotgun. In the blink of an eye she blew two people away. She wanted to kill more, but was stopped by her best friend, Angela Warner, and the police. The next day, when Angela visits Mary at the jail, she asks why she did it. Mary responds, "Because they were no longer human." Angela thinks she's crazy. At first. Until she probes deeper into Mary's claims and discovers a horror so unimaginable that she thinks she is going crazy. She even gets to the point where she wonders if she should have let Mary keep on killing. While there was still time to stop the thing from spreading. The very old thing. The hungry thing.

                • Cover of Modern Tale of Faerie
                  Modern Tale of Faerie

                  series · 4 books · 2002

                  similar bycontemporaryurban fantasyour worldfae+1 more

                  Tithe opens Holly Black's Modern Faerie Tales with Kaye Fierch, a teenage drifter who discovers she's a changeling with real faerie blood after returning to her childhood home on the Jersey Shore, and gets pulled into the political violence of the local faerie courts. The trilogy, continuing through Valiant and Ironside, keeps its "suburban fantasy" grounded in ordinary New Jersey settings rather than a storybook otherworld.

                • Cover of Five Moons Rising
                  Five Moons Rising

                  Lise MacTague · standalone novel · 2017

                  similar byour worldcontemporaryurban fantasydarktenseparanormal romancevampires

                  Unknown to regular citizens, nightmarish creatures lurk in the dark underbelly of human civilization. The presence of these supranormals (“supras”)—werewolves, vampires, demons—is a closely guarded government secret, as is the existence of a cadre of specially engineered Hunters charged with exterminating them. Code-named Malice, Hunter Mary Alice Nolan was genetically modified and rigorously trained to use her great strength, heightened senses, and killer instincts to track and eliminate supras who prey on the innocent. A loner by choice, her only real link to the human world is her close connection to her mother and sister—until the unthinkable happens… Ruri Samson has been a werewolf for more than a century and is comfortably situated as the Beta of her peaceful pack. Until she is betrayed by the woman she loves and an evil outsider massacres her Alpha and his most loyal followers. Barely escaping with her life, Ruri is forced to tread the perilous path of a lone wolf while vowing vengeance against the usurper and his minions. Although these two powerful women should rightfully despise each other, fate will soon compel them to join forces on a dangerous quest to avenge their loved ones—and will ignite a forbidden passion that neither of them ever imagined.

                • Cover of Immortal Danger
                  Immortal Danger

                  Cynthia Eden · standalone novel · 2009

                  similar byour worldcontemporarydarktenseparanormal romancevampires

                  Being Bullet Proof Sucks—LiterallyOnce, Maya Black was a kick-ass cop patrolling the streets of L.A. She still keeps the city safe, but nowadays her bad guys of choice include demons, werewolves, and assorted nocturnal scum. Something Maya knows a thing or two about. She’s a vampire—and not thrilled about it. Payback meet bitch.Adam Brody hopes Maya is as dangerous as they say she is. He needs her to help rescue his niece Cammie from a ruthless band of vamps, and he’s willing to pay—in blood. Trusting her is another matter. Adam has never met a vampire who doesn’t lie. Then again, he’s never met anyone like Maya, who fills him with a desperate need that ignites into explosive, no-holds-barred encounters… “Highly sensual and definitely dangerous.” —Shannon McKenna on Hotter After Midnight

                • Cover of Soul Fire
                  Soul Fire

                  R. F. Long · standalone novel · 2009

                  similar byour worldcontemporarytenseurban fantasyparanormal romancefae

                  "Iron born and iron bred. Trust not iron, it will see you dead. Rowan Blake could really use a magic wand to keep her struggling art gallery afloat. But the faerie key she stumbles across is far from a lucky charm. It's a magnet for danger, and by touching it she's unwittingly put herself in the middle of a war between the forces of light and dark. And in the arms of its rightful owner, Prince Daire. While searching for his brother, Daire finds himself trapped in the Iron World with a mere mortal woman who ignites his passion like no other. Each stolen kiss deepens their attraction and sends him spiraling closer and closer to the edge of his inherent dark desires. Desires that act as a homing beacon for the Dark Sidhe, who are intent on forcing him to fight on their side. The longer he lingers in her arms—and in her bed—the closer his enemies get to her door. And the greater the risk that the gateway to the Faerie Realm will shift, destroying not only his power to protect her, but his very life." — from this book's product page on Samhain's website as of 2016-11-11.

                • Cover of The Voice of the Night
                  The Voice of the Night

                  Dean R. Koontz · standalone novel · 1980

                  similar byour worldcontemporarydarktensemadness

                  WorldCat: No one could understand why Colin and Roy were best friends. Colin was so shy; Roy was so popular. Colin was nervous around girls; Roy was a ladies' man. Colin was fascinated by Roy--and Roy was fascinated with death. Then one day Roy asked his timid friend, "You ever killed anything?" And from that moment on, the two were bound together in a game too terrifying to imagine...and too irresistible to stop.

                • Cover of Mookie Pearl
                  Mookie Pearl

                  series · 2 books · 2013

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                • Cover of The Library at Mount Char
                  The Library at Mount Char

                  Scott Hawkins · standalone novel · 2015

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                  The Library at Mount Char is a contemporary fantasy/horror novel written by Scott Hawkins. It is his first novel.

                • Cover of Bad Ronald
                  Bad Ronald

                  Jack Vance · standalone novel · 1973

                  similar byour worldcontemporarydarktensemadnesssurvival

                  A family with three daughters move into an old house, not realising that there's a secret room with a psychopathic teenager.

                • Cover of Bite
                  Bite

                  Richard Laymon · standalone novel · 1996

                  similar byour worldcontemporarydarktensesurvivalvampires

                  It's almost midnight. Cat's on the bed, facedown and naked. She's Sam's former girlfriend, the only woman he's ever loved. Sam's in the closet, with a hammer in one hand and a wooden stake in the other. Together they wait as the clock ticks down because ... the vampire is coming.When Cat first appeared at Sam's door he couldn't believe his eyes. He hadn't seen her in ten years, but he'd never forgotten her. Not for a second. But before this night is through, Sam will enter a nightmare of blood and fear that he'll never be able to forget -- no matter how hard he tries.

                • Cover of Shadowfae Chronicles
                  Shadowfae Chronicles

                  series · 7 books · 2009

                  similar byour worldcontemporaryurban fantasyparanormal romance+4 more

                • Cover of Shock
                  Shock

                  series · 4 books · 1961

                  completed

                  similar byour worldcontemporarydarktensemadness

                • Cover of Rose Madder
                  Rose Madder

                  Stephen King · standalone novel · 1995

                  similar byour worldcontemporarydarktense

                  Rose Madder is a horror/fantasy novel by American writer Stephen King, published in 1995. It deals with the effects of domestic violence and, unusually for a King novel, relies for its fantastic element on Greek mythology. In his memoir, On Writing, King states that Rose Madder and Insomnia are "stiff, trying-too-hard novels."

                • Cover of Dark Swan
                  Dark Swan

                  series · 4 books · 2008

                  similar bycontemporaryurban fantasyour worldfae+2 more

                  Dark Swan is a novel sequence by Richelle Mead. The novels center on Eugenie Markham, a shaman; the shapeshifting Kiyo, her boyfriend; and Dorian, the king of the fairies.