anchored on:steampunk19th centuryromance
series3 books1987
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K. W. Jeter's trilogy, whose 1987 original helped coin the term 'steampunk,' follows clockmaker George Dower as he's dragged into escalating Victorian conspiracies involving mechanical devices, secret societies, and inventions that shouldn't work but do. Infernal Devices, Fiendish Schemes, and Grim Expectations mix dark comedy with the gears-and-brass aesthetic the series helped establish before it had a name.
universe128 books1818
Start hereFrankenstein, or, The Modern Prometheus · Start here
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Light a candle against the November dark and consider what a single spark, rightly applied to dead matter, might wake. In a laboratory at Ingolstadt a student named Victor Frankenstein learns the secret of animating lifeless flesh, assembles a being from the harvest of charnel houses and graves, and, at the moment it draws breath, flees the thing he has made. What he abandons does not stay abandoned. This is the world Mary Shelley opened in 1818 with Frankenstein; or, The Modern Prometheus: the story of a maker and his unmothered creation, and the long ruin each works upon the other. Shelley's novel arrives as a nest of confessions, an explorer's letters from the frozen north enclosing Victor's account, which in turn encloses the Creature's own, an articulate and wounded voice that has read Milton and wants only not to be alone. From that single volume two centuries of other hands have built outward, not as one continuity but as a gathering of independent returns to the same fire. Dean Koontz transplants the myth to modern New Orleans across a five-book cycle, Prodigal Son through The Dead Town, where the original Creature, now called Deucalion, hunts a Victor who never died. Donald F. Glut's New Adventures and Frank Schildiner's Quest of Frankenstein run the monster through pulp adventure; the mid-century French novels published as Benoit Becker chase him across a ruined Europe; Scott Sonneborn's Frankenstein Journals and the comic Frankenstein's Aunt turn the legend toward younger and lighter readers. What binds them is the question the book asks and never settles: which is the monster, the forsaken creature who kills, or the man whose ambition and cowardice made and abandoned him? Expect little comfort and few clean villains; the abiding note is grief, sublime and articulate, set against Alpine ice and candlelit hubris. Begin where it began, with Shelley's own novel; the later cycles reward you only once you have heard the Creature speak for himself.
Erin Morgensternstandalone novel2011
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The Night Circus is a 2011 speculative fiction novel by Erin Morgenstern. It was originally written for the annual writing competition National Novel Writing Month (NaNoWriMo) over the span of three competitions. The novel has a nonlinear narrative written from multiple viewpoints.
Roger Zelaznystandalone novel1979
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Roadmarks is a science fantasy novel by American author Roger Zelazny, written during the late 1970s and published in 1979.
Clifford D. Simakstandalone novel1968
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The Goblin Reservation is a 1968 science fiction novel by American writer Clifford D. Simak, featuring an educated Neanderthal, a biomechanical sabertooth tiger, aliens that move about on wheels, a man who time-travels using an unreliable device implanted in his brain, meeting a ghost, trolls, banshees, goblins, a dragon and even Shakespeare himself. The Goblin Reservation was a Hugo Award nominee in 1969 and was originally serialized in Galaxy Science Fiction magazine.
series16 books1979
part of The Hitchhiker's Guide to the Galaxy Universe
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The Hitchhiker's Guide to the Galaxy is a comedy science fiction franchise created by Douglas Adams. Originally a radio sitcom broadcast over two series on BBC Radio 4 between 1978 and 1980, it was soon adapted to other formats, including both novels and comic books, a 1981 BBC television series, a 1984 text adventure game, stage shows and a 2005 feature film.
series23 books2008
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George Mann's steampunk series follows Sir Maurice Newbury, an occult investigator working for the crown in an alternate, more mechanized Victorian Britain, and his assistant Veronica Hobbes, as they take on cases blending supernatural threats with the era's mechanical marvels. The Affinity Bridge, the opening novel, entangles them with a crashed automaton airship and a spreading plague of the reanimated; later books deepen Newbury's struggle with addiction and Veronica's search for her institutionalized sister. It combines detective procedural with alternate-history steampunk London.
Terry Jonesstandalone novel1997
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At the heart of a galaxy of which we know nothing, the greatest, most advanced starship ever known has been built -- the Starship Titanic. It is fabulous, beautiful and technologically miraculous. On its maiden voyage it crashes into hyperspace and vanishes. The first you know of it is when you are sitting at home having a quiet evening in front of the TV and the most fabulous starship in the galaxy crashes into your home. You find your way on board (or not, if you just want to play the two min ute version of the game) and are confronted with an interior which resembles a mixture of the Ritz, the Chrysler Building, Tutankhamen’s tomb, and Venice. The ship is inhabited by traumatized robots, a lobotomized cyberintelligence, a frankly unhinged parrot and, as the ship takes off, taking you deep into unknown interstellar space, you realize that life on board as a third class passenger is going to be tough going. You find yourself in the grip of one of the most powerful forces known to modern man -- the desire for a free upgrade. Your task is to discover what has happened here, to reveal the deep conspiracy that lies behind this catastrophic failure, to repair the ship’s intelligence and guide the ship back home. To do this you will have to gain the trust of the robots, which you do the same way you would with anybody else -- by talking to them. State-of-the-art language technology lets you do this.
series27 books1902
completed
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Two separate modern continuations of E. Nesbit's Psammead stories were written decades apart by different authors: Helen Cresswell's The Return of the Psammead (1992) brings the wish-granting sand fairy back for a new set of children, while Kate Saunders's Five Children on the Western Front (2014) follows the now-grown Lamb and his siblings as the First World War arrives, in a more somber sequel to Nesbit's original trilogy. Neither book is by Nesbit herself, and the two have no direct connection to each other beyond both drawing on her creation. Later writers have kept returning to Nesbit's premise long after her own trilogy ended.