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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like The Devil's Left Boot

anchored on:urban fantasywitchesour worldcontemporaryvampiresmurder investigation+1 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories centered on witches and the practice of witchcraft — covens, hedge magic, familiars, and the witch's place in her community.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Black Dragon
                  Black Dragon

                  series · 2 books · 1983

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                  R. A. MacAvoy's Tea with the Black Dragon pairs Martha Macnamara, a folk musician searching for her missing daughter, with Mayland Long, a courtly stranger who reveals himself to be a dragon living in human form, as they investigate a computer-fraud scheme in 1980s San Francisco. Its low-key blend of contemporary mystery and gentle fantasy proved popular enough to spawn a sequel, Twisting the Rope, following the same pair into a new case years later.

                • Cover of Rivers of London
                  Rivers of London

                  series · 32 books · 2011

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                  The Rivers of London series is a series of urban fantasy novels by English author Ben Aaronovitch, and comics/graphic novels by Aaronovitch and Andrew Cartmel, illustrated by Lee Sullivan.

                • Cover of Heart of the Witch
                  Heart of the Witch

                  Alicia Dean · standalone novel · 2009

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                  A beautiful young witch must choose between maintaining the anonymity of her coven and trusting the detective who would bring a heartless serial killer to justice.

                • Cover of Witchcraft Mysteries
                  Witchcraft Mysteries

                  series · 11 books · 2009

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                • Cover of Hang Wire
                  Hang Wire

                  Adam Christopher · standalone novel · 2014

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                  Ted Hall worries when his sleepwalking seems to coincide with murders by the Hang Wire Killer, a very strange circus comes to town, and some immortals searching for an ancient power arrive in the city.

                • Cover of Reason Cansino
                  Reason Cansino

                  series · 3 books · 2005

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                • Cover of The Curse Workers
                  The Curse Workers

                  series · 3 books · 2010

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                  Holly Black's Curse Workers trilogy is set in an alternate America where 'curse work' — magic that harms or transforms through touch — is illegal, enforced through gloves and Prohibition-era-style crime families. It follows Cassel Sharpe, the only non-worker in a family of con artists and workers, as he tries to stay out of his family's schemes despite his own hidden connection to their world. The series runs from White Cat through two further novels.

                • Cover of All Souls
                  All Souls

                  series · 5 books · 2011

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                  A Discovery of Witches is a 2011 historical-fantasy novel and the debut novel by American scholar Deborah Harkness. It follows Diana Bishop, a history of science professor at Yale University, as she embraces her magical blood after finding a long-thought-lost manuscript and engages in a forbidden romance with a charming vampire, Matthew Clairmont.

                • Cover of The Magic Nation Thing
                  The Magic Nation Thing

                  Zilpha Keatley Snyder · standalone novel · 2005

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                  Abby O'Malley is a girl who likes things to make sense. School makes sense, and her best friend Paige makes sense (most of the time), but Abby's flighty mother never makes sense. Abby's mom seems to think that she and Abby are descended from a line of witches, and that they have special powers--psychic powers that don't make sense at all. The problem is, Abby knows that she can do certain things that other people can't. Sometimes, when she holds an object in her hand, she's overpowered by sounds and pictures that show where the owner is and what he or she is doing. Abby thinks of this as her "magic nation," because that is what her kindergarten teacher told her it was called. Now 11, Abby has an inkling that her teacher may have been saying it was her "imagination," which unfortunately, she knows it is not. Now some things are happening in her mother's detective agency--cases where Abby's magic nation thing might come in handy. But does Abby want to admit that such a sensible girl could have such an unsensible power?From the Hardcover edition.

                • Cover of Whisper Hollow
                  Whisper Hollow

                  series · 3 books · 2015

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                • Cover of Sam Farrell
                  Sam Farrell

                  series · 4 books · 1969

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                • Cover of Masters of Death
                  Masters of Death

                  Olivie Blake · standalone novel · 2023

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                  Viola Marek is a struggling real estate agent, and a vampire. But her biggest problem currently is that the house she needs to sell is haunted. The ghost haunting the house has been murdered, and until he can solve the mystery of how he died, he refuses to move on. Fox D’Mora is a medium, and though is also most-definitely a shameless fraud, he isn’t entirely without his uses—seeing as he’s actually the godson of Death. When Viola seeks out Fox to help her with her ghost-infested mansion, he becomes inextricably involved in a quest that neither he nor Vi expects (or wants). But with the help of an unruly poltergeist, a demonic personal trainer, a sharp-voiced angel, a love-stricken reaper, and a few high-functioning creatures, Vi and Fox soon discover the difference between a mysterious lost love and an annoying dead body isn’t nearly as distinct as they thought.

                • Cover of The Dark Elite
                  The Dark Elite

                  series · 3 books · 2009

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                • Cover of Deception Point
                  Deception Point

                  Dan Brown · standalone novel · 2001

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                  Deception Point is a 2001 mystery-thriller novel by American author Dan Brown. It is Brown's third novel. It was published by Simon & Schuster.

                • Cover of The Witches of Holloway Road
                  The Witches of Holloway Road

                  Iris Beaglehole · standalone novel · 2023

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                  Ursula is reeling from a bad break-up when she seeks refuge in the mystical Holloway Rd. Nestled in a cozy cottage with a lush garden and an abundance of bookshelves, Ursula hopes for a peaceful escape. But strange occurrences quickly unravel, leaving her feeling as though she's being watched. Unusual visions of a mysterious purple-haired woman and out-of-season plants add to her unease. As she becomes acquainted with the enigmatic Rowan and his eccentric house truck, Ursula begins to suspect that he may hold the key to understanding the bizarre happenings in this enchanting world. When a mysterious and bewitching stranger arrives in town, Ursula must delve into her family's history, the power of magic, and her own identity to protect everything she cares about.

                • Cover of The Hollows
                  The Hollows

                  series · 39 books · 2004

                  similar byurban fantasycontemporarywitches+2 more

                  The Hollows is a series of urban fantasy novels by Kim Harrison, originally published by HarperCollins Publishers and by Ace Books since 2020. The series includes 18 novels, numerous novellas and short stories, two graphic novels, and one compendium resource; a 19th novel, Absolute Demon, is forthcoming in 2027.

                • Cover of The Last Hot Time
                  The Last Hot Time

                  John M. Ford · standalone novel · 2000

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                  From the front flap: When Danny Holman leaves the cornfields of Iowa for the bright lights of the City, he expects his life to change. He just can't guess who much and how fast. A violent incident on the road brings Danny the favor of a man known only as Mr. Patrise, who gives Danny a job, a home, and a new identity. The City is a different world from the one Danny (now called Doc) knew, and literally so. The long-vanished lands of the Elves have again opened doors into our reality. Humans cannot cross these thresholds, but the Elves can. Mr. Patrise is a power in the Levee, the shadowy, lawless region between the two worlds, where elf and human gangsters skirmish with sorcery and submachine guns and where anything can be sold, smuggled, or stolen. But the nature of that power--over his people, the City, and the unpredictable new forces of magic--is a mystery. The more Doc learns about the City and his responsibilities in it, the more he wonders if he's in over his head...

                • Cover of Magic Can Be Murder
                  Magic Can Be Murder

                  Vivian Vande Velde · standalone novel · 2000

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                  Set apart from other people because of their unusual abilities, Nola, a teenage witch, and her mother find themselves in great danger when Nola uses her power to call up images and witnesses a murder.

                • Cover of Anita Blake
                  Anita Blake

                  series · 42 books · 1993

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                  Anita Blake: Vampire Hunter is a series of urban fantasy novels, short stories, and comic books by Laurell K. Hamilton. The books have sold more than six million copies; many have made The New York Times Best Seller list.

                • Cover of October Daye
                  October Daye

                  series · 42 books · 2009

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                  October Daye is a New York Times Best Selling series of urban fantasy novels by American author Seanan McGuire. They follow October "Toby" Daye, a half-fae changeling and reluctant hero of the realm.

                • Cover of Lily Bound
                  Lily Bound

                  series · 1 book · 2017

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                • Cover of Cainsville
                  Cainsville

                  series · 21 books · 2011

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                • Cover of Duchess, PI
                  Duchess, PI

                  series · 6 books · 2019

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                • Cover of Alchemy of Secrets
                  Alchemy of Secrets

                  series · 1 book · 2025

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                  Alchemy of Secrets follows Holland St. James, a young woman convinced that magic is real, who tracks down a local urban legend called the Watch Man and is told she will die at midnight the next day unless she finds an ancient object called the Alchemical Heart. Pulled into a hidden magical Los Angeles alongside a stranger who claims her missing sister sent him to protect her, Holland has to work out who is lying to her before the clock runs out. Stephanie Garber wrote it as a standalone 2025 novel rather than the start of a numbered series.