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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

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  • Cover of Blade Runner Universe
    Blade Runner UniverseSeries

    series · 6 books · 1968

    About robots and identity.

    “Together the two trace the story's path from prose original to screen and comic-page adaptation.”

    from the catalogue
    Start with Do Androids Dream of Electric Sheep? →

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  • Cover of Sprawl Trilogy
    Sprawl TrilogySeries

    series · 10 books · 1981

    About artificial intelligence and virtual reality.

    “Johnny Mnemonic, an early short story set in the same fictional milieu, predates the novels and introduces the courier Molly Millions before her role in the trilogy.”

    from the catalogue
    Start with Neuromancer →

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  • Cover of Hardwired
    HardwiredSeries

    series · 3 books · 1986

    Science fiction and cyberpunk, tense in tone, set in near future and our world.

    “Voice of the Whirlwind, published three years later, is a loosely connected follow-up set in the same future, sharing its technological and political backdrop with a different cast of characters.”

    from the catalogue
    Start with Hardwired →

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  • Cover of The Shockwave Rider
    The Shockwave RiderNovel

    John Brunner · standalone novel · 1975

    Dystopia, about surveillance and totalitarianism, set in north america.

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  • Cover of Bridge Trilogy
    Bridge TrilogySeries

    series · 4 books · 1990

    Set in north america.

    “Set in a near-future California, the novel takes place after an earthquake has damaged the San Francisco-Oakland Bay Bridge and turned it into an improvised settlement known as the Bridge.”

    from the catalogue
    Start with Virtual Light →

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  • Cover of Library of America P. K. Dick Collection
    Library of America P. K. Dick CollectionSeries

    series · 9 books · 1962

    completed

    Science fiction, set in near future.

    “Technically banned, a novel called The Grasshopper Lies Heavy imagines a world where the Allies won instead — and its reclusive author, Hawthorne Abendsen, becomes an obsession for characters on every side.”

    from the catalogue
    Start with The Man in the High Castle →

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