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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like The Missing Link

anchored on:literary & generalidentitycontemporaryyoung adultcoming of agefamily secrets+2 more

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Before I Fall
                  Before I Fall

                  series · 2 books · 2010

                  similar byreflectiveliterary & generalsmall towncontemporarycoming of ageyoung adult

                  Lauren Oliver's Before I Fall is a 2010 young-adult novel narrated by teenager Samantha Kingston, who is forced to relive the day of her death repeatedly over the course of a week. Attempting to understand why, Samantha tries different choices and actions each time through, some starkly out of character, as she reckons with her life and relationships. It was adapted into a 2017 film of the same name.

                • Cover of The Particular Sadness of Lemon Cake
                  The Particular Sadness of Lemon Cake

                  Aimee Bender · standalone novel · 2010

                  similar byreflectiveliterary & generalcontemporarycoming of ageidentityfamily secrets

                  The story follows a girl with a talent, from childhood to young adulthood. Rose has the ability to taste emotions in the food she eats, which she discovers on her ninth birthday, tasting in her birthday cake the emotions of her mother who baked it.

                • Cover of The Monsters of Templeton
                  The Monsters of Templeton

                  Lauren Groff · standalone novel · 2008

                  similar byreflectiveliterary & generalsmall towncontemporaryfamily secrets

                  The Monsters of Templeton is a dramatic novel written by Lauren Groff. Groff was born and raised in Cooperstown, New York. The name Templeton draws from the name devised for the town by James Fenimore Cooper, Cooperstown's most renowned author, known for The Leatherstocking Tales. Groff draws in many of the legends of Cooperstown, especially those crafted by Cooper himself, and ties them together over the expanses of time, then weaves them in with fictional modern-day events. The book was released to great critical acclaim.

                • Cover of Kit's Wilderness
                  Kit's Wilderness

                  David Almond · standalone novel · 1999

                  similar byreflectiveliterary & generalsmall towncontemporarycoming of age+1 more

                  Kit's Wilderness is a children's novel by David Almond, published by Hodder Children's Books in 1999. It is set in a fictional English town in the northeast of the country and is based on the former coal-mining towns the author knew as a child growing up in Tyne and Wear. It was silver runner-up for the Smarties Prize in the 9-11 ages category, highly commended for the Carnegie Medal, and shortlisted for the Guardian Children's Fiction Prize.

                • Cover of All the Crooked Saints
                  All the Crooked Saints

                  Maggie Stiefvater · standalone novel · 2017

                  similar byreflectivesmall towncontemporarycoming of ageidentityfamily secretsyoung adult

                  *Here is a thing everyone wants: A miracle.* *Here is a thing everyone fears: What it takes to get one.* Any visitor to Bicho Raro, Colorado is likely to find a landscape of dark saints, forbidden love, scientific dreams, miracle-mad owls, estranged affections, one or two orphans, and a sky full of watchful desert stars. At the heart of this place you will find the Soria family, who all have the ability to perform unusual miracles. And at the heart of this family are three cousins longing to change its future: Beatriz, the girl without feelings, who wants only to be free to examine her thoughts; Daniel, the Saint of Bicho Raro, who performs miracles for everyone but himself; and Joaquin, who spends his nights running a renegade radio station under the name Diablo Diablo. They are all looking for a miracle. But the miracles of Bicho Raro are never quite what you expect.

                • Cover of Heaven Eyes
                  Heaven Eyes

                  David Almond · standalone novel · 2000

                  similar byreflectiveliterary & generalcontemporarycoming of ageidentityyoung adult

                  Heaven Eyes is a young adult novel by author David Almond. It was published in Great Britain by Hodder Children's Books in 2000 and by Delacorte Press in the United States in 2001. A paperback version was released in 2002 by Dell Laurel Leaf.

                • Cover of Jonathan Livingston Seagull
                  Jonathan Livingston Seagull

                  Richard Bach · standalone novel · 1970

                  similar byreflectiveliterary & generalcontemporaryidentitycoming of age

                  Jonathan Livingston Seagull is an allegorical fable in novella form written by American author Richard Bach and illustrated with black-and-white photographs shot by Russell Munson. It is about a seagull who is trying to learn about flying, personal reflection, freedom, and self-realization. It was first published in book form in 1970 with little advertising or expectations; by the end of 1972, over a million copies were in print, the book having reached the number-one spot on bestseller lists mostly through word of mouth recommendations.

                • Cover of Lost
                  Lost

                  Gregory Maguire · standalone novel · 2001

                  similar byreflectiveliterary & generalcontemporaryidentityfamily secrets

                  Lost is a 2001 novel by American author Gregory Maguire. Unlike many of Maguire's other adult novels, Lost is set in the real world. The novel's concept is that the protagonist is a distant relative of the man who inspired Charles Dickens' character of Ebenezer Scrooge.

                • Cover of Holes
                  Holes

                  Louis Sachar · standalone novel · 1998

                  similar byreflectiveliterary & generalcontemporarycoming of agefamily secrets+1 more

                  Holes is a 1998 middle grade novel written by Louis Sachar and first published by Farrar, Straus and Giroux. The book centers on Stanley Yelnats IV, a young boy who is sent to Camp Green Lake, a correctional boot camp in a desert in Texas, after being wrongfully convicted of theft. The plot explores the history of the area and how the actions of several characters in the past have affected Stanley's life in the present. These interconnecting stories touch on themes such as labor, boyhood and masculinity, friendship, meaning of names, illiteracy, elements of fairy tales, and racism.

                • Cover of Things
                  Things

                  series · 3 books · 2002

                  completed

                  similar byliterary & generalcontemporarycoming of ageidentityyoung adult+2 more

                • Cover of Eventown
                  Eventown

                  Corey Ann Haydu · standalone novel · 2019

                  similar byreflectivesmall towncontemporaryliterary & generalcoming of ageidentity+1 more

                  From copyright page: To Elodee, eleven, things seem a little too perfect in Eventown when she mofves there with her parents and identical twin, Naomi, especially since forgetting the past is so highly valued.

                • Cover of Melusine
                  Melusine

                  Lynne Reid Banks · standalone novel · 1988

                  similar byreflectiveliterary & generalcontemporarycoming of ageidentityyoung adult

                  A teenaged boy becomes embroiled in the mysterious life of a farm girl while on vacation in the south of France.

                • Cover of Green Town
                  Green Town

                  series · 31 books · 1946

                  completed

                  similar byreflectivesmall townliterary & generalcoming of age

                  Green Town gathers two of Ray Bradbury's loosely linked novels set in his fictionalized version of his childhood home of Waukegan, Illinois: the dark fantasy Something Wicked This Way Comes (1962), in which a sinister traveling carnival led by the mysterious Mr. Dark descends on a small town and preys on its residents' desires, and the later Farewell Summer (2006), which follows Douglas Spaulding through an autumn stand-off between the town's boys and its elders. Written more than four decades apart, the two novels share Bradbury's recurring setting and nostalgic, myth-making tone rather than a single continuous plot.

                • Cover of The Cemetery Boys
                  The Cemetery Boys

                  Heather Brewer · standalone novel · 2015

                  similar byreflectivesmall towncontemporaryliterary & generalcoming of ageyoung adult

                  When Stephen is forced to move back to the nowhere town where his father grew up, he s already sure he s not going to like it. Spencer, Michigan, is like a town straight out of a Hitchcock movie, with old-fashioned people who see things only in black-and-white. But things start looking up when Stephen meets the mysterious twins Cara and Devon. They re total punks hardly the kind of people Stephen s dad wants him hanging out with but they re a breath of fresh air in this backward town. The only problem is, Cara and Devon don t always get along, and as Stephen forms a friendship with the charismatic Devon and something more with the troubled Cara, he starts to feel like he s getting caught in the middle of a conflict he doesn t fully understand. And as Devon s group of friends, who hang out in a cemetery they call The Playground, get up to increasingly reckless activities to pass the summer days, Stephen worries he may be in over his head.

                • Cover of The Memoirs of a Survivor
                  The Memoirs of a Survivor

                  Doris Lessing · standalone novel · 1974

                  similar byreflectivesmall towncontemporaryliterary & general+1 more

                  In contemporary Britain, the collapse of normal civilized life in a small town is told from the point of view of a female resident, after an undescribed failure of the economy and government.

                • Cover of Afterworlds
                  Afterworlds

                  Scott Westerfeld · standalone novel · 2014

                  similar byreflectiveliterary & generalcontemporaryidentityyoung adult+1 more

                  Alternates between a realistic story of a young author writing a "young adult Hindu paranormal romance" novel in New York City and chapters from that novel.

                • Cover of Man in the Dark
                  Man in the Dark

                  Paul Auster · standalone novel · 2008

                  similar byreflectiveliterary & generalcontemporaryidentity+1 more

                  An insomniac makes up a story about a man transported to an alternate reality in which a US civil war erupted after the 2000 election.

                • Cover of The Rest of Us Just Live Here
                  The Rest of Us Just Live Here

                  Patrick Ness · standalone novel · 2015

                  similar byreflectivesmall towncontemporarycoming of ageyoung adult+1 more

                  What if you aren't the Chosen One? The one who's supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death? What if you're like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again. Because sometimes there are problems bigger than this week's end of the world, and sometimes you just have to find the extraordinary in your ordinary life. Even if your best friend is worshipped by mountain lions.

                • Cover of Murther & Walking Spirits
                  Murther & Walking Spirits

                  Robertson Davies · standalone novel · 1991

                  similar byreflectiveliterary & generalcontemporaryidentityfamily secrets

                  The editor of a Toronto newspaper finds out about his ancestors in an unusual private Film Festival.

                • Cover of The Einsteins of Vista Point
                  The Einsteins of Vista Point

                  Ben Guterson · standalone novel · 2022

                  similar byreflectiveliterary & generalsmall towncontemporarycoming of age

                  "After the tragic loss of their sister, Zack and his siblings band together to investigate a Morse Code-inspired mystery in this stunning novel about grief and resilience. When Zack's younger sister dies in a tragic accident, his family moves to a small town in the Northwest to try and heal from all the pain. Eleven-year-old Zack blames himself for his sister's death, and he struggles to find any comfort in his new surroundings. Vista Point is home to many mysterious landmarks: The great domed Tower casts inscrutable shadows, and what is the cryptic message in its ceiling medallion? There are several hidden watering holes and even a secret cave in the woods with messages written on its walls. Zack, at first, feels lost in Vista Point. Until he meets Ann, a girl who lives in the area and shows Zack all the special places to be discovered. But there's something that seems a bit strange about Ann—and perhaps a secret she is keeping from him. With emotional depth, an unforgettable setting, and a winning cast of characters, this masterful novel thoughtfully explores the grieving process, and how a season of pain can evolve into a summer of healing." -- Amazon.com as of 2021-03-29.

                • Cover of Life of Pi
                  Life of Pi

                  Yann Martel · standalone novel · 2001

                  similar byreflectiveliterary & generalcontemporaryidentity

                  Life of Pi is a Canadian philosophical novel by Yann Martel published in 2001. The protagonist is Piscine Molitor "Pi" Patel, an Indian boy from Pondicherry, who explores issues of spirituality and metaphysics from an early age. After a shipwreck, he survives 227 days while stranded on a lifeboat in the Pacific Ocean with a Bengal tiger named Richard Parker, raising questions about the nature of reality and how it is perceived and told.

                • Cover of Mirror in the Sky
                  Mirror in the Sky

                  Aditi Khorana · standalone novel · 2016

                  similar byreflectivecontemporaryliterary & generalidentitycoming of ageyoung adultscience fiction

                  For Tara Krishnan, navigating Brierly, the academically rigorous prep school she attends on scholarship, feels overwhelming and impossible. Her junior year begins in the wake of a startling discovery: A message from an alternate Earth, light years away, is intercepted by NASA. This means that on another planet, there is another version of Tara, a Tara who could be living better, burning brighter, because of tiny differences in her choices.

                • Cover of The Colour of the Sun
                  The Colour of the Sun

                  David Almond · standalone novel · 2018

                  similar byreflectiveliterary & generalsmall towncontemporarycoming of ageidentity

                  "One hot summer morning, Davie steps boldly out of his front door. The world he enters is very familiar - the little Tyneside town that has always been his home - but as the day passes, it becomes ever more mysterious. A boy has been killed, and Davie thinks he might know who is responsible. He turns away from the gossip and excitement and sets off roaming towards the sunlit hills above the town. As the day goes on, the real and the imaginary start to merge, and Davie knows that neither he nor his world will ever be the same again." (toppsta.com)

                • Cover of Into the Light
                  Into the Light

                  Mark Oshiro · standalone novel · 2023

                  similar byreflectiveliterary & generalcontemporaryidentitycoming of ageyoung adult

                  When you're like me, you have to lie. It’s been one year since Manny was cast out of his family and driven into the wilderness of the American Southwest. Since then, Manny lives by self-taught rules that keep him moving―and keep him alive. Now, he’s taking a chance on a traveling situation with the Varela family, whose attractive but surly son, Carlos, seems to promise a new future. I can't let anyone down. Eli abides by the rules of his family, living in a secluded community that raised him to believe his obedience will be rewarded. But an unsettling question slowly eats away at Eli’s once unwavering faith in Why can’t he remember his past? What am I supposed to do? But the reported discovery of an unidentified body found in the hills of Idyllwild, California, will draw both of these young men into facing their biggest fears and confronting their own identity―and who they are allowed to be. Find the truth.