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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like The Sideman

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Blade Runner Universe
                  Blade Runner Universe

                  series · 6 books · 1968

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                  Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? follows bounty hunter Rick Deckard as he tracks escaped androids through an irradiated, near-abandoned San Francisco, using the hunt to probe questions of empathy and what separates human from machine. The novel became the basis for Ridley Scott's 1982 film Blade Runner, and Marvel Comics later published an illustrated adaptation of that film. Together the two trace the story's path from prose original to screen and comic-page adaptation.

                • Cover of Lock In
                  Lock In

                  series · 3 books · 2014

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                  Lock In imagines a near-future pandemic that leaves a fraction of survivors fully conscious but completely paralyzed, able to interact with the world only through robotic surrogates or by borrowing the bodies of rare people whose brains can host another person's consciousness. John Scalzi's series follows a rookie FBI agent investigating crimes that exploit this new class of disability and technology, across the novels Lock In and Head On plus the interstitial oral history Unlocked. It's science-fiction police procedural more than space opera.

                • Cover of The Shockwave Rider
                  The Shockwave Rider

                  John Brunner · standalone novel · 1975

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                  The Shockwave Rider is a science fiction novel by John Brunner, originally published in 1975. It is notable for its hero's use of computer hacking skills to escape pursuit in a dystopian future, and for the coining of the word "worm" to describe a program that propagates itself through a computer network. It also introduces the concept of a Delphi pool, perhaps derived from the RAND Corporation's Delphi method – a prediction market on world events which bears close resemblance to DARPA's controversial and cancelled Policy Analysis Market.

                • Cover of Make Room! Make Room!
                  Make Room! Make Room!

                  Harry Harrison · standalone novel · 1966

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                  Make Room! Make Room! is a 1966 science fiction novel written by Harry Harrison exploring the consequences of both unchecked population growth on society and the hoarding of resources by a wealthy minority. It was originally serialized in Impulse magazine.

                • Cover of The Running Man
                  The Running Man

                  Stephen King · standalone novel · 1982

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                  The Running Man is a dystopian thriller novel by American writer Stephen King, first published under the pseudonym Richard Bachman in 1982 as a paperback original. It was collected in 1985 in the omnibus The Bachman Books. The novel is set in a dystopian United States during the year 2025, in which the nation's economy is in ruins and world violence is rising. The story follows protagonist Ben Richards as he participates in the reality show The Running Man, in which contestants win money by evading a team of hitmen sent to kill them.

                • Cover of The Synth Crisis
                  The Synth Crisis

                  series · 5 books · 2017

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                • Cover of In Death
                  In Death

                  series · 77 books · 1995

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                  The ...in Death series of novels and novellas is written by Nora Roberts under her pseudonym J. D. Robb. Set in a mid-21st-century New York City, they feature NYPSD lieutenant Eve Dallas and her husband Roarke. The stories also regularly feature other characters, including Captain Ryan Feeney, Detective Delia Peabody, Detective Ian McNab and Dr. Charlotte Mira.

                • Cover of Sprawl Trilogy
                  Sprawl Trilogy

                  series · 10 books · 1981

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                  The Sprawl Trilogy is William Gibson's foundational cyberpunk sequence: Neuromancer (1984), in which hacker Case is drawn into a high-stakes heist alongside an artificial intelligence and a damaged ex-soldier, followed by Count Zero (1986) and Mona Lisa Overdrive (1988), which widen the same near-future world of corporate power and networked cyberspace to new characters. Johnny Mnemonic, an early short story set in the same fictional milieu, predates the novels and introduces the courier Molly Millions before her role in the trilogy. Together these works established much of cyberpunk's visual and thematic vocabulary.

                • Cover of Cutter Case Files
                  Cutter Case Files

                  series · 1 book · 2014

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                • Cover of Hummingbird Salamander
                  Hummingbird Salamander

                  Jeff VanderMeer · standalone novel · 2021

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                  Hummingbird Salamander is a 2021 novel by American author Jeff VanderMeer. It is set in a near-future dystopia affected by climate change, and narrated by a corporate security consultant, "Jane Smith," who is drawn into a mystery incited by her receipt of a taxidermied hummingbird from an extinct species.

                • Cover of Unwise Child
                  Unwise Child

                  Randall Garrett · standalone novel · 1962

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                  "When a super-robot named Snookums discovers how to build his own superbombs, it becomes obvious that Earth is by no means the safest place for him to be. And so Dr. Fitzhugh, his designer, and Leda Crannon, a child psychologist acting as Snookums' nursemaid, agree to set up Operation Brainchild, a plan to transport the robot to a far distant planet. "... once into space, the Branchell becomes the scene of some frightening events—the medical officer is murdered, and Snookums appears to be the culprit. Mike the Angel indulges himself in a bit of sleuthing, and the facts he turns up lead to a most unusual climax." (From Project Gutenberg's version of the 1962 Doubleday edition, published 2007.)

                • Cover of The Handmaid's Tale
                  The Handmaid's Tale

                  series · 3 books · 1985

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                  The Handmaid's Tale is Margaret Atwood's 1985 novel set in Gilead, a totalitarian theocracy that has overthrown the United States and forces fertile women into reproductive servitude as Handmaids; it is narrated by one such woman, Offred. Atwood returned to the world in her 2019 sequel The Testaments, set fifteen years later and narrated by three women, including the regime's Aunt Lydia. Together the two novels move from Gilead's grip on power toward the first cracks in it.

                • Cover of Resurrection, Inc.
                  Resurrection, Inc.

                  Kevin J. Anderson · standalone novel · 1988

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                  It is the future--and the dead walk the streets, resurrected by technology to become servants to the living. Resurrection, Inc. found a profitable way to do it: a microprocessor brain, a synthetic heart, artificial blood--and anyone with money could buy a Servant with no mind of its own, trained to obey any command. But for every Servant created a living worker was out of a job, and suddenly the profits of Resurrection, Inc. became everyone else's loss. Some take to rioting in the streets, their rampages ruthlessly ended by heavily armed Enforcers, eager for the kill. Others join the ever-growing cult of Neo-Satanism, seeking Heaven in the depths of Hell. Only one man tries to save the world. His name is Danal, and he is the last hope of the living. He is dead, but he remembers everything.

                • Cover of The Terminal Man
                  The Terminal Man

                  Michael Crichton · standalone novel · 1972

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                  The Terminal Man is a novel by American writer Michael Crichton. It is his second novel under his own name, his 12th overall, and is about the dangers of mind control. It was published in April 1972 and also serialized in Playboy in March, April, and May 1972. In 1974, it was made into a film of the same name.

                • Cover of Rat Runners
                  Rat Runners

                  Oisin McGann · standalone novel · 2013

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                  "Four young thieves, one simple mission: Steal a black-leather box from the daughter of a murdered scientist without anyone noticing. But WatchWorld controls London now, and the organization knows everything. Every major street is monitored with heat-sensitive and X-ray cameras. Microphones record voices from hundreds of feet away, and drones watch from the sky. Patrolling the streets are Safe-Guards--part human and part robot, they can see through walls, hear your heartbeat, and analyze your sweat. But staying hidden is what Nimmo, Scope, Manikin, and FX do best. Using the city's blind spots, they navigate the criminal underworld until they're caught in a rat run of murder and deceit that might not let them out alive."--Back cover.

                • Cover of Empire (Orson Scott Card)
                  Empire (Orson Scott Card)

                  series · 2 books · 2006

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                  The Empire Duet is a two-book series written by Orson Scott Card under license from Chair Entertainment, beginning with Empire in 2006. The sequel Hidden Empire was released December 22, 2009.

                • Cover of Slow Apocalypse
                  Slow Apocalypse

                  John Varley · standalone novel · 2012

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                  "Despite wars with Iraq and Afghanistan, as well as 9/11, the United States' dependence on foreign oil has kept the nation tied to the Middle East. A scientist has developed a cure for America's addiction--a slow-acting virus that feeds on petroleum, turning it solid. But he didn't consider that his contagion of an Iraqi oil field would spread to infect the fuel supply of the entire world ... In Los Angeles, screenwriter Dave Marshall heard this scenario from a retired U.S. Marine and government insider who acted as a consultant on Dave's last film. It sounded as implausible as many of his scripts, but the reality is much more frightening than anything he can envision. An ordinary guy armed with extraordinary information, Dave hopes his survivor's instinct will kick in so he can protect his wife and daughter from the coming apocalypse that will alter the future of Earth--and humanity ..."--

                • Cover of The Sheep Look Up
                  The Sheep Look Up

                  John Brunner · standalone novel · 1972

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                  The Sheep Look Up is a 1972 dystopian science fiction novel by British author John Brunner, dealing with the deterioration of the environment in the United States. It was nominated for the 1972 Nebula Award for Best Novel.

                • Cover of Mother of Storms
                  Mother of Storms

                  John Barnes · standalone novel · 1994

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                  From the flaps of the Tor first edition: "It is 2028. A strike to destroy an illegal Arctic weapons cache has a catastrophic side effect. Massive amounts of energy are liberated from the polar ice, suddenly warming the Earth's climate. In the middle of the Pacific, a gigantic hurricane thousands of miles across is forming, larger than any in human history. A storm with winds of supersonic speed. A storm that changes direction at whim. A storm that refuses to die. A storm so vast it spawns dozens more in its wake... Blinded by intrigue, expedience, and greed, the world's politicians and power brokers have ignored the killer storms threat until it is too late. Already the death toll is in the tens of millions, as it savages the Pacific coast, while its devil's brood of smaller storms are wreaking havoc across the face of the planet. While the survivors scramble for advantage, a handful of courageous men and women undertake a daring, desperate plan to save humanity from total destruction - a plan so visionary it may alter forever the future of the human race."

                • Cover of Rainbows End
                  Rainbows End

                  Vernor Vinge · standalone novel · 2006

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                  A science-fiction thriller set in a place and time as exciting and strange as any far-future world: San Diego, California, 2025. Robert Gu is a recovering Alzheimer’s patient. The world that he remembers was much as we know it today. Now, as he regains his faculties through a cure developed during the years of his near-fatal decline, he discovers that the world has changed and so has his place in it. He was a world-renowned poet. Now he is seventy-five years old, though by a medical miracle he looks much younger, and he’s starting over, for the first time unsure of his poetic gifts. Living with his son’s family, he has no choice but to learn how to cope with a new information age in which the virtual and the real are a seamless continuum, layers of reality built on digital views seen by a single person or millions, depending on your choice. But the consensus reality of the digital world is available only if, like his thirteen-year-old granddaughter Miri, you know how to wear your wireless access—through nodes designed into smart clothes—and to see the digital context—through smart contact lenses. With knowledge comes risk. When Robert begins to re-train at Fairmont High, learning with other older people what is second nature to Miri and other teens at school, he unwittingly becomes part of a wide-ranging conspiracy to use technology as a tool for world domination. In a world where every computer chip has Homeland Security built-in, this conspiracy is something that baffles even the most sophisticated security analysts, including Robert’s son and daughter-in law, two top people in the U.S. military. And even Miri, in her attempts to protect her grandfather, may be entangled in the plot. As Robert becomes more deeply involved in conspiracy, he is shocked to learn of a radical change planned for the UCSD Geisel Library; all the books there, and worldwide, would cease to physically exist. He and his fellow re-trainees feel compelled to join protests against the change. With forces around the world converging on San Diego, both the conspiracy and the protest climax in a spectacular moment as unique and satisfying as it is unexpected.

                • Cover of Farnham's Freehold
                  Farnham's Freehold

                  Robert A. Heinlein · standalone novel · 1964

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                  Farnham's Freehold is a science fiction novel by American writer Robert A. Heinlein. A serialized version, edited by Frederik Pohl, appeared in Worlds of If magazine. The complete version was published in novel form by G. P. Putnam later in 1964.

                • Cover of Tomorrow!
                  Tomorrow!

                  Philip Wylie · standalone novel · 1954

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                  Conjecture of a tomorrow which brings an attack by the enemy and the destruction of all major cities across an unprepared country.

                • Cover of Robopocalypse
                  Robopocalypse

                  series · 3 books · 2011

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                  Daniel H. Wilson's Robopocalypse (2011) depicts an artificial intelligence, born from a robotics researcher's experiments, that turns against humanity and seizes control of interconnected machines worldwide. Told in a present-tense, techno-thriller style compared to Michael Crichton's work, the New York Times bestseller continues in the sequel Robogenesis, which follows the aftermath of the robot uprising.

                • Cover of Sunrise Alley
                  Sunrise Alley

                  series · 2 books · 2004

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