Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like The Waking Engine

anchored on:fantasyimmortalityotherworlddarkdark fantasygods+2 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mental unraveling — descent into madness, delusion, and minds at war with themselves.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Thief of Always
                  The Thief of Always

                  Clive Barker · standalone novel · 1992

                  similar byfantasydarkdark fantasyotherworldeerie

                  Ten-year-old Harvey Swick is bored out of his mind when a stranger named Rictus offers him a way out: Holiday House, a place where every season of the year -- Christmas, Halloween, summer -- arrives in a single glorious day, one after another. Once inside, Harvey meets fellow children Wendell and Lulu, the elderly caretaker Mrs. Griffin and her cats, and settles into a routine of enchantment that starts to feel too perfect. Their host, the mysterious Mr. Hood, never appears, rumors about a figure called Carna keep surfacing, and something in the nearby lake is very wrong. One of Clive Barker's best-known standalone books, written for younger readers.

                • Cover of The House on the Borderland
                  The House on the Borderland

                  William Hope Hodgson · standalone novel · 1908

                  similar bydarkmadnesseerieotherworld+1 more

                  The House on the Borderland (1908) is a supernatural horror novel by British fantasist William Hope Hodgson. The novel is a hallucinatory account of a recluse's stay at a remote house, and his experiences of supernatural creatures and otherworldly dimensions.

                • Cover of Malazan Book of the Fallen
                  Malazan Book of the Fallen

                  series · 20 books · 1999

                  part of Malazan

                  similar bydarkdark fantasyfantasygods

                  The Malazan Book of the Fallen is a series of epic fantasy novels written by the Canadian author Steven Erikson. The series, published by Bantam Books in the U.K. and Tor Books in the U.S., consists of ten volumes, beginning with Gardens of the Moon (1999) and concluding with The Crippled God (2011). Erikson's series presents the narratives of a large cast of characters spanning thousands of years across multiple continents.

                • Cover of Kane
                  Kane

                  series · 25 books · 1970

                  completed

                  similar bydarkfantasydark fantasy+2 more

                  Kane is a fictional character created by American author Karl Edward Wagner, who is the protagonist of three novels and about 20 short stories published between 1970 and 1985. Most Kane tales are sword and sorcery with strong elements of gothic horror and set in a grim, pre-medieval world which is nonetheless ancient and rich in history. In some of Wagner's later stories, Kane appears in the present day—for example, as a drug dealer in "Lacunae" and as a somewhat suspect publishing magnate in "At First Just Ghostly".

                • Cover of Gormenghast
                  Gormenghast

                  series · 6 books · 1946

                  completed

                  similar byfantasydark+1 more

                  Gormenghast is a fantasy series by British author Mervyn Peake, about the inhabitants of Castle Gormenghast, a sprawling, decaying, Gothic structure. Originally conceived as a single on-going novel, the series was ended by Peake's death and comprises three novels: Titus Groan (1946), Gormenghast (1950) and Titus Alone (1959); and a novella, Boy in Darkness (1956). Peake was writing a fourth novel, Titus Awakes, at the time of his death in 1968. The book was completed by Peake's widow Maeve Gilmore in the 1970s, but was not published until 2011 after it was discovered by their family.

                • Cover of Tales of the Flat Earth
                  Tales of the Flat Earth

                  series · 14 books · 1978

                  completed

                  similar byfantasydark+3 more

                  Tales from the Flat Earth is a fantasy series by British writer Tanith Lee. The novels take inspiration from One Thousand and One Nights and are similarly structured as interconnected stories. The series has been well received, and Death's Master, the second book in the series, won the British Fantasy Award for Best Novel in 1980.

                • Cover of Blood Over Bright Haven
                  Blood Over Bright Haven

                  M. L. Wang · standalone novel · 2023

                  similar bydarkfantasydark fantasybig city

                  Magic has made the city of Tiran an industrial utopia, but magic has a cost—and the collectors have come calling. An orphan since the age of four, Sciona has always had more to prove than her fellow students. For twenty years, she has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry. When she finally claws her way up the ranks to become a highmage, however, she finds that her challenges have just begun. Her new colleagues will stop at nothing to let her know she is unwelcome, beginning with giving her a janitor instead of a qualified lab assistant. What neither Sciona nor her peers realize is that her taciturn assistant was once more than a janitor; before he mopped floors for the mages, Thomil was a nomadic hunter from beyond Tiran’s magical barrier. Ten years have passed since he survived the perilous crossing that killed his family. But working for a highmage, he sees the opportunity to finally understand the forces that decimated his tribe, drove him from his homeland, and keep the Tiranish in power. Through their fractious relationship, mage and outsider uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first. Sciona has defined her life by the pursuit of truth, but how much is one truth worth with the fate of civilization in the balance? A standalone dark academia brimming with mystery, tragedy, and the damning echoes of the past. For fans of Leigh Bardugo, V. E. Schwab, and Fullmetal Alchemist.

                • Cover of The Lantern's Ember
                  The Lantern's Ember

                  Colleen Houck · standalone novel · 2018

                  similar byfantasydarkdark fantasyotherworld+1 more

                  Five hundred years ago, Jack made a deal with the devil. It s difficult for him to remember much about his mortal days. So he focuses on fulfilling his sentence as a Lantern one of the watchmen who guard the portals to the Otherworld, a realm crawling with every nightmarish creature imaginable.

                • Cover of Tender Morsels
                  Tender Morsels

                  Margo Lanagan · standalone novel · 2008

                  similar bydarkfantasydark fantasy

                  Tender Morsels (2008) is a novel by Australian author Margo Lanagan. It won the Ditmar Award in 2009 for Best Novel and was joint winner of the 2009 World Fantasy Award for Best Novel.

                • Cover of Stonewater Kingdom
                  Stonewater Kingdom

                  series · 2 books · 2025

                  similar byfantasydarkdark fantasy+1 more

                • Cover of Weaveworld
                  Weaveworld

                  Clive Barker · standalone novel · 1987

                  similar bydarkdark fantasyfantasyeerieotherworld

                  Weaveworld is a 1987 dark fantasy novel by English writer Clive Barker. It is about a magical world, known as the Fugue, which has been hidden inside a carpet to safeguard it from both inquisitive humans and hostile supernatural foes. Two humans become embroiled in the fate of the Fugue, attempting to save it from those who seek to destroy it. The book was nominated in 1988 for the World Fantasy Award for Best Novel.

                • Cover of Grimus
                  Grimus

                  Salman Rushdie · standalone novel · 1975

                  similar byfantasyimmortalityotherworld+1 more

                  After drinking a mysterious fluid that grants him immortality, the young Axona man Flapping Eagle sets out on a centuries-long search for his vanished sister, drifting through identities and eras as the decades pass without aging him. The trail eventually leads him to a hidden dimension reachable through the Mediterranean, and to Calf Island, a refuge for immortals who have grown weary of endless life but cannot bring themselves to give it up, ruled by a strange and rigid order all its own. Salman Rushdie's first novel, an early, genre-inflected departure from the realism of his later, more famous work.

                • Cover of Witches Steeped in Gold
                  Witches Steeped in Gold

                  series · 2 books · 2021

                  similar bydarkfantasydark fantasy

                • DU
                  Deepgate Universe

                  series · 5 books · 2006

                  similar bydarkdark fantasygods+3 more

                • Cover of Sekenre
                  Sekenre

                  series · 15 books · 1994

                  similar byfantasydarkdark fantasy+2 more

                • Cover of Malazan
                  Malazan

                  universe · 36 books · 1999

                  Start hereMalazan Book of the Fallen · Start here

                  similar bydark+3 more

                  Pity the historian who tries to map this world; pity more the god who thinks he rules it. The Malazan Empire marches across continents on the boots of its common soldiers, and above them move Ascendants — mortals grown into something like gods, and gods worn thin as old coin. Magic is drawn from Warrens, roads of power threaded through reality; the dead keep their grudges; and every empire, however vast, is a wager against time. This is epic fantasy told from the mud, where a sapper cracking a joke weighs as much as an immortal settling a feud older than the human race. The world began as a tabletop campaign two friends built in the 1980s, and it still moves by two hands. Steven Erikson's ten-volume Malazan Book of the Fallen is the spine — Gardens of the Moon, Deadhouse Gates, Memories of Ice, on through The Crippled God — each book a near-standalone campaign that only later reveals how it locks together. Ian C. Esslemont walks the same years from a different vantage in his Novels of the Malazan Empire (Night of Knives, Return of the Crimson Guard onward). Around them stand the prequels: Erikson's Kharkanas Trilogy, archaic and elegiac, chronicling a doomed elder people, and Esslemont's brisker Path to Ascendancy, following two adventurers before they became legends. Erikson's Witness sequence carries the tale forward, and novellas of the genial necromancers Bauchelain and Korbal Broach supply the gallows comedy. Nothing is explained to you; comprehension is earned, and that is the pleasure. The themes run deep — compassion set against cruelty, the toll empires charge, civilizations that fall and are mourned. Begin where the saga does, with Erikson's Gardens of the Moon, and read the ten in publication order; the prequels are for the already-initiated. Trust that confusion is the price of entry.

                • Cover of Forgotten Realms: War of the Spider Queen
                  Forgotten Realms: War of the Spider Queen

                  series · 6 books · 2002

                  part of Forgotten Realms

                  similar bydarkfantasydark fantasygods

                  War of the Spider Queen is a fantasy series of novels set in the Forgotten Realms universe published by Wizards of the Coast. The series contains six books focused on the drow and their principal deity Lolth. Each of the six novels in the series is written by a different author with veteran Forgotten Realms author R. A. Salvatore overseeing the project. Cover art for each book in the series was designed by Gerald Brom who has done other Forgotten Realms work including reprints of The Avatar Series.

                • Cover of Nevernight
                  Nevernight

                  series · 3 books · 2016

                  similar bydarkdark fantasy+3 more

                  The Nevernight Chronicle is a trilogy of adult fantasy novels by Australian novelist Jay Kristoff.

                • Cover of Book of the Art
                  Book of the Art

                  series · 3 books · 1989

                  similar bydarkfantasydark fantasyeerie+2 more

                  The Art was meant to be a trilogy about a hidden order guarding the boundary between our world and Quiddity, a dream-sea shared by all sleeping minds, but Clive Barker only completed two of its three volumes. The Great and Secret Show follows a decades-long feud between two men who discover Quiddity's power - one seeking to harness it, the other to protect it - with consequences that distort reality itself; Everville continues the story a generation later. The planned third volume was never published.

                • Cover of White As Snow
                  White As Snow

                  Tanith Lee · standalone novel · 2000

                  similar byfantasydarkdark fantasy+2 more

                  "Arpazia is the aging queen who paces the halls of a warlord's palace. Cold as winter, she has only one passion for the mysterious hunter who courts the outlawed old gods of the woodland. Coira is the princess raised in the shadow of her mother's hatred. Avoided by both her parents and half-forgotten by her father's court, she grows into womanhood alone until the mirror speaks, and blood is spilled, and the forest claims her."--Jacket.

                • Cover of New Crobuzon
                  New Crobuzon

                  series · 4 books · 2000

                  similar bydarkfantasy+3 more

                  The New Crobuzon books are three standalone novels by China Miéville set in and around New Crobuzon, a vast, corrupt industrial city in his invented world of Bas-Lag where magic, biopunk technology, and several sentient species coexist. Perdido Street Station follows a renegade scientist and his lover after an experiment unleashes something monstrous on the city, while The Scar and Iron Council return to the same setting with different casts and only loose continuity between books.

                • Cover of Blood of Lilith
                  Blood of Lilith

                  series · 1 book · 2025

                  similar byfantasydarkdark fantasybig city

                • Cover of Sign for the Sacred
                  Sign for the Sacred

                  Storm Constantine · standalone novel · 1993

                  similar bydarkfantasydark fantasy

                  The Church of Ixmarity is under siege – the followers of the maverick prophet Resence Jeopardy are winning new converts daily and their heresy threatens the state itself, as well as the wealth and position of those who govern it, particularly the eccliesiarch, Wilfish Implexion. Implexion is determined to stamp out the Jeopardites by any means at his disposal, no matter how ruthless. But the Jeopardites are nomadic, flitting from sanctuary to sanctuary, constantly evading the forces of Ixmarity. Implexion is not alone in his determination to seek out the elusive heretic – four others are desperate in their desire to find Jeopardy... Lucein ... a former colleague of Resences Jeopardy, a vibrancer of the Church of Ixmarity, a man who would have dedicated his life to the dance in respectable slavery had it not been for the love of the prophet to be. Cleo...the child bride of a poisoner. When the beautiful Inky, one of Jeopardy’s illegitimate offspring, is brought to her house for disposal, she falls in love – with the boy and with his sire. Selilah and Trajan..brought together by death and disease. Delilah is orphaned by Rajan’s violent attack on her village, and she’s the only one ont prey to either his wrath or the pernicious plague he carries. Delilah promises to watch over Trajan as he returns to the sanctuary of the Jeopardite camp – he believes Resenence is his only possible saviour from the terrible curse he carries. But in finding Jeopardy all four questers are ultimately surprised by the nature of their success...

                • Cover of Julian
                  Julian

                  series · 19 books · 1976

                  similar bydarkfantasydark fantasy