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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Tiger Tale

anchored on:fantasywitchesnorth americacontemporarylightheartedmiddle grade+2 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories centered on witches and the practice of witchcraft — covens, hedge magic, familiars, and the witch's place in her community.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Magic in Manhattan (Sarah Mlynowski)
                  Magic in Manhattan (Sarah Mlynowski)

                  series · 4 books · 2005

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                • Cover of Washington Witches / Jane Madison
                  Washington Witches / Jane Madison

                  series · 6 books · 2006

                  part of Magical Washington

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                • Cover of ParaNorman
                  ParaNorman

                  Elizabeth Cody Kimmel · standalone novel · 2012

                  similar bynorth americacontemporaryfantasywitchesfunnymiddle gradecoming of age

                  In a quaint New England town with a history of witches and pilgrims, misunderstood eleven-year-old Norman Babcock can see and talk to ghosts. No one believes him, of course-everyone just thinks he's weird (including his parents). But when a folktale of a witch who cursed her accusers turns out to be true, it's up to Norman to save the town from pilgrim zombies! He'll also have to take on a very angry witch, an annoying sidekick, his boy-crazy teenage sister, and dozens of moronic grown-ups who get in his way. This young ghoul whisperer finds his paranormal talents pushed to their otherworldly limits in this hilarious and spooky adventure!

                • Cover of Devilish
                  Devilish

                  Maureen Johnson · standalone novel · 2006

                  similar bynorth americacontemporaryfantasyurban fantasyfunnyfriendship+1 more

                  Jane Jarvis, a senior at a Catholic girl's school in Providence, Rhode Island, tries to save her best friend by making a pact with a demon--in the form of a cupcake-eating, very friendly teenage girl.

                • Cover of The Christmas Genie
                  The Christmas Genie

                  Dan Gutman · standalone novel · 2009

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                  When a meteorite crashes into a fifth-grade classroom at Lincoln School in Oak Park, Illinois, the genie inside agrees to grant the class a Christmas wish--if they can agree on one within an hour.

                • Cover of The Nose from Jupiter
                  The Nose from Jupiter

                  Richard Scrimger · standalone novel · 1998

                  similar bynorth americacontemporaryfantasyfunnylightheartedmiddle gradefriendshipcoming of age

                  Richard Scrimger is a Canadian writer who has published fourteen books since 1996. He is best known for his children's literature, but has also written three books for adults: Crosstown (1996), Still Life With Children (1997) and Mystical Rose (2000). His books have been translated into several languages.

                • Cover of Texas Gothic
                  Texas Gothic

                  Rosemary Clement-Moore · standalone novel · 2011

                  similar bywitchesnorth americacontemporaryfantasyurban fantasy+1 more

                  Amy Goodnight's family is far from normal. She comes from a line of witches, but tries her best to stay far outside the family business. Her summer gig? Ranch-sitting for her aunt with her wacky but beautiful sister. Only the Goodnight Ranch is even less normal than it normally is. Bodies are being discovered, a ghost is on the prowl, and everywhere she turns, the hot neighbor cowboy is in her face.

                • Cover of The Magic Nation Thing
                  The Magic Nation Thing

                  Zilpha Keatley Snyder · standalone novel · 2005

                  similar bycontemporaryfantasywitchesnorth americaurban fantasymiddle gradecoming of age

                  Abby O'Malley is a girl who likes things to make sense. School makes sense, and her best friend Paige makes sense (most of the time), but Abby's flighty mother never makes sense. Abby's mom seems to think that she and Abby are descended from a line of witches, and that they have special powers--psychic powers that don't make sense at all. The problem is, Abby knows that she can do certain things that other people can't. Sometimes, when she holds an object in her hand, she's overpowered by sounds and pictures that show where the owner is and what he or she is doing. Abby thinks of this as her "magic nation," because that is what her kindergarten teacher told her it was called. Now 11, Abby has an inkling that her teacher may have been saying it was her "imagination," which unfortunately, she knows it is not. Now some things are happening in her mother's detective agency--cases where Abby's magic nation thing might come in handy. But does Abby want to admit that such a sensible girl could have such an unsensible power?From the Hardcover edition.

                • Cover of Life's a Witch
                  Life's a Witch

                  series · 3 books · 2011

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                • Cover of The Rest of Us Just Live Here
                  The Rest of Us Just Live Here

                  Patrick Ness · standalone novel · 2015

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                  What if you aren't the Chosen One? The one who's supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death? What if you're like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again. Because sometimes there are problems bigger than this week's end of the world, and sometimes you just have to find the extraordinary in your ordinary life. Even if your best friend is worshipped by mountain lions.

                • Cover of How to Succeed in Witchcraft
                  How to Succeed in Witchcraft

                  Aislinn Brophy · standalone novel · 2022

                  similar bywitchesnorth americacontemporaryfantasyurban fantasycoming of age+1 more

                  How to Succeed in Witchcraft is an LGBT fantasy young adult novel written by Aislinn Brophy and published by G.P. Putnam's Sons Books for Young Readers in August 2023. The book follows Shay Johnson, a junior at T.K. Anderson Magician Magnet School, in South Florida.

                • Cover of The Witches of Eastwick
                  The Witches of Eastwick

                  series · 2 books · 1984

                  completed

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                • Cover of Hellhole
                  Hellhole

                  Gina Damico · standalone novel · 2015

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                  A devil is a bad influence... There was a time when geeky, squeaky-clean Max Kilgore would never lie or steal or even think about murder. Then he accidentally unearths a devil, and Max’s choices are no longer his own. The big red guy has a penchant for couch surfing and junk food—and you should never underestimate evil on a sugar high. With the help of Lore, a former goth girl who knows a thing or two about the dark side, Max is racing against the clock to get rid of the houseguest from hell before time, and all the Flamin’ Hot Cheetos this side of the fiery abyss, run out.

                • Cover of T*Witches
                  T*Witches

                  series · 10 books · 2001

                  similar bywitchescontemporaryfantasycoming of agemiddle grade+2 more

                  T*Witches is an American children's fantasy novel series by H. B. Gilmour and Randi Reisfeld which were published between 2001 and 2004 by Scholastic Press, a subsidiary of Scholastic Corporation.

                • Cover of Witch Twins
                  Witch Twins

                  series · 4 books · 2001

                  similar bycontemporaryfantasywitcheslightheartedmiddle grade+3 more

                • Cover of Black Dragon
                  Black Dragon

                  series · 2 books · 1983

                  similar bycontemporaryfantasynorth americaurban fantasyfriendship

                  R. A. MacAvoy's Tea with the Black Dragon pairs Martha Macnamara, a folk musician searching for her missing daughter, with Mayland Long, a courtly stranger who reveals himself to be a dragon living in human form, as they investigate a computer-fraud scheme in 1980s San Francisco. Its low-key blend of contemporary mystery and gentle fantasy proved popular enough to spawn a sequel, Twisting the Rope, following the same pair into a new case years later.

                • Cover of Tuck Everlasting
                  Tuck Everlasting

                  Natalie Babbitt · standalone novel · 1975

                  similar bynorth americacontemporaryfantasymiddle gradecoming of age

                  Publisher's description: "The Tuck family is confronted with an agonizing situation when they discover that a ten-year-old girl and a malicious stranger now share their secret about a spring whose water prevents one from ever growing any older."

                • Cover of Hoodoo
                  Hoodoo

                  Ronald L. Smith · standalone novel · 2015

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                  With this vivid debut, Zora Neale Hurston meets Stephen King in a supernatural Southern Gothic tale for middle grade readers.

                • Cover of Tam Lin
                  Tam Lin

                  Pamela Dean · standalone novel · 1991

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                  Tam Lin is a 1991 contemporary fantasy novel by United States author Pamela Dean, who based it on the traditional Scottish border ballad "Tam Lin".

                • Cover of With a Little Luck
                  With a Little Luck

                  Marissa Meyer · standalone novel · 2024

                  similar bynorth americacontemporaryfantasylightheartedfriendshipcoming of age

                  Jude is determined to fly under the radar. He just wants to draw his comics, host regular D&D night with his friends, work at his parents’ vinyl record store, and escape high school as unscathed as possible. That is, until the night he comes across a mysterious twenty-sided dice and finds himself inexplicably gifted with a bout of supernatural good luck. Suddenly, everything Jude has ever wanted is within reach. His first art submission is accepted to his favorite fanzine. He helps his friend’s song become a finalist in a songwriting competition. And he’s the 100th caller to a local radio contest, winning him a pair of coveted concert tickets, which he uses to ask out the popular girl he’s been crushing on since elementary school. For a few blissful weeks, he feels invincible. But when he loses the magic dice at a local music festival, his luck takes a turn for the worse. He struggles to reclaim his good fortune while fighting off long-buried feelings for his best friend―who is definitely not the girl he’s supposed to be in love with. Can Jude risk stepping into the spotlight long enough to win the true girl of his dreams? Or is he doomed to be unlucky in love forever?

                • Cover of Whispering to Witches
                  Whispering to Witches

                  Anna Dale · standalone novel · 2004

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                  Whispering to Witches is British writer Anna Dale's first novel, published in 2004 by Bloomsbury Publishing. It is a magical mystery adventure intended for children age 8–12. It was publisher Bloomsbury's main title for Autumn 2004 and was scheduled for distribution in the UK, the United States, Germany, and other countries.

                • Cover of The Witch Saga
                  The Witch Saga

                  series · 6 books · 1975

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                  The Witch Saga is a 6-part fantasy novel series by author Phyllis Reynolds Naylor. The books deal with supernatural forces, specifically witchcraft. Witch's Sister, the first book in the series, was adapted into an episode of the television series, Big Blue Marble.

                • Cover of Highfire
                  Highfire

                  Eoin Colfer · standalone novel · 2020

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                  Wyvern, Lord Highfire of the Highfire Eyrie, is the last dragon on Earth and is hiding out in a Louisiana swamp. He strikes a deal with Cajun swamp rat Squib: Squib will keep him company and fetch supplies for him and Vern will protect Squib from the dirty cop that is chasing him. However, there will be soon be a firery reckoning, in which dragons wither finally become extinct or Ver's glory days are back.

                • Cover of Lewis Barnavelt
                  Lewis Barnavelt

                  series · 12 books · 1973

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                  Lewis Barnavelt is a lonely orphan who moves in with his uncle Jonathan, an amateur wizard, in a rambling old house that turns out to hide a doomsday clock built into its walls by a previous, malevolent owner. John Bellairs introduced the character in The House with a Clock in Its Walls (1973), illustrated by Edward Gorey, and after Bellairs's death Brad Strickland continued the series from his notes and outlines for most of its later volumes. It blends gothic horror atmosphere with a gentler, more whimsical strain of children's fantasy.