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Reading orders for SF/F series and shared universes — with your place kept in every one.

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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Underground

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Alias Grace
                  Alias Grace

                  Margaret Atwood · standalone novel · 1996

                  similar byliterary & generalreflectiveidentity19th century

                  Alias Grace is a historical fiction novel by Canadian writer Margaret Atwood. First published in 1996 by McClelland & Stewart, it won the Giller Prize and was shortlisted for the Booker Prize.

                • Cover of Chava and Ahmad
                  Chava and Ahmad

                  series · 3 books · 2013

                  similar by+4 more

                  Helene Wecker's The Golem and the Jinni brings together two mythical beings adrift in 1899 New York: Chava, a golem shaped from clay by a rabbi versed in Kabbalistic magic, and Ahmad, a jinni born of fire in ancient Syria. Freed into a city of immigrant communities, the two form an unlikely bond while hiding their true natures from the humans around them. Wecker continues their story in the 2021 sequel The Hidden Palace.

                • Cover of Island
                  Island

                  Aldous Huxley · standalone novel · 1962

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                  Island is a 1962 utopian manifesto and novel by English writer Aldous Huxley, the author's final work before his death in 1963. Although it has a plot, the plot largely serves to further conceptual explorations rather than setting up and resolving conventional narrative tension.

                • Cover of The History of Mr. Polly
                  The History of Mr. Polly

                  H. G. Wells · standalone novel · 1910

                  similar byliterary & generalreflectiveidentity19th century

                  The History of Mr. Polly is a 1910 comic novel by H. G. Wells.

                • Cover of The Martian
                  The Martian

                  George du Maurier · standalone novel · 1897

                  similar byliterary & generalreflective19th century+1 more

                  The Martian, by George du Maurier, is a largely autobiographical novel published in 1898 and the author's third. It describes the life of Barty Josselin as told by his close friend Robert Maurice, starting from their school days in Paris in the 1850s. Written in long descriptive passages with very little dialogue and many digressions, the book had considerably less success in its time than its predecessor, the popular Trilby.

                • Cover of Ada or Ardor: A Family Chronicle
                  Ada or Ardor: A Family Chronicle

                  Vladimir Nabokov · standalone novel · 1969

                  similar byliterary & general19th century+2 more

                  An alternate-world novel by the celebrated author of "Lolita" in which North America is a 19th- and early 20th-century province of Russia still ruled by Tsars.

                • Cover of Mother Night
                  Mother Night

                  Kurt Vonnegut & Jr. · standalone novel · 1962

                  similar byliterary & generalreflectiveidentityour world

                  Howard W. Campbell Jr., an American playwright who grew up in Germany, writes his memoirs from an Israeli prison cell awaiting trial for war crimes. As the Nazis rose to power, Campbell stayed on, married a German actress, and was recruited by an American agent to serve as a double agent, broadcasting Nazi propaganda over the radio while secretly passing coded intelligence to the Allies. The catch, as Campbell tells it, is that he became one of the war's most effective propagandists in the process, whatever his loyalties. Kurt Vonnegut's darkest novel asks what a person becomes when the mask he wears for a cause is indistinguishable from his face.

                • Cover of Piranesi
                  Piranesi

                  Susanna Clarke · standalone novel · 2020

                  similar byliterary & generalreflectiveidentityunderground & caves

                  A man lives in a huge isolated labyrinthine building partially submerged in an ocean, together with another man and 13 skeletons, which is the only world he recalls.

                • Cover of VALIS
                  VALIS

                  series · 4 books · 1981

                  completed

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                  The VALIS trilogy is a set of science fiction/philosophical novels by author Philip K. Dick which include VALIS (1981), The Divine Invasion (1981), and The Transmigration of Timothy Archer (1982). Dick's first novel about the VALIS concept originally titled "VALISystem A", was published as Radio Free Albemuth after Dick's death in 1985.

                • Cover of Kipps: The Story of a Simple Soul
                  Kipps: The Story of a Simple Soul

                  H. G. Wells · standalone novel · 1905

                  similar byliterary & generalreflectiveidentity19th century

                  An orphan's life suddenly changes when he discovers he is the inheritor of a wealthy gentleman. Thrown into high society, he struggles to learn about etiquette and its rules, discovering that to be a "true gentleman" is not just a question of money.

                • Cover of Martin Dressler: The Tale of an American Dreamer
                  Martin Dressler: The Tale of an American Dreamer

                  Steven Millhauser · standalone novel · 1996

                  similar byliterary & generalreflectiveidentity19th century

                  Martin Dressler: The Tale of an American Dreamer is a 1996 novel by Steven Millhauser. It won the 1997 Pulitzer Prize for Fiction and was a finalist for the 1996 National Book Award. It follows the exploits of Martin Dressler, a young, optimistic entrepreneur, in late nineteenth-century New York City. It vividly evokes its time and place through elaborate description.

                • Cover of Wild Life
                  Wild Life

                  Molly Gloss · standalone novel · 2000

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                • Cover of The Midnight World
                  The Midnight World

                  series · 2 books · 2020

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                • Cover of The Collected Science Fiction and Fantasy of Jack London
                  The Collected Science Fiction and Fantasy of Jack London

                  series · 6 books · 1906

                  completed

                  similar byour world+1 more

                • Cover of Earthsea Cycle
                  Earthsea Cycle

                  series · 18 books · 1964

                  completed

                  part of Earthsea

                  similar byreflective+1 more

                  The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

                • Cover of Wold Newton
                  Wold Newton

                  series · 21 books · 1972

                  similar byour world+3 more

                  The Wold Newton family is a literary concept derived from a form of crossover fiction developed by the American science fiction writer Philip José Farmer.

                • Cover of Dr. Heidenhoff's Process
                  Dr. Heidenhoff's Process

                  Edward Bellamy · standalone novel · 1880

                  similar byliterary & generalreflectiveidentity19th century

                  Dr. Heidenhoff's Process is an early novel by American author Edward Bellamy. The book was first published by D. Appleton & Company in 1880.

                • Cover of The Lovelock Version
                  The Lovelock Version

                  Maurice Shadbolt · standalone novel · 1980

                  similar byliterary & generalreflectiveidentity19th centuryoceaniacolonialism

                  The Lovelock Version is a long historical novel by New Zealand writer Maurice Shadbolt that calls into question the interpretation of the past through the narrative process. Published in Auckland and London in 1980 and in New York in 1981, it won the New Zealand Book Award for Fiction and the James Wattie Award.

                • Cover of The Chymical Wedding
                  The Chymical Wedding

                  Lindsay Clarke · standalone novel · 1989

                  similar byliterary & generalreflectiveidentity19th centuryour world

                  The Chymical Wedding is a 1989 novel by Lindsay Clarke about the intertwined lives of six people in two different eras. Inspired by the life of Mary Anne Atwood, the book includes themes of alchemy, the occult, fate, passion, and obsession. It won the Whitbread Prize for fiction in 1989.

                • Cover of Empire of the Sun
                  Empire of the Sun

                  series · 2 books · 1984

                  completed

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                  J. G. Ballard's Empire of the Sun draws on his own childhood to follow Jim, a British boy separated from his parents in Japanese-occupied Shanghai during World War II and interned in a civilian camp for the rest of the war. Ballard revisited the same period and a version of the same character years later in The Kindness of Women, a more explicitly fictionalized continuation into Jim's adult life. Empire of the Sun is the more directly autobiographical and better-known of the two.

                • Cover of Villette
                  Villette

                  Charlotte Brontë · standalone novel · 1853

                  similar byliterary & generalreflectiveidentity19th century+1 more

                  Villette is an 1853 novel written by English author Charlotte Brontë. After an unspecified family disaster, the protagonist Lucy Snowe travels from her native England to the fictional Continental city of Villette to teach at a girls' school, where she is drawn into adventure and romance.

                • Cover of Orsinia
                  Orsinia

                  series · 16 books · 1961

                  completed

                  similar byliterary & generalreflective+1 more

                  Orsinia is Ursula K. Le Guin's invented Central European country, used as the setting for character-driven historical fiction rather than her more famous science fiction and fantasy: the linked short stories of Orsinian Tales and the novel Malafrena, set among failed 1820s revolutionaries. There's no ongoing plot connecting the pieces; Orsinia functions more as a shared place and history than a series with continuing characters.

                • Cover of Whileaway
                  Whileaway

                  series · 4 books · 1972

                  completed

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                  Joanna Russ's The Female Man (1975) is a single feminist science fiction novel, not a multi-book series, built around four women from parallel timelines with very different gender arrangements. One of them, Janet, comes from Whileaway, an all-female utopian Earth ten centuries in the future where men died out in a plague; the other three come from realities closer to Russ's own, and their collisions are used to interrogate what womanhood and equality could mean under different social rules.

                • Cover of Grendel
                  Grendel

                  John Gardner · standalone novel · 1971

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                  Between bouts of his war on the king of the Danish Norsemen, the monster philosophizes about life and fate.