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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Westside

anchored on:historical fantasynorth america19th centurymystery & detectivepolitical intriguemurder investigation+2 more

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Fata Morgana
                  Fata Morgana

                  William Kotzwinkle · standalone novel · 1977

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                  From the flaps of the Knopf first edition: "In Fata Morgana a celebrated novelist turns conjurer to bring us a supremely theatrical magic show - a rich exotic entertainment of crime, treble-trickery, and legerdermain, with Europe as its stage and the golden leaders of the Uppercrust and the Underworld as its players. The time and place are Paris, 1861 - the extravagant capital of Louis Napoleon and his Empress Eugenie, the gaudy, blatant public arena of Great Whores and fabulous charlatans; the treacherous private labyrinth of Police Inspector Paul Picard and the human prey he stalks. Picard is a hunter of the purest instincts, with an appetite for the ladies, a taste for lemon tarts, and a policeman's nose for hard realities. As the book opens he is on his way to the Opera, for music and murder: among the guests is as elegant a killer as ever sliced his way through Parisian high society, and on his arm is the young woman he means to decapitate tonight. A strange encounter with them precipitates Picard into a new and (apparently) trivial assignment - a case that is fated to disrupt and then transform, irrevocably, his life. At first it seems routine: a man - Ric Lazare - has recently arrived in Paris and in a short time has captured the jaded attention and the favors of the entire city. His aura of opulence, his bewitching wife, Rene, and, above all, his unearthly fortune-telling machine have won him entree to the salons (and the bank vaults) of the most dazzling leaders of society, including, it is whispered, the Emperor himself. But, who - and what - is Lazare? Is he a crook? A master of illusions? A real magician? Or - more terrible - a reincarnation from an Older World? To find the answer, Picard must follow the thread of the man's past. His quest takes him from Paris to Vienna, Nuremberg, Budapest, and on to the dark, menacing valleys and steppes of eastern Hungary, uncovering a trail of deceit and violent death: a fabled toy maker driven to destroy himself and a lifetime's priceless creations... a man ruthlessly killed over a dice game... a beautiful woman purchased at auction, then stolen away... the sudden death of a priest. Beset by intimations of his own mortality, by a sense of inexplicable entrapment in a malign world of mechanical and deadly playthings, by a slowly suffocating conviction that he is undertaking a journey he has made before, Picard, caught up in the quickening pace, returns to Paris - and to a terrifying confrontation with his quarry and his own destiny."

                • Cover of The City & the City
                  The City & the City

                  China Miéville · standalone novel · 2009

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                  Inspector Tyador Borlú must travel to Ul Qoma to search for answers in the murder of a woman found in the city of Besźel. (Source: OCLC record)

                • Cover of The Waterworks
                  The Waterworks

                  E. L. Doctorow · standalone novel · 1994

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                  The Waterworks (1994) is a book by American writer E. L. Doctorow. It was his eighth published novel.

                • Cover of The Peculiarities
                  The Peculiarities

                  David Liss · standalone novel · 2021

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                  All of his life, Thomas Thresher has been free of obligation and responsibility, but that is over now. He is a twenty-three-year-old man whose best days are behind him. Thomas's older brother Walter has trapped him in a tedious clerical job at the family bank in London, and Thomas is expected to wed a wealthy young woman in whom he has no interest. But Thomas has more serious problems than those of a disaffected young man. There are irregularities at the bank he cannot explain. His childhood friend has mysteriously turned up dead. Worse, a verdant skin malady has infected him: leaves have begun sprouting on his skin. Thomas must conclude that it is due to the long-rumored Peculiarities. London's famous grey fog has been concealing a rash of unnatural afflictions--and worse, the murderous Elegants. As Thomas grows leafier, the conspiracies surrounding him become more apparent. He cannot determine whom to trust: his own family; his banking co-workers and superiors; the beautiful widow of his companion; the woman he is to marry. Or perhaps a lycanthropic medium; the members of a secret occult society...or even Aleister Crowley.

                • Cover of The Portrait of Mrs. Charbuque
                  The Portrait of Mrs. Charbuque

                  Jeffrey Ford · standalone novel · 2002

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                  "The toast of 1893 New York society, the portraitist Piero Piambo has his pick of choice assignments. Acclaimed by his peers and his "betters," he is a fixture in the city's most opulent salons, yet he fears he has sold his soul to arrive there. But then comes a commission unlike any other - one that will test Piambo's talents, his will .. and his sanity.". "The client is a Mrs. Charbuque, and the offer she makes to the artist is as bizarre and intriguing as it is financially rewarding. Piambo must paint the lady's portrait, and for the service he may name any price. However, though he may question her at length on any topic, he must never look upon his subject. And if the painting ends up a true likeness, his payment will be doubled.". "With sketchbook in hand and his "model" hidden behind an elegant screen, the artist begins his haunting descent into her life and mind. Carried by her words through a strange childhood in a world of ice - where she aided an obsessed, perhaps murderous, father in his study of the divine language of snowflakes - and across a history marked by fame and despair, desire and rage, phantasm and myth, Piambo is alternately seduced and repulsed by the story she has to tell. Yet each session leaves him more determined than ever to unwrap the enigma that is Mrs. Charbuque.". "But while he struggles to capture in oils the face of a woman he has never seen, a series of horrific and inexplicable deaths rocks the outside city. On street corners, in the alleys off the bustling shopping areas, and between the crumbling tenements, anonymous women are dying, their lifeblood flowing freely like tears from their eyes. And the deeper Piambo is drawn into Mrs. Charbuque's world, the more he begins to suspect that these terrible events, his impossible task, and his odd "benefactress" are somehow intimately connected."--BOOK JACKET.

                • Cover of Ministry of Alchemy
                  Ministry of Alchemy

                  series · 5 books · 2016

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                • Cover of Death Is a Lonely Business
                  Death Is a Lonely Business

                  Ray Bradbury · standalone novel · 1985

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                  Death Is a Lonely Business is a mystery novel by American writer Ray Bradbury, published in 1985. The story, set in 1949, is about a series of murders that happen in Venice, California, then a declining seaside community in Los Angeles where Bradbury lived from 1942 to 1950. The main character and narrator is a sensitive, modest writer, with a girlfriend studying in Mexico City. In the course of the story he meets Elmo Crumley, a detective who helps him solve the mystery behind all the semi-murders occurring among a series of eccentric characters in the forgotten town.

                • Cover of Cahokia Jazz
                  Cahokia Jazz

                  Francis Spufford · standalone novel · 2023

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                  Cahokia Jazz is an alternate-history detective novel by Francis Spufford released in Great Britain in 2023 and the United States in 2024.

                • Cover of List of 7
                  List of 7

                  series · 2 books · 1993

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                • Cover of The Golden
                  The Golden

                  Lucius Shepard · standalone novel · 1993

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                  Deviating from traditional tales that feature lonely vampires who prowl through human society in search of victims or solace, this account of vampires flourishing in their own "inhuman society" takes place in the year 1860, when their centuries-long breeding experiments have finally produced "The Golden," a mortal whose blood is perfect and powerful. Mobilized by the news of this discovery, aristocratic vampire clans arrive at the looming Castle Banat, where they plan to partake of the sublime blood. To their shock, the guests find that The Golden, a young girl, has been brutally murdered and her blood already drained. The story also follows the Inspector Michael Beheim—a recent vampire—assigned to track down the killer. Recounted in full 19th-century literary style with gothic elements and foreshadowing, the inspector navigates his way through the vampire world and the crime therein.

                • Cover of Necropolis
                  Necropolis

                  Basil Copper · standalone novel · 1980

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                  Amazon: Set in an alternate Victorian London, where Sherlock Holmes and Dr. Watson are not just fictional characters, Basil Copper's Necropolis (1980) is a tale of mystery and intrigue worthy of Arthur Conan Doyle or Wilkie Collins. Private detective Clyde Beatty, a rival of the great Holmes, has been hired by the lovely Angela Meredith to inquire into her father's suspicious death. As Beatty's investigation unfolds, the danger intensifies: more murders ensue, and attempts are made on his life. It is clear there is more to Mr. Meredith's death than meets the eye, and it may have something to do with the brazen robbery of a fortune in gold bullion. The clues lead Beatty to the eerie Brookwood Cemetery, where fatal secrets lie hidden in the catacombs beneath a city of the dead....

                • TB
                  The Bookman Universe

                  series · 6 books · 2010

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                • Cover of The Two Georges
                  The Two Georges

                  Harry Turtledove & Richard Dreyfuss · standalone novel · 1995

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                  Alternate history where Britain keeps the American colonies after George Washington and King George III agree a settlement.

                • Cover of Deception Point
                  Deception Point

                  Dan Brown · standalone novel · 2001

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                  Deception Point is a 2001 mystery-thriller novel by American author Dan Brown. It is Brown's third novel. It was published by Simon & Schuster.

                • Cover of The Luminaries
                  The Luminaries

                  Eleanor Catton · standalone novel · 2013

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                  The Luminaries is a 2013 novel by Eleanor Catton. Set in New Zealand's South Island in 1866, the novel follows Walter Moody, a prospector who travels to the West Coast settlement of Hokitika to make his fortune on the goldfields. Instead, he stumbles into a tense meeting between twelve local men, and is drawn into a complex mystery involving a series of unsolved crimes. The novel's complex structure is based on the system of Western astrology, with each of the twelve local men representing one of the twelve signs of the zodiac, and with another set of characters representing planets in the Solar System.

                • Cover of The Game-Players of Titan
                  The Game-Players of Titan

                  Philip K. Dick · standalone novel · 1963

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                  In a depopulated, mostly sterile America, land, marriages and social standing are all wagered on Bluff, a high-stakes game administered by the vugs, gelatinous, gambling-obsessed aliens from Titan who rule Earth without ever quite occupying it. Pete Garden's bipolar disorder threatens his standing among the game's players even as his new wife becomes pregnant, a near-miraculous event in this exhausted world, and his attraction to a telepath complicates things further. When a fellow player turns up dead, Pete finds himself a suspect in a mystery tangled up with induced amnesia and vug politics he barely understands. Philip K. Dick's 1963 novel.

                • Cover of Glass Town
                  Glass Town

                  Steven Savile · standalone novel · 2017

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                  "In 1924, two brothers both loved Eleanor Raines, a promising young actress from the East End of London. She disappeared during the filming of Alfred Hitchcock's debut, Number 13, which itself is now lost. It was the crime of the age, capturing the imagination of the city: the beautiful actress never seen again, and the gangster who disappeared the same day. Generations have passed. Everyone involved is long dead. But even now their dark, twisted secret threatens to tear the city apart. Joshua Raines is about to enter a world of macabre beauty, of glittering celluloid and the silver screen, of illusion and deception, of impossibly old gangsters and the fiendish creatures they command, and most frighteningly of all, of genuine magic." --

                • Cover of The Arcanum
                  The Arcanum

                  Thomas Wheeler · standalone novel · 2004

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                  The Arcanum is a 2005 novel by Thomas Wheeler. Set in 1919 it concerns the last case of occult-busters Sir Arthur Conan Doyle, Harry Houdini, H. P. Lovecraft, and voodoo queen Marie Laveau.

                • Cover of The Yiddish Policemen's Union
                  The Yiddish Policemen's Union

                  Michael Chabon · standalone novel · 2007

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                  In an alternate present where Jewish refugees settled Alaska during World War II rather than Israel, homicide detective Meyer Landsman -- divorced, drinking, living in a run-down hotel -- catches a case in his own building: a former chess prodigy, shot dead beside an unfinished game. Landsman and his half-Tlingit partner Berko Shemets learn the dead man was more than he seemed, connected to a messianic movement within Sitka's Orthodox community, just as the settlement faces a countdown of its own -- its status as a federal district about to expire, everyone's future up for grabs. Michael Chabon's Hugo- and Nebula-winning noir, told as hardboiled alternate history.

                • Cover of Picture the Dead
                  Picture the Dead

                  Adele Griffin & Lisa Brown · standalone novel · 2010

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                  After Jennie Lovell's fiance , Will, is killed during the Civil War, she forms an alliance with a spirit photographer and uses her ability to talk to the dead to investigate the secrets Will was hiding and how he really died.

                • Cover of Fire, Burn!
                  Fire, Burn!

                  John Dickson Carr · standalone novel · 1957

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                  Fire, Burn! is a 1957 historical mystery novel by John Dickson Carr. Carr considered this one of his best impossible crime novels.

                • Cover of Murder & Magic
                  Murder & Magic

                  series · 4 books · 2021

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                • Cover of Sally Lockhart
                  Sally Lockhart

                  series · 4 books · 1985

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                  Philip Pullman's Sally Lockhart quartet follows a resourceful, unconventional heroine navigating Victorian London - a sharpshooting, mathematically gifted young orphan who builds an improbable career as a financial consultant against the era's expectations for women. The Ruby in the Smoke opens with Sally investigating her father's death and a mysterious jewel; the following novels widen out into fraud, opium-trade crime, and international intrigue, tracking Sally's evolving relationships, including with the journalist Daniel Goldberg, across four Victorian-set mysteries.

                • Cover of Benjamin January
                  Benjamin January

                  series · 21 books · 1997

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                  The Benjamin January mysteries is a series of historical murder mystery novels by Barbara Hambly. The series is named after the main character of the books, an African American surgeon, pianist, teacher and amateur sleuth.