Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Winter Wolf

anchored on:fantasyour worldcontemporary

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Watership Down
                  Watership Down

                  series · 21 books · 1972

                  completed

                  similar byfound familyfantasycontemporaryour world+1 more

                  Watership Down is Richard Adams's 1972 novel following a group of rabbits who flee the destruction of their warren and cross the English countryside of Hampshire in search of a new home, developing over the journey a full rabbit culture of language, proverbs, and mythology. Adams returned to the same world in 1996 with Tales from Watership Down, a collection of nineteen short stories mixing rabbit folklore with further adventures of characters from the novel.

                • Cover of Bod Owens
                  Bod Owens

                  series · 3 books · 2007

                  similar byfound familyfantasycontemporaryour world+2 more

                  The Graveyard Book follows Nobody "Bod" Owens, a toddler who escapes the murder of his family and is raised among the ghosts of an old English graveyard, absorbing their otherworldly customs while a threat from his past waits beyond the gates. Neil Gaiman's 2008 novel won both the Newbery and Carnegie Medals, and illustrator P. Craig Russell later adapted it into a two-volume graphic novel. Bod's story spans the original novel and that graphic-novel retelling rather than continuing in a prose sequel.

                • Cover of James and the Giant Peach
                  James and the Giant Peach

                  Roald Dahl · standalone novel · 1961

                  similar byfound familyfantasycontemporaryour world+1 more

                  James and the Giant Peach is a children's novel written in 1961 by British author Roald Dahl. The first edition, published by Alfred Knopf, featured illustrations by Nancy Ekholm Burkert. There have been re-illustrated versions of it over the years, drawn by Michael Simeon, Emma Chichester Clark, Lane Smith and Quentin Blake. It was adapted into a film of the same name in 1996 which was directed by Henry Selick, and a musical in 2010.

                • Cover of The Dark Artifices
                  The Dark Artifices

                  series · 4 books · 2016

                  part of The Mortal Instruments

                  similar byemotionalfound familycontemporaryfantasyyoung adulturban fantasy

                  The Dark Artifices is a trilogy written by Cassandra Clare. The series is chronologically the fourth series in The Shadowhunter Chronicles and a sequel to The Mortal Instruments. It is set in Los Angeles. The series consists of three books: Lady Midnight, Lord of Shadows and Queen of Air and Darkness, in that particular order. Centered around the protagonist, Emma Carstairs, the series follows her journey as a Shadowhunter at the Los Angeles Institute, and her life with her best-friend and parabatai, Julian Blackthorn, and his family. The series is about a sacred bond of "parabatai", two bonded Shadowhunters, and it is more valuable than any bond in this world. This bond makes the two more powerful and strong, but there is only one drawback - it is forbidden to fall in love with your parabatai. It so happens that Emma and Julian, two parabatai, have fallen in love. The Dark Artifices is a trilogy about their struggle against their enemies and how the two protagonists deal with their forbidden love and the resulting consequences. The series is told from the point-of-view of the various different characters in the story.

                • Cover of Lost in the Never Woods
                  Lost in the Never Woods

                  Aiden Thomas · standalone novel · 2021

                  similar byfantasycontemporaryyoung adult+2 more

                • Cover of Support Group
                  Support Group

                  series · 2 books · 2009

                  similar byfound familyfantasycontemporaryour worldyoung adult+2 more

                • Cover of Young Wizards
                  Young Wizards

                  series · 24 books · 1983

                  similar byfantasycontemporaryour world+1 more

                  Diane Duane's Young Wizards series begins with thirteen-year-old Nita, bullied and friendless, who borrows a library book on wizardry and discovers it's the real thing: an apprenticeship into a covert order that fights entropy, alongside a classmate named Kit. Across fifteen books published between 1983 and 2019, the two age forward in something close to real time as their missions escalate from New York streets to alien worlds and beyond. The series centers on the wizard's Oath and the idea that magic is a responsibility taken on to slow the universe's decay, not a power to be enjoyed for its own sake.

                • Cover of Guardians Trilogy (Nora Roberts)
                  Guardians Trilogy (Nora Roberts)

                  series · 3 books · 2015

                  similar byemotionalfantasycontemporary+3 more

                • Cover of Rats: Tori
                  Rats: Tori

                  series · 4 books · 2018

                  similar byemotionalfound familyfantasycontemporaryour worldshapeshifters

                • Cover of Old Magic
                  Old Magic

                  Marianne Curley · standalone novel · 2000

                  similar byfantasycontemporaryour worldyoung adult+1 more

                  Kate is at a loss. She meets a boy with curious powers and a bizarre history - but he thinks he is very ordinary. How can she convince him that he has a gift, a gift that he must use to unravel mysteries that have hung over his family for generations? And even if she does persuade him, will his talents prove powerful enough to overcome what lies ahead?

                • Cover of The Devouring Gray
                  The Devouring Gray

                  series · 3 books · 2019

                  similar bycontemporaryfantasyour worldyoung adultsmall town+2 more

                • Cover of The Mouse and His Child
                  The Mouse and His Child

                  Russell Hoban · standalone novel · 1967

                  similar byemotionalfound familyfantasyour world+1 more

                  The Mouse and His Child is a novel by Russell Hoban first published in 1967 with illustrations by Lillian Hoban. It has been described as "a classic of children's literature and is the book for which Hoban is best known." It was adapted into an animated film in 1977. A new edition illustrated by David Small was released in 2001 by Arthur A. Levine Books.

                • Cover of Otherworld (Kelley Armstrong)
                  Otherworld (Kelley Armstrong)

                  series · 100 books · 1996

                  similar bycontemporaryour worldurban fantasy+3 more

                  Women of the Otherworld is Kelley Armstrong's long-running urban fantasy series about werewolves, witches, sorcerers, and other supernatural beings trying to pass as ordinary people in the contemporary world, told across thirteen novels plus assorted novellas published between 2001 and 2012. Each book tends to follow a different member of this hidden community while slowly building a shared, continuing world.

                • Cover of The Radleys
                  The Radleys

                  Matt Haig · standalone novel · 2010

                  similar byfantasycontemporaryour worldyoung adult+1 more

                  The Radleys is a paranormal fantasy novel for young adults by Matt Haig, published 1 July 2010 by Canongate Books.

                • Cover of The Rephaim
                  The Rephaim

                  series · 4 books · 2012

                  similar bycontemporaryour worldfantasyyoung adult+1 more

                • Cover of Every Day
                  Every Day

                  series · 3 books · 2012

                  similar byemotionalfantasycontemporaryour worldyoung adult

                  David Levithan's Every Day follows A, a consciousness with no fixed body who wakes each morning inside a different person's life, and who falls for a girl named Rhiannon despite the impossibility of ever staying in one body to be with her. The story continues from other perspectives in Another Day and, years later, Someday.

                • Cover of Karou
                  Karou

                  series · 4 books · 2011

                  similar byemotionalfantasyyoung adult+3 more

                  Daughter of Smoke and Bone is a young-adult fantasy book series written by Laini Taylor and published by Hachette Book Group, an imprint of Little, Brown and Company. It is a complete trilogy, Daughter of Smoke and Bone being published on 27 September 2011 in the United States; Days of Blood and Starlight on 6 November 2012 in the United States; and the third book Dreams of Gods and Monsters on April 1, 2014. The books have been published in a variety of different languages.

                • Cover of The Dragon Diaries
                  The Dragon Diaries

                  series · 3 books · 2011

                  part of Dragonfire

                  similar bycontemporaryfantasyour worldyoung adultshapeshiftersurban fantasy+1 more

                • Cover of The Legendborn Cycle
                  The Legendborn Cycle

                  series · 3 books · 2020

                  similar bycontemporaryyoung adulturban fantasy+4 more

                  Tracy Deonn's Legendborn Cycle follows Bree Matthews, a Black teenager who enrolls in an early-college program and stumbles into a secret society descended from Arthurian legend operating alongside her North Carolina campus. The society's magic turns out to be entangled with her own family's hidden history and her mother's recent death. Over the trilogy Bree has to decide how much of that inherited legacy, and its exclusions, she wants to claim.

                • Cover of Switchers
                  Switchers

                  series · 3 books · 1997

                  similar byfantasycontemporaryour worldyoung adultshapeshifters

                  Kate Thompson's Switchers trilogy follows Tess, a Dublin teenager who can shapeshift into any animal but will lose the power forever on her fifteenth birthday. In the opening book she and a fellow Switcher named Kevin race to stop ancient Arctic creatures from plunging the world into a new ice age, transforming into ever stranger shapes along the way. The two further volumes, Midnight's Choice and Wild Blood, continue their adventures on borrowed time, blending contemporary Irish settings with animal-shapeshifting fantasy for young readers.

                • Cover of Unicorn Mountain
                  Unicorn Mountain

                  Michael Bishop · standalone novel · 1988

                  similar byemotionalfantasycontemporary+1 more

                  From the flaps of the Arbor House first edition: "Unicorn Mountain is the story of four people whose lives are transformed by a band of unicorns. Each one of them is enmeshed in the grinding anxieties of daily life. Libby Quarrels is a divorced rancher in the Colorado mountains, just getting by, and unsure about how to react to the fact that she sometimes sees unicorns up in the high valley; Bo Gavin is an Atlanta adman who is gay and has AIDS, who has no one to turn to until Libby takes him in; Sam Coldpony, a Ute Indian and Libby's ranch hand, is estranged from his wife and daughter and has an uncomfortable feeling that he deserves supernatural punishment; Paisley Coldpony, Sam's daughter, is literally haunted by her mother, a recent suicide, and feels the call to become the true shaman of her tribe - a big burden for a teenager in a small-town high school. And then there are the unicorns. Sam and Libby have seen them, but sometimes they just aren't there. And while Libby is off fetching Bo in Atlanta, Sam sees one die - and vanish. But Bo begins to receive television channels from another world, and sees a show, hosted by Marlin Perkins, on a deadly equine disease among the unicorns. And it becomes evident that someone has to do something here, in this world, to save the unicorns, before everything becomes so direly messed up that the situation is totally out of control: because Bo is dying, a vengeful ghost is after Sam, Paisley is looking for the father who abandoned her, and Libby, holding everything together by hard work and will power, is definitely losing her grip. But this is a book in which magic works, in such a way as to change everything for the better. And in the end Unicorn Mountain is about salvation even when the odds are against you."

                • Cover of Man Made Boy
                  Man Made Boy

                  series · 2 books · 2013

                  similar bycontemporaryfantasyyoung adulturban fantasy+2 more

                • Cover of Brightfall
                  Brightfall

                  Jaime Lee Moyer · standalone novel · 2019

                  similar byfantasycontemporaryour worldurban fantasy+2 more

                • Cover of Into the Grey
                  Into the Grey

                  Celine Kiernan · standalone novel · 2013

                  similar byemotionalfantasycontemporaryour worldyoung adult

                  Fifteen-year-old Patrick Finnerty races to save his twin brother, Dom, who is being possessed by a ghost.