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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Ysabel

anchored on:urban fantasycoming of ageeuropecontemporarymythic fantasyidentity+1 more

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of All Souls
                  All Souls

                  series · 5 books · 2011

                  similar bycontemporaryeuropefantasyforbidden love+3 more

                  A Discovery of Witches is a 2011 historical-fantasy novel and the debut novel by American scholar Deborah Harkness. It follows Diana Bishop, a history of science professor at Yale University, as she embraces her magical blood after finding a long-thought-lost manuscript and engages in a forbidden romance with a charming vampire, Matthew Clairmont.

                • Cover of The Magician Trilogy
                  The Magician Trilogy

                  series · 3 books · 1986

                  similar bycontemporarycoming of agemythic fantasyfantasy+2 more

                  The Magician Trilogy is a series of three children's fantasy novels by the British author Jenny Nimmo, first published by Methuen 1986 to 1989. It is sometimes called the Snow Spider trilogy or series after the first book and The Snow Spider Trilogy is the title of its omnibus editions. The stories are inspired by Welsh mythology, with elements borrowed from Mabinogion. Set in contemporary Wales, they feature Gwyn Griffiths, a boy descended from Gwydion who discovers and develops some of the magical power in his lineage.

                • Cover of Fire and Hemlock
                  Fire and Hemlock

                  Diana Wynne Jones · standalone novel · 1984

                  similar bycontemporarymysteriouscoming of ageidentitymythic fantasyfantasy

                  At nineteen, Polly has two sets of sometimes overlapping, sometimes conflicting memories, the real-life ones of school days and her parents' divorce, and the heroic adventure ones that began the day she accidentally gate-crashed a funeral and met the cellist Thomas Lynn.

                • Cover of Pictures in the Dark
                  Pictures in the Dark

                  Gillian Cross · standalone novel · 1996

                  similar bycontemporarymysteriouscoming of ageidentity+2 more

                  A chance photograph taken for the school Camera Club draws Charlie into the emotionally troubled lives of his classmate Jennifer's family, especially that of her younger brother who harbors an astounding secret.

                • Cover of The Lynburn Legacy
                  The Lynburn Legacy

                  series · 3 books · 2012

                  similar bycontemporarycoming of ageurban fantasyfantasy+3 more

                • Cover of American Gods
                  American Gods

                  series · 10 books · 1999

                  similar bycontemporarymythic fantasyfantasy+3 more

                  Neil Gaiman's American Gods (2001) follows Shadow Moon, an ex-convict who takes a job as bodyguard to a mysterious drifter who is secretly the Norse god Odin, and is drawn into a brewing conflict between the old immigrant gods of myth and the new gods of media, technology, and modern American life. Gaiman's 2005 novel Anansi Boys is set in the same mythological world and shares the trickster god Mr. Nancy, but follows a different protagonist and story, making it a loose companion rather than a direct sequel.

                • Cover of Thief Eyes
                  Thief Eyes

                  Janni Lee Simner · standalone novel · 2010

                  similar bycontemporaryemotionaleuropecoming of agemythic fantasyfantasyforbidden love

                  The latest YA fantasy book from Bones of Faerie author Janni Lee Simner!After her mother mysteriously disappears, sixteen-year-old Haley convinces her father to take her to Iceland, where her mother was last seen. There, amidst the ancient fissures and crevices of that volcanic island, Haley meets gorgeous Ari, a boy with a dangerous side who appoints himself her protector.When Haley picks up a silver coin that entangles her in a spell cast by her ancestor Hallgerd, she discovers that Hallgerd's spell and her mother's disappearance are connected to a chain of events that could unleash terrifying powers and consume the world. Haley must find a way to contain the growing fires of the spell--and her growing attraction to Ari.Janni Lee Simner brings the fierce romance and violent passions of Iceland's medieval sagas into this twenty-first-century novel, with spellbinding results.From the Hardcover edition.

                • Cover of The Dark Is Rising
                  The Dark Is Rising

                  series · 5 books · 1965

                  similar bycontemporaryfantasymythic fantasy+3 more

                  The Dark Is Rising Sequence is a series of five contemporary fantasy novels for older children and young adults that were written by the British author Susan Cooper and published from 1965 to 1977. The first book in the series, Over Sea, Under Stone, was originally conceived as a stand-alone novel, and the sequence gets its name from the second novel in the series, The Dark Is Rising. The Dark Is Rising Sequence is used as an overarching title in several omnibus, boxed-set, and coordinated editions; but the title of The Dark Is Rising is also used for the whole series.

                • Cover of Flowers for Algernon
                  Flowers for Algernon

                  Daniel Keyes · standalone novel · 1966

                  similar bycontemporaryemotionalcoming of ageidentity

                  A man with a low IQ becomes the subject of an experimental medical procedure which raises his IQ well over genius level.

                • Cover of Old Magic
                  Old Magic

                  Marianne Curley · standalone novel · 2000

                  similar bycontemporarymysteriouscoming of agefantasy+1 more

                  Kate is at a loss. She meets a boy with curious powers and a bizarre history - but he thinks he is very ordinary. How can she convince him that he has a gift, a gift that he must use to unravel mysteries that have hung over his family for generations? And even if she does persuade him, will his talents prove powerful enough to overcome what lies ahead?

                • Cover of Every Day
                  Every Day

                  series · 3 books · 2012

                  similar bycontemporaryemotionalcoming of ageidentityfantasy

                  David Levithan's Every Day follows A, a consciousness with no fixed body who wakes each morning inside a different person's life, and who falls for a girl named Rhiannon despite the impossibility of ever staying in one body to be with her. The story continues from other perspectives in Another Day and, years later, Someday.

                • Cover of Fionavar Universe
                  Fionavar Universe

                  series · 5 books · 1984

                  similar bycontemporaryemotionalfantasy+3 more

                  Ysabel is a 2007 standalone contemporary fantasy novel by Guy Gavriel Kay, following teenager Ned Marriner as he stumbles into a centuries-old rivalry playing out around the cathedral of Aix-en-Provence. It marked Kay's turn toward urban fantasy and briefly brings back two adult characters from his earlier Fionavar Tapestry trilogy, though it is not itself part of that trilogy and can be read on its own.

                • Cover of Double Identity
                  Double Identity

                  Margaret Peterson Haddix · standalone novel · 2005

                  similar bycontemporaryemotionalmysteriouscoming of ageidentity

                  Double Identity is a 2005 young adult novel by Margaret Peterson Haddix.

                • Cover of Number9dream
                  Number9dream

                  David Mitchell · standalone novel · 2001

                  similar bycontemporarycoming of agemysteriousidentity+1 more

                  number9dream is the second novel by English author David Mitchell. Set in Japan, the 2001 novel narrates 19-year-old Eiji Miyake's search for his father, whom he has never met. Told in the first person by Eiji, it is a coming of age and perception story that breaks convention by juxtaposing Eiji Miyake's actual journey toward identity and understanding with his imaginative journey. The novel employs eclectic narrations in each chapter.

                • Cover of I Was a Teenage Fairy
                  I Was a Teenage Fairy

                  Francesca Lia Block · standalone novel · 1998

                  similar bycontemporarycoming of ageemotionalidentityurban fantasyfantasy

                  Maybe Mab was real. Maybe not. Maybe Mab was the fury. Maybe she was the courage. Maybe later on she was the sex...A tiny fairy winging her way through the jasmine-scented L.A. night. A little girl caught in a grown-up glitz-and-glitter world of superstars and supermodels. A too beautiful boy with a secret he can never share...From the author of Weetzie Bat comes a magical, mesmerizing tale of transformation. This is the story of Barbie Marks, who dreams of being the one behind the Cyclops eye of the camera, not the voiceless one in front of it; who longs to run away to New York City where she can be herself, not some barley flesh-and-blood version of the plastic doll she was named after. It is the story of Griffin Tyler, whose androgynous beauty hides the dark pain he holds inside. And finally it is the story of Mab, a pinkie-sized, magenta-haired, straight-talking fairy, who may or may not be real but who helps Barbie and Griffin uncover the strength beneath the pain, and who teaches that love--like a sparkling web of light spinning around our bodies and our souls--is what can heal even the deepest scars.

                • Cover of Man Made Boy
                  Man Made Boy

                  series · 2 books · 2013

                  similar bycontemporarycoming of ageidentityurban fantasyfantasy+1 more

                • Cover of Hero
                  Hero

                  Perry Moore · standalone novel · 2007

                  similar bycontemporarycoming of ageemotionalidentityfantasy

                  Hero is a 2007 Lambda-winning novel, and the only novel by film producer and novelist Perry Moore. The fantasy novel is about a teenage superhero, Thom Creed, who must deal with his ex-superhero father's disgrace, his own sexuality, and a murderer stalking the world's heroes.

                • Cover of The Miraculous Journey of Edward Tulane
                  The Miraculous Journey of Edward Tulane

                  Kate DiCamillo · standalone novel · 2006

                  similar bycontemporaryemotionalcoming of ageidentityfantasy

                  The Miraculous Journey of Edward Tulane is a 2006 children's novel by American author Kate DiCamillo and illustrated by Bagram Ibatoulline. Following the life of a china rabbit, the book won the 2006 Boston Globe-Horn Book Award in the Fiction category. Scholarly readings of this novel have examined the work from the lens of spirituality and Christian religious studies, human development, and clinical psychology.

                • CC
                  Caster Chronicles / Beautiful Creatures Universe

                  series · 8 books · 2009

                  similar bycontemporaryfantasy+4 more

                • Cover of Jane, Unlimited
                  Jane, Unlimited

                  Kristin Cashore · standalone novel · 2017

                  similar bycontemporaryemotionalmysteriouscoming of ageidentityfantasy

                  If you could change your story, would you? Jane has lived a mostly ordinary life, raised by her recently deceased aunt Magnolia, whom she counted on to turn life into an adventure. Without Aunt Magnolia, Jane is directionless. Then an old acquaintance, the glamorous and capricious Karin Thrash, blows back into Jane's life and invites her to a gala at the Thrashes' extravagant island mansion called Tu Reviens. Jane remembers her aunt telling her: "If anyone ever invites you to go to Tu Reviens, promise me that you'll go." What Jane doesn't know is that at Tu Reviens her story will change; the house will offer her five choices that could ultimately determine the course of her newly untethered life. But every choice comes with a price. She might fall in love, she might lose her life, she might come face-to-face with herself. At Tu Reviens, anything is possible. Read Jane, Unlimited and see why The New York Times has raved, "Some authors can tell a good story; some can write well. Cashore is one of the rare novelists who do both." This description comes from the publisher.

                • Cover of The Magic Nation Thing
                  The Magic Nation Thing

                  Zilpha Keatley Snyder · standalone novel · 2005

                  similar bycontemporarymysteriouscoming of ageurban fantasyfantasy+1 more

                  Abby O'Malley is a girl who likes things to make sense. School makes sense, and her best friend Paige makes sense (most of the time), but Abby's flighty mother never makes sense. Abby's mom seems to think that she and Abby are descended from a line of witches, and that they have special powers--psychic powers that don't make sense at all. The problem is, Abby knows that she can do certain things that other people can't. Sometimes, when she holds an object in her hand, she's overpowered by sounds and pictures that show where the owner is and what he or she is doing. Abby thinks of this as her "magic nation," because that is what her kindergarten teacher told her it was called. Now 11, Abby has an inkling that her teacher may have been saying it was her "imagination," which unfortunately, she knows it is not. Now some things are happening in her mother's detective agency--cases where Abby's magic nation thing might come in handy. But does Abby want to admit that such a sensible girl could have such an unsensible power?From the Hardcover edition.

                • Cover of Secret Heart
                  Secret Heart

                  David Almond · standalone novel · 2001

                  similar bycontemporarycoming of ageidentityfantasy+1 more

                  From the Author's Website: "Joe lives with his mother in Helmouth, a forgotten village crumbling on the edge of the suburbs. His days are spent trying to evade the demands of school and the taunts of the local bullies. Joe's friend, Stanny, insists that Joe must toughen up, become a survivor – and he is adamant that a weekend in the wilderness with Stanny and his Uncle Joff will do the trick. Into Joe's unhappy world comes Hackenschmidt's Circus, and with it the strangely familiar Corinna. She tells Joe, 'In the circus there is a secret heart' – a place of contained wildness where the barriers between the human and animal world are fluid. And indeed, Joe's dreams are already stalked by a tiger, so real that his skin and its pelt begin to feel as one..."

                • Cover of Elixir
                  Elixir

                  series · 3 books · 2010

                  similar bycontemporaryemotionalforbidden love+3 more

                • Cover of Wings (Aprilynne Pike)
                  Wings (Aprilynne Pike)

                  series · 6 books · 2009

                  similar bycontemporarycoming of agefantasy+3 more