Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Ayil

anchored on:contemporaryparanormal romance

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Guardians Trilogy (Nora Roberts)
                  Guardians Trilogy (Nora Roberts)

                  series · 3 books · 2015

                  similar bycontemporaryadventurousemotionalfantasy+5 more

                • Cover of Watership Down
                  Watership Down

                  series · 21 books · 1972

                  completed

                  similar byfound familyour worldadventurouscontemporaryfantasy+1 more

                  Watership Down is Richard Adams's 1972 novel following a group of rabbits who flee the destruction of their warren and cross the English countryside of Hampshire in search of a new home, developing over the journey a full rabbit culture of language, proverbs, and mythology. Adams returned to the same world in 1996 with Tales from Watership Down, a collection of nineteen short stories mixing rabbit folklore with further adventures of characters from the novel.

                • PP
                  Pack / Pride Universe

                  series · 20 books · 2006

                  similar byparanormal romancecontemporaryshapeshifters+3 more

                  Shelly Laurenston's Pride novels, beginning with The Mane Event, are paranormal romances set among shapeshifter clans — lions, hyenas, wolves, and more — who mix pack politics with broad comedy and romantic pairings across a sprawling ensemble cast. The connected Pack books extend the same shared world with a different cluster of characters.

                • Cover of Dragonfire (Deborah Cooke)
                  Dragonfire (Deborah Cooke)

                  series · 15 books · 2008

                  part of Dragonfire

                  similar byparanormal romanceour worldcontemporary+4 more

                • Cover of Shifters Unbound
                  Shifters Unbound

                  series · 29 books · 2010

                  similar byparanormal romanceour worldcontemporaryshapeshifters+1 more

                • Cover of Dark-Hunter
                  Dark-Hunter

                  series · 65 books · 2000

                  similar byparanormal romanceour worldcontemporary+2 more

                  Dark-Hunter is a term from a paranormal romance and fantasy series by Sherrilyn Kenyon. Kenyon began writing the series in 1986 in horror, fantasy and science fiction magazines.

                • Cover of Black Dagger Brotherhood
                  Black Dagger Brotherhood

                  series · 40 books · 2005

                  part of Black Dagger

                  similar byparanormal romancecontemporaryemotional+1 more

                  The Black Dagger Brotherhood is an ongoing series of paranormal romance books by author J. R. Ward. The series focuses on a society of vampire warriors who live together and defend their race against de-souled humans called lessers. The first book in the series was published in 2005.

                • Cover of Heart of Stone / Gargoyles
                  Heart of Stone / Gargoyles

                  series · 6 books · 2013

                  similar byparanormal romanceour worldcontemporaryshapeshifters+2 more

                • Cover of Warriors for the Light
                  Warriors for the Light

                  series · 6 books · 2006

                  similar byparanormal romanceour worldcontemporaryshapeshifters+3 more

                • Cover of Black Dagger Legacy
                  Black Dagger Legacy

                  series · 4 books · 2015

                  part of Black Dagger

                  similar byparanormal romanceour worldcontemporaryemotionalfantasy+2 more

                • Cover of Phoenix Pack
                  Phoenix Pack

                  series · 8 books · 2013

                  similar byparanormal romanceour worldcontemporary+4 more

                • Cover of Call of Crows
                  Call of Crows

                  series · 3 books · 2015

                  similar byour worldcontemporaryshapeshiftersfantasy+3 more

                  Shelly Laurenston's Call of Crows trilogy — The Unleashing, The Undoing, The Unyielding — is a paranormal romance series that draws on Norse mythology and unfolds partly in Los Angeles. It follows a cast of supernatural protagonists thrown together as Viking-flavored forces resurface in the present day.

                • Cover of Carpathian
                  Carpathian

                  series · 48 books · 1999

                  similar byparanormal romanceour worldcontemporaryemotional+1 more

                  Carpathian is Christine Feehan's long-running paranormal romance series about an ancient, near-immortal species who slowly lose color and feeling until they find a lifemate who restores both. Starting with Dark Prince in 1999, each book pairs a different Carpathian hunter with a human or gifted heroine, moving between the Carpathian Mountains and modern settings worldwide as the couple confronts vampires and other supernatural threats. It has grown to dozens of novels and novellas and is still being added to.

                • FT
                  Fixed / The Others

                  series · 23 books · 2003

                  similar byparanormal romanceour worldcontemporary+2 more

                • Cover of The Lair of the Wolven
                  The Lair of the Wolven

                  series · 3 books · 2021

                  part of Black Dagger

                  similar byparanormal romanceour worldcontemporary+2 more

                • Cover of Shadow (Christine Feehan)
                  Shadow (Christine Feehan)

                  series · 8 books · 2016

                  similar byparanormal romancecontemporary+3 more

                  Christine Feehan's Shadow Riders series follows the Ferraro siblings, a family bound by inherited psychic gifts and old debts to the Chicago underworld, as each finds a partner able to match their abilities across eight books, Shadow Rider through Shadow Dance. It runs as its own paranormal romantic-suspense line, separate from Feehan's longer-running Carpathian series.

                • Cover of Dirk & Steele
                  Dirk & Steele

                  series · 12 books · 2005

                  similar byparanormal romanceour worldcontemporaryemotionalshapeshifters

                  Marjorie M. Liu's Dirk & Steele series opens with Tiger Eye: in Beijing, a young psychic acquires an antique riddle box and discovers she can free the shapeshifting warrior trapped inside it, setting off a perilous adventure and an unlikely romance. Liu continues the series across many further novels and novellas, including The Red Heart of Jade, Shadow Touch, Soul Song and The Wild Road, each following different agents connected to the same world of hidden paranormal gifts.

                • Cover of James and the Giant Peach
                  James and the Giant Peach

                  Roald Dahl · standalone novel · 1961

                  similar byfound familyour worldcontemporaryadventurousfantasy

                  James and the Giant Peach is a children's novel written in 1961 by British author Roald Dahl. The first edition, published by Alfred Knopf, featured illustrations by Nancy Ekholm Burkert. There have been re-illustrated versions of it over the years, drawn by Michael Simeon, Emma Chichester Clark, Lane Smith and Quentin Blake. It was adapted into a film of the same name in 1996 which was directed by Henry Selick, and a musical in 2010.

                • Cover of Broken Destiny
                  Broken Destiny

                  series · 3 books · 2014

                  similar byparanormal romancecontemporaryfantasy+4 more

                  Jeaniene Frost's Broken Destiny trilogy follows Ivy, who has spent her life dismissing visions of another realm as hallucinations, until her sister is dragged into one of them and she must team up with the enigmatic Adrian to find a relic that can bring her back. Across The Beautiful Ashes, The Sweetest Burn, and The Brightest Embers, the search for that relic pulls the pair toward a confrontation that could remake both worlds.

                • Cover of Twilight / Wings in the Night
                  Twilight / Wings in the Night

                  series · 22 books · 1993

                  similar byparanormal romanceour worldcontemporary+1 more

                  Maggie Shayne's long-running paranormal romance series follows an ancient line of vampires, once worshipped as living gods, as successive volumes pair a vampire hero or heroine with a human love interest against a backdrop of old enmities and hunters. Beginning with Twilight Phantasies in 1993, the series predates and helped establish the modern vampire-romance genre well before the paranormal romance boom of the 2000s. Entries can mostly be read as self-contained romances sharing a common vampire mythology and recurring background characters.

                • CV
                  Chicagoland Vampires Universe

                  series · 25 books · 2009

                  similar byparanormal romancecontemporary+2 more

                • Cover of Alpha Pack
                  Alpha Pack

                  series · 9 books · 2011

                  similar byparanormal romanceour worldcontemporary+2 more

                • Cover of Immortal Guardians
                  Immortal Guardians

                  series · 15 books · 2011

                  similar byparanormal romanceour worldcontemporary+1 more

                • Cover of Wolf Tales
                  Wolf Tales

                  series · 37 books · 2006

                  similar byparanormal romanceour worldcontemporary+2 more