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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Breaking Through

anchored on:fantasysecondary worldyoung adult

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Earthsea Cycle
                  Earthsea Cycle

                  series · 18 books · 1964

                  completed

                  part of Earthsea

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                  The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

                • Cover of Seven Kingdoms / Graceling Realm
                  Seven Kingdoms / Graceling Realm

                  series · 6 books · 2008

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                  Graceling introduces the Seven Kingdoms, where some people are born with a Grace, an extreme and often dangerous specialized talent, and follows Katsa, whose Grace for killing has made her a weapon for a manipulative king, as she learns to use it on her own terms instead. Kristin Cashore continued the world with the prequel-adjacent Fire, set in a neighboring land, and the sequel Bitterblue, then extended it further north with Winterkeep and Seasparrow. Each later book largely follows a new protagonist rather than continuing straight through Katsa's story.

                • Cover of Folktales
                  Folktales

                  series · 3 books · 1978

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                • Cover of Books of Bayern
                  Books of Bayern

                  series · 4 books · 2003

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                  Shannon Hale's Books of Bayern reimagine Grimm fairy tales as YA fantasy, opening with The Goose Girl's story of a crown princess who loses her identity to a treacherous companion and must reclaim her place while working as a goose girl in a foreign kingdom. Later volumes, including Enna Burning and River Secrets, follow other members of her found family through their own magical talents.

                • Cover of The Chronicles of Tornor
                  The Chronicles of Tornor

                  series · 3 books · 1979

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                  The Chronicles of Tornor is a fantasy series by American author Elizabeth A. Lynn. The first book in the series, Watchtower (1979), won a World Fantasy Award for Best Novel; its sequel, The Dancers of Arun (1979) was nominated for a World Fantasy Award in the same year. It is one of the earliest fantasy series to feature positive gay protagonists whose relationships are an unremarkable part of the cultural background, as well as to present explicit and sympathetic depictions of same-sex love. The third title in the series is ''The Northern Girl'' (1980).

                • KL
                  Kushiel's Legacy Universe

                  series · 13 books · 2001

                  similar byemotionalfantasysecondary world

                • Cover of Night Shine
                  Night Shine

                  Tessa Gratton · standalone novel · 2020

                  similar byfantasysecondary worldyoung adult+2 more

                • Cover of Seraphina Universe
                  Seraphina Universe

                  series · 6 books · 2012

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                  Among Ghosts (2025) is Rachel Hartman's most recent return to the world she introduced in Seraphina, extending the setting beyond the original duology. It belongs to Hartman's wider Seraphina-world writing rather than continuing as a numbered sequel in the core two-book series.

                • Cover of Russian / Jewish Fairy Tales Retold
                  Russian / Jewish Fairy Tales Retold

                  series · 4 books · 2015

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                  Naomi Novik's Uprooted and Spinning Silver are two standalone fantasy novels rather than a continuing series, each reworking a different fairy tale: Uprooted follows village girl Agnieszka after the wizard known as the Dragon discovers her hidden magic, as they battle a malevolent, encroaching forest; Spinning Silver reworks Rumpelstiltskin into the story of a Jewish moneylender's daughter, Miryem, whose boast of turning silver to gold draws the attention of the Staryk, fae beings of eternal winter, in a kingdom besieged by both frost and a demon-possessed tsar. The two books share no characters or setting, only Novik's method of building a novel around one inherited folk tale.

                • Cover of Raybearer
                  Raybearer

                  series · 3 books · 2020

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                  Jordan Ifueko's Raybearer follows Tarisai, raised in isolation and sent to compete for a spot among the emperor's council of magically bonded companions, only to discover she's been trained since childhood to kill the prince she's meant to protect. Redemptor continues her reign as empress, dealing with the political and spiritual fallout of the choices she made, while The Maid and the Crocodile follows a different protagonist in the same world. The trilogy draws on West African-inspired myth and court politics rather than the medieval-European default of much YA fantasy.

                • Cover of Song of the Lioness
                  Song of the Lioness

                  series · 5 books · 1983

                  part of Tortall

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                  The Song of the Lioness is a young adult series of fantasy novels published in the 1980s by Tamora Pierce. The series consists of four books: Alanna: The First Adventure (1983), In the Hand of the Goddess (1984), The Woman Who Rides Like a Man (1986) and Lioness Rampant (1988).

                • TO
                  The Old Kingdom / Abhorsen milieu

                  series · 11 books · 1995

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                  The Old Kingdom, or Abhorsen in North America and the UK, is a fantasy series written by Australian author Garth Nix. It originated in 1995 with the novel Sabriel and has continued in the novels Lirael (2001), Abhorsen (2003), Goldenhand (2016), and Terciel & Elinor (2021), as well as a prequel novel titled Clariel (2014). The Old Kingdom also consists of the novella The Creature in the Case (2005) and various other short fiction.

                • Cover of Karou
                  Karou

                  series · 4 books · 2011

                  similar byfantasyemotionalsecondary worldyoung adult+1 more

                  Daughter of Smoke and Bone is a young-adult fantasy book series written by Laini Taylor and published by Hachette Book Group, an imprint of Little, Brown and Company. It is a complete trilogy, Daughter of Smoke and Bone being published on 27 September 2011 in the United States; Days of Blood and Starlight on 6 November 2012 in the United States; and the third book Dreams of Gods and Monsters on April 1, 2014. The books have been published in a variety of different languages.

                • Cover of The Kiesha'ra
                  The Kiesha'ra

                  series · 5 books · 2003

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                  The Kiesha'ra Series is a set of five fantasy novels written by American young adult author Amelia Atwater-Rhodes, which focus on several races of shapeshifters, including the avians, the serpiente, and the shm'Ahnmik. The series includes the following novels: Hawksong (2003), Snakecharm (2004), Falcondance (2005), Wolfcry (2006), and Wyvernhail (2007).

                • Cover of The Hobbit
                  The Hobbit

                  series · 2 books · 1937

                  completed

                  part of Tolkien's legendarium

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                  The Hobbit (1937) is J. R. R. Tolkien's children's fantasy novel following the reluctant burglar Bilbo Baggins, who joins a company of dwarves and the wizard Gandalf on a journey to reclaim treasure guarded by the dragon Smaug. It stands as a complete adventure on its own, but shares its setting with the rest of Tolkien's legendarium and leads into the events of The Lord of the Rings.

                • Cover of Howl's Castle
                  Howl's Castle

                  series · 3 books · 1986

                  completed

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                  Howl's Moving Castle (1986) follows Sophie Hatter, cursed by the Witch of the Waste into an old woman's body, who takes refuge in the wandering castle of the wizard Howl and strikes an uneasy bargain with his fire demon Calcifer while trying to break the spell. Diana Wynne Jones returned to the same magical kingdom in Castle in the Air (1990), following a new lead character, Abdullah, with Sophie and Howl appearing in supporting roles, and again in House of Many Ways (2008).

                • Cover of The Sharing Knife
                  The Sharing Knife

                  series · 5 books · 2006

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                  The Sharing Knife is a romance/fantasy series by American writer Lois McMaster Bujold, published in 2006–2019. The original story grew so long in the telling that it was split into two volumes: Beguilement (2006) and Legacy (2007). Bujold then wrote a sequel, which was also divided, into Passage (2008) and Horizon (2009). The original title of the sequel was The Wide Green World, but Bujold and her publisher decided to make "Sharing Knife" the overall title, with the individual books given one-word subtitles and numbered 1–4. The fifth story in the series, a "short novel" titled Knife Children, was released as an electronic book on January 25, 2019.

                • Cover of His Dark Materials Universe
                  His Dark Materials Universe

                  universe · 13 books · 1995

                  Start hereHis Dark Materials · Start here

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                  In a world like ours and unlike it, every human soul walks outside the body in the shape of an animal — a daemon, who speaks, who cannot be lied to, and who settles into one fixed form only when childhood ends. This is the country of His Dark Materials: a company of parallel worlds across which an invisible dust of consciousness drifts down upon the waking mind; where a Church that calls itself the Magisterium would sooner sever a child's soul than let that Dust be understood; and where a golden instrument, the alethiometer, answers true questions for anyone with the patience to read it. Philip Pullman's design stands in two trilogies and a scatter of shorter tales. His Dark Materials — Northern Lights (published in America as The Golden Compass), The Subtle Knife, and The Amber Spyglass — carries Lyra Belacqua from the rooftops of a shadow Oxford across the borders between worlds. The Book of Dust returns to that same territory: La Belle Sauvage looks back to Lyra as an infant carried through a great flood, while The Secret Commonwealth follows her grown and less certain into adulthood, with a concluding volume closing the arc. Around them sit slim companion books — Lyra's Oxford, Once Upon a Time in the North, Serpentine — and Nicholas Wright's stage adaptation, made with Pullman's blessing. The register is grave and luminous at once, its title lifted from Milton and its quarrel drawn from Blake: a story that takes the side of curiosity, love, and the physical world against any authority that would forbid them. It reads as adventure — armoured bears, aeronauts, knife-cut windows between skies — yet reasons like philosophy. Begin with Northern Lights / The Golden Compass and read the first trilogy through before turning to The Book of Dust, which deepens everything the first has already made you feel.

                • Cover of His Dark Materials
                  His Dark Materials

                  series · 8 books · 1995

                  part of His Dark Materials Universe

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                  His Dark Materials is a trilogy of fantasy novels by Philip Pullman consisting of Northern Lights, The Subtle Knife (1997), and The Amber Spyglass (2000). It follows the coming of age of two children, Lyra Belacqua and Will Parry, as they wander through a series of parallel universes. The novels have won a number of awards, including the Carnegie Medal in 1995 for Northern Lights and the 2001 Whitbread Book of the Year for The Amber Spyglass. In 2003, the trilogy was ranked third on the BBC's The Big Read poll.

                • Cover of Kingdom (Cynthia Voigt)
                  Kingdom (Cynthia Voigt)

                  series · 4 books · 1985

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                • Cover of Enchanted (Gail Carson Levine)
                  Enchanted (Gail Carson Levine)

                  series · 5 books · 1997

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                  Gail Carson Levine's fairy-tale retellings are set in a shared kingdom and its neighbors, beginning with Ella Enchanted's spin on Cinderella, in which a girl cursed at birth with unnatural obedience fights to reclaim control of her own choices. Fairest moves to the neighboring kingdom of Ayortha for a take on Snow White, with later volumes continuing to draw on other tales within the same connected world.

                • Cover of Annals of the Western Shore
                  Annals of the Western Shore

                  series · 3 books · 2004

                  completed

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                  Annals of the Western Shore is a young adult fantasy series by Ursula K. Le Guin. It consists of three books: Gifts (2004), Voices (2006), and Powers (2007). Each book has different main characters and settings, but the books are linked by some recurring characters and locations. Gifts won the PEN Center USA 2005 Children's literature award. Powers won the 2008 Nebula Award for Best Novel.

                • Cover of Moon Dark Smile
                  Moon Dark Smile

                  Tessa Gratton · standalone novel · 2022

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                • Cover of Star Daughter
                  Star Daughter

                  Shveta Thakrar · standalone novel · 2020

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                  Star Daughter is a 2020 young adult fantasy novel by Shveta Thakrar. It was a 2021 Andre Norton Nebula Award finalist. Star Daughter is the first book in the Night Market Triptych, followed by The Dream Runners (2022) and Divining the Leaves (2025), also published by Harper Teen.