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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Crow's Fortune

anchored on:secondary world

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories centered on witches and the practice of witchcraft — covens, hedge magic, familiars, and the witch's place in her community.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Kingkiller Chronicle
                  The Kingkiller Chronicle

                  series · 8 books · 2002

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                  The Kingkiller Chronicle is a planned fantasy trilogy by the American writer Patrick Rothfuss. The first two books, The Name of the Wind and The Wise Man's Fear, were released in 2007 and 2011. The books released in the series have sold over 10 million copies.

                • Cover of The Black Magician Trilogy
                  The Black Magician Trilogy

                  series · 3 books · 2001

                  part of Kyralia series

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                  Trudi Canavan's Black Magician Trilogy (The Magicians' Guild, The Novice, The High Lord, 2001-2003) opens in the city of Imardin, where the ruling magicians' guild's annual purge of the slums goes wrong when a street girl named Sonea unknowingly shatters their protective shield with raw, untrained power. The guild must hunt her down and decide whether to control her or train her, and the trilogy follows Sonea's forced initiation into magical society and the guild's internal politics. It's Canavan's best-known trilogy and the founding story of her Kyralia setting.

                • Cover of Earthsea Cycle
                  Earthsea Cycle

                  series · 18 books · 1964

                  completed

                  part of Earthsea

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                  The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

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                  World of Septimus Heap

                  series · 12 books · 2005

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                • Cover of The School for Good and Evil
                  The School for Good and Evil

                  series · 8 books · 2013

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                  The School for Good and Evil is a series of books by Soman Chainani based on fairy tales. The first novel in the series was published on May 14, 2013. The series is set in a fictional widespread location known as the Endless Woods.

                • Cover of Rithmatist
                  Rithmatist

                  series · 1 book · 2013

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                  The Rithmatist series is a young adult fantasy series written by American author Brandon Sanderson. At least two books are planned in the series: The Rithmatist (2013) and a second volume, titled The Aztlanian, is planned.

                • Cover of The Lord of the Rings
                  The Lord of the Rings

                  series · 13 books · 1954

                  part of Tolkien's legendarium

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                  The Lord of the Rings is an epic high fantasy novel written by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.

                • Cover of The Licanius Trilogy
                  The Licanius Trilogy

                  series · 3 books · 2014

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                  Twenty years after a war that toppled the god-like Augurs and stripped magic from the world, James Islington's Licanius Trilogy follows Davian, a young man bound by laws written to suppress the powers the Augurs once had, who discovers he can still reach forbidden abilities. His awakening coincides with the stirring of an ancient enemy and the appearance of an amnesiac stranger whose fate is bound to his. The three books trace how the old war's cover-up starts to unravel.

                • Cover of The Quest of the Riddle-Master
                  The Quest of the Riddle-Master

                  series · 3 books · 1976

                  completed

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                  Patricia A. McKillip's Riddle-Master trilogy follows Morgon, prince of the small island of Hed, whose discovery of three star-shaped birthmarks on his forehead draws him into a search for his own hidden identity and a confrontation with ancient, shape-shifting powers. Drawing on Celtic myth, the three books are prized for their lyrical prose and riddle-based magic, and are often cited among the best high fantasy of the 1970s.

                • Cover of Crowthistle Chronicles
                  Crowthistle Chronicles

                  series · 4 books · 2004

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                  Cecilia Dart-Thornton's Crowthistle Chronicles begins with The Iron Tree, following Jewel, a young woman marked by a birth-curse, through a secondary world shaped by the author's dense, archaic prose and folkloric creatures. Over four books the sequence traces the consequences of that curse across more than one generation of the same family. It stands apart from Dart-Thornton's earlier Bitterbynde trilogy while sharing its ornate approach to language and Celtic-flavored fae lore.

                • Cover of Bronze Canticles
                  Bronze Canticles

                  series · 3 books · 2004

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                  Laura and Tracy Hickman's Bronze Canticles trilogy follows Bronwyn, a young woman who discovers she's half-dragon, coming into an inheritance of both draconic and human power amid a war between the two peoples. Mystic Quest and Mystic Empire continue the conflict as she's forced to reconcile which side she truly belongs to. The trilogy reworks the Hickmans' long collaboration on dragon-centric fantasy outside the Dragonlance setting they're best known for.

                • Cover of The Empyrean
                  The Empyrean

                  series · 4 books · 2023

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                  Rebecca Yarros's The Empyrean opens with Fourth Wing, following Violet Sorrengail as she's pushed into a brutal dragon-rider war college despite having trained for a different, less physically demanding path. Iron Flame and Onyx Storm continue her survival among rival riders and a wider political conflict facing the kingdom of Navarre. The series pairs a competitive military-academy structure with a central romance thread running alongside the war narrative.

                • Cover of Riftwar Saga
                  Riftwar Saga

                  series · 7 books · 1982

                  part of The Riftwar Universe

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                  The Riftwar Saga is Raymond E. Feist's debut fantasy trilogy, opening with Magician, in which an orphaned apprentice named Pug is swept up when otherworldly invaders emerge through a dimensional rift into the frontier kingdom of Midkemia. Silverthorn and A Darkness at Sethanon carry the resulting war to its close, and the trilogy became the founding entry of Feist's much larger Riftwar Cycle.

                • Cover of Hierarchy
                  Hierarchy

                  series · 2 books · 2023

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                  James Islington's Hierarchy series opens with The Will of the Many, set in the Catenan Republic, an empire built on 'Will' — citizens' personal strength and drive, ceded upward to those in power. Its protagonist infiltrates the empire's most prestigious academy under a false identity to investigate a murder and search for a hidden weapon, refusing to surrender his own Will to the empire that killed his family. The Strength of the Few continues the story as book two.

                • Cover of Mordant's Need
                  Mordant's Need

                  series · 2 books · 1986

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                  Mordant's Need is a fantasy two-part book series by American writer Stephen R. Donaldson, comprising the novels The Mirror of Her Dreams (1986) and A Man Rides Through (1987).

                • Cover of The Tainted Blood Duology
                  The Tainted Blood Duology

                  series · 2 books · 2023

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                • Cover of The Ancestor
                  The Ancestor

                  series · 4 books · 2017

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                  The Book of the Ancestor trilogy is a series of three fantasy novels by Mark Lawrence. It comprises Red Sister (2017), Grey Sister (2018), and Holy Sister (2019). The three novels tell the story of Nona Grey, a peasant girl with mystical abilities. Red Sister was nominated for the 2018 David Gemmell Awards for Fantasy.

                • Cover of Lightbringer
                  Lightbringer

                  series · 5 books · 2010

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                  The Black Prism introduces Gavin Guile, the Prism — supreme religious and political authority over the Seven Satrapies, and the only person able to draft every color of magical light into solid, structural "luxin" — as an uprising and a hidden family secret both threaten to unravel the fragile peace he's built. Brent Weeks's five-book Lightbringer series pushes its chromaturgy magic system toward its physical and moral limits: drafters who overuse their color eventually "break the halo" and turn into monsters called wights.

                • Cover of The Nicci Chronicles
                  The Nicci Chronicles

                  series · 4 books · 2017

                  completed

                  part of Sword of Truth

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                  The Nicci Chronicles follows Nicci, a reformed sorceress and former antagonist from Terry Goodkind's Sword of Truth series, as she travels with the wizard Nathan Rahl through war-torn lands beyond the Old World, confronting new threats to the D'Haran Empire. The quartet, beginning with Death's Mistress, continues the larger Sword of Truth universe from Nicci's perspective.

                • Cover of The Hobbit
                  The Hobbit

                  series · 2 books · 1937

                  completed

                  part of Tolkien's legendarium

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                  The Hobbit (1937) is J. R. R. Tolkien's children's fantasy novel following the reluctant burglar Bilbo Baggins, who joins a company of dwarves and the wizard Gandalf on a journey to reclaim treasure guarded by the dragon Smaug. It stands as a complete adventure on its own, but shares its setting with the rest of Tolkien's legendarium and leads into the events of The Lord of the Rings.

                • Cover of The Circle Reforged
                  The Circle Reforged

                  series · 3 books · 2005

                  part of Circle of Magic

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                  The Will of the Empress opens The Circle Reforged, reuniting the four young mages of Tamora Pierce's earlier Circle of Magic quartet as adults, now called to travel together again when one of their own is pressured into an unwanted marriage that could cost her freedom and her magic. The trilogy continues Pierce's world of craft-based magic with a more grown-up cast. It was published between 2005 and 2013.

                • Cover of Green Rider
                  Green Rider

                  series · 13 books · 1998

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                  Green Rider follows Karigan G'ladheon, a merchant's daughter expelled from school, who takes on a dying stranger's uniform and message and is thereby drafted into the Green Riders — the magically gifted messenger corps of the kingdom of Sacoridia — and pulled into a conspiracy against the king. Kristen Britain's series, which now runs to eight books, keeps returning Karigan to Sacor City and the haunted Green Cloak forest as the magic system and the threats against the throne both deepen.

                • Cover of The Stormlight Archive
                  The Stormlight Archive

                  series · 15 books · 2010

                  part of Cosmere

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                  The Stormlight Archive is a high fantasy novel series written by American author Brandon Sanderson, planned to consist of ten novels. As of 2024, the series comprises five published novels and two novellas, set within Sanderson's broader Cosmere universe. The first novel, The Way of Kings, was published on August 31, 2010. The second novel, Words of Radiance, was published on March 4, 2014 and debuted at number one on The New York Times Best Seller List. This was repeated by Oathbringer and Rhythm of War. The fifth novel, Wind and Truth, was released December 6, 2024. Sanderson has indicated that he will start drafting the latter half of the series after he finishes writing the upcoming Era Three Mistborn trilogy and the two Elantris sequels. The series has been adapted as a VR Experience and a tabletop roleplaying game.

                • Cover of Summoner (Taran Matharu)
                  Summoner (Taran Matharu)

                  series · 7 books · 2015

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