Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Darkchild

anchored on:science fictionother star systemsfar futureidentity

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which a machine intelligence — an AI, computer mind, or sentient program — is a central character or the story's driving problem.
  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories driven by deliberate modification of genomes — designer organisms, engineered humans, and the consequences of remaking life.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories about minds with paranormal abilities — telepathy, telekinesis, precognition, empathy — and how societies handle those who have them.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories about rising against rulers — uprisings, resistance movements, and revolutions and their aftermaths.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Citizen of the Galaxy
                  Citizen of the Galaxy

                  Robert A. Heinlein · standalone novel · 1957

                  similar byidentityscience fictionother star systemsfar future

                  On a planet far distant from Earth, a lame beggar buys a young boy slave who has forgotten his origins. The beggar is more than he seems, and gives the boy an extensive education while employing him as an observer of activity in their city. Years later, the beggar is captured by the government, and the youth must escape the planet.

                • Cover of A Time of Changes
                  A Time of Changes

                  Robert Silverberg · standalone novel · 1971

                  similar byidentityscience fictionother star systemsfar future

                  A Time of Changes is a 1971 science fiction novel by American writer Robert Silverberg. It won the Nebula Award for that year, and was also nominated for the 1972 Hugo and Locus Awards.

                • Cover of The Stars My Destination
                  The Stars My Destination

                  Alfred Bester · standalone novel · 1956

                  similar byidentityscience fictionfar futureother star systems

                  When a passing spaceship refuses to rescue the lone survivor from the drifting wreck of another ship, he dedicates his life to discovering who made that decision and exacting his revenge, in the process altering human history and his own character.

                • Cover of The Man in the Maze
                  The Man in the Maze

                  Robert Silverberg · standalone novel · 1969

                  similar byidentityscience fictionother star systemsfar future

                  The Man in the Maze is a science fiction novel by American writer Robert Silverberg, originally serialized in the magazine Worlds of If in April and May 1968, and published in bookstores the following year. It tells the tale of a man rendered incapable of interacting normally with other human beings by his uncontrollable psychic abilities. The novel is inspired by Sophocles' play Philoctetes, with the roles of Odysseus, Neoptolemus and Philoctetes played by Boardman, Rawlins, and Muller, respectively.

                • Cover of The Fifth Head of Cerberus
                  The Fifth Head of Cerberus

                  series · 4 books · 1972

                  similar byidentityscience fictionfar futureother star systems

                • Cover of Triton
                  Triton

                  Samuel R. Delany · standalone novel · 1976

                  similar byidentityscience fictionother star systemsfar future

                  Trouble on Triton: An Ambiguous Heterotopia (1976) is a science fiction novel by American writer Samuel R. Delany. It was nominated for the 1976 Nebula Award for Best Novel, and was shortlisted for a retrospective James Tiptree, Jr. Award in 1995. It was originally published under the shorter title Triton.

                • Cover of Wyrms
                  Wyrms

                  Orson Scott Card · standalone novel · 1987

                  similar byidentityscience fictionother star systemsfar future

                  Wyrms (1987) is a science fiction novel by American writer Orson Scott Card. The story examines desire, wisdom, and human will. Card describes a version of the tri-partite soul, similar to that articulated by Plato in the Republic.

                • Cover of The Four Lords of the Diamond
                  The Four Lords of the Diamond

                  series · 4 books · 1981

                  completed

                  similar byidentityscience fictionother star systemsfar future

                  Jack L. Chalker's Four Lords of the Diamond sends a single infiltrator, reconstructed with a new identity each time, onto four different prison planets ruled by despotic 'Lords' within a star system called the Warden Diamond, hunting a traitor who could be hiding as any one of them. Each novel follows the same mission through a different one of the four worlds before the tetralogy's conclusion.

                • Cover of Teixcalaan
                  Teixcalaan

                  series · 2 books · 2019

                  similar byidentityscience fictionother star systemsfar future

                  Arkady Martine's space opera duology follows Mahit Dzmare, ambassador from the small, independent Lsel Station, as she arrives in the vast Teixcalaanli Empire to investigate her predecessor's death and finds herself caught up in the empire's own succession crisis. A Memory Called Empire and A Desolation Called Peace pair court intrigue with Mahit's conflicted, outsider fascination with an empire she can't help admiring.

                • Cover of Takeshi Kovacs
                  Takeshi Kovacs

                  series · 3 books · 2002

                  similar byidentityscience fictionfar futureother star systems

                  Takeshi Kovacs is a former elite soldier turned freelance troubleshooter in a future where human consciousness can be digitized and transferred between bodies, or sleeves, making death an inconvenience for those who can afford new ones. Richard Morgan's trilogy - Altered Carbon, Broken Angels, Woken Furies - moves Kovacs through noir-inflected mysteries on different worlds, using the resleeving premise to interrogate class, violence, and what, if anything, survives a person's original body. It became the basis for a Netflix series.

                • Cover of Double Star
                  Double Star

                  Robert A. Heinlein · standalone novel · 1956

                  similar byidentityscience fictionfar future

                  Lorenzo Smythe, the excellent yet unemployed actor, meets Dak Broadbent in a bar. Broadbent hires Lorenzo for an unspecified role, and hustles him onto a rocket ship. Broadbent turns out to be an assistant to the famous interplanetary politician and leader of the Expansionist party: John J. Bonforte. Bonforte, however, has been kidnapped by the political opposition on Mars, and due to Lorenzo's physical similarity to Bonforte, his staff wants Lorenzo to impersonate the politician for an important Martian ceremony.

                • Cover of Babel-17
                  Babel-17

                  Samuel R. Delany · standalone novel · 1966

                  similar byidentityscience fictionfar future+1 more

                  Babel-17 is a 1966 science fiction novel by American writer Samuel R. Delany. Published by Ace Books in May 1966, it follows Rydra Wong, a poet and linguist recruited during an interstellar war to decipher a language connected to enemy sabotage. Her investigation reveals a language that shapes thought and can make its speakers unwitting saboteurs. Through Rydra's effort to understand and revise it, the novel explores communication, perception, identity, and translation.

                • Cover of Embassytown
                  Embassytown

                  China Miéville · standalone novel · 2011

                  similar byidentityscience fictionother star systemsfar future

                  In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak. Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language. When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.

                • Cover of Mickey7
                  Mickey7

                  series · 2 books · 2022

                  similar byidentityscience fictionother star systemsfar future

                • Cover of Imperial Galaxy
                  Imperial Galaxy

                  series · 2 books · 2012

                  similar byidentityscience fictionfar futureother star systems

                  Prince Khemri has spent his life as one of ten thousand princes bred and trained by a sprawling galactic empire, expecting eventual rule -- until he learns just how disposable princes actually are, and how routinely they're assassinated by their own siblings. Garth Nix's A Confusion of Princes follows Khemri through the empire's ruthless military, its secret intelligence service, and a deadly, decades-long competition to determine who might one day take the throne. It's a single, self-contained space opera rather than an ongoing series.

                • Cover of Imperial Radch
                  Imperial Radch

                  series · 7 books · 2012

                  part of Radchaai Universe

                  similar byidentityscience fictionfar futureother star systems

                  Ann Leckie's Imperial Radch trilogy (Ancillary Justice, Ancillary Sword, Ancillary Mercy, 2013-2015) follows Breq, the sole surviving fragment of an AI that once inhabited both a troop-transport starship and dozens of soldier bodies, now alone and hunting for revenge inside the vast, expansionist Radch empire. Breq's quest widens across the trilogy into a conflict with the empire's own fractured ruler, and the books use her alien difficulty perceiving gender to unsettle the space-opera conventions around her.

                • Cover of Today We Choose Faces
                  Today We Choose Faces

                  Roger Zelazny · standalone novel · 1973

                  similar byidentityscience fictionfar futureother star systems

                  Today We Choose Faces is a 1973 science fiction novel by American writer Roger Zelazny. As originally constructed, Part 1 was an extensive flashback that followed Part 2; but the order of the sections was changed at the request of editor David Hartwell, who felt that the novel worked better in chronological order. Zelazny later wrote, “I was younger then & more in need of the money at the time & couldn’t afford to argue [with] him about it. I still prefer it the way I wrote it.”

                • Cover of Glaktik Komm
                  Glaktik Komm

                  series · 4 books · 1975

                  completed

                  similar byidentityscience fictionother star systemsfar future

                • Cover of Six Moon Dance
                  Six Moon Dance

                  Sheri S. Tepper · standalone novel · 1998

                  similar byidentityscience fictionother star systemsfar future

                  It was many years ago that humans came and settled the world of Newholme-cruelly bending the planet to their will; setting down roots and raising up cities and farms and a grand temple to their goddess.But now the ground itself is shaking with ever-increasing violence. And the Great Questioner, official arbiter of the Council of Worlds, has come to this isolated orb to investigate rumors of a terrible secret that lies buried deep within Newholme's past--a past that is not dead, not completely. And it will fall to Mouche, a beautiful youth of uncommon cleverness and spirit, to save his imperiled home by dicovering and embracing that which makes him unique among humans. For every living thing on newholme is doomed, unless Mouche can appease something dark and terrible that is coiled within...and surrender to the mysterious ecstatic revelry taht results when the six moons join.

                • Cover of The Madness Season
                  The Madness Season

                  C. S. Friedman · standalone novel · 1990

                  similar byidentityscience fictionother star systemsfar future

                  The alien within - He'd had so many names over the centuries, so many new identities that he could scarcely remember who he had originally been. Now his name was Daetrin, a name given by the alien conquerors of humankind, the Tyr. Three hundred years had passed since the Tyr conquered the people of Earth as they had previously overcome numerous races throughout the galaxy. In their victory they had taken the very heart out of the human race, isolating the true individualists, the geniuses, all the people who represented the hopes, dreams, and discoveries of the future, and imprisoning them in dome colonies on planets hostile to human life. There the Tyr, a race which itself shared a unified gestalt mind, had left these gifted individuals to work on projects which would, the conquerors hoped, reveal all of human kind's secrets to them. Yet Daetrin's secret was one no scientist had ever uncovered, for down through the years he had succeeded in burying it so well that he had even hidden his real nature from himself. But, taken into custody by the Tyr, there was no longer any place left for Daetrin to run, no new name and life for him to assume. Now he would at last be forced to confront the truth about himself - and if he failed, not just Daetrin but all humans would pay the price... (from the first page of the DAW Books first edition)

                • Cover of Dreaming in Smoke
                  Dreaming in Smoke

                  Tricia Sullivan · standalone novel · 1998

                  similar byidentityscience fictionother star systemsfar future

                  Dreaming in Smoke is a science fiction novel by American writer Tricia Sullivan. The book is Sullivan's third science fiction novel and was first published as a hardcover by Millennium in January 1998. The novel won the 1999 Arthur C. Clarke Award for best novel.

                • Cover of Night Walk
                  Night Walk

                  Bob Shaw · standalone novel · 1967

                  similar byidentityscience fictionfar futureother star systems

                  Night Walk is a science fiction novel by Bob Shaw, first published in 1967. It was his first novel.

                • Cover of Dancers in the Afterglow
                  Dancers in the Afterglow

                  Jack L. Chalker · standalone novel · 1978

                  similar byidentityscience fictionother star systemsfar future

                  From the back cover: FIRST CAME THE TOURISTS... Ondine was a resort planet. Sixteen million tourists traveled there from just about every world you could think of to live and love in sixteen million different ways. THEN CAME THE MACHISTS... They had gobbled up world after world, spreading their culture to thousands of different races with a brutal, vicious, but most effective system. They were inhuman, unthinking... uncaring. The Combine had already seen what they had done on other worlds, seen whole populations converted into something horrible... something not quite human, non-thinking and no longer caring. Now they had captured Ondine, and no human could save the planet. AND THEN DANIEL CAME TO JUDGMENT Daniel was a cyborg, a former fighter pilot now wedded to a master computer and life-support system housed in a flying golden egg. He was the Combine scientists' finest creation, a spaceship that could control twenty-two robot slaves. He was the perfect savior for Ondine, but for one thing. Everyone seemed to forget that somewhere deep inside that golden egg was a very human being...

                • Cover of Homegoing
                  Homegoing

                  Frederik Pohl · standalone novel · 1989

                  similar byidentityscience fictionfar futureother star systems

                  Homegoing is a science fiction novel by American author Frederik Pohl, first published in 1989 by Del Rey Books. The novel was one of the nominees for the Locus SF Award, one of the awards of the Hugo Awards.