Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Dragon Actually

anchored on:fantasysecondary world

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories centered on witches and the practice of witchcraft — covens, hedge magic, familiars, and the witch's place in her community.
  • Stories in which gods and deities act as characters — walking the world, meddling in mortal lives, or dying.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Enchanted Forest
                  Enchanted Forest

                  series · 7 books · 1985

                  similar byfantasylightheartedsecondary worlddragons

                  Patricia Collins Wrede is an American author of fantasy literature. She is known for her Enchanted Forest Chronicles series for young adults, which was voted number 84 in NPR's 100 Best-Ever Teen Novels list.

                • Cover of Tomes & Tea
                  Tomes & Tea

                  series · 4 books · 2023

                  similar bylightheartedsecondary worlddragonsfantasy

                • Cover of The Hobbit
                  The Hobbit

                  series · 2 books · 1937

                  completed

                  part of Tolkien's legendarium

                  similar byfantasysecondary worlddragons

                  The Hobbit (1937) is J. R. R. Tolkien's children's fantasy novel following the reluctant burglar Bilbo Baggins, who joins a company of dwarves and the wizard Gandalf on a journey to reclaim treasure guarded by the dragon Smaug. It stands as a complete adventure on its own, but shares its setting with the rest of Tolkien's legendarium and leads into the events of The Lord of the Rings.

                • Cover of Tales of the Frog Princess
                  Tales of the Frog Princess

                  series · 9 books · 2002

                  similar byfantasylightheartedsecondary world+2 more

                • Cover of Mead Mishaps
                  Mead Mishaps

                  series · 3 books · 2021

                  similar byfantasysecondary worldfunny+2 more

                • Cover of Assistant to the Villain
                  Assistant to the Villain

                  series · 4 books · 2023

                  similar byfantasylightheartedsecondary worldenemies to loversfunny

                • Cover of Earthsea Cycle
                  Earthsea Cycle

                  series · 18 books · 1964

                  completed

                  part of Earthsea

                  similar byfantasysecondary world+1 more

                  The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

                • Cover of Dragon Slayers' Academy
                  Dragon Slayers' Academy

                  series · 20 books · 1997

                  similar byfantasylightheartedsecondary worlddragonsfunny

                  Dragon Slayers' Academy is a children's book series written by author Kate McMullan and illustrated by Bill Basso, which currently features 20 books.

                • Cover of My Father's Dragon
                  My Father's Dragon

                  series · 4 books · 1948

                  completed

                  similar byfantasydragonssecondary world+1 more

                • Cover of Myth Adventures
                  Myth Adventures

                  series · 33 books · 1978

                  similar byfantasysecondary worldfunny+1 more

                  MythAdventures or Myth Adventures is a fantasy series created by Robert Lynn Asprin. After twelve novels by Asprin, published 1978 to 2002, he and Jody Lynn Nye continued the series with seven more books that they wrote together. After his death in May 2008, Nye has continued the series on her own.

                • Cover of Magic Kingdom of Landover
                  Magic Kingdom of Landover

                  series · 8 books · 1986

                  similar byfantasysecondary world

                  The Magic Kingdom of Landover is a series of six fantasy novels by Terry Brooks following the adventures of a former trial lawyer named Ben Holiday, who purchases a magical kingdom.

                • Cover of Dragon Kin (G. A. Aiken)
                  Dragon Kin (G. A. Aiken)

                  series · 15 books · 2006

                  similar byfantasysecondary world+2 more

                • Cover of Moongobble and Me
                  Moongobble and Me

                  series · 6 books · 2003

                  similar byfantasylightheartedsecondary worldfunny+1 more

                • Cover of Spearwielder's Tales
                  Spearwielder's Tales

                  series · 3 books · 1993

                  similar byfantasysecondary worlddragons+1 more

                  R. A. Salvatore's trilogy follows Gary Leger, bored with life after college, who wanders into the woods behind his house and stumbles into a fantasy world populated by elves, dwarves, witches, and dragons, and finds himself mistaken for the realm's long-lost hero. The Woods Out Back, The Dragon's Dagger, and Dragonslayer's Return follow Gary as he's pulled back into that world again and again, growing into the role thrust on him.

                • Cover of Have Sword, Will Travel
                  Have Sword, Will Travel

                  series · 2 books · 2017

                  similar byfantasylightheartedsecondary worlddragons

                • Cover of Royal Artifactual Guild
                  Royal Artifactual Guild

                  series · 2 books · 2024

                  similar byfantasysecondary world+1 more

                • Cover of The Dragon with a Chocolate Heart
                  The Dragon with a Chocolate Heart

                  series · 3 books · 2017

                  similar byfantasysecondary world+2 more

                • Cover of Iskari
                  Iskari

                  series · 3 books · 2017

                  similar byfantasysecondary world+2 more

                • Cover of Once Upon an Enchantment
                  Once Upon an Enchantment

                  series · 4 books · 2024

                  similar byfantasysecondary world+1 more

                • Cover of Tiger and Del
                  Tiger and Del

                  series · 10 books · 1985

                  similar byfantasysecondary world

                  Jennifer Roberson's fantasy series pairs Tiger, a desert-born sword-dancer from the south, with Del, a Northern swordswoman trained in her own tradition of blade-magic, as reluctant partners across a hostile borderland. Beginning with Sword-Dancer and continuing across six numbered novels, the series follows their partnership, and eventual romance, through decades of adventures and shifting political stakes.

                • Cover of A Song of Ice and Fire
                  A Song of Ice and Fire

                  series · 14 books · 1996

                  part of World of Ice and Fire

                  similar bysecondary worldfantasy+1 more

                  A Song of Ice and Fire is a series of high fantasy novels by the American author George R. R. Martin. Martin began writing the first volume, A Game of Thrones, in 1991, and published it in 1996. Martin, who originally envisioned the series as a trilogy, has released five out of seven planned volumes. The most recent entry in the series, A Dance with Dragons, was published in 2011. Since then, Martin has been working on the sixth novel, titled The Winds of Winter. A seventh novel, A Dream of Spring, is planned to follow.

                • Cover of A Wizard in Rhyme
                  A Wizard in Rhyme

                  series · 8 books · 1986

                  completed

                  similar byfantasysecondary world+1 more

                  A Wizard in Rhyme is a series of fantasy novels by American writer Christopher Stasheff. The series follows the character of Matthew Mantrell, an English literature Ph.D. student, who is transported to a magical world where poetry is used to cast spells. There his knowledge of poetry, gained through his literature studies, establishes him as a powerful wizard and positions him as "lord wizard of the realm". The series consists of eight novels, and is said to have hints of L. Sprague de Camp and Fletcher Pratt.

                • Cover of Incorporated Knight
                  Incorporated Knight

                  series · 6 books · 1976

                  completed

                  similar byfantasysecondary world+3 more

                • Cover of Spellsinger
                  Spellsinger

                  series · 9 books · 1983

                  similar byfantasysecondary world+1 more

                  Alan Dean Foster's Spellsinger series follows Jon-Tom, a UCLA law student pulled into a fantasy world by the wizard Clothahump, where he discovers he can cast spells by singing along with his guitar. That world is populated almost entirely by anthropomorphic animals -- otters, rabbits, turtles -- with humans a rare minority, and across eight books published between 1983 and 2004, Jon-Tom and his companions repeatedly clash with the insectoid Plated Folk raiding the western territories.