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Reading orders for SF/F series and shared universes — with your place kept in every one.

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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Envied

anchored on:our worldcontemporary

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about minds with paranormal abilities — telepathy, telekinesis, precognition, empathy — and how societies handle those who have them.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories about mental unraveling — descent into madness, delusion, and minds at war with themselves.
  • Stories about mourning — living through the death of a loved one and what loss does to the survivors.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Twilight / Wings in the Night
                  Twilight / Wings in the Night

                  series · 22 books · 1993

                  similar bycontemporaryparanormal romanceour world

                  Maggie Shayne's long-running paranormal romance series follows an ancient line of vampires, once worshipped as living gods, as successive volumes pair a vampire hero or heroine with a human love interest against a backdrop of old enmities and hunters. Beginning with Twilight Phantasies in 1993, the series predates and helped establish the modern vampire-romance genre well before the paranormal romance boom of the 2000s. Entries can mostly be read as self-contained romances sharing a common vampire mythology and recurring background characters.

                • Cover of All Souls
                  All Souls

                  series · 5 books · 2011

                  similar bycontemporary+2 more

                  A Discovery of Witches is a 2011 historical-fantasy novel and the debut novel by American scholar Deborah Harkness. It follows Diana Bishop, a history of science professor at Yale University, as she embraces her magical blood after finding a long-thought-lost manuscript and engages in a forbidden romance with a charming vampire, Matthew Clairmont.

                • Cover of The Vampire Chronicles
                  The Vampire Chronicles

                  series · 15 books · 1976

                  completed

                  similar byimmortalityour worldcontemporary+1 more

                  The Vampire Chronicles is a series of Gothic vampire novels and a media franchise, created by American author Anne Rice, that revolves around the fictional character Lestat de Lioncourt, a French nobleman turned into a vampire in the 18th century.

                • Cover of Fallen
                  Fallen

                  series · 7 books · 2009

                  similar byour worldcontemporaryparanormal romance

                  Lauren Kate's Fallen opens with Luce Price, sent to a reform school in Savannah after a fire she can't explain, where she meets Daniel, a boy she is certain she has met before. The series follows Luce's growing entanglement with fallen angels and a curse of repeated lifetimes across several sequels running through 2015.

                • Cover of Carpathian
                  Carpathian

                  series · 48 books · 1999

                  similar bycontemporaryparanormal romanceour world+1 more

                  Carpathian is Christine Feehan's long-running paranormal romance series about an ancient, near-immortal species who slowly lose color and feeling until they find a lifemate who restores both. Starting with Dark Prince in 1999, each book pairs a different Carpathian hunter with a human or gifted heroine, moving between the Carpathian Mountains and modern settings worldwide as the couple confronts vampires and other supernatural threats. It has grown to dozens of novels and novellas and is still being added to.

                • Cover of Immortal Guardians
                  Immortal Guardians

                  series · 15 books · 2011

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                • Cover of Ceese
                  Ceese

                  series · 2 books · 2005

                  similar byour worldcontemporary+2 more

                • Cover of The Blood Journals
                  The Blood Journals

                  series · 2 books · 2011

                  similar bycontemporary+4 more

                • Cover of Deeper Than the Night
                  Deeper Than the Night

                  Amanda Ashley · standalone novel · 1996

                  similar byour worldcontemporaryparanormalparanormal romance+1 more

                  Townsfolk of Moulton Bay said there was something otherworldly about Alexander Claybourne. Some people whispered that with his dark, arresting features and mesmerising eyes, the seductive stranger looked every inch a vampire. They never guessed how near the truth they were-or that after more than two hundred years of resisting temptation, Claybourne had found a woman he had to possess. Never one to be scared off by superstitious lore, Kara Crawford laughed at the local talk of creatures lurking in the dark. What harm could come of befriending the handsome stranger with the haunted look in his midnight eyes? No matter what shadowy secrets Alexander hid, Kara felt drawn to him, compelled to join him beneath the silver light of the moon, where they would share a love...

                • Cover of The Vampire Legacy
                  The Vampire Legacy

                  series · 7 books · 1994

                  similar bycontemporaryour world+2 more

                • IU
                  Immortals Universe (Alyson Noël)

                  series · 10 books · 2009

                  similar byimmortalitycontemporaryparanormal+2 more

                • Cover of Hunger (Whitley Strieber)
                  Hunger (Whitley Strieber)

                  series · 3 books · 1981

                  similar byour worldcontemporary+2 more

                  Whitley Strieber's The Hunger centers on Miriam Blaylock, a beautiful, wealthy vampire who takes human lovers and transforms them into vampire-human hybrids, feeding off them across centuries. Two later novels, The Last Vampire and Lilith's Dream, continue Miriam's story into the modern era.

                • Cover of The Last Werewolf
                  The Last Werewolf

                  series · 3 books · 2011

                  similar byour worldcontemporary+2 more

                • Cover of The White Rabbit Chronicles
                  The White Rabbit Chronicles

                  series · 8 books · 2012

                  similar bycontemporaryour world+1 more

                • KW
                  Knight World

                  series · 8 books · 2013

                  similar bycontemporaryparanormal romanceour world+1 more

                • Cover of The Dark Kiss
                  The Dark Kiss

                  series · 4 books · 2010

                  similar bycontemporaryour worldparanormal romance+1 more

                • Cover of Ivana Morriander
                  Ivana Morriander

                  series · 6 books · 2007

                  similar byimmortalityour worldcontemporary+2 more

                • Cover of Everlasting Kiss
                  Everlasting Kiss

                  series · 3 books · 2010

                  similar bycontemporaryparanormal romanceour world+1 more

                • Cover of Abandon (Meg Cabot)
                  Abandon (Meg Cabot)

                  series · 3 books · 2011

                  similar bycontemporaryparanormal romance+2 more

                • Cover of Argeneau Family
                  Argeneau Family

                  series · 39 books · 2003

                  similar bycontemporaryparanormal romanceour world+1 more

                  Lynsay Sands's long-running paranormal romance series follows the Argeneau family of vampires as different members find human partners across dozens of standalone-but-linked romances. An early entry, Single White Vampire, follows a romance-line editor determined to get a reclusive vampire author to a genre convention, only to discover his 'novels' are literal memoirs of his own vampire life.

                • Cover of The Last Vampire (Christopher Pike)
                  The Last Vampire (Christopher Pike)

                  series · 9 books · 1994

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                  The Last Vampire series consists of books written by Christopher Pike and chronicles the life of Sita, a 5,000-year-old vampire.

                • Cover of Dark-Hunter
                  Dark-Hunter

                  series · 65 books · 2000

                  similar bycontemporaryparanormal romanceour world

                  Dark-Hunter is a term from a paranormal romance and fantasy series by Sherrilyn Kenyon. Kenyon began writing the series in 1986 in horror, fantasy and science fiction magazines.

                • Cover of Elixir
                  Elixir

                  series · 3 books · 2010

                  similar byour worldcontemporaryparanormal romance+1 more

                • Cover of The Night Series (Lisa Kessler)
                  The Night Series (Lisa Kessler)

                  series · 6 books · 2011

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