series38 books2006
similar byour worldparanormal romance+1 more
Nalini Singh's long-running paranormal romance series imagines a future where the emotion-suppressing Psy, animal-shifting Changelings, and ordinary humans share an uneasy world. It opens with Slave to Sensation, pairing a Psy telepath and a Changeling leopard alpha as a string of murders pushes their two peoples toward war, while a slower arc across the books tracks the Psy's emotional-control system fraying. The series has grown across two decades into more than twenty novels plus spin-off novellas.
series20 books2003
similar byour worldparanormal romance
Christine Feehan's GhostWalkers novels follow soldiers subjected to a covert military program that enhanced them with psychic and physical abilities, then follow them as they go rogue from the program that made them and pair off in romance-driven, danger-filled storylines. Each book generally centers a different GhostWalker couple while advancing an ongoing conspiracy plot about the program's origins and enemies. The series began with Shadow Game in 2003 and has continued for two decades as one of Feehan's longest-running paranormal romance lines.
universe65 books1898
Start hereThe War of the Worlds · Start here
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No one would have believed, in the closing years of the nineteenth century, that human affairs were being watched keenly and closely from the timeless worlds of space. And then the cylinders fell. H. G. Wells' War of the Worlds opens in the quiet of the Surrey commons, where a falling star proves to be the first Martian craft — and from the pit rise the towering tripods, the Heat-Ray, the choking Black Smoke and the creeping red weed, wielded by minds that regard mankind much as we regard the creatures we boil for supper. This is invasion rendered as natural disaster: cold, methodical, and vast beyond argument. Wells' 1898 novel is the seed; everything else grows from that Martian soil. The catalogue gathers direct sequels and continuations alongside a wide field of other hands. In War of the Worlds: Global Dispatches the invasion is retold across the whole planet through the eyes of Twain, Verne, Tolstoy, Lowell and Kipling; in the Manly Wade and Wade Wellman crossover, Sherlock Holmes, Watson and Professor Challenger take the field against the machines; and Scott Washburn's Great Martian War stretches the fighting into a decades-long alternate history of steam, artillery and grinding attrition. It is a loose shared world — no single decreed sequence, many voices answering one calamity. What sets this world apart is its refusal of heroics: the invaders fall not to generals but to the smallest things of Earth, humbling and indifferent. Begin, always, with Wells' original novel — it is short, and it is the ground every later book stands upon. From there follow your appetite: Global Dispatches for the panorama, the Holmes campaign for adventure, Washburn for the long war.
series3 books2010
similar by+3 more
In an abandoned airport where the dead shuffle through half-remembered lives, a zombie known only as R feels something stir when he meets Julie, a survivor he chooses to protect instead of eat. Isaac Marion's Warm Bodies follows R's slow, contagious return to feeling -- reshaping the zombies around him along the way -- and continues through the novella The New Hunger and the sequel The Burning World.
Robert A. Heinleinstandalone novel1961
similar byour worldscience fiction
Stranger in a Strange Land is a 1961 science fiction novel by the American author Robert A. Heinlein. It tells the story of Valentine Michael Smith, a human who comes to Earth in early adulthood after being born on the planet Mars and raised by Martians, and explores his interaction with and eventual transformation of Terran culture.
universe123 books1940
Start hereFoundation · Start here
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There is a science that reads the future of quadrillions the way an astronomer reads the orbits of stars. It is called psychohistory, and its equations foresee something the ruling Galactic Empire cannot admit: the throne is rotting, and thirty thousand years of barbarism are coming. One man, Hari Seldon, cannot stop the fall. He can only shorten it — by seeding a Foundation of scholars at the rim of the galaxy, a fragile institution built to carry knowledge across the dark and cut the interregnum to a single millennium. This is a universe told in the register of history itself: the long view, the calm of deep time, empires measured in centuries and men measured against them. The spine is Asimov's original trilogy — Foundation, Foundation and Empire, Second Foundation — followed decades later by the sequels Foundation's Edge and Foundation and Earth and the prequels Prelude to Foundation and Forward the Foundation. Late in life Asimov braided this in with his other future histories: the Robot novels of detective Elijah Baley and his humaniform partner R. Daneel Olivaw (The Caves of Steel, The Naked Sun, The Robots of Dawn, Robots and Empire) and the early Galactic Empire novels (Pebble in the Sky and its kin), until one continuous chronicle ran from the first thinking robots to the Second Empire. Other hands extend it — the Second Foundation Trilogy by Gregory Benford, Greg Bear, and David Brin, and shared-world spinoffs such as Robot City — so the corpus sprawls beyond a single author's tidy shelf. What distinguishes it is that the drama is intellectual: crises resolved by insight, nerve, and dialogue rather than fleets and blades, each turn hinging on the hidden logic of the Seldon Plan. Begin where readers have always begun — with Foundation, and the original trilogy in publication order. The rest opens outward from there.
Arthur C. Clarkestandalone novel1953
similar byour worldscience fiction
Childhood's End is a 1953 science fiction novel by the British author Arthur C. Clarke. The story follows a peaceful alien invasion of Earth by mysterious Overlords, whose arrival begins decades of apparent utopia under indirect alien rule, at the cost of human identity and culture.
series8 books1932
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Aldous Huxley's 1932 novel imagines a future World State where reproduction, social caste, and desire are all engineered before birth, and the population is kept content through conditioning, sleep-hypnosis, and a mood-altering drug called soma. The story follows the disruption this seemingly stable order suffers when an outsider raised beyond its reach is brought into it, exposing what the society traded away for comfort and order. Some editions pair the novel with Huxley's own 1958 nonfiction essay collection, Brave New World Revisited, which reassesses the book's ideas rather than continuing its story.
series3 books1951
similar byour worldscience fiction
John Wyndham's The Day of the Triffids (1951) opens with a meteor-shower-like event that leaves most of Britain's population blind, throwing civilization into collapse just as triffids, an aggressive and mobile species of poisonous plant, become free to hunt the helpless survivors. Simon Clark's authorized sequel The Night of the Triffids (2001) picks up a generation later, narrated by the original protagonist's son as he confronts a new triffid-dominated world, and John Whitbourn's The Age of the Triffids extends the shared setting further still. Together the three novels form a loose post-apocalyptic trilogy built on Wyndham's original premise rather than a tightly plotted single story.
series2 books1901
similar byscience fiction
H. G. Wells's 1901 novel The First Men in the Moon is narrated by the businessman Bedford, who joins the reclusive scientist Cavor after Cavor invents cavorite, a gravity-blocking substance that carries the two men to the Moon. There they discover a vast underground civilization of insect-like Selenites, and the expedition that began as a hunt for lunar minerals turns into an encounter with an alien society. It is a standalone novel; later editions crediting Stephen Baxter add an introduction or afterword rather than a continuing story.
series6 books1897
similar byscience fiction
The Invisible Man is H. G. Wells's 1897 science fiction novel about Griffin, a scientist who works out how to make living tissue invisible and tests the process on himself, only to discover he has no way to reverse it. Unseen and increasingly cut off from other people, he turns to theft and violence while trying to survive and find a cure, making the book as much about his moral collapse as about the invisibility premise itself. It's a single self-contained novel; the two listed titles here are duplicate editions rather than separate books.
series11 books1962
completed
similar byscience fiction+1 more
The Time Quintet is a science fantasy series of five young adult novels written by American author Madeleine L'Engle and made up of A Wrinkle in Time (1962), A Wind in the Door (1973), A Swiftly Tilting Planet (1978), Many Waters (1986), and An Acceptable Time (1989).
series4 books1962
completed
similar byour worldscience fiction
Anthony Burgess's 1962 novel is narrated by Alex, a teenage gang leader in a near-future Britain gripped by a youth subculture of extreme violence, recounting his crimes in Nadsat, an invented slang blending English with Russian-derived words. After his crimes catch up with him, Alex is made the subject of a controversial state program meant to forcibly reform his behavior, and the novel uses his ordeal to question whether imposed goodness is worth the loss of free will. It is a standalone novel.
series16 books1979
part of The Hitchhiker's Guide to the Galaxy Universe
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The Hitchhiker's Guide to the Galaxy is a comedy science fiction franchise created by Douglas Adams. Originally a radio sitcom broadcast over two series on BBC Radio 4 between 1978 and 1980, it was soon adapted to other formats, including both novels and comic books, a 1981 BBC television series, a 1984 text adventure game, stage shows and a 2005 feature film.
universe128 books1818
Start hereFrankenstein, or, The Modern Prometheus · Start here
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Light a candle against the November dark and consider what a single spark, rightly applied to dead matter, might wake. In a laboratory at Ingolstadt a student named Victor Frankenstein learns the secret of animating lifeless flesh, assembles a being from the harvest of charnel houses and graves, and, at the moment it draws breath, flees the thing he has made. What he abandons does not stay abandoned. This is the world Mary Shelley opened in 1818 with Frankenstein; or, The Modern Prometheus: the story of a maker and his unmothered creation, and the long ruin each works upon the other. Shelley's novel arrives as a nest of confessions, an explorer's letters from the frozen north enclosing Victor's account, which in turn encloses the Creature's own, an articulate and wounded voice that has read Milton and wants only not to be alone. From that single volume two centuries of other hands have built outward, not as one continuity but as a gathering of independent returns to the same fire. Dean Koontz transplants the myth to modern New Orleans across a five-book cycle, Prodigal Son through The Dead Town, where the original Creature, now called Deucalion, hunts a Victor who never died. Donald F. Glut's New Adventures and Frank Schildiner's Quest of Frankenstein run the monster through pulp adventure; the mid-century French novels published as Benoit Becker chase him across a ruined Europe; Scott Sonneborn's Frankenstein Journals and the comic Frankenstein's Aunt turn the legend toward younger and lighter readers. What binds them is the question the book asks and never settles: which is the monster, the forsaken creature who kills, or the man whose ambition and cowardice made and abandoned him? Expect little comfort and few clean villains; the abiding note is grief, sublime and articulate, set against Alpine ice and candlelit hubris. Begin where it began, with Shelley's own novel; the later cycles reward you only once you have heard the Creature speak for himself.
series7 books1888
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Julian West is the time-displaced narrator of Edward Bellamy's Looking Backward, 2000-1887 (1888), a utopian novel in which a nineteenth-century Bostonian wakes from a mesmeric sleep to find his city transformed into a cooperative society more than a century later. Bellamy followed it with Equality (1897), a direct sequel that returns to Julian West's perspective to further elaborate the ideas only sketched in the first book, functioning more as an extended argument than a plotted story. Together the two novels were highly influential on turn-of-the-century utopian and socialist thought.