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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Krull

anchored on:epic fantasyquestssecondary worldadventurousdark lordmagical artifacts+1 more

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Hobbit
                  The Hobbit

                  series · 2 books · 1937

                  completed

                  part of Tolkien's legendarium

                  similar byepic fantasysecondary worldadventurousquests+2 more

                  The Hobbit (1937) is J. R. R. Tolkien's children's fantasy novel following the reluctant burglar Bilbo Baggins, who joins a company of dwarves and the wizard Gandalf on a journey to reclaim treasure guarded by the dragon Smaug. It stands as a complete adventure on its own, but shares its setting with the rest of Tolkien's legendarium and leads into the events of The Lord of the Rings.

                • Cover of The Lord of the Rings
                  The Lord of the Rings

                  series · 13 books · 1954

                  part of Tolkien's legendarium

                  similar byepic fantasysecondary world+3 more

                  The Lord of the Rings is an epic high fantasy novel written by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.

                • TC
                  Thomas Covenant the Unbeliever

                  series · 11 books · 1977

                  similar byepic fantasysecondary worlddarkquests+2 more

                  The Chronicles of Thomas Covenant is a series of ten high fantasy novels written by American author Stephen R. Donaldson. The series began as a trilogy, The Chronicles of Thomas Covenant the Unbeliever. This was followed by another trilogy, The Second Chronicles of Thomas Covenant, and finally a tetralogy, The Last Chronicles of Thomas Covenant.

                • Cover of The Well at the World's End
                  The Well at the World's End

                  William Morris · standalone novel · 1896

                  similar byepic fantasysecondary worldquestsadventurous+2 more

                  The Well at the World's End is a high fantasy novel by the British textile designer, poet, and author William Morris. It was first published in 1896 and has been reprinted repeatedly since, most notably in two parts as the 20th and 21st volumes of the Ballantine Adult Fantasy series, in August and September 1970.

                • Cover of Elenium
                  Elenium

                  series · 3 books · 1989

                  completed

                  part of Sparhawk

                  similar byepic fantasysecondary worldadventurousquests+1 more

                  The Elenium is a series of fantasy novels by American writer David Eddings. The series consists of three volumes: The Diamond Throne, The Ruby Knight, and The Sapphire Rose. The series is followed by The Tamuli. The Elenium is Eddings' third fantasy series.

                • Cover of Spiderlight
                  Spiderlight

                  Adrian Tchaikovsky · standalone novel · 2016

                  similar byepic fantasysecondary worldadventurousdarkdark lordquests

                  Spiderlight is a 2013 fantasy novel by Adrian Tchaikovsky. The novel tells the story of a group of humans and a giant spider who follow a prophecy to defeat the Dark Lord. The novel received critical praise for its exploration of the meaning of good and evil through the use of common fantasy tropes.

                • Cover of Starside
                  Starside

                  Alex Aster · standalone novel · 2026

                  similar byepic fantasysecondary worldquestsadventurousdarkmagical artifacts+1 more

                  Hundreds of years ago, a brutal war split a land in two. Starside is the realm of magic and immortals—the descendants of the gods, living in a power-rich paradise. Stormside is where mortals fight for scraps of that magic. Every fifty years, the gates between them open, and fifty challengers are allowed to journey across Starside on a deadly quest to access a pool of magic that can heal, grant wealth, or extend life. Everyone has their reasons for entering, but Aris has only vengeance. As a child, a goddess set fire to her village, killing her family. Aris isn’t after the gods’ magic—she’s going to kill them. First, she must survive the Culling, the king’s deadly competition to choose his fifty challengers. An orphaned blacksmith’s apprentice, Aris doesn’t have the superior weapons of the heirs from the Great Houses. But the greatest swords—ones that contain power—are not inherited or bought, they are claimed, by both sides. And when Aris claims a great sword, it makes her not just a real competitor—but a target. Getting past the gates is only the beginning. Starside is deadlier than it seems. If the ancient creatures, magic-wielding beasts, and bloodthirsty immortals weren’t dangerous enough, a new peril has even immortals fearing what rises from the ground at night. With a blade most would kill to claim, Aris can’t trust anyone. Especially not Harlan Raker, the merciless and mysterious king’s guard who betrayed her years ago—and who may now be the key to her survival. But Aris is hiding a secret tied to her family’s death. And when it’s revealed, not even the gods will be able to stop what’s coming…

                • Cover of The Banned and the Banished
                  The Banned and the Banished

                  series · 5 books · 1998

                  similar byepic fantasysecondary worldadventurousdark lordchosen one+2 more

                  James Paul Czajkowski, better known by his pen name of James Rollins, is an American veterinarian and writer of action-adventure/thriller, mystery, and techno-thriller novels who gave up his veterinary practice in Sacramento, California to be a full-time author. Rollins' experiences and expertise as an amateur spelunker and a certified scuba diver have provided content for some of his novels, which are often set in underground or underwater locations. Under the pen name James Clemens, he has also published fantasy novels, such as Wit'ch Fire, Wit'ch Storm, Wit'ch War, Wit'ch Gate, Wit'ch Star, Shadowfall (2005), and Hinterland (2006).

                • Cover of Sparhawk
                  Sparhawk

                  universe · 6 books · 1989

                  Start hereElenium · Start here

                  similar byepic fantasysecondary worldadventurousquests+1 more

                  Sir Sparhawk is not a young man, and he has little patience for the pageantry his order pretends to. A Pandion Knight of the militant Elene Church, he rides home from a long exile to find his kingdom rotten with intrigue and his young queen, Ehlana, poisoned — kept alive only inside a shell of living crystal. To wake her he must find Bhelliom, a jewel with the power to remake the world or unmake it. So begins a long ride across the continent of Eosia. This is warm, character-first epic fantasy from David Eddings, told across two trilogies. The Elenium — The Diamond Throne, The Ruby Knight, The Sapphire Rose — pits Sparhawk against a corrupt church and a hungry elder god. The Tamuli — Domes of Fire, The Shining Ones, The Hidden City — carries him east into the vast Tamul Empire, where older enemies stir. Around him gathers a quarrelsome company: the Styric sorceress Sephrenia, the thief-boy Talen, the plain-spoken squire Kurik, and a small, imperious goddess who plays a set of pipes and always, somehow, gets her way. The pleasure here is the talk — grizzled knights trading dry insults between miracles and murders, a hero who solves as many problems with patience as with a sword. It never reaches for grimness or grand obscurity; it wants your good company for a long journey. Newcomers begin with The Diamond Throne and read the six in order: the Elenium stands whole on its own before the Tamuli widens the map.

                • Cover of Dragon King (Stephen R. Lawhead)
                  Dragon King (Stephen R. Lawhead)

                  series · 3 books · 1982

                  similar byepic fantasysecondary worldadventurousquests+2 more

                  Stephen Lawhead's Dragon King trilogy opens with young temple acolyte Quentin sheltering a dying knight who begs him to carry on a quest to protect the Dragon King's realm of Mensandor. In the Hall of the Dragon King, The Warlords of Nin, and The Sword and the Flame follow Quentin's growth from reluctant helper into a central figure of the kingdom's fate, in a fantasy world shaped by Lawhead's Christian themes.

                • Cover of Chronicles of Blood and Stone
                  Chronicles of Blood and Stone

                  series · 3 books · 2002

                  similar byepic fantasysecondary worldadventurousquestschosen one+3 more

                • Cover of Sovereign Stone
                  Sovereign Stone

                  series · 4 books · 1999

                  similar byepic fantasysecondary worldadventurousquestsmagical artifacts+2 more

                  The Sovereign Stone series is a trilogy of fantasy novels: Well of Darkness (2000), Guardians of the Lost (2001), and Journey into the Void (2003), set in the same universe of the Sovereign Stone role-playing game. Both the books and the game were primarily written by Margaret Weis and Tracy Hickman.

                • C
                  Corum

                  series · 6 books · 1971

                  part of Moorcock's Multiverse

                  similar byepic fantasysecondary worldadventurousmagical artifacts+2 more

                • Cover of Shannara
                  Shannara

                  universe · 50 books · 1977

                  Start hereWord and the Void · The very beginning of the timeline

                  similar byepic fantasysecondary world+3 more

                  Long after the world we know has burned itself to slag in the Great Wars, the Four Lands rise green over the bones of the old age. Science is a forbidden memory; magic has come back into the world, and with it the old divisions — Men, Elves, Dwarves, Trolls, and Gnomes, each Race a splinter of what humanity became. This is the far-future Earth of Shannara, where the ruins buried beneath the soil are ours, and the only keepers of the vanished knowledge are the Druids of Paranor, who wake once a generation to meet the darkness rising again. Terry Brooks opened the Four Lands in 1977 with The Sword of Shannara and has charted its history for four decades since — a legendarium ordered not by throne but by a single bloodline, the Ohmsfords, each generation inheriting an Elfstone, a blade, or a wishsong when the age demands a hero. The original trilogy gives way to the Heritage of Shannara, the Voyage of the Jerle Shannara, the High Druid, Dark Legacy, Defenders, and the concluding Fall of Shannara; the Genesis of Shannara books reach back to the apocalypse itself, and the Word and the Void trilogy back further still, into a demon-haunted version of our own present that is the root of everything after. In 2025 Brooks passed the histories to Delilah S. Dawson to carry forward. What sets these books apart is their long memory: a world where every triumph is provisional, where the same evil returns wearing a fresh shape each age, and magic always exacts its price. The reading is warm and headlong — questing companies, old talismans, journeys across a mapped and named wilderness — shadowed by the knowledge that all of it stands on the wreckage of a former world. Enter as readers first did: with The Sword of Shannara, then onward in publication order. The chronological path, beginning with Word and the Void, rewards a second journey, once the Four Lands already feel like home.

                • Cover of Willow Universe
                  Willow Universe

                  series · 6 books · 1988

                  similar byepic fantasysecondary worldadventurousdark lordquestschosen one

                • Cover of Riftwar Saga
                  Riftwar Saga

                  series · 7 books · 1982

                  part of The Riftwar Universe

                  similar byepic fantasysecondary worldadventurous

                  The Riftwar Saga is Raymond E. Feist's debut fantasy trilogy, opening with Magician, in which an orphaned apprentice named Pug is swept up when otherworldly invaders emerge through a dimensional rift into the frontier kingdom of Midkemia. Silverthorn and A Darkness at Sethanon carry the resulting war to its close, and the trilogy became the founding entry of Feist's much larger Riftwar Cycle.

                • Cover of A Song of Ice and Fire
                  A Song of Ice and Fire

                  series · 14 books · 1996

                  part of World of Ice and Fire

                  similar byepic fantasysecondary worlddark

                  A Song of Ice and Fire is a series of high fantasy novels by the American author George R. R. Martin. Martin began writing the first volume, A Game of Thrones, in 1991, and published it in 1996. Martin, who originally envisioned the series as a trilogy, has released five out of seven planned volumes. The most recent entry in the series, A Dance with Dragons, was published in 2011. Since then, Martin has been working on the sixth novel, titled The Winds of Winter. A seventh novel, A Dream of Spring, is planned to follow.

                • H
                  Hawkmoon

                  series · 7 books · 1967

                  part of Moorcock's Multiverse

                  similar bysecondary worldepic fantasy+5 more

                  The History of the Runestaff is an omnibus collection of four fantasy novels by British writer Michael Moorcock, consisting of The Jewel in the Skull, The Mad God's Amulet, The Sword of the Dawn, and The Runestaff. Charting the adventures of Dorian Hawkmoon, a version of the Eternal Champion, it takes place in a far-future version of Europe in which the insane rulers of the Dark Empire of Granbretan are engaged in conquering the continent. Written between 1967 and 1969, it is considered a classic of the genre, and has proven highly influential in shaping subsequent authors' works.

                • Cover of Chronicles of Ynis Aielle
                  Chronicles of Ynis Aielle

                  series · 3 books · 1990

                  similar byepic fantasysecondary worldadventurous+3 more

                  Chronicles of Ynis Aielle is a fantasy trilogy by American author R. A. Salvatore, published between 1990 and 2000. It comprises Echoes of the Fourth Magic (1990), The Witch's Daughter (1991), and Bastion of Darkness (2000).

                • Cover of The Pearl Saga
                  The Pearl Saga

                  series · 3 books · 2001

                  similar byepic fantasysecondary worldadventurousquests+2 more

                • Cover of The Redemption of Althalus
                  The Redemption of Althalus

                  David Eddings & Leigh Eddings · standalone novel · 2000

                  similar byepic fantasysecondary worldadventurousdark lordquests

                  The Redemption of Althalus is a stand-alone fantasy novel by David and Leigh Eddings. Its main character is Althalus, a professional thief enlisted by the Goddess Dweia to save the world from the desolations of her evil brother Daeva and his henchman Ghend.

                • Cover of The Warrior Who Carried Life
                  The Warrior Who Carried Life

                  Geoff Ryman · standalone novel · 1985

                  similar byepic fantasysecondary worldadventurousdarkdark lordquests

                  From the back cover of the Bantam paperback edition: "In a dawn land touched by a strange magic, a young woman burned with a dark vengeance. Barbaric invaders had slaughtered her mother, crippled her father and brother, and left her scarred and barren. To redeem her world from the grip of an ancient Evil, she transformed herself into a mighty warrior, and followed the Road of Heroes into the Land of Death..."

                • Cover of Pellinor
                  Pellinor

                  series · 5 books · 2002

                  similar byepic fantasysecondary worldadventurousquestschosen one

                  Maerad has spent most of her life enslaved on a remote farm, until the wandering Bard Cadvan recognizes in her the Gift -- a rare and powerful magical ability -- and takes her from captivity into training. Alison Croggon's Books of Pellinor follow Maerad across the world of Edil-Amarandh as she's drawn into a prophecy naming her the only one who might stop the Nameless One, an ancient and corrupting sorcerer, while she also searches for her lost family. The series runs through The Gift, The Riddle, The Crow, The Singing, and the later prequel The Bone Queen.

                • Cover of The Quest of the Riddle-Master
                  The Quest of the Riddle-Master

                  series · 3 books · 1976

                  completed

                  similar bysecondary worldepic fantasyquestsadventurous+1 more

                  Patricia A. McKillip's Riddle-Master trilogy follows Morgon, prince of the small island of Hed, whose discovery of three star-shaped birthmarks on his forehead draws him into a search for his own hidden identity and a confrontation with ancient, shape-shifting powers. Drawing on Celtic myth, the three books are prized for their lyrical prose and riddle-based magic, and are often cited among the best high fantasy of the 1970s.