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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Last Human

anchored on:science fictionhumorfar futurefunnyspace operalast of their kind+3 more

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories about minds with paranormal abilities — telepathy, telekinesis, precognition, empathy — and how societies handle those who have them.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories about rising against rulers — uprisings, resistance movements, and revolutions and their aftermaths.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Space Beagle
                  Space Beagle

                  series · 5 books · 1939

                  completed

                  similar byfar futureadventurousscience fictionspacespaceshipspace opera+1 more

                  The Voyage of the Space Beagle is a 1950 fix-up novel by A. E. van Vogt, stitched together from four previously published pulp stories into a single continuous account of the exploration ship Space Beagle's encounters with a series of dangerous alien life forms. Its episodic, crew-versus-monster structure reads as a loose sequence of adventures rather than one continuous plot.

                • Cover of The Stainless Steel Rat
                  The Stainless Steel Rat

                  series · 21 books · 1957

                  completed

                  similar byfar futurefunnyadventurousscience fictionspacespace opera+1 more

                  James Bolivar diGriz, alias "Slippery Jim" and "The Stainless Steel Rat", is a fictional character and a series of comic science fiction novels written by Harry Harrison.

                • Cover of Last Legionary
                  Last Legionary

                  series · 5 books · 1979

                  completed

                  similar bylast of their kindfar futureadventurousscience fictionspace opera+2 more

                  Douglas Hill's Last Legionary quartet follows Keill Randor, the sole survivor of the Morosians after his people are wiped out by a mysterious tyrant known as the Warlord. A twice-champion of his planet's martial arts and a trained mercenary bound by a code that limited his people to defensive contracts, Randor sets out for vengeance across Galactic Warlord, Deathwing Over Veynaa, Day of the Starwind, and Planet of the Warlord, with the prequel Young Legionary added later. Critics have noted the series' debt to E. E. Smith's Lensman space operas.

                • Cover of Star Smashers of the Galaxy Rangers
                  Star Smashers of the Galaxy Rangers

                  Harry Harrison · standalone novel · 1973

                  similar byfar futurefunnyscience fictionhumorspacespace opera+1 more

                  Star Smashers of the Galaxy Rangers is a 1973 comic science fiction novel by American writer Harry Harrison. It is a parody of the space opera genre and in particular, the Lensman and Skylark series of E. E. "Doc" Smith. The main characters are homages to Tom Swift Jr. and his buddy, Bud Barclay. It also includes a homage to Larry Niven's Ringworld (1970).

                • Cover of The Stars My Destination
                  The Stars My Destination

                  Alfred Bester · standalone novel · 1956

                  similar byfar futuresurvivaladventurousscience fictionspacespace opera

                  When a passing spaceship refuses to rescue the lone survivor from the drifting wreck of another ship, he dedicates his life to discovering who made that decision and exacting his revenge, in the process altering human history and his own character.

                • Cover of Mindswap
                  Mindswap

                  Robert Sheckley · standalone novel · 1966

                  similar byfar futuresurvivaladventurousfunnyscience fictionspace

                  "In the future, interstellar travel to alien worlds will be too expensive for most ordinary people. It certainly is for Marvin, a college student who wants to take a really good vacation. And so he signs up for what he can afford, a mindswap, in which a persons consciousness is swapped into the body of an alien lifeform. But Marvin is unlucky, and finds himself in the body of an interstellar criminal, a body that he has to vacate fast. But that criminal consciousness has stolen Marvins earthly body, and Marvin has to find a body on the black market. Travel from world to world with Marvin, each one crazier than the last, as he keeps finding far-from-ideal bodies in awful situations, just to stay alive"--Cover p. [4].

                • Cover of Starman Jones
                  Starman Jones

                  Robert A. Heinlein · standalone novel · 1953

                  similar byfar futureadventurousscience fictionspacespaceshipspace opera

                  Starman Jones, a 1953 science fiction novel by Robert A. Heinlein, features a farm boy who wants to go to the stars. Charles Scribner's Sons published the book as part of the Heinlein juveniles series.

                • Cover of Redshirts
                  Redshirts

                  John Scalzi · standalone novel · 2012

                  similar byfar futurefunnyscience fictionspacespaceshipspace opera

                  Redshirts is a postmodernist science fiction novel by John Scalzi that satirizes the tropes and narrative elements of Star Trek from the perspectives of several characters in a fictional TV show about the adventures of a starship and its crew who gradually become aware of their true nature.

                • Cover of Douglas Adams's Starship Titanic
                  Douglas Adams's Starship Titanic

                  Terry Jones · standalone novel · 1997

                  similar byfar futurefunnyscience fictionhumorspacespaceshipspace opera

                  At the heart of a galaxy of which we know nothing, the greatest, most advanced starship ever known has been built -- the Starship Titanic. It is fabulous, beautiful and technologically miraculous. On its maiden voyage it crashes into hyperspace and vanishes. The first you know of it is when you are sitting at home having a quiet evening in front of the TV and the most fabulous starship in the galaxy crashes into your home. You find your way on board (or not, if you just want to play the two min ute version of the game) and are confronted with an interior which resembles a mixture of the Ritz, the Chrysler Building, Tutankhamen’s tomb, and Venice. The ship is inhabited by traumatized robots, a lobotomized cyberintelligence, a frankly unhinged parrot and, as the ship takes off, taking you deep into unknown interstellar space, you realize that life on board as a third class passenger is going to be tough going. You find yourself in the grip of one of the most powerful forces known to modern man -- the desire for a free upgrade. Your task is to discover what has happened here, to reveal the deep conspiracy that lies behind this catastrophic failure, to repair the ship’s intelligence and guide the ship back home. To do this you will have to gain the trust of the robots, which you do the same way you would with anybody else -- by talking to them. State-of-the-art language technology lets you do this.

                • Cover of Chanur
                  Chanur

                  series · 7 books · 1982

                  part of Alliance-Union Universe

                  similar byfar futureadventurousscience fictionspacespaceshipspace opera

                  The Chanur novels are a series of five science fiction novels, forming three separate stories, written by American author C. J. Cherryh and published by DAW Books between 1982 and 1992. The first novel in the series is The Pride of Chanur (1982), which was nominated for both the Hugo and Locus Awards in 1983. The Pride of Chanur, originally a stand-alone story, was followed by the Chanur's Venture trilogy, Chanur's Venture (1984), which was shortlisted for a Locus Award in 1985; The Kif Strike Back (1985) and Chanur's Homecoming (1986). These were followed by a later sequel, Chanur's Legacy (1992). The five novels were also published in two omnibus editions: the first three in The Chanur Saga in 2000 and the next two in Chanur's Endgame in 2007.

                • Cover of Beyond Infinity
                  Beyond Infinity

                  Gregory Benford · standalone novel · 2004

                  similar byfar futuresurvivaladventurousscience fictionspacespace opera+1 more

                  From the flaps of the Warner Aspect first edition: "Billions of years from now, the last true human must find her place - and her destiny - within the inconceivable vastness of multiple universes. ... Cley is an Original, a genetically pure member of the most ancient Ur-Human beings. Like others of her forest-dwelling tribe, she expects to spend her few centuries working in the great subterranean Library of Life. Then catastrophe strikes when strange transdimensional life-forms obliterate the Library and kill all of Earth's Originals - except for Cley. These uncanny beings also attack the planet's most advanced human species, the highly evolved Supras, who cannot reconstruct the knowledge and DNA lost in the Library's ruins. Nor can they protect Cley... Forced to flee, Cley must begin a desperate quest for survival, answers, and hope. Joined by a raccoonlike companion called Seeker, she will journey across the myriad environments of her wildly transformed world... and then far, far beyond. For somewhere - past planets that have been reengineered, past sentient ship-worlds evolving deep between stars, past creatures the size of solar systems - waits the Malign. A being so powerful that it can escape a black hole, the Malign is destroying the galaxy as it hunts down the one thing it fears... Cley."

                • Cover of The Wind Whales of Ishmael
                  The Wind Whales of Ishmael

                  Philip José Farmer · standalone novel · 1971

                  similar bylast of their kindfar futuresurvivaladventurousscience fiction

                  Ishmael, lone survivor of the doomed whaling ship Pequod, falls through a rift in time and space to a future Earth--an earth that no longer has seas to sail or a safe harbor to call home.

                • Cover of Slow Train to Arcturus
                  Slow Train to Arcturus

                  Eric Flint & Dave Freer · standalone novel · 2008

                  similar byfar futuresurvivaladventurousscience fictionspacespaceshipspace opera

                  Sending a spaceship to rendezvous with an enormous vessel made up of a series of globular habitats approaching its star system, the aliens find a savage race calling themselves "humans" who promptly slaughter the exploration team, except for a single survivor who escapes to another habitat, where he finds more friendly humans whose help he requires to get back to his own ship.

                • Cover of Pitch Dark
                  Pitch Dark

                  Courtney Alameda · standalone novel · 2018

                  similar byfar futuresurvivaladventurousscience fictionspacespaceshipspace opera+1 more

                  "Lost to time, Tuck Morgan and his crew have slept in stasis aboard the USS John Muir for centuries. Their ship harbors a chunk of Earth, which unbeknownst to them, is the last hope for the failing human race. Laura Cruz is a shipraider searching the galaxy for the history that was scattered to the stars. Once her family locates the John Muir and its precious cargo, they are certain human civilization is saved. When Tuck's and Laura's worlds collide—literally—the two teens must outwit their enemies, evade brutal monsters that kill with sound, and work together to save the John Muir ... and the whole human race." (source: us.macmillan.com)

                • Cover of Dramocles: An Intergalactic Soap Opera
                  Dramocles: An Intergalactic Soap Opera

                  Robert Sheckley · standalone novel · 1983

                  similar byfar futurefunnyadventurousscience fictionspacespace operahumor

                  Dramocles: An Intergalactic Soap Opera is a science fiction novel by American writer Robert Sheckley, published in 1983.

                • Cover of The Centauri Device
                  The Centauri Device

                  M. John Harrison · standalone novel · 1974

                  similar bylast of their kindfar futurescience fictionspacespace opera+1 more

                  Captain John Truck is the last of the mysterious Centaurans, and the only one who can operate the bomb they left behind, and now several people want him to use it, but Truck isn't so excited about it.

                • Cover of Hell Ship
                  Hell Ship

                  Philip Palmer · standalone novel · 2011

                  similar bylast of their kindfar futurescience fictionspacespaceshipspace opera+1 more

                  The Hell Ship hurtles through space. Inside the ship are thousands of slaves, each the last of their race. One man refuses to accept his fate. Sharrock, reduced from hero to slave in one blow, has sworn a mighty vengeance.

                • Cover of Hitchhiker's Guide to the Galaxy
                  Hitchhiker's Guide to the Galaxy

                  series · 16 books · 1979

                  part of The Hitchhiker's Guide to the Galaxy Universe

                  similar byfar futurefunnyscience fictionspacehumor+1 more

                  The Hitchhiker's Guide to the Galaxy is a comedy science fiction franchise created by Douglas Adams. Originally a radio sitcom broadcast over two series on BBC Radio 4 between 1978 and 1980, it was soon adapted to other formats, including both novels and comic books, a 1981 BBC television series, a 1984 text adventure game, stage shows and a 2005 feature film.

                • Cover of Solar Queen
                  Solar Queen

                  series · 7 books · 1955

                  similar byfar futurescience fictionspace operaspaceshipspace+1 more

                  Andre Norton's Solar Queen novels follow the crew of a free-trader starship under Captain Jellico as they scrape by hauling cargo and making first contact on the fringes of settled space. The first three books appeared in the 1950s; Norton returned to the series decades later and, from the 1990s on, completed it in collaboration with P. M. Griffin and Sherwood Smith. Across its seven novels the series keeps its ensemble trading-crew premise rather than following one continuous plot.

                • Cover of Phule's Company
                  Phule's Company

                  series · 6 books · 1990

                  similar byfar futurefunnyscience fictionspacehumor+1 more

                  Phule's Company is a series of comic military science fiction novels by Robert Asprin, beginning with Phule's Company and ending with Phule's Errand.

                • Cover of Revenger
                  Revenger

                  series · 3 books · 2016

                  similar byfar futureadventurousscience fictionspacespace opera+2 more

                • Cover of Company Wars
                  Company Wars

                  series · 7 books · 1981

                  part of Alliance-Union Universe

                  similar byfar futurescience fictionspacespace opera+2 more

                  Company Wars gathers the novels C. J. Cherryh set during the breakaway conflict between Earth's colonial Company and the newly independent Union, within her wider Alliance-Union future history. Anchored by the Hugo Award-winning Downbelow Station, the books follow different ships, stations, and crews caught on either side, from merchanter traders to military spacers, rather than a single continuing cast. Read in any order, they build up a picture of the political and economic pressure that reshapes Cherryh's larger Alliance-Union universe.

                • Cover of Red Dwarf
                  Red Dwarf

                  series · 8 books · 1989

                  similar byfar futurefunnyscience fictionspaceshiphumor+3 more

                • Cover of The Kruton Interface
                  The Kruton Interface

                  John DeChancie · standalone novel · 1993

                  similar byfar futurefunnyscience fictionhumorspacespaceshipspace opera+1 more

                  Think you're spaced out? Climb aboard the U.S.S. Repulse... Captain David Wanker thought his career had hit rock bottom. The he was assigned to the Repulse... It's the lowest-rated ship in the Space Forces. The navigator get lost. The engineer is incomprehensible. Security can't stay awake. And the doctor needs medication. But... When an army of alien lawyers sues the entire human race, only this captain and this crew can save humanity from terminal litigation. The repulsive adventures begin! God help us all. (from the back cover of the Ace Books first edition)